erstmalig erscheint das zweite album der französischen post-punk/cold wave-band complot bronswick von 1986 als limitierte vinylauflage (300 exemplare). clear blue vinyl. inkl. download code.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

weightausands music is born out of the crash between expectations and daily praxis. a dub-infused, non linear array of data in which memories, obsessions, in the shape of sound pieces borrowed from friends and collected from the most various sound sources (even cannibalizing dance music power cliches such as the amen break), are arranged to enter a psychic cage system set to take advantage of their raging power. the resulting tracks sound like jungle rave hits echoing from outside time. side b contains a doomy aquarian remix of by morkeblå, and a remix by concrete cave inhabitant heith of an unreleased track, produced with no previous listening of the original.

well, well, well! our teutonic chums come through once again with the secret selections you vinyl-junkies love to love! house master boyz get ripped up, but this aint chicago and it aint 1986! that classic acid house refrain gets welded onto some distinctly brand new / retro sonics, an acid laced behemoth that is equal parts new beat and strobe-lit proto house. timeless & powerful floor food, and as such, equally at home in some erol alkan piloted stadium as it is in a stinky basement. a quick flip and the jj jam swaps the faithful homage we found next door for a futuristic steppers workout. roughly hewn stabs underpinned by some rib cage rattling low end registers
300 copies - vinyl only file under: weapons!

will ward follows up his audio doughnuts debut *224 / pavilion* with the *chorus memory* ep. wards most substantial release to date continues his exploration of rough techno hybrids.

>> oh it was gorgeousness and gorgeosity made flesh. the trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed, and there by the door the timps rolling through my guts and out again crunched like candy thunder. oh, it was wonder of wonders. and then, a bird of like rarest spun heavenmetal, or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver. i was in such bliss, my brothers.<

nice price deal !!! nice price deal !!! limited to 200 hand numbered and hand stamped copies, vinyl only.

(tom trago, cage & aviary rmxs) on leviathan freeform five teams up with the legendary roisin murphy for an exercise in irresistible vocal power and anthemic, feel good appeal.early support from annie mac, kasper bjorke, boris dlugosch, dorfmeister, groove mag, mighty mouse, and jerry bouthier amongst others!

the first vinyl record from betagamma bears the name of the most extraordinary and fascinating reptile. it is no coincidence. the imprint is given by both betagammas main occupation and his love of minimalism and techno. either way, the track references science. a slightly oddish, popping groove as if someone opened up a terrarium cage. the record features interesting and crazy remixes, clearly everyone has their own geckos in the attic.

early support by : blawan, surgeon, dave clarke, tommy four seven, marcel dettmann, speedy j, perc, truncate, truss, lucy, drumcell, and, sawf, mark broom, paul mac, nx1, jamie bissmire, clouds, joachim spieth, paula temple, octave, kriz, cassegrain, max m, radial, developer, charlton, takaaki itoh, bas mooy, rebekah, samuli kemmpi, the public stand, agony forces, chris finke, luis ruiz, j. tijn, wire, jeff derringer, joe farr, inigo kennedy, thomas hessler, dave ellesmere, sunil sharpe, raiz, mr. jones, bodyjack

emotional especial is the new label from the emotional recordings stable. a sub label to emotional response, especial is though squarely aimed at the floor rather than the head. in a similar vain to the limited 4 eps-only label that was emotional relish, it will merge the sounds and styles that influence contemporary electronic producers, taking in new wave, new beat, ebm and proto-house to create something modern. jamie paton of cage & aviary helms the debut release with bizarre feeling. a youth soaking up punk, dub and new wave, the ep acts at times as a homage to the sounds of new order, the the, kraftwerk and the then other-wordly machine funk emanating out of mid-80s chicago. with both timothy j fairplay and scott fraser aiding and abetting down in the scrutton street bunker studio, with keys, guitar and a heavy dose of space echo, plus hypnotic fx laden vocals from jamie himself, all propel the ep beyond pastische and make the perfect start to especial.

pressing on transparent vinyl, digital download code included.

felix dickinson and jamie reads revitalized l.h.a.s. inc project return to the formers cynic label with losing my innocence. in original form, l.h.a.s. inc present a blue eyed slo mo acid side to their collective palette that demonstrates some notable diversity and a capacity for song writing. complementing this is a dub from dickinson in his foolish felix guise and two self styled swamp outs from south londons finest cage & aviar

really happy to have so many great artists on one ep delivering four timeless house tracks!first pressing in white 12inch

just as summer arrives, sylphes bosses holdie gawn & micawber are delivering their third ep hypofermsenso. on the a side hypoferm has holdie gawns trademark sound, with analogue bouncy warm snares and hi-hats, accompanied by synthesized modulations and raw filtering action, forming a chuggy, sleek rhythm with deep reaching basslines and a lot of movement. on the flip, micawbers -senso- offers a tribute to experimental composer john cage by incorporating parts of his vocal works into creating a landscape of mysticism, riding along sub-bass tones and syncopated drums, an afterhours number with a psychedelic twist

superb new diagonal release! 1st edition on red vinyl also comes in a screen printed poly jacket.
john cage once stepped into an anechoic chamber expecting to hear silence. instead, he heard the low-end throb of his own blood pulsing through his body. this is the story that gave blood music, the first new act on diagonal, their name. it is an appropriate one too: simon pomery, the creative lead and only ever-present member of the band, strikes his guitar with screwdrivers, mallets and his own bare fists, frequently putting real blood into the blood music that spits violently from the band.

new years deal - behind the highway, near the industrial area, next to the airport, somewhere in the innercity, urban principles fall apart. that leaves the enclaves, mono functionalism and an urban ultra density that local governments are struggling to eradicate. both a cage and a cocoon, there is a space where development opportunities hit the wall. hybrid places that combines urban collapse and >the new culture<, endemic violence and solidarity, all of which is left to the communities to deal with without outside help. when the post-industrial economy becomes sporadic and nothing else takes shape, man is left at the mercy of his environment. techno appears and becomes a parallel between man and the city, as another faceless entity which unifies them. this unity is the result and techno is the process.

>hier ist nicht da< is a dream scapy techno jazz poem that has the potential to carry you away to outer space. you can clearly sense dadas affinity for cage & stockhausen which makes this record quite a special one. dadaglobal is part of zürichs electronic music scene for many many years, involving himself at the most infamous venues in switzerland. dada is performing live with machines only, combining all the things that make him who he is: smart, sensitive, expressive, genuine and educated in classical music. nice try records is also very happy to announce a trippy old school contribution to this release by lausannes producer and dj ly sander.
includes code for free mp3 download of this release.

long time disco sorcerer ray mang has taken mirador de las estrellas to a beautiful place, utilizing the steal drum as a hypnotic hook and editing jorge socarras memorable spanish vocals down to an effective sigh. if there ever a track for your indian summer, this is it. on the flipside, the boys from cage & aviary sprawl out the original extended version of their tough and dubby bonus beats (this bomb is exclusive to this vinyl release). if you know whats best, youll not sleep on this one there is nothing more pleasing than completing a set.

after superfort already presented himself on bigm productions with digital releases this year, it is time now to leave his real floor monsters out of the cage with this huge 12 inch wax ep straight for the floor. four action loaded, skills proving tunes in a breakbeat-ghettofunk-bigbeat manner rock your ass off! superfort, the insider tip of the year.

der sommer ist da. er riecht nach holzkohle, gras und sonnencreme. er zeigt nackte haut und blitzendes lächeln. er schmeckt nach erdbeereis und kaltem bier. und er klingt wie diese platte. darauf präsentiert der däne lasse bruhn svendsen nämlich zu schallwellen kondensierte freiluft-euphorie.

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

>rarities<, a collection of late 60s - early 70s productions by french electronic music icon jean michel jarre gets a well deserved re-issue on heavyweight vinyl.

all tracks written by mika vainio, except open up and bleed by iggy pop / james williamson. whereas previous works by mika vainio have utilized guitar life (… it eats you up) is the first to use the instrument as its primary sound source. a fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of vainios previous works with some stunning surprises, such as his cover version of the stooges open up and bleed. tracks such as mining hark bark to the banging beat excesses of pan sonic, with crashed and and give us our daily humiliation and the opening in silence a scream takes a heart reveal a new intensity to vainios work and is yet another superb addition to his already brilliant catalogue

two years from the vol.1 which one of the most cutting edge artist like dj koze, minilogue, jan janelik joined, finally vol.2 is arrived. new ambient collection from the familiar artist with mule like koss, lawrence, terre thaemlitz, sebastian mullaert (minilogue) to the new comer like kassem mosse, nsi., porn sword tobacco. hope you will enjoy the silence.

the original television soundtrack from >star trek<, taken from the pilots >the cage< and >where no man has gone before<.

in a departure from blamma! blamma! s usually more frenetic sound, æbeyond 17 is a blissful slice of uplifting balearica and a fitting, joyful tribute to the multi-talented, versatile producer who created it. with it s slow build and dare-you-not-to-smile release it will no doubt be the soundtrack to many a sunset or end-of-night sing-a-long in the summer to come. cage & aviary get busy on the b-side with another subtle grower of a remix - atmospheric strings and muted guitars rise and fall over tough analogue bass.

catz n dogz are back with their second full length artist album on mothership. the follow-up to 2008s >stars of zoo< is a break from convention and a further exploration of genres by this amazing polish duo. hence the new albums title, >escape from zoo< the guys break free from the cage and run wild in a wilderness full of street bass, disco, r&b, deep house, hip-hop and more.
this preview ep is a teaser of two of the tracks from the album especially built for the club. >warsaw by night< is a rough and rugged tech burner that sounds like detroit via poland. and the dirty version adds and extra bit of growl to the equation for those who really want to throw it down.
>i’m the one who’s crazy< is a booming barbecue shaker that mixes elements of hip-hop, soul and house into a low end killer.
the guys have come a long way since their start as the group 3 channels from szczecin, poland and we hope you like these as much as we do.

marcin czubalas track titles are starting to closely mirror his career path. like a swift gazelle czubala bounces back and forth between mobilee records and nick curlys 8bit recordings, leaving in his wake a trail of triumphant releases. >zoo comunale< springs czubala back to mobilee after the success of his >minskaya< ep on 8bit, and jumping in the cage with him is none other than well renowned artist hugo. an impressive discography and busy touring schedule have made hugo a reputable name in clubs around the globe. as a fan of his jazz educated, funk inspired sound czubala approached hugo to collaborate. the subsequent intertwining of these two musical animals produced >zoo comunale<, its bouncy grooves and hypnotic loops tinged with a bit of funk. animalistic stuff. >zoo comunale< is comprised of two tracks, a-side >zoo comunale< and b-side >no tu no<, as well as a digital bonus track >polita<. every track has its own unique twist, each proving perfect for dance floors world wide. mobilee says welcome to the zoo, and enjoy!

nr 9 in the series comes with the driving, bass led edit from cerrones >striptease< on the a side and the easier ralph mcdonald >play pen< track on the flip. tip!

badmotorfinger got lost amid the blockbuster success of nevermind and ten (all were released around the same time). but the fact is that, though they re all great records, badmotorfinger is much less accessible by comparison. not that it isnt melodic, but it also sounds twisted and gnarled, full of dissonant riffing, impossible time signatures, howling textural solos, and weird, droning tonalities. its surprisingly cerebral and arty music for a band courting mainstream metal audiences, but it attacks with scientific precision. part of that is due to the presence of new bassist ben shepherd, who gives the band its thickest rhythmic foundation yet and, moreover, immediately shoulders the departed hiro yamamotos share of songwriting duties. but its apparent that the whole band has greatly expanded the scope of its ambitions. and badmotorfinger fulfills them, pulling all the different threads of the bands sound together into a mature, confident, well written record. this is heavy, challenging hard rock full of intellectual sensibility and complex band interplay.

original mix, jesse rose & oli $ remix, cage & aviary remix. taken from their forthcoming lp >generation hexed< the much hyped drums of death return with new track >got yr thing<.

our first release on twhe that doesn t directly involve cage & aviary hails from adelaide in oz. we met sid on myspace, and very quickly signed him up to be one of our 6 remix victims for a series that we re putting out

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

after the marvelous debut concorde club recordings presents this great 2nd release of microtune & takter with remixes by steven beyer (lordag) and channel x (stil vor talent). this is the next step forward, to present the labels own special kind of sound. the tracks varies between deep technoid sounds to nearly minimal house styles and pushes really forward again.

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

part man, part machine, part cockatiel, cage & aviary take flights of fancy whenever they can. jamie paton is a dj, a one finger keyboardist, and a pot tickler. nigel of bermondsey is a musician, south londons finest oscillator, and a dedicated dabbler. together they are winners of the cosmic lottery. having put out releases to mini acclaim on the ltd editions that are dissident distribution, they are now set to spread their wings with new ventures lined up for paris based astro lab recordings, and nycs mighty dfa, to name but two. also in the pipeline is a series of ltd remix 12s on their own the walls have ears imprint - watch this...

bates 3rd single >forever running<, gets remixed tim healey, better known to some as one-half of coburn, adds some dirty flavour and turns the track into a dirty heavy weight cage fighter! new kid on the black eelco ladan surprises with a quality mix

quality spaced out edits by cage & aviary!!!!!!

funky electro house number with a warm female vocal flip for a paul harris & audio cage mix

strong rocking techno with guitar lead synth patterns...

pnuma welcomes uk electro master scape one for the second release on the label. following on from the deep and dubbed out techno of lee van dowski and quenums oce oce, kurt baggaley aka scape one delivers a blitzing ep of razor-sharp electro funk !!!

12inch sampler offering the rare 10 minutes mix of maurice starr electric funky drummer, and exclusive tracks of justice + jackos & reanimators from the toxic crew. ltd!

decks tip!

buddha-bar 25th anniversary collection on triple cd, compiled by stŽphane pompougnac, charles schillings and ravin.

detroit love are proud to present the inaugural release on their newly founded eponymous imprint Ð a collaborative venture from planet e and !k7 which aims to capture the essence of carl craigÕs superb event series of the same name. detroit love mixed by stacey pullen is a sixteen track journey that exemplifies the diversity of the city, as well as the essence of the parties, championing

incl exclusive & unreleased tracks

the debut album of talamanca system, aka gerd janson + mark barrott + philipp lauer. their past is your future!

pilocka krach still means nothing but pilocka noise. sheÕs the charming queen of berlins post techno underground and a true recording & perfoming artist. her new release on her very own imprint greatest hits international is a conceptional framed double vinyl album and a journey diary of her last two years on tour around the globe, with mexico, detroit and her hometown roots in berlin as fixpoints on her neverending agenda. pilocka krach is ãsugar caneÒ & ãthe lost amigosÒ, her band and all at once. her style is pure electro post rave simplicity, where each single sound is either raw sampling cuts or deep growling synthesis. big basslines meet funky grooves and surprising hooks, grooving along with her own voice and a lot of other vocal features, whereever you go. each Ôn everthing gets the room it deserves and mingles alltogether to so much more, than just another stereo sum. never heard an album that dry and that wet at the same time, with an overall fun and jam factor, that is truly touching. she took her original style more than just a few steps further and sharpened her skills in an impressive and real straight forward way of raw funkyness and true storytelling. you canÕt listen to it without moving. pilocka is always surfing the right balance of how much, or better how less it needs, to keep it going, get down to the point of no return and beyond the miracle of repetition.