stepping out from the lab, laetitia takes on the trip of a lifetime, with all attendant highs and lows, and ending all too soon.

the volcano mount vesuvius is the inspiration for mike parkers new release on geophone. cavernous echoes, thundering analogue bass and spacey bleep tones are blended together in mikes unique style. 3 tracks of maximum volcanic techno!

thomas muller has most definitely found his sound. following two splendid remixes for his bpitch label-mates cormac and telefon tel aviv, he finally indulges us with a complete 12 inch from his own sound lab. a masterpiece without a doubt.

some fresh blood on ior from newcomer craig bratley who delivers a slow motion slab of electronic funk. remixes from burnt island casuals + 6th borough project.

trans air / caliypso, soca & reggae-fied versions of disco hits / feat. billie cole, tappa zukie, gerard pj browne, the star beams, casual t, eddie & the moment, mucho plus, wabine, oluko umo, el cid, bobby ravern and okyerema asante..

a relatively recent partnership, harkin & raney draws from years and years spent lost in music. steve raney (known to many as oneauff) came to nyc in 2005 with ten years of djing already under his belt. it was shortly thereafter that he connected with eamon harkin, an irish-born dj who’s become a central figure in the city’s party scene thanks to his hugely influential club nights fun, prime time, mister saturday night, and sunday best.

these 2 new versions of >lets get hot< and >lets get cool< are the result of the original track cool in the pool recorded in my home lab in cologne 1979. sometimes absurdity can become the mother of invention. when i was working on the music of cool in the pool it finally became necessary to search also for a lyric. to my surprise they all seemed to have appeared at the right time and the right place. there is no doubt about it! so, lets get hot and lets get cool together. comes in limited transparent blue vinyl!

after their first >woof ep< the question on everyones mind was: are they going to disappear in the mumbai masses or are they more then just one in a billion...? with the new >ancova ep< comes the answer to that question: mumbai science is here to stay. while working in dr. lektroluvs underground lab for a few months now, they improved their sound to a whole new level. with dancefloorbangers like >ancova< and >hoot<, its hard not to get cured... you say party, we say techno. whats next for mumbai science? the nobel prize?

these 2 new versions of >lets get hot< and >lets get cool< are the result of the original track cool in the pool recorded in my home lab in cologne 1979. sometimes absurdity can become the mother of invention. when i was working on the music of cool in the pool it finally became necessary to search also for a lyric. to my surprise they all seemed to have appeared at the right time and the right place. there is no doubt about it! so, lets get hot and lets get cool together. comes in limited transparent red vinyl!

big with mihalis safras, piemont, afrilounge, phonique, someone else, anthony collins, stephan bodzin!! slim, sporty and very casual- thats the way in which current number 18 on acker records sneaks into listeners ears and hereby wonderfully illustrates the much longed for beginning of the open air season in europe. other than the name justin side implies, its even two dudes from denmark who conjure up this unusual voodoo. bedded on a gently shaking groove and larded with tropical warm percussion and lots of vocals, the magic takes effect immediately but still unobtrusively. beside the original mix, the groove of the a-side includes a minimal club mix by mister mollono.bass that creates rather nightly associations in its straightforward manner. on the flipside he pulls out some other stops of his sound repertoire and calls the sunbathed result very appropriately his summer mix. last but not least the unmistakable, humorous organ sounds of rundfunk3000 represent the unique, local mecklenburg version of a mighty voodoo magic.

cracking 4 tracker from aftertaste - ft casual violence / marco rane & paul beox / charlton / mattias engvall

fresh from birmingham comes young talent src delivering the >goin out ep< for the rwina imprint. stuffing old school 8-bit sensibilities and new school grime attitude into a blender and hitting puree, src slings sizzling synths and punchy basslines with devastating effect. from the casual g-funk of >goin out< and >sort of a start< to the skank-u-like shuffle of >facepalm< and the danjah-esque >wheres the remote?<, this ep contains grime riddims that will fill every dancefloor with hypercolors, power-ups and neon-lights, like pacman duelling with mario in the dark. with all this in mind, src makes the case that he is one to watch for the future, and with a workrate to match the hype, you can expect a lot more where this came from!
dj support comes from the distinguished likes of starkey, swindle, elijah & skilliam, taz buckfaster, baobinga, terror danjah and many more...

nice price deal !!! >a night on the wonk< is on an experimental tip with highly addictive horn and chime hooks. the gemmy remix takes the chime section, gives it some of the well known purple treatment and turns it into a highly distinctive but slightly sickly intro. i say sickly but thats perhaps because i have listened to it a lot of times in a fairly short period of time. however we are then treated to a bleepy roller with moderate variation to keep things interesting. this makes it perfect for an early set or casual listening. >detached reality< crackles its way through some haunting vocals and evil guitar riffs creating a tense but soothing atmosphere ? detaching you from reality, sinking you into your seat while your mind starts to play tricks with itself. what are we really here for?

balkanized tribal-house, incl. remixes by rene amesz and digital lab.

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

blackstrobe are back from beyond. their newest dance floor gems are a foray back into the darkest realms of disco with their unique blend of boogietrance, softgoth, gaybiker house music. on their latest release they employ deep gothy hooks that match perfectly with a nostalgic italo flair and dark disco pulses. dancefloor zombies and casual listeners should find these retro-futurist tracks akin to the worlds of john carpenter and the twilight zone. trevor jackson >great release< // chloé >good tracks, will play them< // dj hell >great single<

stl is the production alias of stephan laubner who has been releasing material under a variety of pseudonyms on labels likeperlon, smallville, styrax and his own something records imprint over the past decade. stephans productions are like fine wine, they develop, mature and get better with age. his past releases have gained support and charts from detroit luminaries like derrick may & theo parrish to the berghain collective, ben klock, marcel dettmann & steffi. his recent licensing of silent state on cassys new simply devotion mix on cocoon, ames fabric mix, steve bugs the lab and earning the number 1 spot ingroove magazines chart all speak volumes about the level of love and passion he puts into his productions. with stephans check mate he pays homage to a sound we simply adore, a musical conceit only a select few understand, hand crafting his sounds with a variety of analog signal processors, vintage synthesizers and a loving touch reminiscent of the early deepchord years. this is one to treasure, made for repeat listening

supported by kollektiv turmstrasse, kombinat1000, someone else!! matching the cold season in northern europe, acker records extends its collection with a beautiful just as functional ear warmer. designed by the gents carsten rausch and ferdinand laurin from the city of trier, this acoustic accessory convinces in even four aspects. on the one side, the warm sounds of shout can be found, a really inspiring track that develops certain trancy qualities with its throughout melodic character and some pretty trippy delay experiments. after that, the pleasant boost is taken up by quattrow, here the anyway outrageous groove of the lower frequency spectrum is raised to the stakes by a casual and housey motive. this track is redesigned by the dudes of rundfunk3000 on the other side, they serve it on crunchy and highly energetic rhythms and spice it up with their typical, playful instrumental entries. finally, the tribe is also pretty much straight forward and again scores with warm feel-good sound that dives into intoxicating depths.

after the great effort of alex flatners feat lopazz >perfect circles< like the >sound of the 9th season< licensing for sven väths cocoon compilation series or the >the lab< licensing by loco dice (damian schwartz remix), circle music decided to release a new remix package of the track. we are proud to present you great interpretations by joey beltram, ken ishii, cess and elephants & lollipops.

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

this is the second experiment from the teslasonic lab. this time, teslasonic descends into the bowels of the globe to bring forth its hidden sounds and to unlock the imprisoned and immense energies. the task is to subdue the devastating spark of prometheus and the thundering bolt of jove, annihilating time and space. from the dark depths of electro to the bright regions of the cosmic sounds. check!

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name. known for rocking clubs and releasing a string of killer twelves, belfast-based phil has hooked up with german powerhouse cocoon in recent times. sven väths label is now about to release shh, a groundbreaking piece of work that will undoubtedly gain phil plaudits across the board. shh seems to not only reference every sound phil has ever loved in music, but is formulated in a completely fresh and futuristic way. listen carefully and you can detect elements of dub reggae, old hardcore like lfo, hip-hop, early 90s electronica such as autechre/black dog and other warp staples, as well as the futuristic techno that phil excels in. for the album phil went back to old sound lab recordings dating back to the 1950s and 60s. utilising some of these sounds in the initial construction, he built up tracks using a combination of old samples sourced from original and weird places and some live new instrumentation as well. there are live drums, some electric / acoustic/ bass guitar and live keyboard playing as well as some choice guest vocalists.

after almost a year hiatus the detroit grand pubahs are back with their detelefunk label. detelefunk being an abbreviation for detroit (det) electronic (ele) funk, they relaunch their imprint with a remixes series of some of their favourite producers remixing tracks from their last 3 albums. hence the title of the series being made up of words from all these album giving us the funtastic “buttfunkula and the remixes from earth”. this is the first of 2 volumes / eps that will offer new remixes, leading into a remix compilation featuring the finest remixes of the pubahs music from over the years. volume 1 sees the minimal originator himself, robert hood, take the reigns and remix the title track from the pubahs debut album >funk all y all<, while detroits underground resistance / interstellar fugitives dj 3000 takes one of paris the black fus first tracks >stalking you< (previously released on throw) and adds his albanian rhythms. finally, last but by no means least swedens samuel l session takes time out from producing for his own klap klap label to deliver this peak time dancefloor remix of the infamous >dr bootygrabber<. promising to take robert hood, dj 3000 and samuel l sessions on a galactic ass trip in their star ship was paris the black fu & the mysterious mr os way of getting them to do remixes. >now all i have to do is get them to deliver< comments paris from his secret lab >i do plan to bring them home after the remixes have been released. working with these artists has been a goal of ours for the past few years, and now that they ve been abducted may the funk be with all of us<

alex finishes some dark experiements in the lab with this first outing the black series from credo. from time to time you can expect some really dark approaches to the technoside of life. the kick off now with the dark summer nights, pt1 flows constantly and pushed forward through some low chords which finally return to a super low bass-driven drumming pattern. the second part is kind of fragmented, alsways evolving and finally finding the way to an rolling end, somehow even more dark than part one. this is gets huge support already from the likes of len faki, speedy j, chris liebing, gary beck and the other usualy credo-suspects. the bacl series will be strictly limited to 500 copies onlyfor each release!!!

the mission : bring together 18 international hybrid pop breakthroughs for the summer. for who: those who havent made their way into the jungle of the web and nouveautes in the past few months. fans of todays pop & rock. those who like unexpected hits, and who generally believe that some tracks deserve a 15 days life online. the frame: hybrid pop (except in one case), freshness, air du temps (anxiety-tinted-cheerfulness?), slightly-twisted-lightness. the base: a compilation. remember keeping the faith, artificial intelligence, c86, respect for france, source lab... and the effort behind your own, home made ball pen illustrated mix-tapes. compiling its all about sweat, attention and skills : suspense, respirations, cliffhangers and (not) happy ending... this one says it all on the cover artwork: starting all pop & girly then progressively twisting. you will notice that every sisters support are illustrated by different pictures of virile women and other men accepting their femininity. some of them will be edited as collectors silk screens and might get exposure in paris in july...come have a drink if youre around.

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

re-release of 2001 2x12 ep >last man standing< by carsten fietz (over134).

recording as lord cut-glass, alun woodward, formerly of the delgados, releases his first album since the delgados? ?universal audio? in 2004. extraordinarily ambitious, ?lord cut glass? was written, arranged and in large part performed by woodward, recalling the orchestral grandeur of his former band whilst forging a style of acerbic, sardonic songwriting all of his own. lord cut glass features galloping percussion, waltzes, marches and promenades of male and female harmony: delicate and serene creations punctuated by casual profanity and shot through with brazenly hilarious words-to-the-wise.

kickin industrial hardcore to speedcore sampler offering tracks by koney, nukua, tripped & subversa and x-r8ed!

this release is a very special one for us… indeed, roskow kretschmann has been for years one of the music makers that surprised us constantly and teased our appetite, displaying his rich musical background inside of projects like jazzanova, kosma or sygaire. the tracks selected by dairmount (after hours hanging out in roskows sound lab over the years) are genuinely outstanding in his entire discography. they sound like no others and reveal rare aspects of his >musical persona<. this is why they are representing perfectly our quest for >hybrid club music< crossing the lines of the original spirit of house & techno. the ep opens with the futuristic techno soul of the time is now. perfectly named, the tune fuses with class, dusty jazz samples, obscure soul vocals, juicy claps and overwhelming detroit techno keys. the result is a timeless club monster for the deepest moments. the second track that blasted us is mono:poly rightly shaped for audacious djs that enjoy to play >special< things. the track is supported by a solid programming as fellow beatmakers like mark pritchard, recloose or kenny dope originated in the 90s, mixed with biting analogue pressure, crazy batucada elements & a magic breakdown for all the lucky ones that will play it in the sunrise this summer. and last but not least, one of the label mavericks, marlow created a hell of a remix by delivering a 10 minutes techno epic that would make our detroit godfather c2 blush of satisfaction. thanks to all of them for the fantastic music

>aus music…all night long< as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn… all night long

generally based in london, soundspecies encompasses a collective of friends and different projects, with the momentum and focus coming from a family connection, four brothers raised with a jamboree of musical instruments for toys learnt a love for jamming and creating sounds from an early age... fast forward through developing years... henry gettin busy with beats and decks and sussing the london scene - olly playing lots of bass in bands & training in music recording, composing and acoustics at salford uni, manchester - nat working hard and playing hard on his guitar - barnaby composing and playing sax in various bands then travelling and suckling inspiration in brazil, morocco, borneo... expanding the family until the whole world is our friend... music is a universal language, a communication with like minds...fellow soundspecies worldwide. this is the first artist project to be born from the legendary cd-r sessions!

new 2009 mixes by the lab rats, david penn and luca cassani!

played by andre galluzzi, andrew grant , dj karotte... due to some research & effort we took during the past months for handling weave musics little sister-label, international freakshows more and more growing reputation and success, it was a bit quiet in the weave-lab. so we thought its about time to present something fresh on weave music as well again!! fortunately the 5th birthday of weave music is giving us a perfect reason for releasing this record right now…

incl matt star rmx !! specially sorted out freaky tunes from the dermaptera lab for all minimal junkies on the planet. huge support for sure from the likes of ricardo, luciano etc.

dj misjah with his second ep on pocket

big one! spins from mandy, sebo k, dyed soundorom, glimpse, rob mello, jennifer cardini, adam beyer, anja schneider, h.o.s.h, ripperton, konrad black, martin landsky, afrilounge, dorian paic, matt tolfrey, kiki, mathias tanzmann, jimpster, nick curly, david k, eric borgo, okain,… ‘junkyard funk’ was one of the seminal house albums to come out of the uk in 2000. masters of the deep groove clive henry, also resident at dc10, and justin drake are one of the most respected duo’s in house music with over 10 years experience in the business. whilst many contemporaries have fallen by the wayside peace division have remained at the forefront of underground house. following 2007’s seminal ‘soft heavy’ ep for crosstown rebels, 2008 has seen them release a second coast 2 coast compilation for nrk and the critically acclaimed ‘the lab’ ep on tsuba. part 1 of ‘junkyard funk reconstructions’ sees jamie jones and rozzo update the classics. jamie jones has always been heavily inspired and influenced by peace division so when the opportunity arose to remix the seminal ‘bu4t’ he was more than a little excited. the result is his biggest remix to date.

massive bigroomer!! includes mixes by gigi sorini & k lab and

continuing the spectacle that is the poker flat tournament series, we present two more surefire lessons in dancefloor mechanics. after his last storming >zeitgeist e.p< for poker flat, londons very own dark knight raudive aka oliver ho has crafted a powerfully hypnotic club tool that truly exists within its own world of unique and unmistakable sound. carefully executed beats roll forward as an astounding landscape of colourful vocal suggestions and emotions swirl and evolve. its a heady, uncompromising track that certainly stands out as its own, but could complement many different dj situations, from driving peak time sets, to free-flowing after-hours sessions… heading up the opposition for looks set to be a fine tournament indeed, minimise head-honcho and continual key-player donnacha costello brings things down and dirty with his unforgiving and foreboding >i must be going<. a catchy proto-acidic bass line snakes a winding path through a dense atmosphere of late-night paranoia. perfectly crafted beats push the energy along with a casual swagger, whilst the pleasingly tripped out vocal undertones leave the imagination to run wild

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

originally released in 2002. includes mixes by atfc & warren clarke aka the lab rats!!

a-side produced by lab techs. b-side produced by black milk. taken from >>theres only one<<, the 2nd album by detroits buff1 of athletic mic league

great deep and hi tech funk influenced minimal tunes !!

rmx by oxia! >prime time< is the new project championed by oxia. it includes jeremy carrasco and johan speissegger both involved in the underground techno scene since the 90 s, creating their sound from their lab/studio in the suburbs of paris.

limited restock !! ultraphat daft punk styled french filter funk madness

what a dreamteam.. raul mezcolanza & spiros kaloumenos with great tribaling rollin techno

cheers lab is a subdivision of the new french label and team cheers records, with a completely different vibe, for those who like it more adventurous and electronica! na sayah is not realy a newcomer, he is those days one of the most hyped dj in paris, being a resident at bataclan (the largest venue now in paris), at electro chic party, the respect party, at the paris paris club, and he also is having his own party called break - a big success already. for the first release (and expect a lot more in the months to come) he has produced four electro tracks, that will work perfectly on any electro dancefloor, all tracks complete with punchy basslines, deep 80s chords and stunning beats! those tracks could easely be included on a john carpenter movie or a tribute to the best of gorgio moroders music.

for this second 10inch limited edition, we re really proud to present dj kaos and mvdr artwork on astro lab recordings, after many collaboration with warp, kitsune, dc recordings, dfa, and remixes for rub n tug, roxy music and more, kaos delivered here 2 amazing tracks.. the a side is more an uptempo and disco affair, the b side is 8 minutes long with some amazing strings voices, only for open minded djs