2 classics transformed in a huge breaks outfit

2p- 45rpm, 180g vinyl, outer sleeve with effect pet rainbow / transparent sticker on the cellophane - third album from superpoze, his first ones being critically acclaimed

180gm 2lp + download

remastered reissue on pink coloured 180 gram double vinyl, housed in a gatefold sleeve.

celldod is swedish producer anders karlsson. anders has been active in the music scene for some time working on different musical projects, always with a strong diy ethic his celldod project has released several cassettes under his own label brutal disciplin and has also released records on suction records, kess kill and femur records. in 2017 anders released an album under the name vargd?d on opal tapes together with swedish techno artist varg. anders hardware driven sound has evolved over time now personifying finely sharpened ebm and techno crossover of the highest calibre. with a nod to the greats but with a forward thinking direction, we have four new cuts to destroy the darkest dance floors. relentless, bass-heavy and blown-out bangers. fans of daf and maybe 242 meets silent servant will be blown away. mastered by martin bowes at the cage, uk.

the range präsentiert ein famoses elektronisches album gesampelt aus den tiefen youtubes! schwarze heavyweight lp in cellophaniertem, bestickerten sleeve mit 3mm rücken, 4-flächigem, bedruckten inlay und mp3-downloadkarte.

all music written, produced and arranged by spider recorded in web lab studios, jersey city, nj shout out to the entire vanguard crew!!

limited classic repress !! including amazing tracks like scientist, pornoactress, sterilization, rocket scientist, cellularphone and speak and spell. this is almost as important for a complete techno generation as kraftwerks computerworld and autobahn was for many in the 70 s. finally available again after being out of print for years!

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

saverios out of tune is back with his 5th release signed by celldoed , the swedish producer deliver a 5 tracker ep ebm/industrial oriented.

incl assembler code remix

cell out & sleeper cell on b1. tip!

killer breaks - house edits .... monster

no. 2 of cell out

cell out lurk in the murk of that solent estuarine backwash. tense breaks hold the lid on rave licks padded mists provide audile sanctuary. transcendence found in an oblong room the dragons tail of an apocalyptic blowout.

comes with full picture sleeve

public service broadcasting and the bbc symphony orchestra, conducted by jules buckley, live at royal albert hall, london, 2022.

15 previously unreleased tracks plus 4 songs from the discography of j.t. iv on double vinyl.

80s hit compi on coloured double vinyl incl tankita tikaram, eurythmics, soft cell !

pins: a compilation of electronic music from glasgow is a project and party born out of the desire to represent a diy ethos bubbling through the veins of glasgows electronic music community.

digipack 6pp / 1 tray on center panel / outer sleeve with effect pet rainbow / transparent sticker on the cellophane

pressing on transparent red 180 gram vinyl, housed in a gatefold sleeve.

f-dorm is a collaboration between connor camburn of litüus (avian), and visual artist conor ekstrom. commune follows the first f dorm cassette on mazurka and presents the first lp by the project. songs build upon unexpected repetition, wielding normally aggressive sounds into meditative loops with subtle textural evolutions. bursts of tape saturation, controlled waves of feedback, and linear drum beats shift and weave together through rhythmic delays. affected vocals speak low as if coaxing the listener further out into the nether regions of the mind. the strange cumulative mood of the record is difficult to describe: a transcendental state or a foul parallel from which the listener arises stronger or does not arise at all. mummies in civilian clothes -the master of the riddle-a dollmind haunts me in the penitentiary -the puttyman, naked inside -a mind made of cream

quazarz came to the earth from somewhere else, a musical ambassador from his place to ours. somehow, through fire or through fury, the palaceer of shabazz palaces caught wind of the tale, and it is through his prism that we hear the story. the beach was there, and atlaantiis, and chemical alterations and cell memories and andre norton, richard k. morgan, and always octavia butler. there were killings and there were votes, and brutality in both. there was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. and the palaceer coasted down with the alien notion, like quazarz, and so became. on quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. and so quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. the dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. the vinyl release includes a download code.

for the second instalment, &#22806,,&#31070,,&#30000,,deepspace takes us down from the neon skyline to the hum of surface drones and tesla waves seeping through the circuit boards of the megacity. it’s the slogan for our new robot overlords as we punch into cellular devices. the gradual seeping of billboard acid frequencies into the bloodstream as mutants whistle out from ventilation shafts. a hazy bygone recollection of biological matter as we sink into concrete, junk and mechanical s&m.

john heckle last released an album on tabernacle three years ago, but he s been far from quiet since then with his head front panel project diverting his attention towards blistering hard techno. tone to voice then represents a return to more melodic pastures with a more diverse selection of tempos and moods to choose from, but still heckle s innate gift for expressive, dynamic machine music shines through. -sonic spectrometer- is a joyous slice of techno-jazz, while -potential life- whips up stunning cascading synth lines and pattering hats. at times, there s no need for a kick, and with ample ambient excursions woven into the mix this stands as one of heckle s most accomplished releases yet.

edie sedgwick was the true it girl of the pop art age a woman who famously said she wanted to turn the world on just for a moment. part of andy warhol s factory for a year in the mid 60s, she is widely believed to have inspired the velvet underground s femme fatale as well as bob dylan s leopard-skin pill-box hat and just like a woman

acclaimed russian producer, dj and live musician kito jempere is back with a stunning second album, this time on italian label hell yeah. entitled sea monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production. kito jempere is a musical polymath. the russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. these range from rock to acid jazz to electronic bands and often call upon a rotating cast of other members who are all equally talented. from playing in small bars to headlining big shows for thousands of people in saint petersburg, he has put out a number of albums and singles on labels like freerange, room with a view and hell yeah and djs around europe. jempere plays live as the kito jempere band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel.

with a wall-to-wall 21st century freshness, light years past any concept of vogue, or any linear genre lines, norwegian quartet rohey deliver music that bristles with energy and honesty, that grooves with the best funk, that has deep soul roots while keeping an eye on the broad expanse of a golden future. lead vocalist rohey taalah brings all the emotional complexity you would expect of a classic jazz or soul singer (and can withstand comparison with any with ease). ivan blomqvist s keys play a dual role of laying down old school sonics, while bringing a retrofuturistic hyper-urban tone (akin to british idm), while kristian b. jacobsen (bass) and henrik lødøen (drums) create a jazz-soul-funk hybrid rhythm section that ducks and weaves with supreme artfulness.
rohey have toured extensively throughout scandinavia, taking in just about every major jazz festival along the way. with the release of “a million things” on jazzland recordings in early 2017, their path can be expected to take them ever further: music this good can t be kept secret for long. “a million things” performs a balancing act that most pop artists have forgotten in these days of studio micro-editing: how to write and play a song with full and sincere conviction, while enjoying an artful expressiveness without making things unnecessarily difficult for the audience. this has been borne out by their nomination for best single at the scandinavian soul awards in 2015.

amsterdam’s coveted format returns with a fresh slice of techno funk by argentinean producer flug. format’s latest offering sees flug throwing down his signature techno sound across three tracks, all of which are centered around stripped grooves and menacing fx. first up is obscure cells, which combines an infectious synth arp to an ever evolving groove with the outcome being a very hypnotic track. x28 turns things up a notch with a powerful offbeat groove and mental synth squeaks, while the highly energetic trip02 marks a venture into detroit techno territory. a highly diverse ep of a grade quality, this one... format’s ninth release has become another dancefloor damaging piece of work.

das zweites soloalbum des zion i produzenten ist zugleich sein erstes für das plug research label (flying lotus, bilal, exile, etc.), welches nun in zusammenarbeit mit snow dog eine limitierte vinyledition veröffentlicht. amp live arbeitete bereits mit dilated peoples, planet asia, lyrics born (quannum), fashawn und remixte offiziell songs von goapele, underworld und linkin park. das album vereint einflüsse der aktuellen los-angeles-beat-szene, amp live ist ein leidenschaftlicher mpc handwerker, mit vocals von westcoast rappern wie mike g (odd future), opio (souls of mischief), grouch & eligh (living legends), planet asia als auch aufstrebenden gesangstalenten wie povi tamu, anya & prof und live instrumentierung von amp live selbst. das ergebniss ist ein lässiges, jazzbasiert groovendes werk, das zwischen electronca, indie, neo soul und hip hop mit den referenzen dilla, aloe blacc und outkast schwingt.

medical records presents its second contemporary artist release with roladex. imagine kraftwerk playing steven merritt songs. using an arsenal of analog instruments, roladex nostalgically borrows ideas from music of the past to carefully craft a unique brand of futuristic-mechanized pop, with an emphasis on songwriting and layered production. weaving sparse, sequenced arpeggios into fuzzy bass and bubbly melodies to create a bed of sound where they layout a somehow bright melancholia.
pressing on transparent, electric blue colored 180 gram vinyl with lyrics insert.

gem club is an exclusive society: two people, a piano, and a cello. vocalist christopher barnes sings in a quivering whisper, and these minimal accompaniments assure that their sound never becomes louder than a hush. but the massachusetts duo s debut ep, acid and everything, showed just how much emotional intensity you could pack into compositions so spare, and how much could be suggested with so little. everything on breakers, their first full-length, sounds frozen over: icy, quiet, austere. you know that eerie feeling when you find yourself alone in a huge public place that s usually crowded-- maybe a shopping mall or a playing field- but at that moment is totally empty? this record sounds like a sustained version of that feeling. -i heard the party- juxtaposes echoing piano chords and a general sense of unease (-no one could have told you / your body would fail you-) with the refrain -i heard the partys here- floating across the track like the sound of dried up laughter. the word -party- feels so out of place in a song so pensive and lonely that there s something jarring about the experience. the feeling crops up repeatedly on breakers: a sense of slow-motion detachment, a suggestion that there were signs of life here once, but you ve arrived a couple of hours- or maybe a couple of weeks- too late.

wenn du dich jemals vor der nacht gefürchtet hast, bietet dir fake is real mit all seinen rhythmen eine versöhnung, die dich einlädt, dich gemeinsam im club zu bewegen.

7th output of the vigenere label.. pressed on 180 g vinyl

2020 repress !! about the bamboo recordings: jacobus derwort started exploring sonic soundscapes listening to his short-wave world receiver at the age of 12. there he would hear music from africa, china, japan, indonesia, south america and beyond. he started playing guitar, piano, percussion and saxophone. he met hanyo van oosterom in 1978 and they started the legendary cult rock band, the jones . derwort was playing the sax, van oosterom the drums. they started conducting sound experiments in hanyo’s small cellar in the dutch village of krimpen aan den ijssel. in the early eighties they made their first cassette, the kallikatsou . hanyo started the ambient collective chi in 1983. jacobus was the first musician to join chi. together, they went to the magic rock “the kallikatsou” on the island of patmos, greece. here, hanyo had stayed for months in a cave for some deep soul-searching. he heard the sound of chi in the silence of the night like a message from out of space. being together at the kallikatsou they shaped the foundation of chi, making handmade flutes from local bamboo and conducting field recordings of water, crickets, owls, goats, wind, etc...

for our number 013 we have label boss and founder on command. kessell delivers four slices of precise, expertly crafted modern techno. the minimum for the maximum motto works perfectly to describe this ep, nothing is left over, all the components are carefully chosen to convey sensations and say something. linear synth sequences constantly evolving, profound kicks and sharp hi frequencies, continuous arrangements and solid components, no drones, no breakdowns, no big reverbs. functional tools for the real players out there.

2018 repress in plain white sleeve.
critical come extremely correct once more with what is bound to be an early summer smash as a certain dub phizix picks up where the almighty marka left off. teaming up with fellow manchester scene stalwart fox proves an inspired choice here which critical just couldnt ignore, so invited him back to drop these two more astonishingly fresh tracks for this, his second outing on the label. simply put, >never been< is baaaaaad man business. a lean, stripped back percussive intro leads us to a breakdown where fox greets us with the sickest of vocal hooks that you will be trying to decipher until the end. when the tribal half-time break drops its time to bounce as the undulating b-line rolls heavy throughout with dub phizix teasing with awesome drumedits and amen shakedowns. riddim! cinematic soundscapes and a solid beats combine on >codec<, a more bass-led slab of equally dance floor drum & bass that retains the dub phizix air of originality with an experimental break the kicks like a mule. another winner without doubt from a very exciting splinter cell coming out of the north of the uk right now.

for the second in its new special collector series, music for dreams has asked long-time friend of the label moonboots to pick out a selection of songs with the power to encapsulate moods of calm and moments of contemplation. the result is the exquisite “moments in time” moonboots has been a fixture of the manchester scene since the balearic boom in the late 80s. he runs the prolific vinyl label aficionado recordings together with fellow dj jason boardman, a project that started out as a sunday club night. since 2012, they’ve dished out more than a handful of 12” releases with an ever-surprising selection of underground acts at the fringes of what might be called balearic.

rounding out a busy year, livity sound are proud to present a brand new four track ep of deadly club ready rhythms from paris finest, simo cell

!! 50% deal !!!new york by way of miami, nick klein has strung together an impressive discography over the last couple years releasing music for alter, ascetic house, and bank among others, while at the same time handling his own primitive languages imprint bringing to life music by a wide range of cellar dwelling freaks. some time in the making, we now see klein with his debut on l.i.e.s. displaying, over four tracks, a wide range of production styles, each effective in their own right. from side-chained jack to peak red drum work outs to computer based minimalist bit destruction this ep proves to be a crushing statement from an artist coming into his own

baby ford s minimal minded label is back in action with some psyched-out goodness from alex celler. the long-serving greek producer has many strings to his bow, but this release finds him tapping into his foundational sound as a steady ticking groove carries a richly produced bed of chimes and tones for the deepest moments in the dance. where -feudade- is a lilting, soothing trip, -vis a vis- heads into a more mysterious headspace peppered with nagging rhythmic trysts, crafty licks and fulsome bass to get the synapses popping. it s exactly how stripped down house music should be done, inventive to the last and yet utterly danceable.

the latest outing on will & ink is a remix ep that finds parisian producers bambounou and simo cell team up for four reworked versions of yaleesa halls woodall lp. both artists are known for their releases on 50 weapons, livity sound and wisdom teeth. right here, on will & ink, two solo outings with another two collaborated remixes on the b-side showcase their dubbed out, stripped back and paranoid dark parisian trademark sound. their very specific sound sounds like little else and is a solid match with yaleesa hall and the amsterdam imprint as this ep proves.

fantastic beasts and where to find them is a brand new british fantasy action film directed by david yates and written by j. k. rowling, inspired on rowling s book of the same name. the score is composed by grammy, golden globe, bafta, academy award winner james newton howard (dark knight, hunger games series, i am legend, batman begins).
limited first pressing of 2.000 numbered copies on transparent blue & gold mixed 180 gram vinyl.