founded by rene wise, moving pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.

tracks aimed directly at the dancefloor, with delicate and progressive atmospheres.

l.f.t. lands on pinkman with a 6-tracker aimed directly at the dancefloor.

its lucky number 3 for terrazzo and this time we ve got cromie, aldonna, ahmet mecnun and mtty clocking in with 4 jizzy cuts, aimed at keeping the d-floor soaking wet.

spf 50 returns to professional music with secret technology, a diverse 5-track ep of playful, sonically rich material aimed at the dancefloor.

four disco edits aimed straight at the dance floor, rumoured to come from within the crazy p camp.

repress - played by jac the disco, manu (archeo recordings), soft rocks, dj sofa, kenny wisdom, the keeper (nemas problemas), dj rocca (ajello, erodiscotique), kito jempere, malka tuti
a planned reissue for many years, the untimely passing of steve coe shortly after the label s rerelease of the ganges orchestra s the dream put everything on hold. however, time moves and so now seems a fitting time to revisit this -world dance- classic with fonder hearts. long cherished, it is a reminder of steve s enduring studio mastery. after the initial success of his work with sheila chandra in monsoon, steve expanded his musical scope, working on an indipop compilation as clubs looked to eastern flavours to add a new dimension for the dancefloor. teaming up with tabla disciple turned teacher, jhalib (millar), as well as long time collaborator martin smith, it s hard to imagine mysteries was first heard in 1982. hailed as an all time classic, it s enduring appeal can be seen in how it became a staple for the likes of danielle baldelli at the infamous cosmic club and beyond to become an original evissa -balearic- secret play for weatherall & co in those fateful summers of love and beyond. remastered especially for this release, the orchestral eastern melody and mid-tempo chugging rhythms and vocals marry in perfection with a dub bassline of wobble inspired depth. this alone would be enough, however, the original is at last backed with the 1988 remix. aimed at the then burgening new beat scene, a subtle straightening kick is added, but it s the unmistakable vocals of sheila chandra that finally brings this release together in melodic harmony. peace be with you steve. i am x

disco volante is a new imprint created by laila moshiri (aka laila), curator of the disco volante show on ibiza global radio, aimed at merging different cultures, styles, personalities and their unique music frequencies. the imprint s first ep - aston martin - is the result of the beautiful collaboration between dandy jack & laila. pursuing an intrinsic desire to flirt with deep and sensual music, martin and laila created a collection of tracks that span a multitude of genres, from laidback minimal to detroit-tinged deep house.

global amnesia brings together a diverse collection of driving club sounds from producers spanning 4 continents. squarely aimed at djs who aren’t afraid of high bpms - this no bullshit debut va is only the beginning.

back on his label dmt, philippe petit delivers three jackin, fast-paced, raw techno attacks designed for body shaking in sweaty basements around the globe. decision making theory: stripped down no-nonsense techno, aimed directly at the dance floor since 2013.

garage hermetique kicks off its 10-sublabel garage ten inches with two cuts aimed straight at the dancefloor errr...well...its 2020 habibi!

ltd repress - trio ternura (or tenderness trio) consisted of two sisters, jussara, jurema and their brother robson. their father, umberto silva was a revered brazilian songwriter and recording artist who introduced his children to the music world at a very young age. after performing some songs on broadcast television and at festivals early on, their father umberto and brother, beto scala wrote a gira for the trio to record. the song is a tribute to nature, spirituality and mindfulness. the hommage is made through a form of cantico (chant) or saudação (salutation), aimed at invoking an orisha named oxossi. otherwise known as saints, orishas are the deities worshiped in the afro-brazilian religion of candomblé. african religion and culture have had an undeniable impact in brazil, especially in music and on artists with african roots as its rituals were often accompanied by music comprising highly percussive drumming. as a result, a gira, an homage to a candomblé deity recorded in 1973 involves mesmerizing polyrhythms from the very first few bars and throughout, followed by the sisters soaring vocals and impeccable instrumentation. its a song that they can really identify with, in their own words it has the dancing, the expression, the lyrics and musical relaxation - something very brazilian. originally released on polydor in brazil, fully licensed and remastered from the tapes - mel012 comes forth in its 7-inch original vinyl format and digitally, b/w trio ternuras stunning version of gato barbieris last tango in paris and is accompanied by the first bilingual melozine.

four float-off-the-floor house cuts from nyc producer max in the world, built for the club and aimed at his city.

repress - after a sell-out ep by rahaan in the spring, dublin label fatty fatty phonographics returns to the home of house with two murky 21st century excursions aimed straight at dark n sweaty dancefloors.

ltd 2020 repress - following on from last year s debut release in the myor massiv “luv” sub series by coco bryce, this time he teams up with partner in crime fff for another slice of lovey dovey junglism. fff kicks things off with “never let you fall”, on which he juxtaposes moody synth riffs with uplifting reggae vocals, making for an alienating yet strangely attractive combination, before delving into amen mayhem extraordinaire. on the flip coco bryce opts for a higher cuteness factor on “lovin u”. not necessarily aimed at the dancefloor, but with an undeniably “junglist” feel to it, this little number is probably best described as a “love song for the heads”, although its ultra low bass frequencies are likely to rattle any sub woofer in the best of dub traditions.

it s been a while since the latest melisma release, last time we saw ricardo villalobos & argenis brito deliver the amnesia ep which was supported by pretty much everyone and is considered a underground techno classic... this time it s a double pack from label owners dani casarano & felipe valenzuela who delivers 5 tracks of deep electronic techno phunk of the highest quality, aimed straight towards the dancefloors.

repress 2019 - after a full year of dedicated work we are happy to announce that dominik eulbergs fourth album >diorma< will be released in may 2011 on traum. after the >heimische gefilde< album on traum, which won the german critic award, as the first techno album ever where comments by the artist himself appeared in spoken word, eulberg has this time aimed at an album which embodies various facets of electronic music. >diorama< therefore resembles something totally new and original and can be referred to as an affiliation towards the real authentic eulberg sound cosmos. he has accomplished this with the highest possible standard and contemporary sound aesthetic.
played by: monika kruse, sebastien leger, gregor tresher, dj sasha, mauro picotto, alexi delano, ryan davis, marc marzenit, max cooper, morris cowan, steve lawler, fra soler, mihalis safras, igor tchkotoua (pig and dan), paco osuna, sebbo suckfuell, ekkohaus, deepgroove, tom wax, alland byallo, grünbox, scott byrne, axel bartsch, sql, taster peter, goldfish & der dulz, intu:itiv, beatamines, freska, zidan, sebastian russell ...

after two eps on knotweed records with his long time musical partner dying, barakat delivers his first e.p. for decision making theory under his new moniker: zreik. 3 tracks full of intricate drum patterns, boomy bass, deep pads and reverberating chords: stripped down no-nonsense techno, aimed directly at the dance floor!

well street welcome emerging talent significant other to the family with 4 insane polyrhythmic techno tools aimed firmly at the dancefloor.

in the world of disco edits the patchouli brothers are as in demand as you can possibly be right now. their edits and reworks are played and hyped by all the major players in the game and now they got a two-part release on gamm. on the first ep we begin with all good things, a looped up disco nugget aimed straight for the peak hour. decent! on the b, we get more organic with a proper feel-good disco thang in classic patchouli style.

clouds present maxiboy, an outlet for the scottish duo to release solely their own productions. the label will be a vessel for experimentation within the realms of highly functional techno, aimed directly towards the club.

criminal practice records, a trio of young ukrainian musicians well-known for their parties in kyiv, are launching their own label of the same name. the members of the project do not only perform together as djs but also make their own music under the nicknames ghetto sunrise, roma khropko and hopper field. the new label is aimed to reflect the tastes of the musicians as well as to spread that very ‘trending kyiv sound’ - the term coined by the fans of the group. circle movement ep features the tracks by the talented ukrainian producers, grec and sasha zlykh, whose works are worth the international attention, as well as the works of two of the members of criminal practice itself - hopper field and ghetto sunrise.

!!! limited summer deal !!! vicente rodriguez aka nicson makes his debut on disc over with a killer package of warped house music aimed straight at the dancefloor. the package is topped off by a killer remix by the legendary nail.

jakojako makes her debut on leisure system with aequilibration, an ep of diverse, experimental tracks aimed at the dancefloor.

pyramid transmissions presents the 2nd solo release on the label from pt creator adj. street life part 2 continues the theme of part 1 with another 4 tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 2 is more pure future bboy music with punching kick drums, alien melodies and crunchy glitches for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously. adj always looks to the future but with nods to his past of 808 electro music.

clone distribution welcomes new label pivot. expect some proper bass heavy techno rawness. pivot. run by rotterdam rooted / berlin based artist versho. aimed to release music by versho and other like-minded artists. techno with a street mentality!!

a new compilation compiled by dj jeff the fish aimed at the modern jazz dance scene containing artists from the uk, usa, japan, france, italy and finland previously unavailable or hard to find on vinyl.

rebar, the duo behind the made of concrete label kick off their self titled label. rebar is meant as a space for the artists own sound explorations, aimed at putting forth releases which combines their usual style with cross-boundary composition. rebar 1 sees a versatile three piece assortment with a seemingly common theme. field recordings make ample appearances in rebars work and this release makes no exception: a large part of the elements were recorded in and around train stations of a famous metropolis.

2020 re-release... midland is back with his first original solo material since last year, with the new ep double feature. tracklist a1 stop, don t let the beat b1 double feature here is the forthcoming 12 inch from midland entitled *double feature.* having released two killer remixes this year for the howling and akase, this is the first original midland material since last years *duster* that came out on aus music. *double feature* is set for release on regraded, a subsidiary of midlands own graded imprint intended to focus on sample based disco tinged house which is exactly what this release is. two tracks aimed at the dancefloor featuring live percussion cuts, dreamy strings and midlands signature bassline programming. supported by ben ufo, joy o, jackmaster and gerd janson

prolific uk deep house hero andy compton is back on his fabled peng stable with a new project entitled blue dream, and an album called california dreaming which unsurprisingly deals in gorgeous sun soaked tones aimed squarely at the loungey end of his plush, melodic repertoire. from the slinking funk of -betsy- to the low-slung beats and smooth-as-silk bass of -disco baby,- compton shows himself to be completely at home rolling at this kind of tempo, no doubt projecting himself to the malibu beach idyll you can see on the cover. music so radiant, you d best slap on some sunblock.

up next on phonica white is brooklyn based artist justin cudmore. he is a well-known dj thanks to his memorable sessions at the bunker among other new york and many of the best clubs worldwide as well as teaming up with mike servito and gunnar haslam as hot mix dj collective. as well as djing, justin has always been a fan and creator of dance music, he started being part of chicago’s underground scene, deepening his appreciation for the classic house and acid that you can still feel in these new tracks. this new release follows in the wake of ‘forget it’, his last celebrated ep released by the bunker though in our minds his sound has progressed yet again, sounding fuller, faster and rounder. ‘twisted love’ gets straight to the point, with firm and strong percussion joined to a fickle acid bass line. in addition to this, justin weaves in some house-flavoured vocals to keep you hooked until the end of the track. a certified floor-filler of a track. on the flip is ‘about to burst’, a track that starts with a powerful kick drum and grows with new emerging elements, punchy hi-hats coming and going in key moments and a simple keyboard arpeggio that added to an acid bass line catches you instantly. justin’s new ep is unapologetically aimed at the dancefloor. its primary influence may be detroit-flavoured techno yet you’ll also find chicago house and acid elements floating over its powerful backbone, all combining in devastating way, primed for club use. artwork as always is supplied by the talented pedro carvalho de almeida.

uk house/techno label fennec records is excited to be launching with the debut release of uk house producer slvshthree’s summer ep. it’s aimed straight at the dancefloor, with 3 tracks that demonstrate newcomer slvshthree’s soulful take on classic house music. these tracks are the perfect soundtrack to summer parties as the sun dims and the drinks flow.

yama music return with their second instalment on their own self-titled label, with yet more trippy minimal house music. as with the first record, yama music 002 brings 3 original cuts which are stripped back groove aimed at the dancefloor. the uk based label kick things off with “outstore”, eerie pads sit on top of tight stripped back drums which have a glitchy atmospheric synth adding to the cosmic feel of this record. the b side are two tracks that follow a similar pattern but retain their individuality. the first of these is “who what space”, this track is propelled along with a bone shaking yet infectious bassline, crisp percussion and an otherworldly synth. “who what toms” wraps up the ep with delicate shuffling percussion, a tight kick drum and a sexy bassline ready to make the dancefloor hum. a well placed vocal and a synth that sounds like it’s taken from the starship enterprise rounds off a great return for yama music.

the arrival of fresh material from visions co-owner stephane attias is a nice welcome return . these two tracks from swiss based dj and producer are aimed to simply heat the dance floors . these two pure deep house tracks are full of musicality and rich deepness that will keep the dancers happy. on the a side « body fusion is a melodious number with deep drums , lush pads over deep synth and bass , rhodes chords, piano solo and organic percussions the b side is a soulful melodious and organic jazz house track with fender rhodes , sub bass and summer vibe to keep a smile on your face. a solid release not to be missed !

life is complex and since the only way out is through, complexity demands to be embraced. as a label dedicated to bringing two unique minds together for each record, inkblots has always aimed at uniting kindred spirits by making their differences audible. with two contributions each by berlin’s irakli and stanislav tolkachev, the fourth instalment of haiku’s imprint makes no exception. instead, it might be its most exceptional offering yet. just like the principle of the rorschach test at the conceptual core of the label, the musical perspectives offered on inkblots 004 are minimalistic at their base but open up a pathway into two complex musical minds.

this geneva-based band have finely honed their instrumental post-internet groove, creating the perfect blend of old-school funk, afro-beat, 70s soundtrack fusion, always adding a pinch of futuristic production and a touch of modernity aimed at bring the groove genre to new generations.

2018 repress of the sought after first release on brokntoys. .... handstamped and numbered, the ep presents 4 tracks of futuristic, atmospheric electro aimed at the dancefloor from one third of the london modular alliance.

it s been a while since rampa aimed for collective affection, providing -the touch-. his current -sunday- ep, counting as the keinemusik catalogue number km045, somehow continues this sort of sonic caress.

more cut n paste action aimed straight at late nite disco dancefloors! fully organic authentic reworks of known and unknown classics a1 - partytime a modern rework of a paradise garage classic. tonight its partytime people! a2 - wicked and lazy the seminal dance track is given a rough n ready makeover with the original vocal line now underpinned by a loose disco funk groove with subtle brass stabs and woozy funk guitar. wicked and lazy indeed. b1 - aint no cruel intentions two dancefloor classics collide in this edit which combines the power and irresistible vocal hooks of beth s confession of indifference with the hypnotic calling card groove of the khan staple. b2 - jubilation the s&g folk classic is a guaranteed party-starter and now it s been beefed up with a proper disco beat and a refrain to die for. pure end of the night, hands in the air bizness.

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

autre fell asleep in a gondola and awoke in the krankenhaus. this is his first offering for the esp institute. side as everybody in the past is sharp techno aimed for the alleys of your mind gritty, driving, and melodic combinations of blown-out drums and classic electro riffs that relentlessly sprint for a good 4 minutes before a squelching arpeggio and angelic solo kick in tugging the heartstrings and lighting a beacon for those noble morning dancers lost at the front left speaker, channeling from the deep. on side b, frigo completely dismantles any expectations you might have after listening to its predecessor. an undoubtedly seductive samba rhythm comprised of distant snares, rim shots and cowbells holds together an aggressively active bassline, a steel drum harmony and synth solo that crawl all over like a funky worm. this track is truly something special, a gift for the prodigious selector when dropped in the deserved context, it has the potential to unlock unprecedented levels of euphoria. these two songs are as fluid as a paintbrush yet precise as a scalpel.

back with another pair of his heavy-hitting hardspace mixes, len faki hands two mighty club-weapons. aimed at no less than unleashing havoc on the floor is the edit of frantic drum-roll-fest lazer beam. already quite a force to be reckoned with, faki manages to beef-up the mix even more, adding rumbling bass-weight and injecting some extra steam to make it roll out until the end. on the flip side there‘s the hypnotic groove of space taxi. captivating and enveloping, this mix alters the original signature bass in order to shift gears into what feals like full forward there‘s no escaping this one! as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

hardware jams aimed at the mind. listen to completion to break down your walls. love slow - hate fast. limited pressing on clear vinyl.

after a triplet of solo 12inches, all courtesy of label main man rupert marnie, hamburg-based imprint the press group are set to break 2018 in with the multi-flavoured tpg004 - a versatile debut va that offers a fine close up on the labels whole cast of operating forces with some choice contributions from tpgs core tetrad including youthman(29), ten letu, dj dodo and marnie himself. mind your backs! shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics clearly aimed at the dancefloor but equally poised for laid-back chill sessions. first release on the label to reunite the entire crew, tpg004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artists idiosyncratic universe whilst establishing a hyper-modern sound id, both infectiously funky and undeniably potent. casting its net far and wide: from the pared-down astronautical breakbeat of youthmans ‘aemilia to dj dodos breezy jacking jazz-footwork hybrid ‘the machine via rupert marnies lithe ganjah-smelling shuffler ‘health and ten letus muscle-flexing acid roller ‘ah, you shot me!, its a feast of feelgood beats that youre invited to, neatly connecting the dots between the guys shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into. vital sales points: first 12? from the press groups whole cast of members including a locked groove on the b-side.

dext recordings has reached it’s landmark 10th release, and we now enter our next phase with this very special 2 track ep from a vital part of our label: bodyjack. aside from his collaboration with special request at the end of last year, this is chris’s first new music under his bodyjack alias since the summer of 2016 (his “cobra effect ep” for us). his time away has helped him refocus, and its clearly paid off “nataraja” (hindu for “lord of the dance”) is one of those tracks we can’t actually describe, but it’sbodyjack on rare form. his signature quirky percussion & synthwork is stripped down more than on his previous work, but this is one works in so many situations, we can’t wait to hear what you think. on the flip, “tandava” (the name given to the dance of nataraja!), is a peak-time detroit bass style workout with booming drops and razor sharp edits aimed right at the floor.

pyramid transmissions is back with the first solo release on the label from pt creator adj. street life ep is four tracks of bass driven future electro music from one of the longest standing members of the scene. street life part 1 is pure unadultered future bboy music with punching kick drums, dirty acid and characteristic glitches added to the mix for that unmistakable adj sound aimed at making you dance while getting in your head simultaneously and adj always looks to the future but with nods to his past of 808 electro music.

crew member dj format has joined forces with mc andy cooper to produce a special little number for 45 live records. “get on that”, taken from andy’s most recent lp has been completely re-worked into a brand new track with a new vocal from andy and matt format adding his superb production skills. it’s classic format material, super funky, deftly arranged and aimed squarely at the dancefloor. throw this donut on and watch the floor ignite! this 45 comes complete with an instrumental on the flip, ready to get busy in the mix if you re grabbing doubles.

aimed at dancefloors in sleazy bathhouses, seedy basements and soiled warehouses, icarus traxx first offering takes us back to the mythical days of anonymous, muscular power house. delivering no less than three takes of commandment (plus two acapellas), the 12 inch, starring the enigmatic voices of jesse b. simple and charlotte b. good, supplies a choice cut for every disc jockey.

electronic music label sheik n beik announces its new release snbv013, an ep called daisy cutter by jem. this ep is the third release in their series aimed at celebrating the diversity and history of new york and its boroughs. as sheik n beik s hometown and source of constant inspiration, the label focuses on spotlighting and paying homage to the five boroughs of new york including manhattan, queens, brooklyn, staten island and the bronx. each borough s flag is given a modern and colorful twist via the cover art and design of each outer jacket. the first release in the series, manhattan, featured local nyc hero and co-founder of voodoo down records n conduit, and the second, kathisma resident mr. dello s vaadhoo ep. the new ep from jem, dedicated to the bronx, opens up with title track daisy cutter, which directly sets the tone of the release with a straightforward, dynamic techno, elevated by an eerie, dark atmosphere. it goes on with neb, a downtempo second track with a lighter tone that progressively gets back to the initial mysterious mood and capriciously brightens it with warmer back-and-forth sounds. next on the 12- is semiotic, a third track structured by a clever balance of deconstructed rhythms and sparse acid and synth melodies in the continuity of the lighter, warmer mood previously built up. the ep ends with temple, with a more aggressive accent animated by several lighter melodic layers and a stifled background bass.