modugroove is a new record label by lee renacre from 100hz. started in 1989, their first release low frequency overload with optimism records entered the national music charts. lee then started a record label called format records with great tracks and reviews. lee has released with various classic record labels of the 1990 s including pacific records, oblong, rehab and eukahouse. he was included as one of several london artists who were considered to have started the tech-house scene according to mixmag september 1997. recently 100hz have been releasing music with bosconi, imprints, hi phen and logistic records. modugroove aims to release future classic music with new and known artists with a passion for the extraordinary. the first release is called modulation and is a showcase of the wonderful world of analogue modulating synthesis. stealthy and deep these tracks include a new collaboration group called junction chaos who improvise new music.

monclova (david alvarado) and soma records artist funk d’void collaborate for the first time on this thumping dubbed out techno burner. the b side includes a never released track on vinyl format “tataa” that captures the style david alvarado is best known for!

reissue part. 1 is the first release of our new series where we select some of our past tracks, released in the beginning only in digital format on sonntag morgen and now available also on vinyl. enjoy this 4 tracks ep with kwartz, rommek, phara and mental resonance.

frotee releases a 24-track compilation featuring grünberg s work for 10 animated films and 1 puppet-play, all music is previously unreleased on any physical format. therefore, the release of -anima 1977-2001- can be considered as a notable contribution to the acclaimed soundtrack composer s discography that hopefully cheers up the audiences who have been waiting for this issue to be released. regardless of the fact that he still continues writing and recording music for films, the latest recording, that was included to this compilation, was made in year 2001.

presented to you in 12inch maxi single format: the unstoppable force that is mount liberation unlimited, smashing through the barnhusiverse with this all-encompassing anthem of dance and love. comes with a 15 minute disko dubb odyssey on the flipside yo! its that popular stockholm sound, as heard at your favourite night club or in the headphones of your latest crush - now in full colour and with more strössel on top than ever before!

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

nice price deal !!! the slam dunk ep series finds nyc producer sporting life evolving his creative range after acclaimed work with ratking and wiki.inspired by takehiko inoues popular manga series, the slam dunk eps are three volumes that will encompass collaborations, instrumentals and remixes. this doublepack vinyl edition includes the nine original tracks from the three eps and an additional three tracks exclusive to this format including ‘no stress featuring novelist.the vinyl is housed in a picture sleeve with spot uv gloss print and full printed inner sleeves. following on from his r&s debut 55 5s, a 10 track mind-bending beat tape that bristled with promise and originality, sporting life aka eric adiele returns to the label for a trio of eps titled slam dunk. comprised of ear-popping instrumentals and guest vocalists and even a range of apparel, slam dunk sees adiele drawing on his love for takehiko inoues massively popular manga series of the same name, and the stupendous grace, power and agility of the storied basketball greats. the aforementioned guests are drawn from sports friends and contemporaries including ratkings wiki, devonte hynes, evy jane and novelist

die neue lp-auflage des unvergessenen soundtracks erscheint vor dem für 2017 geplanten start der “twin peaks” fortsetzung im neuen deluxe-format. das 180g vinyl erscheint in remastered qualität in kaffeebrauner farbe und befindet sich in einem gatefold-sleeve, das wiederum von einem weiss lackierten, formschön ausgestanzten aussenschuber umgeben und mit einem obi strip komplettiert wird. das neue artwork wurde sowohl von regisseur david lynch, als auch vom komponisten angelo badalamenti freigegeben, letzterer steuert sogar neue sleeve notes bei.

two previously unreleased tracks from the outsider disco outfit - strange.
christopher spraggins & the strange band out of rochester, n.y released a total of one record. a spaced out druggy disco band that had a hint of rick james with a deeper trippier vibe that’s truly unique, reproduced for you here for the first time since 1978. the band was introduced to the world by cleveland unlimited records who still exist to this day, unfortunately as these things go, the record failed to gain sales needed to justify further but a whole lp was recorded, here we bring you the best tracks from that unreleased lp on your favourite format.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 10 x 7” box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 4 lp box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

after a considerable career releasing on numerous labels, as well as being co-founder of essen based label mild pitch, langenberg finally drops his first album under this alias. max heesen, (who is also one half of ribn with manuel tur) delivers the smartly titled central heated house for steve bug’s dessous recordings. the lp format suits langenbergs hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl working both for the djs and perfect as a soundtrack for the autumn. the lp kicks off with jade, a melancholic, tape saturated introduction to langenbergs deep tastes. room 210 maintains this atmosphere, with fizzing percussion and warm detroit-esque melodies. groove 26 is perfectly timed for the hot summer, as lush rhodes chords and kdj style vocal snippets provide the heat for the openair vibes. the single from earlier this year shadows features the talents of vocalist blakkat, and caused some serious response when it hit airwaves and dancefloors alike. never worry is a heads down roller, built around a simple but perfectly executed bassline, while dreamliner is trippy laidback sunshine house all the way. ill be late and planitz proposal step back into the club, with langenbergs signature crisp percussion, crunchy hits and analog synth wizardry on full display. rain & roses closes out the album in a similar way to how it started wistful, thoughtful house music with soul.

2016 repress ...finally a reissue of the legendary 1st firecracker ep on 10 format. nearly 3 years since its first exclusive appearance in londons vinyl junkies, this elusive record (only 500 were pressed) has picked up a huge cult following including derrick may, moodymann, theo parrish, dj spinna, danny krivit, osunlade, mike clark, mike grant, carl craig, ron trent, stacey pullen, jazzysport djs, joe claussell, jazzanova, shelter djs and many more. a true collectors piece! the record holds 3 killer detroit influenced soul grooves...

the second outing from btg follows, in tradition, their 2 originals and 2 remixes format. this time round toyc creates a slower paced dance floor obliterator titled ‘kicks’ sounding like a wonky laser gun trapped inside a broken 808 landing somewhere between broken techno and bass. on the remix project mooncircle and 20/20 ldn affiliated deft deconstructs and reconstructs toyc’s track into a maximalist beast fusing the current sounds of 160 bpm 170 bpm and half­time dnb with the technical precision of amon tobin. up next the booty­shaking stormer they call itoa, known for releases on bad taste and being featured in storming 160­/170bpm sets by djs and tastemakers such as om unit and sam binga. ‘snake pass’ is a classic itoa track, playful bouncing subs and flickering percussion and shards of vocal, landing somewhere between footwork and booty bass. btg co­founder etch sets the pace with his remix of snake pass, coming through with a schizophrenic beats influenced sub heavy stepper that slowly evolves into a breakbeat onslaught.
dj support: nightwave, sully, addison groove, deadboy, horse meat disco, mj cole, barely legal, shadow child, amy becker, pathaan/bbc worldwide, boy 8-bit, blackdown/rinse fm, 2 bad mice, synkro/akkord, randomer, my nu leng, craig richards, foul play/moving shadow, dj zinc, dj orgasmic/origami sound... + many more

after three years and ten eps, amsterdam s will & ink label offers up its first full length from label favorite yaleesa hall and is called woodall. it explores texture, space and sound design in fascinating ways. since 2014 yaleesa hall has released four eps on the label and has become known for breakbeat laced stripped-down techno. this debut album finds the producer indulging a less dance floor focussed version of his sound, and one that is better suited to the full length format. explaining that his tracks most often start as -sound structures and experiments- that then get reworked for the club, here they stay closer to their original forms. woodall is sound sculpture that is electronic and synthetic but also made of real world sounds that are all truly absorbing. comes in gatefold sleeve.

iarltd004 it s a va remix sampler, featuring some of the best remixes illegal alien records has released on digital format, including remixes from audio injection, jonas kopp, stanislav tolkachev and jose pouj.

the tiger is back finally on full length again! the second studio album for tiger & woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie

seven years, who cares? no one really but it seemed like a good excuse to do something a bit different. we spoke to some the artists that have helped shape wolf over the years and asked whether they would like to contribute to a double 7 inch release. excited by the unusual project session victim, frits wentink, greymatter & mr. fries have delivered four original tracks with the format in mind. hip hop, beat down, low slung & upfront house all contained across two records. this release will be vinyl only.

midgar is finally reaching the 10th release with mdg008, a rich ensemble of live jams, adapted to the vinyl format by ambient specialist shaded explorer. the record opens with the bleeping saucer emerald weapon, activating hyperspace mode as the sidereal ambiances take over in the middle of the track. skyward follows up with thunderous kicks, adding consistency to the groove but keeping focus on windy atmospheres. the slow-builder shaded gems reset the pace on the b-side, where the italian artist fully express the solemnity of the machines. underwood ends the record with natural textures: a sonic representation of mother nature waking up the forests using bright pads and perpetual chirping.

based out of san francisco, extra classic is a unique live band formed with a keen appreciation of vintage reggae & vintage sounds. the aesthetic, and certainly the skilled method of their production, is an ode to the art of that classic style as referenced to the term coined by the cool ruler himself. recording in their own studio, nopal recording, the band employs a taster’s choice of analog equipment and is devotedly tracked, spliced and mixed in-house direct to tape. however, as the group’s name itself implies, there is a dose of something extra and new in this swirling mixture of space echo, heavy phase, and emotive, psychedelic california-soul.
built upon the rock of an early-era dancehall swing, their first single in conjunction with brooklyn-based imprint names you can trust entitled in this life, is a perfect slice of lover’s rock gone sideways, a decidedly left-coast piece of roots and bliss driven by adrianne delanda’s lovely lead vocals and the steady, dusty echoes of the locked in players. presented in the traditional format with a version as per nyct fashion, the dub mix incorporates a soothing dose of synare beams and underwater instrumental dreams.

another pair of underground disco dance classics get treated to the mm reworking magic! both these edits are exclusive to this 12inch and have never before been released in any format!!

for 12 inch vinyl inside sleeve ... protect your records format: 309x301/304 mit 2 mittellöchern ohne eckschnitt

white innersleeve for 12 inch - 20 pieces format: 309x301/304 mit 2 mittellöchern ohne eckschnitt

100x innenhuellen for 12inch vinyl ohne pvc fütterung format: 309x301/304 mit 2 mittellöchern ohne eckschnitt

black innersleeve for 12 inch - 20 pieces format: 309*301/304 incl 2 mittellöcher ohne eckschnitt 80g papier schwarz

waxwork records is thrilled to announce the vinyl debut of shock waves. the 1977 film stars horror movie legend peter cushing and is directed by ken wiederhorn (return of the living dead 2). the 100% analog synth score composed by richard einhorn (the prowler, dont go in the house) marks one of the earliest electronic compositions created for film. waxwork is proud to finally release this landmark electronic horror score in vinyl format 40 years after the films initial public release.
pressing on coloured 180 gram vinyl, housed in a heavyweight old-style tip on gatefold jacket with printed insert.

in 2011 dave monolith released his first cd album -welcome- on rephlex. here is finally his first album in vinyl which brings together the ep released on his bandcamp (in digital format only) with unreleased tracks between braindance and acid. everybody can find his groove thanks to the quality and the completion of his work!

since their dazzling debut album -urban roots-, a small recording label outta half way tree has released some of the most prominent forward thinking roots music on to the reggae music scene. now we are thrilled to present some of our favourites from the album on vinyl format featuring key artists from currently ongoing reggae revival movement such dre island, jesse royal, jovi rockwell, keida and mikey general split between four beautifully cut 7- records.
opening the series with -live forever- a stiff, in depth roots rhythm featuring one of the key figures of the new generation rasta singers dre island. reminds us the voice of jr. gong his vocal delivers a strong and moving message of our existence. backed with heavy dub cut proving the high work ethic of the duo.

• exclusive track by marcel dettmann and levon vincent
• includes 6 unreleased edits and remixes
• full tour schedule to support release
• cover art short by infamous berghain doorman sven marquardt
• download card included with lp format

it’s time to touch music. it’s time to get your turntable ready! it’s time for ... wow! vinyl!
after hearing these tracks for the first time, we were certain that vinyl was the right format to release this ep. so here we are presenting our vinyl only release and who better to feature on this limited edition release than subb-an, with also a super remix from hector. some serious underground stuff in this wow! limited vinyl edition, with 2 original tracks on the a-side and hector’s remix on the b-side! high quality vibes delivered from all tracks using rhythms and vocals to create a very strong dance floor power!

-nightbird- erscheint erstmals auf vinyl. das album war zuvor nicht in diesem format erhältlich. die 180 gramm schwere edition wird dem pop-meisterwerk klanglich gerecht.

volkoder new track on vinyl, together with some nasty beats from our exclusive catalog. you can not find these gems on any other format - tip

len leise - ing ing - the first release for general purpose (gp), a record label created by len leise and longtime dj partner and collaborator salvador. leise and salvador neither plan to release exclusively on gp, nor promise regular releases. it’s a label for when they can find the time, energy, money and, most important, the sound they believe in. ing is about embracing change, experimentation and progression. terrified to follow a format, leise looked to other genres for inspiration. he turned to his love for dub, afro, post punk and experimental music to find guidance. artists like scientist, jah shaka, savant, adrian sherwood and andromeda all in their own way influence ing. ing is not what you’d expect from leise. ing is a dub record, a post punk record, an experimental record, a balearic record, a homage record, a record with a purpose.

4 techno tracks live recorded straight from the stereo bus of the mixer, full analog, fully effective and raw as fuck. much in the early 90’s jeff mills and downwards school plus a touch of psychedelia. korg ms20 for basses, some analog strings, arp odissey for evolving lead ton of overdrive, driving distorted beats and a touch of reverb, no special effects nothing superfluous, no kisses straight in!
format: 12- vinyl only limited 300 copies.
white label record with label stamp on one side. the record is packaged in both a generic inner sleeve and a generic outer sleeve. the generic outer sleeve has a different stamp on each side. one of these stamps also includes information about the record including artist, title, tracklist, mastering, distribution, label, year and catalog number.

done with love: for the music, for dancers, for detail... real house music in four incarnations

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

next perlon vinyl
two songs plus two loops in a 10 inch format.... maayan nidam far out!

mechanisms industries reemerges from the tape studio to welcome the return of fanon flowers with “track modes 4”. the fourth installment of the track modes series. two tracks of pure dark, metallic modern techno. relentless and unforgiving tracks designed to destroy the dance floor. dropping later in 2016: fanon flowers “track modes 3” reissue in vinyl and digital format including a remix by don williams on a.r.t.less records berlin.

after a short hiatus, eddie c s red motorbike blazes back through we re back to the 7 inch format for this one, as eddie splits the release with long time compadre roberto who rewires a smooth tropical groover with a warm, absorbing low end, marimba noodles and an imaginary palm tree overhead on the flip eddie proves yet again why he s one of the best in the business, with a heavyweight funk strut another keeper... hand - stamped, 7 inch vinyl only business

we finally welcome one of our favourite producers in full format: p.e.a.r.l. lately, the berlin-based spanish producer has been making big noise in the scene, playing in clubs all over the world, including berghain. for this release he delivers three original tracks plus a oscar mulero remixe.

1x innersleeve mit loch, schwarz format: 309*301/304 incl 2 mittellöcher ohne eckschnitt 80g papier schwarz

nice price deal !!! old schoolish electro hip hop/crossover tracks!!

the music laurent chanal from lyon creates for the 12- format is as playful and fanciful as it is functional and precise. cilou is a sweaty pulverizing tech dub jam. it s sweeping bass riff sways back and forth guaranteeing the essential climax every time. doudz takes us deeper into the frenchman s psyche as it’s deliciously dark, rolling, wonky, and intergalactic. music for clubs & roofless raves.

nx1 come back again on their own label releasing the second much anticipated nx1 black. if some time ago they surprised us distancing themselves from their common works and releasing an atypical job that came as a just two tracks ep that was not exclusively dance floor oriented, in this new chapter they repeat the same format showing their most intimate music. nx1 black 02 will be out in 140gr. black hand-stamped vinyl with paper insert.

recently appearing on the mighty crosstown rebels with a remix of shaun j. wright & alinka ‘face the truth’, sought after duo audiojack are back serving up a solid two-track release in the form of ‘turya’. turya is built for serious heads down sessions fusing subtle acid pads with soaring synths and sonorous spoken words. the hypnotic quality of the teacher’s words beguiles and entrances the dance floor, allowing people to lose themselves in them and its evolving groove. ‘event horizon’ is a different beast altogether, with a heavy drum and bass vibe, a four-four format, and a classic -amen- break beat style. in 2015 audiojack launched their sunday social free party at veto club in their home of ibiza, which after a strong season will continue this year. their first essential mix recently dropped on radio 1 and a string of highly successful releases and remixes on labels such as hot creations, tsuba, 20/20 vision and their own gruuv has solidified their place in the dance music elite. it’s safe to say that 2016 is proving to be a big year for the talented duo.

dieses nun wiederveröffentlichte live-album von o.v. wright wurde 1979 aufgenommen und erschien erstmals 1989 bei dem legendären label hi records, jedoch nur im cd-format. nun ist das werk erstmal als vinyl-version erhältlich. mit dem hit -eight men and four women- landete o.v. wright in den top 10 der amerikanischen billboard-charts. die aufnahme entstand im hotel nakano sun plaza hall in tokio.
die vinyl-lp erscheint inklusive downloadcode.

with the ep mental scapes, alva shows a first short format resolutely house. every track is an evolution, a progress. downtown - with its rhythmic part supported by the disco and deep atmospheres - is reminiscent of the influence of the 90s french house on the duos tracks. the shore is a very deep production with a groovy and a minimal bass, with these incisive hi hats and rides, and this sensual vocal. lighthouse uses several musical registers between techno, soul and ny house. the outro, playground, recorded in one shot, is a short downtempo track to enclose in a groovy way this first ep from the parisian duo.

blow out - summer 2016 nice price action ...back after a two year hiatus following their top 10 hit with >the creeps<, freaks launch their next episode with >umakenosense<, a mind-bending electronic monster package complete with bad ass radio slave remix.
>umakenosense< is a distorted trip into psychedelic territory through a minefield of cosmic energy. this is music that appeals to the mainstream and the dark underground, a formula that freaks have achieved time and time again.
radio slave has become renowned for his epic reworks, producing some of the best-loved remixes of the past few years. he doesnt disappoint with an expedition through low-end and high-octane stratospheres shaking out thegroovy beast and creating a sonic soundsystem mash up of a remix ... rewind!
freaks was originally the brain child of bournemouths justin harris and london-based luke solomon, but has mutated through its live format into a 6 piece outfit incorporating the infamous jonny rock on guitar, sascha darroch davies on drums, vocalist stella attar and rub on bass. with three albums behind them, a seminal label we know and love as music for freaks and a top 10 hit with >the creeps<, freaks have journeyed through filter disco, quirky mid tempo house and minimal techno to cement their own revolutionary style.
luke, justin and stella are now writing new material for their 4th studio album and a best of compilation (out end 2009). from early demo listening, it looks as if it will be a mesh of all their electronic, disco and leftfield pop influences and will undoubtedly re-introduce their fans to a whole new level of freakish behaviour.

sought after boogie tunes from japan now reissued in limited 12inch format. cover illustration by cosmo knex, tip!