limited edition white double vinyl in gatefold sleeve.
from a live broadcast recorded at the ericsson stadium, auckland, new zealand, 11th november 1996.

double vinyl release with download code included. attention: b-ware | b-stock. cover is slightly damaged.

on 7th august the godfather mike dunn presents an ep fuelled by a pumping heart of pure house, entitled ‘dj beat that shhh’ / ‘move it work it’. taken from his forthcoming album due for release in october 2017. both tracks capture mike’s essence, placing his trademark hip house booty style vocals and stripped-back, jacking drums centre stage. ‘dj beat that shit’ is classic, bumping 90s chi goodness updated with modern technology, whilst ‘move it, work it’ is a no-nonsence smoke and strobe throbber, that recalls the best of trax and dj international. for anyone who knows their shit, mike should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, especially with tracks like ‘face the nation’, ‘god made me phunky’, ‘let it be house’ and ‘personal problem’. mike created hip house, dj’d with fellow legends ron hardy, larry heard and armando gallop, produced for house heroes armando, fast eddie and k-alexi shelby, and worked with the iconic voices of byron stingley and kym english. after a long absence from djing in europe, mike returned in 2015 to rock crowds at panorama bar, fabric, concrete, sub club and glastonbury, demonstrating why the chicago og is still very much in demand.

psychedelic nuggets from the summer of love on 2 special marble colored vinyl lps, housed in a gatefold sleeve. compiled by alec palao.

nigerian disco-funk from 1981 back on vinyl.

double vinyl release

another hot steppa

chateau vinyl offeres a perfectly protected, shock absorbing and cushioned space for 75 x 12inches. two equal subdivisions that can be divided to both sides. this unique feature makes record selecting more comfortable in different club situations. each chateau vinyl bag contains the flight cover, an easy, lightweight and highly sustainable solution to protect and extend the life of your chateau vinyl. advise to all the flying djs: don t check-in without! the puristic chateau vinyl solo version comes without the side pouch and docking station. less is more - if it s enough for your needs. - 2-way zipper - adjustable 50mm shoulderstrap - comfortable, cushioned shoulder pads - easy to clean, cushioned record cases - material: certified cordura nylon - made in germany - dimension: 35 x 34 x 24 cm

available now soul jazz records’ record store exclusive limited-edition soul 7” box set comprising five heavyweight 70s afro-funk, afro-disco & afro-rock seven-inch singles all with unique bespoke label artwork and all digitally re-mastered. seriously rare, killer and classic nigerian 70s afro-funk, afro-disco & afro-rock tunes bought together here in this unique one-off record store day box-set edition. this unique box-set edition is only available as a one-off pressing especially for record store day 2017.

double sided crossover magic (i have been slacking on crossover records). douglas and lonero had a few releases, an lp a couple of 45s on columbia but there stand out (and rarest) 45 is this fantastic crossover 45 this time . what makes this interesting is that most copies of the original are demo copies which only have the track don t let yourself get carried away on it and cost around £50. the rare issue copy which is pretty impossible goes for £500+. not only does our new pressing include both tracks but we have gone back to the original master tapes and done a spanking 24bit transfer and a cut that sounds considerably better than the original 45, so now you can upgrade your o.g.

imagine a collab between cabaret voltaire and eric copeland mixed by the scientist and you’ll start to enter the sphere of robin asselman. all spectrums explored. the off kilter dub waltz of ’16-16’ stutters into view with a heavy and heady rolling dread, whilst inaudible vocal snippets and flatlining synth lines echo and enforce a melee of repetition and danger. ‘fitness talk’ perhaps best showcases assel’s interest in dubwise production techniques, and his ability to soak up a palette of sound and turn it into something truly his own. soft familiar bass pads provide the backbone here for all out sample mayhem, a space where recognisable dub effects and sonars vibe alongside absolutely unsettling outer samples of jarring vocals and inaudible upset, purposefully mixed to jolt ears into unfamiliar territories. being the nephew of dj marcelle, this experimental approach and inspiring concept of pushing samples to the absolute limits of their origin to create a new unexplored path is clearly something that has been fed down from marcelle to robin throughout his youth....

soundtrack to director & writer daniela amavia’s first feature film shot in los angeles spring of 2013. starring abigail spencer, cheyenne jackson, collette wolfe, elena satine, & sonja kinski.

razor-sharp production of the highest order from two of the masters of the early 80’s rio de janeiro boogie sound, robson jorge and lincoln olivetti.
both were highly acclaimed music producers of the time, starting around the mid-70’s. over the course of his career olivetti worked with artists including rita lee, erasmo carlos, don beto, marcos valle, tim maia, gilberto gil, gal costa, sandra sa, painel de controle and many more.
the album takes in mid-tempo, aor, boogie and even latin all way through the tempo’s to ultra-quick prince style disco-funk workouts. includes several standout tracks – ‘aleluia’ and ’ginga’ being our two favourites. synths, horns, claps, drum machines, guitars, keys and vocal harmonies combine effortlessly.
originally released in 1982 on som livre, brazil. replica original reproduction.

def leppard’s 1987 album hysteria for the first time available on double vinyl! remastered and pressed on heavyweight 180 gram vinyl, housed in a gatefold sleeve.

limited reissue on red 180 gram vinyl with download code included.

black 180 gram vinyl with download code included.

limited reissue on translucent green 180 gram viny with download code included.

quazarz came to the earth from somewhere else, a musical ambassador from his place to ours. somehow, through fire or through fury, the palaceer of shabazz palaces caught wind of the tale, and it is through his prism that we hear the story. the beach was there, and atlaantiis, and chemical alterations and cell memories and andre norton, richard k. morgan, and always octavia butler. there were killings and there were votes, and brutality in both. there was sound and there were other worlds, and there was a vastness so participation sometimes came only at the edges. and the palaceer coasted down with the alien notion, like quazarz, and so became. on quazarz when they look at this place they see the inhabitants, the humans, but they don’t assess as we do. and so quazarz was sent to meet a cat with vibration, a creative and courageous, caring, compassionate dude that stood out. the dude was a drug dealer, but that was neither here nor there, until his dealings squashed the rendezvous, leaving our alien alone to figure out what this place is really all about. the vinyl release includes a download code.

das beste von dem sänger mit der rauchig-smoothen stimme, der seit mehr als 30 jahren als solokünstler, songwriter und produzent erfolgreich ist. “can’t stop a man” präsentiert 36 ausgesuchte songs aus den jahren 1976 bis 2003 auf triple-lp im gatefold sleeve und ausführlichen liner notes & track by track-notes, geschrieben vom us-amerikanischen reggae-experten rob kenner. erstmalig in jahre 2003 parallel zum gleichnamigen 2cd-digipak set erschienen, ist dieses beres hammond porträt wieder als vinyl erhältlich. das zitat von prime entertainment zum konzert im kölner stadtgarten bringt es auf den punkt: “beres hammond beeindruckt mit seiner durch tiefes timbre geprägten, dennoch smoothen und sehr eindringlichen stimme. seine texte sind stets von einer emotionalen dichte und der wahrheit getragen, dass wir eigentlich alle nur nach liebe suchen. diese essentielle message verpackt er in große dancehall-smasher, ebenso wie in romantische balladen und in spirituelle rootsgesänge.”

at last! the full 12:45 john morales mix of this underground boogie classic gets the proper vinyl release it has always deserved! all those discogs cowboys can now safely crawl back under their stones! replicating the original 1982 12”, except this one doesn’t fade out a minute and a half before the end. the original flipside is present, only this time cut at 45rpm for higher audio resolution. available from 14-07-2017. this release is (i think!) the first time all twelve minutes and forty-five seconds have been pressed on wax (in an ultra limited quantity) so don’t miss it, steven!

originally hailing from melbourne australia, the now berlin based live electronic act forces release their latest mlp- newbody on the label incarnation of the berlin based fleisch collective. the 6 track mlp maps their relationship over the last few years with four new tracks and two remixes. ranging from taught, neurotic pop and ebm to bristling ambient landscapes, newbody burns with a kind of pre-dawn energy that is both euphoric and paranoid. newbody depicts the final moment in the boomerang arc of technology as it returns to completely re-enter the body, perfectly capturing the focused urgency and post-electronic physicality of forces live.

(boscoexv21 – 5.49€) after the last acclaimed pretty eyes ep, and releases on slow town, fly by night and messalina -don- riccio is back on bosconi extra virgin with a new four tracker ep fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.the record begins with the romantic vibe of the deep house and jazz-fusion oriented tune -here you are- , followed by the mid tempo jam of -marcela- where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track -please-, as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover -tessie- closes up the ep with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere. more richness in club music for your incoming summer!

cosmopolis is an electronic music release from artist fonemi. this work is inspired by the novel cosmopolis by don delillo, a book that tells of a modern odyssey along the streets of a great metropolis. the four pieces here, composition of cosmopolis, sounds as the soundtrack of an introspective journey rich in ancestral suggestions and forgotten rituals recalls over time. the undervalued atmospheres that characterise the whole work seem to be held in suspension by a percussive magma that marks the passage of the past that becomes present. cosmopolis is a fluid that carries our lost memories.
cosmopolis: a tribal and primitive dance, a propitiatory rite that has been handed down unchanged over the centuries.
fiori carnivori: what you do not expect, the flower, a symbol of delicacy and sensitivity that turns into an inexorable predator.
verso casa: the return from a long journey, the lights that illuminate the asphalt and the distant flashes of unidentified cities.
tra le rovine: an ancient song, a prayer that exorcises a universal omen.

welcome back chicago s legendary edit don underdog edits. sourcing material both familiar and obscure, this release is an education on how to craft the perfect extended dj version. limited vinyl release!

double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.

missy elliott’s 1997 debut album back on 2x12 inch vinyl.

erstklassiger northern soul-sampler mit zwölf einzigartigen raritäten, die alle zur zeit ihrer entstehung unveröffentlicht blieben und nur über das abspielen von mastertapes im laufe der zeit popularität in den clubs erreichten. mit chuck jackson, the mayfield singers, the platters, len barry, roscoe shelton, u.v.a. laut gemastered und somit ideal für soul-djs (und -fans).

munich s counterweight is back with some serious stuff from the hands of gonzo mdf. the second vinyl release of the label cuts it straight to the point: this is techno for the dancefloor without compromise. the madness starts with -don t trust those who talk so much- with its acid touch and rough atmosphere. in a2 endlec translated the track into his own language: beast-techno. in -destroy- gonzo mdf finds the perfect balance between melancholy and aggressive percussion and -we didn t give up- is the perfect way to round up the release. so... we let them talk and we keep on working .

lionoil industries is thrilled to present philip budny’s debut record - 3 dreamy cuts of melancholic synth lines, spritely seagulls, bubbly marimbas, breezy arps and potent drums, with a bongo-fuelled reshuffle from church pal seb wildblood inspired by one late night at our eponymous dancing institution sneaky pete s. make no mistake - this one s for the club. move d’s been feeling the test pressing a lot. join in - and don’t forget your sun cream!

the 3 release. 3 artists. 3 solid tracks. rex hansson has made a solid original version. you clearly hear his skills as a past percussionist. the beats together with skånska vocals, low key rhodes and some 303 knob twiddling make this track special and great. emil nyman. this mix is something. it’s tossing and turning from a metallic sound to the softest wood. from the deepest parts of the ocean we follow the pads and organ up in the sky. the b side is dedicated clark eng. a minimal offbeat version with low toms and rattling high sticks, claps and snares. the track is moving like a newcomen engine. the minor changes all the time makes it to a hypnotic minimal house track.

italian based label roots underground records links up with japanese dj and producer fuminori kagajo for its second vinyl outing. four tracks that skip through house, disco, 70’s funk allure and jazz-fusion treatments. real summer time flavours on this one and strictly limited numbers so don’t sleep.

ltd repress! julian perez on his new label deliveries some serious heat! huge support from pretty much everyone so don t snooze on this very special release.

für diesen soundtrack wurde der komponist nicholas britell sowohl bei den oscar-verleihungen als auch bei den golden globes nominiert. und mit der verleihung des oscars für den besten film, wurde der film auch dieses jahr in den deutschen kinos gezeigt. der film erzählt in drei kapiteln die geschichte eines jungen, homosexuellen, afroamerikanischen mannes.
zwar beauftragte regisseur barry jenks nicholas britell mit der produktion eines orchestralen scores, forderte ihn aber gleichzeitig dazu auf die produktions-technik des chopped & screwed (wie im hip hop oft genutzt) auf passagen anzuwenden, so dass ein ungewöhnliches soundbild entstand.
pressung auf blauem 180 gramm vinyl.

karen gwyer returns to cement her reputation as one of the most individual and daring voices in dance music with rembo , her first full lp for don t be afraid, following a debut on the label in late 2016 with the prophase anaphase metaphase telophase ep. reflecting the sheer energy of gwyer s improvised, undulating and unpredictable live shows, rembo captures gwyer in her element as a techno producer not afraid to smudge both the physical and emotional edges of what we may have come to expect in the club. live performance is where gwyer s ideas come into gradual but vivid fruition, with tracks often evolving over -five or six shows- before reaching the studio. here, gwyer endeavours to capture the same transcendent energy that has seen her enrapture audiences at international events such as mutek and unsound, and in support of contemporaries such as laurel halo, kassem mosse and factory floor. throughout rembo , dozens of shows and endless stolen studio hours have informed 38 minutes of uncompromising body music. rembo is a record that calls firmly to the night, an album to transport both artist and listener to dark, sweaty rooms, to shared escapism and unexpected moments of electronic transcendence. from the first note forward, on record and in the club, karen gwyer is an artist in total control, no matter where she ends up taking us

another odd and rather good 12inch from hyv. we don t know much, but they seem to just know. tip! tracks from hyvinkää, finland. written by juho kahilainen and tomi kesäniemi. both boring family men, middle-aged and middle-class. however, they ve been here long enough to learn a trick or two. nods to detroit, nods to acid. a mid-tempo track tape loader sounds like a 909 trapped in swamp. fast and jazzy r train funk pays a tribute to detroit-legends with a decent 303 line to drink beer to. the tower that stands in the woods is a dubby slow-down before suomi 100 acid celebrates finlands 100th anniversary with lyrics that deal with recession and the finnish government s fair deal to cut everyone s wage.

few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. for starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off.
ali kuru is one of those rare producers whose music sounds like nothing else around. the istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering middle eastern instrumentation – via releases for the likes of luxa flex, kalisah, sound architecture and, most recently, leng.
it’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. from start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings.

the 1981 album from boney m back on vinyl, high-resolution mastered from the original source.

limited 100 copies vinyl only. technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref in 2016 really aims at it. krlf003 split vinyl release named purple split (from the cover colour) signed by the british patrick cooper (coefficient) on the a side and by the colombian alexander soto (gotshell) on b side. it&#146,s the first krlf release including digital bonus tracks: d-meson and t1995. supports: dave clarke, chris liebing, dax j, ilario alicante, joseph capriati, paula temple, randomer, carl craig, marco bailey, danny tenaglia, paco osuna, don rimini, sasha carassi, slam, damon wild.

“the boys and girls at limited white label are at it again with what could be their best foray into vinyl yet! this third release promises more grooves, more experimentation, and more instrumental variation. filled to the brim with musical energy that will make you want to dance, this time ltdwlbl003 keeps true the promise of jazz while bringing some tribal flavor to the turntable. with only 300 copies, don’t sleep on this one!”

hand stamped, vinyl only! the fourth coffee pot release shows the different sides of the italian duo, from the a-side groover spread the message , to the trippy melody drone , to the deep hypnotic nuevaera . early support from paul ritch, luca agnelli, drumcomplex, greg gow, don rimini, 2000 and one, gel abril, carlo lio, duncan gray, daniel sanchez, depthon, gemini brothers, brother s vive, last waltz, marco effe, mental resonance

ltd 4lp + downloadcode

right after we finished putting together our long sold out distant waves compilation back in 2014 we started working on volume ii.

following up nearly 3 years after mallory s 001, joe brings us house/acid/techno riffs with live recorded vocals and gear. joe is a warehouse sound-man veteran of almost 20 years in and around los angeles. after curating, playing and servicing many techno/house/disco/acid events, joe would like to share some notes & texture with everyone. thank you for listening

“god loves detroit” is terrence parker’s new album due for release june 30th on planet e communications (detroit). this new album features tp collaborations with coco street, and additional projects with merachka (who co-produced, co-wrote, and sings on the first single entitled “don’t waste another minute” which also features a remix by london’s as i am) released in february 2016.

rephlex-ian electronix by brainwaltzera, sometime somewhere. don t ask, just play and make braindance great again. 4vj/mi/eoin/paj/dkape/ap/sp. strictly no repress.

ltd 2017 repress ... after a 10 year hiatus, steve o sullivans mosaic label returns under a new guise: mosaic split series. this series will be split between old school artists from mosaic and beyond and artists from the new school. this first release sees mosaic legend jorge zamacona don his urban sombrero for the latest installment in his mosaic efforts series. a deep, trippy, dirty house workout in jorges unique style. in keeping with the whole ethos of this project we have newcomer ben buitendijks offering , > promised land<, on the flip. an ultra-deep dub house/techno track that echoes the mosaic sound of old with a modern twist. melodic and atmospheric, this one deserves to be played from beginning to end.

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

25th anniversary reissue of en vogue’s second studio album, originally released in 1992.

uncertainty. no set route. destination unknown. younger than me know it s the journey that counts, and they premiere with quite the musical journeyman. the dulcet tones of none other than the don, fred ventura, accompany the title piece, a grooving melody ticks over against clean beats. san proper kick up some dust, adding some grit and soul to the original. the flip takes on a darker aspect. the giallo flavoured -not for all- looms and lurks before the dream woven depths of -don demorder-.