larse returns with his 2nd single on conya. together with his homie fish they produced a hypnotic endless dancefloor journey. the b side is also hypnotic, but way more laidback. enjoy. already support by c rock, sasse, alf tumble, lars behrenroth, phil e, nacho marco, sebastian davidson, grant nelson, francesco farfa, jay west, halo, behrouz…,...

four underground gems from some of todays most in demand producers together on one vinyl sampler including koen groeneveld, prok & fitch, d-formation plus adam shaw & tim weeks!!!

flapjack records is super stoked to present its 4th vinyl edition. in this episode we have flapjack front man frankie j, who has recently earned himself honorable mention in the completely made up breakfast foods quarterly for his solid recipes during the sound republic era alongside solo releases and remixes on spatula city & flapjack. this release also features adelaide iron chef sonny fodera, fresh off his two smash releases from drop & guesthouse wasting no time in the kitchen with his slammin joints. together these two somalies of syrup bring you a maple syrup conglomerate of dynamite proportions.

badmotorfinger got lost amid the blockbuster success of nevermind and ten (all were released around the same time). but the fact is that, though they re all great records, badmotorfinger is much less accessible by comparison. not that it isnt melodic, but it also sounds twisted and gnarled, full of dissonant riffing, impossible time signatures, howling textural solos, and weird, droning tonalities. its surprisingly cerebral and arty music for a band courting mainstream metal audiences, but it attacks with scientific precision. part of that is due to the presence of new bassist ben shepherd, who gives the band its thickest rhythmic foundation yet and, moreover, immediately shoulders the departed hiro yamamotos share of songwriting duties. but its apparent that the whole band has greatly expanded the scope of its ambitions. and badmotorfinger fulfills them, pulling all the different threads of the bands sound together into a mature, confident, well written record. this is heavy, challenging hard rock full of intellectual sensibility and complex band interplay.

the spirit catcher duo teams up with ilija rudman to make their debut release for rebirth - well known for their futuristic grooves they blend funk & tech house together to a galactic journey!

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

co-producer of the lastest tiefschwarzs bomb >trust< and full-time member of souvenir, philipp >sante< maier spent the summer with ali and basti on the road, every time warmly praised by the crowds of fabric in london, watergate and weekend in berlin or sonar festival in barcelona for his highly physical live-set. santé, together with adam port, rampa or &me is also part of a new school of producers from berlin, all fully dedicated to the delights of foot-stomping, straight- and four-to-the-dancefloors and already gathered under the standard of souvenir booking. so for this 22nd release on vinyl, ali and basti clinked for the third time glasses with sante, but this time, they chopped the magnum, and offered their round to rampa, re.you and david mayer

large music is thrilled to join together two stalwarts of the deep house and soul music scene for a thrilling new release. ethan white from tortured soul and beloved vocalist marie tweek of the rurals unite to bring us the beautifully crafted song dont tell me you re sorry. ethans crisp, elegant production frames maries lead vocals perfectly as she laments about lost love and the new hope of moving on!

dutch dj & producer jazper has set a step into a new direction together with jules from romania. jules known for his digital nature alias and jazper known for his trance and progressive productions together with misja helsloot. following their last release on be yourself, they now present pitching pigeon for baroques sister label method... techy rumbling beats & a slick melody, courtesy of the more bells mix... make this a djs must have!

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

nachtstrom schallplatten is back with a brand-new ep produced by munichs tobias felbermayr. the vinyl will contain 3 superb techno-smashers in the best tradition of extrawelt, johannes heil and gregor tresher.
tobis career started in the year 2005 under the pseudonym joey approx. at that time he was already playing in well-known clubs such as rote sonne and harry klein - both located in the beautiful capital of bavaria munich.in 2008, he could convince his good friend johannes heil to make him part of his label metatron recordings. his first release immediately was a huge success and entered the top-50 of the techno-charts in europe and in japan even went into the top-10. after playing together with artists such as johannes heil, spektre, acid maria, piatto, tim green, daniel schlender and many more, he is still on his search for that special sound and one thing is for sure: he s gonna find it!
we are proud to welcome tobi as part of our nachtstrom family and to release his first ep on our label.

plastique de rêves new single on david carrettas label space factory disques follows up on last years fantastic release on dfa with its summer !!, a perfect techno-pop summer hit with another great feature by vocalist ghostape, and dives further into the realms of electrodisco, synth-pop, and cosmic music. ultra synthetic and light-hearted, yet dreamy and emotional, the three tracks (four on the digital release) each capture with authenticity the essence of electronic disco music but pay tribute to it here in a very original, playful and modern way. its summer !! is a great follow-up to plastique de rêves previous singles on dfa and supersoul recordings, also featuring ghostape on vocals. this time the music goes even deeper into the worlds of synth-pop and electronic disco, with reminiscences of vince clarkes yazoo, giorgio moroder or kelley polar. the sunny, laidback, pop radio atmosphere, together with ghostapes emotional build up of the deliberately simplest lyrics ever written so far, might well keep you smiling, and dancing, all summer.

already played by the likes of: 2000 and one, dubfire, loco dice, butch... his impeccable taste for producing good music combined with his great deck skills has enabled him to play together and be played by major djs such as michael mayer, miss kittin, guido schneider, onur Özer, loco dice & sven väth..

traum / apparillo / deep focus artist !! kranglan ep is the 1st record to be released on harald björks (traum/deep focus) own record label kranglan broadcast.the record holds 3 productions of pure naïve emotions, kranglan, cykeltur and skvaltan that together summarise memories of childhood surroundings and its environmental changes. the record takes place in the outskirt soundscapes of record labels such as border community, kompakt and cocoon. early support by: laurent garnier, josh wink and petter nordkvist

how many years was it being said house music couldnt last? yet, in spite of all, it keeps reinventing itself again and again, and here is the perfect example. slavakis latest output is a true house track with deep atmosphere, straight-to-the point message, and classic chicago feel, bringing back the times when records were few and far between and not every two sounded the same. this one has it all - the melody that speaks to your soul, the beat that defines the rhythm of your heart, and the message that makes us all come together. having already found its way to ra charts and being supported by some of the greatest djs worldwide, please welcome this outstanding release from elusive rec., who proudly set themselves on the mission to make this music art again.

mothership transmission 027 – maetrik the >space chronic< ep was the biggest selling record on mothership last year and for good reason. maetrik has an incredible knack for innovative and original sound design. he is also able to package these sounds inside great arrangements and very dj friendly beats. this is what really separates his records from the rest of the sound design experts. >show me< is the perfect example of maetriks amazing talents. after several minutes of a super funky techno groove (2 things that dont usually go together) we find ourselves at the drop. and this drop is one of the best we have ever heard. it sounds like an angry wasp is flying full speed through the inside of your brain. the riff will melt your mind. >simpleman< on the other side is a great example of maetriks versatility. you might be expecting a hardcore techno bit but instead we hear a very groovy, almost reserved jazz techno fusion joint, but still with the heavy beats to keep it real for the clubs.

this 12 brings four typical deepart tracks, mastered to full quality. again they come in his typical, minimal lo-fi style, with the soul deep within. >monsoon< probably goes most abstract, a deeply funky combination of strings and beats. >n-w-2< combines the same ingredients, together with live guitar played by simon gayes. side b holds the more down-to-earth >questions< and goes spacey with >city life<. best deepart release since ages!

more stuff from detroit finds it way to the world through amsterdams delsin records. so far they have released 2 ep on shakes frictional label. lately strand was very successful with their live performance at the demf 2001 together with anthony shake shakir. message 2 is filled with their soulful and funky techno. the tracks end up somewhere between shakes freestyle beats and cims soft electronic excursions. strings and gentle beats are all around, also going more uptempo and danceable. funky, deep soul techno tracks in good delsin tradition!

best known as one half of the motorcitysoul duo, alongside christian rindermann aka c-rock. the pair have been responsible for some of the finest productions and remixes from the deeper realm over the past few years. their ability to create grand, atmospheric and emotional moments for the floor has seen them release and remix for fantastic labels including cocoon, freerange, simple, conaisseur, liebe detail, junior boys own, tsuba and their very own stir 15. matthias skills do not just sit in the electronic dancefloor realm. an accomplished pianist and jazz lover, his role as bandleader in the matthias vogt trio sees him bring acoustic jazz and electronica together in exciting, imaginative live compositions

stroboscopic artefacts is proud to welcome on board singapore-based xhin (meerestief). with his production wizardry he has been crafting ominous cuts of cutting-edge techno.>fixing the error< is an enormous peak-time club killer. xhin knits together the sinister sound of the revolt of the machines. high frequency drum machines and ferrous sub-bass synthesizers are working urgently against the clock. close your eyes, dissolve, step into dystopia. you are transported into a post-human cityscape where strobes reflect off smelting metallic sounds and deafening alarms wail. these warning codes, layer upon layer, fashion a vision of a metropolis gorging itself on sprawling noises. the flip side, >link< has no narrative. instead, this deep, brooding slice of dub-techno is composed of pure atmospheric pressure. the undercarrige slithers and slinks, interrupted by crackles of lightening and prehistoric rumbles. the result is a construction created in a cold palate of pyrite grey: bubbling, spherical and terrifying. this is dark. this is urgent. this is xhin.

rune lindbaeks most recent output include the meanderthals album, made together with the idjut boys, as well as numerous edits and dj gigs around the stranger parts of the world. now he returns on lf with a fantastic & special ep!!!

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

greg schappert aka donor (brooklyn, ny) and tom russell aka truss (london, uk) first came into contact sometime towards the end of 2006. it didnt take long to realize that they had an immediate understanding of one anothers musical background and desired direction. finding that connection has resulted in the two continuing to work together on many joint projects, varying their style between more deep and hypnotic minimal techno to the more driving industrial style techno that they both grew up listening to.

all of these guys belong to the crew around the famous barraca club in valencia / spain. techno, electro, house and minimal come together in this awesome venue, that must be defined as cosmopolitan, multicultural and open-minded.

support by karotte, 2000 and one, michel de hey, red robin, bart skils, gregor tresher and many others. the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterparty s in their very own intimate and very special basement, they decide to call their basement bar27.

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

supported by rocco, marlon d, greg gauthier, aaron ross, groove junkies, inaya day, roed svensk, robert owens, jamie thinnes, dj dealer, master kev, grant nelson, panevino, the layabouts, hanna hais, dj pippi, dj pope, alex finkin & reverend p!! ralf gum and monique bingham got together to present the follow up to last years number one soulful anthem >kissing strangers<, and the result is the mind-blowing >little w. 12th st.<, an eclectic soulful yet contaminous production with outstanding vocals and a blissful jazz-funk orchestration

the travel reports of the wilderness ep part 1 & 2 follows a documentation of a time when the cheapers were together in a dark vault and they were only attending the on going outer world through a >white hole<. in chapter a1 they report about the mondane mess that interfuses through the small opening into their facultative dungeon. they aim towards their profile and fill their surface with melody and intoxication. b1 describes basseruptions in front of the white house and while buzzing, pouring oil onto the strings of their piano, to proove the efficiency of renewable soundenergies. their mission was succesfully kept a secret until rising winds released the manuskript blowing them out of the darkness to the cd of the current groove-magazine. finally all parts are official and available on upon you records.

absolutely massive dop rework! will and tam went back to their roots and dusted off the sampler for >teddy s back<. strings and vocal cuts bring the soul and their trusty 101 delivers the bass line. as with many of their previous tracks together all the percussion is recorded in live - >because it sounds better and is fun to do<. they set out to achieve something that was heavy, rolling and organic yet with memorable moments that doesnt disappear into a never ending ableton conga loop... the original is already a firm favorite with the wolf + lamb crew and gilbr from chateau flight has also been supporting it for many months from an early version. our parisian friends dop deliver the goods on a major level with their remix. a truly filthy yet undeniably infectious song penned after a recent gig at the infamous berghain is backed by a surefire rhythm track and arrangement that is designed to move bodies. in wills words >not one i ll be playing to my mum<. just how we like it!

submissions with another great techno release! two heavyweight producers ogi and the concrete djz work together to bring you one big fat ep! solid driving techno with the big kicks ogi is known for and the rolling style of the concrete djz combined.. if that isnt convincing enough, just listen and be amazed.

eijajei - aye ya yay! this is a hit record! but what else would you expect when two of berlins hottest dj and producers, guido schneider and jens bond, are working together!? following the duos major success on pokerflat in 2004, we have managed to get the two of them back together for this exclusive release on highgrade. the results are well worth it. >getting sleepy< pulls us comfortably into the musical world of jens bond and guido schneider. without being obvious, and certainly not lazy, the track reclines into a laid back groove that hooks straight into the rhythm, creating a perfect atmosphere for the psychedelic vocals and hypnotic groove. you wont be able to escape the mood, making this the perfect techno weapon for the late night hours. we like! >eijeijei< is the highlight of the record: warm drums, siren like vocals, the whole thing seems to come from a long way away with incredibly smooth beats which make this track so special. maybe this is the sound of a table dance bar in the jungle? its incredibly sexy in any case

straight off the heels of his highly successful bird brain album teaser tracks, aundy and beat that bird comes the definitive claude vonstroke record everyone has been waiting for. the a side is classic genius cvs at work. he constructs a mad vocal pattern up and down through 4 octaves and all the vowel sounds of the live human voice. then he creates a chord out of the notes all coming together for en even bigger surprise in the 2nd half. this track is quite simply unique. there is nothing else like it. the b-side resembles the freaky side of cvs harking back to the tech funk sound of tracks like chimps. this time claude makes an ultra-wide filter sweep sound like a pair of humongous tits bouncing up and down on a trampoline. the boob jokes are there but the track is so filthy dirty its hard to even find time to chuckle.

heavyweight vinyl. in this light and on this evening, the new album from editors, represents a significant step forward for the band following the huge successes of debut album the back room and the number 1 follow up an end has a start. there have been many changes to life in editors since an end has a start broke the band worldwide and established the then birmingham based four piece as one of the uks most prominent bands of recent times. bassist russell leech and guitarist chris urbanowicz are now resident in new york while singer tom smith has become a father. these changes added to the sense that in this light and on this evening is the start of a new chapter for editors and the band came together in london for the recording sessions with producer flood at the start of 2009 with a determination to push their sound into wholly new territory.

c series goes big for their 5th release and brings some big peak time mayhem!
c5, omen: doesnt really need much on an introduction, the famous track gets funked up, flipped over and goes flat out for a twisting and turning journey through the well known parts of the original and then bangs on from there in true c series style.
c4, lets go blimey!: lets go, it is techno but mashed up with blimey! exquisitely fused together and a perfect package as a peak time floor stomping monster, what more could you ask for, bring it on!

jens kuhn from schmalkalden in thuringia has been producing electronic music since 1995.
as a part of r.a.n.d. muzik he managed the label out to lunch, which represented minimal, electronic, experimental as well as floor compatible music. besides releases on the r.a.n.d. labels out to lunch, united states of mars and science city he also produced for labels like playhouse and source records under the aliases lowtec and red sparrow.
in 2006 he started his new label workshop together with paul-david rollmann aka even tuell.

played by luciano, laurent garnier, timo maas, d julz, bart skills and more!
polytone remains in deep territories and has signed two of the most exciting tracks of drei farben house (brut!) so far. on final call the berlin resident succeeds in building a bridge between minimal aesthetics and the musicality of deep house which has rarely been heard in this form. in this 8-minute track a whole series of musical themes are flashing yet held together by a lot of instinctive feeling. on looking back to control drei farben house is just as deep and melodically interesting and again relies on unusual track structures. in his remix matthias vogt from motorcitysoul works out the chords and melody themes of the original even more and turns final call into an exciting, swelling affair whereas newcomer baldo (dubhe) transforms the original track into a brilliant and wonderfully classic piece of dubtechno.

we are super excited to be announcing a very dear project to our hearts and a long awaited project from the man of the hour mr. jay tripwire with this sampler part i from debut lp titled ‘,4th density’, on seasons recordings. after the wonderful response from the titled single ‘,save each other’, featuring the beautiful vocals of marie tweek, we have been waiting to be able to drop this project for the world to enjoy! this project was built for the dance floor! every song on the project has a place in the night and we really hope you enjoy it as much as we have getting it together. if you like it deep and dirty, play this one loud!!

this project started during the 2007 winter music conference when mr. marquez dropped there a selfmade bootleg of michael jacksons billie jean called mikelata and it was a pure happiness feeling on the dancefloors. 1 year later rocco, danny marques & dj fudge got together for a serious studio session with the perfect voice for this production: ricky galliano, a swiss based party and nightlife personality. the project was ready months before one of the sadest day of musics history happened: michael jackson passed away. now we changed the project in a tribute for the king of pop.

incl. chris wood & pascal feos remix!
played by: nick curly, gregor tresher, johnny d, ivan smagghe, karotte, federico molinari, d. diggler, mihai popoviciu, allop grant, martin eyerer, matthew styles, catz n dogz, meat, sebbo, afrilounge, anthony collins, timo maas, …
after their great release on below records, the jacuzzi boys bring us the next bomb on levelnonzero. the original track, called cascabela, comes along with a deep groove and an evil voice which keeps the dancefloor under pressure. but at the latest, when this crazy >cascabela sound< rises during the break, you will see the crowd freaking out. on the flip, chris wood & pascal feos sticked together and created a remix, which is deeper and more into house than the original...

manel ruiz aka sistema and javier orduna aka retronouveau started work together in 2008. they found deeps edayar to put together their passion of dub, detroit techno, idm, chicago sounds. this year is one of the duos most successful in upcoming productions in labels like overflow records, neue lärmklassiker and phonobox. in this release bring us 2 tracks, >ready to june< and a remix from the original. a tight compressed kick and atmospheric touch of dubby techno,is more of a pure techno track with an old school feeling to it. deeps edayar totally builds it to another level with sublime melodies and a additional bouncing bassline. they represent the modern soul of detroit with raw grooves and understated textures.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

2009 is quite obviously sven tasnadis year, having already released five eps this year on cream-of-the-crop labels like pokerflat, ornaments and liebe*detail. each ep revealed a new facet of the leipziger, riding the nuances between the 4/4 beat. after his ep >down under influence< with juno6 in spring 2009, tasnadi now dishes up his new solo ep on cargo edition. >what we do< is a classic housetrack - very deep and peppered with vocal shots that hold the tension of the track over its whole length. it s smooth, yet deliciously rough around the edges. >amour fou< on the b-side surprises with a very compact rhythm - around the driving bass drum fly percussive elements, all tied together by a reduced bassline, some interspersed vocal samples and deep chords.

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

roland appel started producing music and spinning records in the early nineties. he was a member of fauna flash (together with christian prommer) and the trüby trio (with rainer trüby + christian prommer). in 2002 he released an album with peter kruder and christian prommer as voom:voom . with every project he toured the world and played clubs and festivals from montreal jazz festival, sonar festival to fabric london, new york, berlin and tokyo. from 2004 to 2006 roland lived in paris. during this time he started to write music for his solo career which quickly gained an international following. in 2006 returning to his home town of munich he teamed up with engineer jan krause to start recording once again. whether roland incorporates an accomplice or is working solo, thereÆs hardly a dull moment in the studio or on stage, captivating his audience by combining the integral influences of detroit techno, folk, disco all the way to soul and house. one of the most in demand tracks from the all night long album, snow gets a full single release as a result of the huge response from disco heavyweights horse meat disco, who took the time to contact us to tell us how much they love it. old school disco in every way, certainly not space and nothing nu about ita.. dfa darlings runaway turn it in a slow burning house direction that builds the tension until every last drop is wrung out in a sweaty pool on the dancefloor. nice.

in 2006, gregorythme released a stunning cannibale ep on minibar, with its famous echolalie lyric, twisted, flying track and croque mitaine, a dachkantines favorite. we were looking forward to bring the minibarian back home, et voilÓ ! together with his alter ego laps, digitaline is on boardà and offers a must-have-ep. 080808, side a, is a 12 minutes pure digitaline stylistic signature, feelings going crescendo, keeping up with you to take off. its a minibars special. oz factor, side b, is a new refreshment: a drop of mental bend, a peel of cadence, and a river of pace

heavy support from laurent garnier, ricardo villalobos, luciano, loco dice, raresh, pedro, rhadoo, dubfire, andrew grant, ali nasser and more … old-school style floor destroyer!!! posh 111 is an unknown mystery hailing from romania. with 2 outstanding cuts packed with waves of optimism and snickfest enticed skullduggery he has delivered a superble bewben of a brutish pigeon chested blooter. includes a super rare and unique remix by petre inspirescu who fuses together both >nedenumit< & >the coco song< in a way only he can

sour grapes & tapes was created in stockholm, sweden in late 2008 with focus on producing the trios interpretation of modern electronic dance music.
driven and inspired by nature, life and humanity, the main focus of sour grapes music is to keep people together in a friendly world, where people care for one another and the environment.
lead track kharma is an eastern inspired techno workout with heavy rolling beats and bass with an authentic indian leadline. already receiving radio 1 airplay and being supported by a who is who of the worlds biggest djs.
mantra keeps things rolling with more snappy rhythms and rolling bass.

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!