deleted - einer der besten lounge-serien der welt, hotel costes, bringt nun in zeitlicher reihenfolge alle 15 bisherigen folgen auf schwarzem doppelvinyl heraus. jede der von stephane pompouganc zusammengestellten ausgaben hat ein individuell-exquisites tracklisting. vol.3 kommt mit 15 tracks feat. shirley bassey, gotan project, a reminiscent drive, lustral, coco steel & lovebomb, u.v.a.

we have become the people that we hate, scuffing and cursing at the world. you run away but you can never walk. you speak the word but you can never talk. you limp on a hill and spill all that shes left you on a saw. rip the shreds into pieces too, why dont you. eat them sweet and raw. if love first brought us together why shouldnt it still? we are human in the end and what makes us dance is no other thing than love. as long as we live, we will love. mrs jones stands as a dedication to mans ability to love, to dance.

like any good techno producer, moscow electronic producer harry light envelops his stage image by a veil of mystery, preferring to communicate with his audience exclusively through the music. its more than enough in his case. harry lights music is artsy and ascetic. theres nothing superfluous and it sounds extremely good, the louder the better revealing its great potential. regarding harrys stylistic range, it extends from well recognized german techno and minimalistic deep house to dub and deep techno. it also can be easily read by the label names where harrys music being released. theres anton kubikovs iconic label pro-tez, highway records sub-label whats in the box and trendy young imprint electronica. important addition to this list will be a release on kiev vinyl label artreform. on this new release titled resistance harry light has managed to show all the best sides of his eclectic sound.

lonelady nennt parliament/funkadelic, stevie wonder, rufus, prince und arthur russell als inspiration für ihr zweites album, das durchweg unterlegt ist mit einer dringlichen post-punk-sensibilität, die laut künstlerin bezeichnend für die nordenglische seele ist. so erinnern die schlichten drum machine-rhythmen und synthetische percussion an minimal-wave und frühen techno/dance, während lonelady sie mit ihrem komplexen, abgehackten und treibenden gitarrenspiel dynamisch verbindet. produziert wurde *hinterland* von bill skibbe (austra, the kills, the dead weather) in den keyclub recording studios in einer industriezone michigans, wo neben klassischen synths und drum machines auch die 70er flickinger konsole von sly stone steht. das vinyl-album erscheint im klappcover.

limited edition of 500 copies. digitally remastered from the original master tapes by xavier alarcón, 2015.

fernando gallego is not a music band which we can define as common, on the contrary. this group from uburriana, successor of funeraria vergara, started its history back in the early 1984, (after juan luis montoliu left), and it ended in 1986 with the emergence of the project *decúbito supino*. their usage of some synthesizers, amongst other gadgets, keyboards and large petrol cans, was the distinctive feature as regards to their predecessor band, such an echo defined a much more industrial and electronic sound, closer to early ebm.
limited edition of 300 copies. comes with din a3-sized poster printed double sided.

ben smith return with a raft of solo material after his debut release on nunorthern soul back in 2012. the movedrill projects saw ben weave between rock and folk roots and this latest projects sees ben push the folk sound he has become known and respected for. renown as a multi instrumentalist, b.j. smith is perhaps best known for his wonderful dedications to the greats release which have seen him cover mos def, the pharcyde and outkast in his own unique style, ben is also half of balearic super duo, smith & mudd and one third of white elephant with jim and chris from crazy p.

vinyl only. the second release from young and exciting hoxton records label from east london features kiril - the ukranian legend who has started making waves outside home country. the collaboration between rush arp & maurice giovannini is another beautiful track with organic sounds that can stir emotions. triptil is a rising romanian star that has already developed his own sound, which can be melancholic at times but never fails to move the dancefloor. radu mirica is another talented producer from bucharest, romania that is determined to make the future in the music industry and judging by this track, he may be well underway.

incl download code , since a few years mrz is steadily shaping his dancefloor sensitivity on zürich s underground and sophisticated parties. its not a suprise you can whitness mrz s flow on his new productions becoming more natural as it does when he performs live. these three tracks plus instrumental are only a pick of many great new tracks, so we hope you are going to like our selection: title track konterversum is just as you d be sneaking in a stairway and catching a couple - to our surprise - having a dispute while the party booms behind the door. subversly charming. multiversum does somehow picture how it feels trying to quit a conversation at phone - while riding an edgy but flowing groove. circaversum is basically held in swiss german dialect and we let you guess what they are talking about. we insisted on an instrumental version of the track for those not so much inclined into three-guys-jacking-the-mic-in-the-studio. it was worth it.

last year s disco (a fine selection of independent disco, modern soul & boogie 1978-82) compilation from soul jazz offered undeniable proof that few diggers deserve their reputation as much as dutch discotheque scholar disco patrick. given the reception, it s no surprise to see that the london label have commissioned patrick to undertake a second assessment of the genre s lesser known gems with the focus here on the years 1976-80. the first of two double lp vinyl samplers to accompany the full cd release finds pat pulling out gems like the extremely pricey skip jackson curio micro wave boogie and t.k. disco treat cosmic funk by mad dog fire department.

van bonn returns to his label van bonn records after releases on labels like traum, trapez and telrae. van bonn s travel to the magic rain forests and lonely beaches of the island borneo inspired him to compose music that takes you by the hand and leads you into the inner beauty of borneo. his new ep delivers two epic tunes with a total playtime of 24 minutes. the original mix is dominated by massive grooves, carefully layered sounds & field recordings from borneo. van bonn takes his time to let the tension rise slowly to finally erupt in a momentum that may remind the listener of krautrock and post-rock. the borneo dub adds a whole new level of deepness to the original track and formulates an atmosphere that can simply be described as fernweh. wether you listen to borneo in a club, on your stereo or with headphones it is always pure and true techno music for your heart, body and soul.

it is no exaggeration to say that ultrastretch has accumulated an array of outstanding releases and artists since its creation in 2011. one knows that being as renown a representative of the underground music scene as sammy dee is, he can easily sign music from any established artist he would like, the so called ‘big names’, however, when we look at the past seven releases on ultrastretch, the agenda here seems to be another. what has become an apparent and admirable feature of this label/platform and of sammy dee himself is his clear support for new music from young and yet to be discovered talents. it is on that note that ultrastretch 08 brings you romanian artist crihan. hailing from a small town close to cluj, alin crihan moved to bucharest in 2009 to be more in touch with the underground scene and music in the capital as it poses more opportunities for him to grow and develop. from dj’ing in the most various clubs in his home country, his first steps into western europe as a dj came earlier last year at no less than the legendary robert johnson club alongside petre inspirescu in frankfurt. producing under his real name for the past four years, crihan’s release for ultrastretch brings two tracks, setting the listener into two very distinctive paths. the a side, * uelden* is a dance floor oriented track. the first words to come to mind are groove and rhythm, giving the track a somewhat funky feeling overall. the elements have been crafted carefully and therefore appropriately placed just where and when you need them. by simply starting the track with a bass line and shuffling hihats he slowly develops to a journey that not onlyventures further into groove and rhythm but also in mind grabbing harmonies with deep/airy sounding pads giving it a comforting sense of beauty and obscurity. the b side is called a doua dimensiune, literally translated from romanian it means the second dimension. doing justice to the title the track does generate the feeling of being in another dimension. it is a very deep affair into mind-altering soundscapes, very atmospheric and at times dark and obscure. attention to detail is apparent judging by the overlayering of elements featured in this track. a constant rolling base formed of water tapping ambient sounds give way to harmonies made up of strings and random noises on top.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

the summer of 2015 sees gruuv celebrate 5 years in the game. we have put together a brand new compilation featuring 25 of our favourite artists, which will be released as 6 x 4 track vinyl releases every two weeks throughout the summer and features artwork from the renowned victoria topping. each ep will be released on limited edition vinyl, with a free poster and sticker inside, uniquely stamped from 001 - 500.
thanks to everyone involved, all around the world. music provides the greatest unity. it strips away indifferences, supersedes language, nationality, culture, all defining human factors, and leaves one common thing we can all interpret, sound.

the second loveit press comes right in time for the festival season and for dusty basements too. suolcity is a young producer from stuttgart, the spot for house business again. probably he felt it already as intern at rocker 33?, the club such as panorama bar and robert johnson. how else could you explain the b-side rush, you had to feel this dubby, gritty bassline. not hard enough - so maybe rush harder, you can have it all.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

seriously underground minimal house on offer here from chicagos hakim murphy under a new alias. kallabo is the kind of mysterious, candle lit deep house you d hear on a giegling record. -porta- shuffles and bleeps in a more uptempo outing where you can hear the noise of tape in the background, competing with the hiss of the 808 hats to stunning effect. boops bring the funk in this reductionist house jam for analogue freaks. finally raw intuition stomps away with its brutal modular synth bassline run through a delay and knocking down everything in sight! highly recommended!

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

head-honcho adam beyer delivers the next drumcode release following a monumental year from the techno heavyweight. two singles on the drumcode a-sides compilations, a multitude of releases on different labels, a 7 hour live broadcast from awakenings festival, 10 shows in ibiza for carl cox, cocoon and enter as well as an incredibly busy show circuit across the world. coming up there are a multitude of drumcode parties around the world including festival stages at major festivals and other high profile events. adam beyer is back on drumcode with an impressive array of tracks that will get the senses tingling and shows us what drumcode is all about. these 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only beyer can achieve within his productions. the under lying throbbing of the drums drives this ep into the forefront of the heads down drumcode sound and have been heard in many of beyer s phenomenal sets throughout the year.

die zweite vinyl-lp in der serie *the r&b singles collection* bringt 16 der 30 tracks der gleichnamigen cd vol.2 - neu remastered - auf schwarzem lp-vinyl. die ursprünge des northern soul, als ende der 1940er jahre in den südstaaten der rhythm & blues als hybrid aus gospel, blues und jazz entstand. weiterhin erhältlich sind selbstverständlich die einzelnen 7 inch singles mit jeweils zwei tracks.

another classic, out of print large release sees an exclusive repress in 2015. originally released in 1994, this is the 8th vinyl outing from the early catalog of one of house music s most celebrated labels. fans of early large and black ice know what to expect- tough, minimal chicago house grooves laced with tinges of jazz and soul. a terrific addition for collectors and fans of lables such as dance mania, gherkin, emotive and more.

over 10.000 years ago, after the last ice age, humans began to explore and settle the place now known as scotland. evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

deluxe collectors set - 4x12 inch records in cardboard box.

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own.

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

having checked our records, its been a few years since the shelves at juno were graced with some music from the studio of italian dub techno exponent fabio scalabroni, so the arrival of a new 12inch brandishing his work is cause for celebration. the rohs! records label operated by belgium-dwelling compatriot andrea porcu is who we can thank for coaxing some new cuts out of scalabroni with the roots ep suggesting he s lost none of his production verve. root a will appeal to fans of the punchier tracks from the giegling discography whilst the b side track has a real slinky vibe to the groove that really gets in your head and stays there

as with the best techno, the best minimalist records, the best krautrock ventures, this first model alpha lp hints at a weird sense of time, not totally of the past, not totally of the future, not at all of the present. something in between, a time travel machine that can take you on a random journey. listening to those tracks is a bit like making time’s flow stop.

modini is back! they come correct with their follow up to their dabj debut turk from last year, this one is an even deeper bass laden, warehouse affair that won t hang around long either. so do not sleep! strictly limited with another cool inlay designed by dan axon. see if you can guess what this one represents.

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

first pressing in red black splatter! for the true and experienced lovers of authentic techno sound architecture, this record does not need much presentation. cari lekebusch has since the beginning of the 1990s been releasing a steady stream of vinyl records as well as all types of digital formats. since 1986 the personal label project of cari has been going through many phases of change. one of them being the ending of the hyb catalog numbered vinyl releases, and the beginning of the hp and hpx catalogs. to mark a reset and a >return to base<, cari is morphing the grid once again and will now continue the hyb catalog that shifted into the hp and hpx catalogs around 1997. the retro sounding audio-pictures of >return to base 1 & 2< are intentionally created with the various h-productions releases in mind, that came out around 1993-1997. both tracks are created with a cool, stripped down approach and recorded live with only what 2 hands can muster at once. live and direct from the hybrid productions headquarters! and not a cheeseburger break in sight! - with warm regards from stockholm

the summer of 2015 sees gruuv celebrate 5 years in the game. we ve put together a brand new compilation featuring 25 of our favourite artists, which will be released as 6 x 4 track vinyl releases every two weeks throughout the summer and features artwork from the renowned victoria topping. each ep will be released on limited edition vinyl, with a free poster and sticker inside, uniquely stamped from 001 - 500. thanks to everyone involved, all around the world. music provides the greatest unity. it strips away indifferences, supersedes language, nationality, culture, all defining human factors, and leaves one common thing we can all interpret sound.

the first release from the new malka tuti record label introduces us to xen, a multi talented multi cultural singer, artist and designer from tel aviv. for her debut ep she went into the studio with the red axes lads to produce 2 original tracks for the a side as well as 2 different versions on the b side. after already collaborating with them on their track -this is it- for a correspondant records compliation on 2014, this time she takes a step forward and really brings out her post-cold-wave-some-wave attitude and delivers 2 psychedelic poppy tracks, highly influenced by german krautrock as well as british and french post-punk and israeli late 80s new-wave. on the b-side you can find a massive dancefloor remix from the red axes themselves as well as a secret psychedelic voodoo b-side.

the second installment of uzuri’s “the wilderness sessions” delivers 3 tracks geared towards the refined dancers and listeners of the world. the idea here is slow burning broken beat tracks infused with the soul of jazz and funk. the ep opens with fox ‘n hound, a slightly menacing and equally sexy jam which ebbs and flows with a delightfully funky bass line and enough melodic accents to keep full attention. the secret here is in the details which are craft-fully manipulated by this talented duo. futonjam continues the trend of beautifully unfolding composition with its shuffled percussion and gracefully evolving melodies. a perfect track for home listening and for those deep sultry moments on the dance floor. the crown jewel of this release is certainly the near 9 minute odyssey that is zukunft/ silber. a track which entertains and pushes towards a sophisticated style which is undeniably unique in approach. using broken patterns as a back drop for beautifully orchestrated strings, micro flutes and longing horns it transforms from a sweet and delicate sound to something more demanding of our bodies movement. this release will be sure to mark the beginning of what we can expect from these two producers who clearly aim to set themselves apart from the crowd.

bolivian - born dj s, producers and duo animal print ( aka lecter and marco cuba ) are covering a wide spectrum of sonic and artistic possibilities, from the minimalist, bouncy original mix of -kites for august,- elegantly playing with a mixture of uplifting and dark vibes, to the extremely reduced and highly effective thunders, the relentless, almost epic red moon, and the percussive, hypnotic by orion each track can be appropriate for a different situation, but in the end they are all aiming for the same goal: to create an absorbing soundtrack for unifying experiences on the dance floor.

shaw cuts enters the site of crime with its first release called ‘have sword, will travel’. the ep includes 4 techno assassins – two tracks by the label founder himself lachriz, who introduces his shaolin moniker ‘farron’ and 2 remixes by the argentinian boxer jonas kopp. ‘equinox’ opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track ‘apo-g’ comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys – throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of ‘equinox’ that can easily cut off the rival’s extremities like a sharp guillotine. and the carnage just begun

so bahnsteig is arrived! paenz?r style from the flanken. next is eastern bruder, romania youth, khidja. vibrations with wunderbar music on emotional especial and forgotten corners, they give us balearic, neu wave and kraut explosionens. 4 edits is a taste of their opening. infinita will make you bop in aisles. stehen nur noch. twist, schrie. then geist, is droll s house. britisch indie for dunkel fun. schleife de schleife. utsici is the jam. go. woop. verschossen for finale. the heimkehr. can you tanz? was auch immer.

tresor is proud to welcome mønic to its catalogue.
head of osiris music, mønic is an accomplished producer based in the united kingdom. his style can be de&#64257,,ned as raw yet exceptionally re&#64257,,ned, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design. * parsons hill* opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks. alternatively, * morse* reveals another side of the artist with a more serene attitude. here, static passes through a magnetic &#64257,,eld with a constant palpitating bass. * hollow victory* opens with thunderous clangs and a &#64258,,urry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

the second solo album from the killers front man brendon flowers as 12 inch vinyl in gatefold sleeve.

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own. the label became a hotbed for emerging and established names as markantonios own productions sat alongside releases from the likes of jospeh capriati, davide squillace, rino cerrone, & paco osuna. away from the studio he established himself as a global dj, taking his own unique sound on to the road, across europe and beyond and garnering fans wherever he went.

the new generation can t be stopped.. another fresh new label with some ace tracks.. rhythm nation with terriers deliver three heavy and intense techno tracks ranging from raw (without getting harsh) to deep intense string loaded detroit rooted techno. no peak time techno tools, but tracks we ll play over and over. the pair spent the summer of 2014 under the tutelage of levon vincent, working on their distinctive and elegant sound that belies their young years.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

etherwerks fifth release presents a new artist for the label, rasmus hedlund. besides his unique techno sound hedlund is also known by his acclaimed ambient and dub releases on his own ljudverket label. now released initiation ep (ether005) is a functional modern techno plate. it is a 4 tracker of pure inspiration and raw energy, as you can expect of etherwerks.

pittsburgh track authority return with a new single-sided limited edition edits record on the imprint that bears only their own logo. “i always wanted to be in a band” kicks things off in an early 70s soul jazz style, with infectious vocals and catchy horns doing the damage. next, a flute driven cover of the dance classic “lowdown” keeps the disco-funk vibes of the original but with added springtime/summer vibes. both of these have done damage for pta at their gigs, and now they can do damage for you at yours. a fitting end to the magenta logo series!

dungeon meat are back with a bang and start 2015 with a mighty slam of the hammer. the 4th ep to come from the dungeons and a special one as the boys enlist one of their long time inspirations point g aka dj gregory to deliver his first ep for the label. this heavy 3 track collection marks the first collaboration between the parisian don and leeds finest beat butchers. an alliance that will have fans of both artists hot under the collar. dm are very honoured to be the first label outside of point gs own imprints to release a full ep from him. here point g delivers a selection of his trademark stripped back club bangers ready to do the damage on any dance floor. if this is a taste of things to come then we can t wait to hear what is served up in the near future from this united force.

a new white label brought to you by a group of friends including moire&#769,,,,,,,, disguise, etc. in collaboration with phonica records. this marks the debut release from the creative imprint neversleep whose previous work includes the art direction and a&r of moire&#769,,,,,,,’s debut lp *shelter* - out now on werkdiscs/ninja tune - plus various visual work from disguise.
on the a side - a massive floor remix from moire&#769,,,,,,,, melding rhythms and percussion with a driving bass and lead. on the flipside, disguise makes an appearance first with a collaborative party girls edit alongside moire&#769,,,,,,, and then with his own take of mouth shut. this release marks the sound debut of disguise, whose visual and video work on *shelter* helped shape the strong aesthetic root of the album. this can be seen again in the video mixtape on neversleeps website - neversleep.co - presented to complement the release online.

we are still looking for special sounds and this time is the turn of the german duo einsauszwei, beauty and elegance for their first track *poly*, mixing and fit perfect with the dancing second track: *drop*. we add one remix from reelow, you can feel the power of this artist in all of his work and for us always is a pleasure release with him.

mesehyena tracks is axhan sonns first full album. this music is much more than ambient electronica. axhan s atmospheric compositions can be compared to a trip thru the galaxy where past, present and future collide.