this will be the first time the albums have been pressed to vinyl, following their debut 2008 (the sound of trees falling on people) and 2011 (+dome) releases, and marks the milestone signing to australia and electronic musics front running, award-winning label future classic (flume, flight facilities, jagwar ma). 30 tracks across two critically acclaimed albums, now featuring two unreleased vinyl-only locked grooves. it is a surprise that this album of sharp-edged, glacial, organic electronica, hails from sunny sydney, australia.

datassette aka john davies has been recording music for over a decade, carving out a niche as a respected purveyor of electro and electronica. he has recorded and self-released an impressive discography from cd-r, net-labels and small independents, but it was his album for ai records in 2008 that first brought him to our attention. he has also remixed the likes of röyksopp, mark archer and al tourettes. datassette continues apollos tradition of releasing rich, musical electronica and follows on nicely from classic releases from the likes of robert leiner, biosphere, david morley and andrea parker.

when the aquaplano records were first released in 2008 and 2009, emerging out of hardwax with little fanfare, they were distinctly out of step with the way techno appeared to be heading. the minimal detour was reaching its logical endpoint, and producers were returning to the 1990s for inspiration, with berghain and sandwell district at the vanguard of a new techno movement. what the aquaplano sessions shared in common were slower bpms and finding inspiration in the 1990s, but there they parted ways. the influences these italians were drawing on were rather different, returning to tribal rhythms and ambient textures to sketch out a much more heady, psychedelic form of techno.

recorded summer/fall of 2008 and originally released in january 2009 this gem has been open to a only very close circle of people only yet. the main idea was to have a bunch of short tracks with a soundtrack mood and a slight taste of early 4ad and factory records (or as frans de waard noticed alot of les disques du crepuscule and even early human league which i admit i adore). a must for fans of the pop ambient series, max richter or type records. limited coloured vinyl edition.

after many things, released in 2008, and from africa with fury: rise in 2011, a long way to the beginning is the third album by seun anikulapo kuti with egypt 80, the 14 musicians big band hes been leading since the death of his father fela kuti in 1997.

deathday (formerly deathday party) is a los angeles based experimental post-punk band, formed in santa ana, california in 2008 by brothers alex guillén and giovanni guillén. previous incarnations of the group can be traced back to santa ana s koo s scene of the late 1990 s. while the title-track is an unreleased one, instead dropped into obscurity was already included in the downwards compilation click heels alongside with tropic of cancer, silent servant, the kvb. on the b side mannequin asked to the synth-master legowelt to remix after dark

nummeriertes 10 inch vinyl, limitiert auf 500 exemplare - die komplett akustische version des lysandre-albums.
der sänger und songwriter aus san francisco startet nun seine solokarriere mit einem sensationellen album, das in jeder hinsicht als meisterwerk gelten kann. das album erzählt die geschichte einer liebesaffäre zwischen dem sänger und einer französin namens lysandre, die er während der ersten girls europatour im sommer 2008 auf einem festival in frankreich kennen lernte. perfekt eingerahmt von aufwendigen arrangements, traumhaften backing-vocals und einer perfekten produktion, steht vor allem das außergewöhnlich persönliche, berührende songwriting von owens im vordergrund. owens selbst beschreibt das album als a *coming of age story, a road trip story, a love story*.

pick a piper was conceived in 2008 along with band mates angus fraser and dan roberts, and following two eps, the band is set to release their debut self-titled debut album. the album is made up of eight very different songs, all with one thing in common: each is built upon the foundation of its own ingenious rhythm structure, with musical layers meticulously applied, up until the vocals, which are added right at the very end, if at all. song writing done back-to-front, which is also fitting in this case because: brad weber? isnt that...? yes indeed! brad is also the drummer for caribou.
the vinyl lp comes with free download code.

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

beanfield ist einer der ganz großen namen in der compost-geschichte. nun endlich feiert jan krause mit seinem projekt beanfield ein lange erwartetes comeback. seit 2008 hat krause zwar nichts mehr selbst veroeffentlicht, sein terminplan war wegen des ausgebuchten studios dennoch bis oben voll. nun kehrt beanfield mit einer neuen single zurueck. alone ist in zusammenarbeit mit der muenchner saengerin marzenka enstanden. und glänzt mit souligem gesang, toughen beats und brodelnden sythies.

people get ready! heres the first of several studio barnhus releases to come from 20-year-old stockholm native baba. despite his youth, this former ballet dancer has an impressive discography under his belt, having been one of the strongest forces of the elusive skweee scene since 2008 while also releasing two albums of dreamy folk pop under his betlehem beard corporation alias. our girls is a raw, bouncy house jam recorded to cassette in three different tempos and arrangements. enjoy!

for those of you who dont already know, plaster is an electronic music project born in rome in 2008 and comprised of gianclaudio hashem moniri and giuseppe carlini, best known for their works on german label stroboscopic artefacts, berlin-based unoiki and ukraine-based label kvitnu...
now the italian duo find themselves in london, joining forces with touchin bass to weave together a damn fine four track ep which aims to mix a combination of styles from downtempo, dark, brooding beats to more compelling rhythms which have the capacity to make you dance... plasters sound is impressively textured with rich eclectic tones. it is simple but effective, showing different emotions, tempos and styles.
look no further... this ep will draw you in, chew you up and spit you out, but you will be all the better for it.

gianclaudio hashem moniri & giuseppe carlini formed the group plaster in rome italy in 2008 and has released eps, albums & been on compilations with their sharp edged sounds, deep beats with some funky syncopations since 2010 on labels such as kvitnu, crazy language, stroboscopic artefacts & touchin bass

la fleur is a dj in the ascendant. now a resident dj at watergate in berlin (and with a brand new ep for their label ready to drop - more on that in minute!) she has balanced her craft and her electronic music production with precision and flair: all of this is the result of hard work and a constant stream of quality gigs across the world. for the uninitiated, la fleur took her first forays into the studio in 2008, with her remix of david ekenbaecks nairu on trunkfunk records but it was her solo debut, the flowerhead ep, for her own power plant label, which really rocketed her into charts and record boxes worldwide.

after a sustained period of enviable productivity, renowned producer mark fell arrives on liberation technologies to further carve out his own singular vision of leftfield electronic music. after reviving the snd moniker with long-term collaborator mat steel in 2008, and releasing a slew of singles under the sensate focus guise, it is here that the mind behind recent sound installation *64 beautiful phase violations* delivers his most visceral work yet, melding angular electronics and skittering rhythms into a sonic palette that is undeniably his own. treading an equally as distinctive path throughout their illustrious career, japanese experimentalists boredoms contribute their own vision of parts 1-7, an inspired pairing that is offered up in advance as a tantalising glimpse into the forthcoming record.

ikonika is one of the outstanding producers of her generation. her 2008 debut >please< (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 ‘contact, love, want, have’, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.

moderat sind apparat (sascha ring) und modeselektor (gernot bronsert und sebastian szary). hier der bedächtige klangtüftler und pop-poet, dort die beiden techno-b-boys. beide acts stehen für die berliner elektronikszene jenseits der geraden bassdrum. modeselektor sind die großmeister der unterirdischen bässe und elektrisierenden breakbeats, apparat ist der feingeist der elektronischen popmusik. die verweigerung, sich mit dem vorhandenen abzufinden, schweißt die drei in einer künstlerfreundschaft zusammen. auf dem ersten album definierten sie 2008 den moderat-sound. wobbelnde bässe und zuckende beats auf der einen seite, apparats filigrane stimme auf der anderen: gerade der extreme kontrast erschuf das einzigartige moderat-gefühl. in den nächsten jahren wurden beide acts zu international bekannten künstlern. sie definierten mit bahnbrechenden alben den elektronischen sound der zeit. heute ist das spektrum emotional und stilistisch größer geworden. es gibt keine grundstimmung mehr. in elf tracks erzählen moderat ein facettenreiches und doch kompaktes epos. sie sind verführer und hooligans, grübler und partysäue. in ihrer welt sind partytaumel und tiefsinn kein gegensatz. sie lassen kein kapitel ihres elektronischen und ihres analogen lebens aus. im clash zeigen diese großen musikerpersönlichkeiten neue charakterliche facetten. so ist in dieser wiederbegegnung eines der großen alben der elektronischen popmusik entstanden.

multi-faceted canadian artist james teej drops his second lp, eight bit ocean on sashas last night on earth imprint. releasing his first james teej singles in 2008, teej has since become a firm fixture on the electronic music circuit with releases for we play house, rebirth, supernature and no.19 music as well as a debut lp on radio slaves rekids in 2010 entitled evening harvest. since then, teej has joined old friends jared simms and voytek korab to become one third of my favorite robot, an act which is steadily becoming another of torontos break-outs via tracks and remixes for visionquest and crosstown rebels as well as their own highly regarded my favorite robot records.

gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o malley and attila csihar. the group formed initially to tour in israel summer 06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer 08 the trio reformed together with the addition of australian drummer matt skitz sanders for a short european tour culminating at a headlining performance at supersonic festival in birmingham. in late 2009 the original trio reconvened for a special one-off concert at londons institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network.
ambient/ruin was created with the 2008 quartet, elements of tape collage, concrete, field recordings blend within a strong geographically diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock.

2013 edition in bonbon marbled unique ltd re-press. one day in 2008, two close friends were sitting together, probably they were working at the studio to finish some tracks. and while they talked about music, they came across this song again and again. perhaps its tanitas voice, perhaps the melody attended by that doleful bassoon pipe. anyway, it is just one of those musical moments from the late eighties that have remained in thought since childhood.

vampire weekend veröffentlichen mit modern vampires of the city den höhepunkt einer trilogie, die 2008 mit dem selbst betitelten debüt begann und die zwei jahre später mit dem hitalbum contra oben in den charts landete (nummer eins in den usa, platz 15 in deutschland). die tracks auf dem album erzählen von einer belebten city aus stimmen und visionen, vom tod henry hudsons bis zu dem orthodoxen mädchen, das sich in einem falafel-shop verliebt, von hannah hunt, die die new york times an einem entfernten strand zerreißt bis zu dem tödlichen kronleuchter in everlasting arms.
inklusive cd-version des albums.

founded in 2008, paris-based meant records is exposing some of its hidden gems through the launch of an exclusive vinyl only series. 12 inches carrying rare / previously unreleased tracks (you never knew you loved and missed) from the meant catalogue and new hits from the imprints stalwarts.
meant - limited whites vol.1:
ewan pearson remixed remain.
rework wanted a talk.
kiki remixed remote.
crackboy gave an alternative mix of monoblok&pslktrs damage done.

die 2008 in berlin gegründete band bildet heute ein sechsköpfiges ensemble mit zwei kreativen wegweisern: louise gold, sängerin und songschreiberin, und hans quarz, posaunist und arrangeur. die stücke schreiben sie gemeinsam - eine spannende mischung, denn hans quarz kommt vom jazz und louise gold aus der popmusik. ihr gemeinsamer sound bildet ein ganz eigenes genre: pop in cinemascope.<br >wertiges 180g vinyl im schweren hardcover mit exklusivem bonus track plus cd-version des albums & postkarte.

stefan schwander has been releasing his heavily processed and sequenced take on african music and american minimalism under his harmonious thelonious moniker since 2008.

limited 12inch release from japanese dance music producer/dj brisa with, teaming up with capitol a. our fave is the jazzier the soul. check!his 2008 album elevation perception (co produced by yukihiro fukutomi) featured singers like paul randolph, nadirah shakoor, monday michiru and he shows an original crossover sound of soul, jazz, house, breakbeats etc

!organism is the swiss techno label owned by yan stricker. since 2008, it has dealt in a stripped brand of minimalism releasing artists like the boss himself, mylo salte and tom laws, who returns once again here alongside bodyscrub aka italian producer roberto bonetti. eagles eyes is yet another classy family affair from techno true-schoolers, !organism

dfrnt aka alex cowles, has put out a string of critically acclaimed releases via his own echodub, and londons, on the edge imprint, since his arrival on the scene in 2008, had his track headspace remixed by scuba which featured on the producers sub:stance mix cd for ostgut ton, and maintained a consistently forward-thinking approach to electronic music throughout this. here he joins 2020 vision offshoot fina records, alongside the likes of move d, leif and roberto rodriguez.

over the last few months, the main focus in the rekids camp has been on nina kraviz and the remixing of her 2012 debut lp. now its time for a change, and its head honcho radio slaves turn to get in on the remix action, with his 2008 hit tantakatan getting a fresh makeover in the shape of mr. gs nightwatch dub and prins thomas diskomiks

die swedish house mafia war ein gemeinsames projekt der schwedischen djs axwell, steve angello und sebastian ingrosso. die progressive-house-band war von 2008 bis 2013 unter diesem pseudonym aktiv. ihre mit abstand erfolgreichste single ist der 2012 veröffentlichte track don’t you worry child, mit etlichen top-ten erfolgen.

three brand new versions of the hit from 2008 ( originally released on paradigma 009) the record comes with two uplifting remixes by oliver$ & nils ohrmann and rené bourgeois. kouhei matsunaga licensed one of his outstanding drawings for cover artwork...

no need to introduce jonas kopp anymore. the argentinian made his curle debut in 2008 and has been a regular guest with releases and remixes ever since. desire will be his third full ep on the label!

tom budden has been heavily involved in the industry for several years now, working with the likes of time has changed and suara and launched his own label, alive in 2008, which has welcomed rising artists in the shape of krl, rebel, bubba & t-bone and chris james onto its roster. here tom joins the gruuv label with more refreshing house cuts, following the footsteps of huxley, luna city express and catz n dogz.

big riddim recordings was created in 2008 by ak1200, who had previously worked with well known uk drum and bass labels, suburban base and moving shadow. the label started out as a platform for ak to continue with his quest of discovering new talent and promoting the sounds of dnb to anyone within reach.

upon the first listen, the work of fernando unfolds directly on your brain and leaves a long lasting feeling of drama. fernando pulichino is one those lucky guys who can pick up any instrument and write songs without breaking a sweat. he first caught my attention with a remake of the bauhaus classic kick in the eye released on redux in 2008. he then backed up this great start with releases and remixes for labels like international feel, under the shade, internasjonal and nang. he also very busy touring as part of the 2020 soundsystem band and he is also in silver city with julian sanza.
we decided to put together a long player to highlight the talents of our man in buenos aires. the construction of *float* reveals an astonishing wealth of musical ideas, brazen touches of new wave and icy modern disco sounds are evident throughout. low slung basses are also a theme that runs right through *float* whether it is the opening song *a place* which has a monster electronic bottom end or *from out there* which sits firmly on the punk funk dinner table, bass lines are clearly important to fernando.

it seems like ages since we last had roberto rodriguez on the label with his excellent be somebody back in 2008, so were plenty happy to welcome him back for a long overdue follow up.

anticon founder and instrumental rap innovator alias is reborn with fever dream, his sixth full-length for the label. alias acclaimed 2008 lp resurgam represented a culmination of the sound he had been chasing the previous five years -- a bewitchingly blue combination of icy atmosphere, haunted melodies and hard drums. he cleansed his palate with 2010s fallen house, sunken city, the modern boom-bap masterpiece he produced for emcee b. dolan, and when it came time to return to the alias oeuvre, he was ready for a reboot.
double 12 inch vinyl, pressed at 45 rpm. comes with code for free mp3 download of the full album.

taiki and nulight or to their friends rowan harrington and erka chinbayer have both been djing/producing for many years both in very different circles. taikis career started back in 2008 under his old alias name site 1 who was a house/electro producer. they joined forces and started working together in 2011 which now seems like a lifetime ago considering on what they have achieved in such a short time. when they first started out working together they were making a lot of dubstep, house and electro influenced bass music as we call it now. being heavily into garage, house and electronic dance music there sound heavily progressed across the spectrum of dance music. taiki and nulight released their first ep in february 2012 on subway recordings which gained a lot of support from the likes of mistajam, crookers, herve zinc, redlight, foamo, roska, benga, skream, adam f, hatcha, n type and more. gaining them a lot of frequent airtime on bbc radio 1, 1xtra, kiss 100 and rinse fm. now nearly a year and a half since they have joined forces, they have received massive support from some of the most respected djs out there not to mention air time nearly every week on radio 1 and kiss 100. with their next release on the horizon and due to drop december time 2012 on bengas very well respected label benga beats there is so much more that you will see from these boys and so much new material to hear.

in 2007 nick curly and marc scholl started cecille records, 2008 the sublabel numbers and now 5 years later comes cic (sik). cic records will be melodic and song like. the first release guilty pleasures ep comes from the portugal based artists johnwaynes which already released on cecille in 2011. the ep starts with >wild west<, sik vocals accompanied with a dark groove and a touch of special. second track >show me that you mean it< together with the voice from stee downes shows the melodic side of cic and tells a story about meaning and truth. third track >wet< starts with a naked direct groove and the offensive vocals from sonja james.

ts7, fresh from reworking singles for afrojack and tulisa, presents >grade a<, a colourful basssline number. in what will be his first vinyl outing since 2008, ts7 utilises his 4x4 roots, working a clever looping bass to perfection with some neat vocal sampling to give it bags of dancefloor swagger. complimented by a heavyweight remix package, >grade a< certainly packs a punch. remixes come from hyperdubs walton and mista mens mella dee. walton delivers an incredible grimy rework, culminating in a series of earshattering breakdowns and some fantastic synth work that draws comparisons with some of wileys early productions. mella dee, meanwhile, moves away from his 8-bar sound as heard in coyotes debut release >ctrl<, and looks to house for inspiration with >grade a< receiving a thorough rework in that vibe. full of the sounds more familiar with his mista men productions but packing more of a grimy punch, mellas remix is a surefire dancefloor favourite.

die vielgepriesenen multiinstrumentalisten der menahan street band veröffentlichen ihr zweites album the crossing auf dem daptone records-ableger dunham records. der titeltrack des albums hatte seine premiere am 1. august auf rollingstone.com.
neben ihrer rolle als offizielle hausband des brooklyner labels dunham records hat die menahan street band bereits 2008 ein erstes album veröffentlicht, dass nicht nur von den kritikern bejubelt wurde sondern auch deshalb von sich reden macht, weil es so oft gesampelt wurde, wie kaum eine andere zeitgenössische funk- oder soul-platte. samples von made the road by walking finden sich unter anderem in songs von weltbekannten kollegen wie jay-z, 50 cent, kid cudi und vielen anderen. 2011 spielte die band no time for dreaming, das debüt-album der soul-sensation charles bradley ein den sie auf seiner welt-tournee auch als backingband begleiteten. das album wurde co-komponiert und produziert von mbs-gründungsmitglied thomas brenneck.

we are pleased to announce the drh edition of the kern exclusives, featuring 3 tracks included in dj deeps latest mix cd on tresor records. bleaks noon shape is a great unreleased techno jam, deep and haunting. we are happy to re-introduce one of drhs classics by dj gregory, the superfunky headtalking. and for all those of you who have waited for a repress of what is becoming another classic on the label, here is the long awaited kerri chandler edit of rootstraxs harlequin. we hope you will enjoy this, and please also check out the kern rarities ep on tresor: featuring a.e.ss music in my head and santonios never-released title from 93 forth, amnesia. along with xperiments karn evil #10 and mix-closer iii, an early record from st. germain as deepside. the other 12 inch on tresor, the kern exclusives ep is a collection of tracks picked by dj deep exclusively for the compilation. originally designed to appear on his computer games album in 2008, kerri chandler signs the a-side with cobal propped on the b-side by new french signee marcelus, y02, and psyk wielding his maan alias on jackin.

the miracles club are producer rafael fauria, singer-songwriter honey owens and dancer ryan boyle from portland, oregon. since 2008 the group embarked on a mission spreading the joys of classic dance music vibes. their style draws from an endless palette including early new york & chicago house, detroit techno, and psychedelic pop. on stage the miracles club have manifested live alongside acts like larry heard, glass candy, gang gang dance, mikeq, kim ann foxman, blondes, and hunee.

craig mcwhinney is a melbourne based dj, producer and live artist. beginning his techno explorations behind the decks in 2000, his transition to the studio has been swift and fruitful. a string of releases on his own label haul music which he co-founded in 2008 with friends mike callander and christian vance, are now being backed up with remixes and eps for speedy js electric deluxe, and brendon moellers steadfast records. drawing upon his wealth of djing experience, he crosses the boundaries of dub infused techno and house with precision and intent, blurring the line between dance floor dynamics, home listening, experimentation and sound design. he is also collaborating with mike callander as haul music live, fusing craigs rhythms with mikes soundscapes to create unique dance floor interpretations of their individual sound experimentations. wild coast is a low-slung filthy minimal romp that possesses as much primal energy as it does futuristic funk. bassbins and heads are likely to be blown by this demented puppy. echologist keeps things lofi, hypnotic and subby.

after storming onto the scene in 2008, in four short years harvest has received support from the likes of andy c, dj hype, hazard, taxman, twisted individual, marky and heist. using his musical background as a foundation, the birmingham based producer has gone on to produce jump up, jungle, liquid and dark minimal - earning him recognition from all aspects in the scene.

der soul sänger gary harrison ist in brooklyn / new york aufgewachsen und kam anfang der neunziger jahre nach köln, wo er bis heute lebt. bereits 1993 lernte harrison berghaus kennen und es entstanden einige gemeinsame titel für die soul formation family vision care. mit family vision careveröffentlichten die beiden dann 2008 ein album auf dem düsseldorfer label unique records. neben der single moving in conjunctionbefindet sich mit a change is comingeine weitere kooperation der beiden auf dem neuen shareholder tom album.