owain k from wales is starting his new deeper techno and hi-tech soul project ktrl on 200 records. title track a1 >colonius< brings together brash filtered rhythms, towering chords, haunting melodies and pumping bass - a jam of epic proportions. followed by the smooth chords of >aufstieg< on a2, this deeply soul fuelled ride sweeps you to the next level. inspired by the classic sounds of lil louis, flipside b1 >bützchen< pays homage to a true school master with its warm embrace and layered melodies. finishing off in style, the old school vibes of b2 >offen< makes way for a slow bass driven groove that builds through dub influenced synth washes and filtered sweeps

after massive support from djs like loco dice, marco carola, etc. and several releases on labels like monique musique, viva music, takt records and great stuff we are proud to present you one of the nicest slovenian youngsters on kd music! f.sonik delivers 2 outstanding tech-house tracks, filled with great percussion loops, catchy vocal snippets and rolling basslines! both tracks are fully oriented to the dancefloor! and already hammered by nicole moudaber. the forest people remix on the flipside of is made by the label owners themselves - no more words necessary!

nastic aka marco nastic has been around the scene for over a decade and for this soweso release this internationally acclaimed dj teams up with dutch underground newcomer rik woldring. on the a side they bring you our love, a driving melodic techhouse track with a warm, sexy and dreamy vibe to it. a2, just us takes it a little deeper. this detroit influenced track is a perfect track for late in the morning. flowy, deep, but with a solid low end are the key words to describe this gem. on the flipside this package also features two remixes by mike shannon and upcoming dutch artist prunk. hope you enjoy it as much as we do!

the second apollo krieg release presents the krautpop house sounding >change< by mille & mr.hirsch. the remix on the flipside is made by the italien producer paolo di nola a.k.a. cosmic metal mother from rome. his rainy woods mix is a melancolic cosmic mirror of >change<

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

number eleven on uncanny valley focuses on the soundscapes of cvbox who debuted on the fourth compilation, uncanny valley 4, in 2011. releasing his first solo record, hes finally able to express his very specific idea of sound somewhere in between meditative ambient and compelling techno on the analog amputations ep. past the eclipse is shaped by echoing choirs at first and mutates then into a serious detroit funk killer for self forgotten techno dancefloors. counterflow starts to roll with menacing drones but quickly surprises with its optimistic atmosphere and an irresistibly catchy synth flute. the flipside starts off forcefully with the oldschool techno stomper droid swift 836. after that orience floats in a sea of pads without losing the funk of the cvboxes. the cover artwork was created by visual artist paul barsch from dresden.

searle comes back to mowar for his second release. while his mind transfer ep was a darker workout, his new she moves ep show a deeper dubbed side of his productions. the title track perfectly combines the dub aesthetics and simple basic channel effectiveness with sweet infatuating stabs and scapes. this ones for the deeper and more sensual moments on the dancefloor. melancholy goes even deeper emotionally layering a steady slightly jacking rhythm with edgy melancholic atmospherics and melodies. on the flipside russ gabriel, who remixed on the very first mowar release back in 2008, reworks she moves in a stripped hypnotic mover, slightly more thumping for those sexy hips. last track tunneling is what searle would call a 5 am groover for the die-hards who want to be embraced by the sensuality of deep emotional techno.

as hot as ever the new ep from our siberian disco friends is finally landing into theomatic’s catalogue. the title track solar wind is a rhodes driven hands-in-the-air early night anthem: simple yet powerful, just the way we like it! the flipside features an offbeat cosmic number “planetarium” which sounds like a perfect soundtrack for some colourful sci-fi cartoon about the early years of space exploration, with all those rockets, flying saucers, stars and comets with long tails. the bonus track (available as a digital download only) is named after the soviet moon exploration robot vehicle lunokhod 2 (’moon walker’ in russian) which was sent to the moon in 1973. being rather minimalistic at the begining it slowly evolves and reaches its apogee closer to the end with calm and beautiful melody which leaves the listener in a peaceful mood

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

catalogue number ten at uncanny valley and for this occasion the dresden based label returns to its roots with another various artists ep. actually, this is long overdue since there are a lot more talented producers to find in the elbe valley. on uncanny valley 010 we present four of them. sandrow m who focussed on the c-beams project recently has been part of the label right from the start. with “the three trees” he makes his solo debut for uncanny valley. the track is a summery house tune that shines with garage vocals and warm synth pads. steve kasper is slowing it down with unvexed dub which is an immersed house excursion for the morning hours. on the flipside scherbes kill bills stumbles but does not fall. instead, the track lives from tottering interaction between bright percussions and fractious drones below. finally, its jacob stoy who closes the record with s51, a dreamy deep house study including heavenly pads and subtle drum programming. for the artwork we are very glad to welcome back paul waak and his colourful figures that gave the first four compilations their unique look!

following her flowerhead single which was backed with a hugely successful spencer parker remix, swedens la fleur returns to her own fledgling power plant imprint for it s third release, eavesdropper. strong, melodic and timeless house music paired with stunning artwork, power plants remit is a simple but attractive one. the beautiful images of olaf hajek, wilfried pordiech sätty and now hans arnold provide a striking outer to a core that, in just two releases, is already essential for many a house fan. former dancer sanna la fleur, label boss and the artist in question for the label s third 12 inch, employs a variety of sunny major key chords and whispering female vocals on title cut >eavesdropper< to great ends. spacious and gentle yet undeniably propulsive >eavesdropper< is an infectious skipping groove with a strikingly beautiful feel underpinned with nagging bass. the flipside cut tjuvlyssnerskan takes its name from the swedish feminine noun for eavesdropper yet reverses the gender of the vocals of its counterpart. added dusty loops, poignant pianos and another weighty bass create a piece of house that much more than the sum of its parts. the > eavesdropper< is another triumph for the power plant label and la fleur while also being a shining example of how to release records with love and care.

new years deal - genius of time, axel boman & sankt goran deliver three hot and updated versions of the 93 deep house classic i got this feeling by urban soul aka roland clark..! renowned deep-house duo genius of time takes a few steps uptempo on the a-side. stripping the melodics of this one, leaving roland solo floating on a querky bassline surrounded by their patented cosmic universe. on the flipside, axel boman adds moody chords and trippy dub effects, giving the track the baby-making-treat it deserves. label head sankt görans remix takes it back close to the original, a steady 707 beat, deep bassline and some filtered rhodes that evolves as the track progresses

the magic of classic house music has always lain in the way it finds a soul in the machine, eking warm organic sounds from cold circuitry. and tracks dont come much warmer or more organic than >oranges<, a glorious eight-minute slow-burner thats the second single from wolverhampton producer mark es 2011 release stone breaker. >oranges< is a track that demonstrates how the simplest of ingredients — a quietly insistent four-to-the-floor rhythm, an understated bassline, synth pads that sound like the first intimations of a balearic sunrise — can combine to create something remarkable. anyone who has got the cd/digital release of stone breaker, of course, will know this already — but this release is the first chance to own this track on vinyl, as it was absent from the albums lp release. on the flipside is a remix of >oranges< by mark e himself: the appropriately-named space dub, a lindstrøm-esque reworking that transports the track from the dance floor to some distant orbit, drifting through space on a wash of lambent fuzz-toned synths. as different as they are, both tracks share a sense of both space and intimacy, a mellow charm that is evocative and inclusive. a soul in the machine.

smackdown recordings is back on track in 2012! after two successful releases featuring big artists like hellfish, the outside agency and bryan fury smackdown is back with another heavy hitter. this time a release by drum & bass giants cooh and counterstrike. cooh and counterstrike present to you two wicked drum & bass and hardcore crossover tracks. this style is nowadays known to the public as crossbreed. the a-side: manual control is the perfect summer chill out drum & bass anthem. the flipside offers kentar. a vicious track that makes u wanna slay zombies on a deserted island. once again limited press, selling fast, order now!

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

oxia never sounded so classy and so emotional – two major features of the labels trademark. on the flipside, flying over time is an obvious wink to chicagos heydays. deep in its purest form! 300 copies for the world,no repress!

ltd picture disc edition ! a side is a groovy techhouse monster, flipside a modern dupstep hyprid sound...

although it has found emotional music from france, russia and south africa over the years, for this release it returns to the birthplace of deep house, chicago, to focus on up and coming producer matthew wieck. opening the ep with the wiry tones and lush pads of >flying feeling< whichs take you up into the stratosphere with its floaty vibe, its complimented by >hydroacoustics<, which utilises an aquatic arpeggio lead and warm, oozing pad underneath, held together with crips, charged percussive work. on the flipside >worlds beyond< demonstrates wiecks darker side, with an acid bassline riffing against cavernous piano in what sounds like a more introverted take on larry heard. altered moods boss malcolm moore finishes off the ep with >cleared direct<, an 808 jam held together with foggy chords and disembodied radio transmissions - the perfect compliment to wiecks fine material.

brand new martyn with two remixes.... bauplan is remixed by l-vis 1990 & bok bok. on the flipside is a massive redshape remix (we are you in the future)

fine garage / uk funky... including actress & girl unit remixes on the flipside

following his big summer hit summer syncopy, tobias hjørnet, returns to teal, for a second release. be quiet is not messing about too much, a solid forward-stepping anthem seeing early support from the likes of dbridge. no more on the flipside offers a more experimental and melancholic side of the hugely promising young talent. essential release.

nice price deal !!! three nations, one record: japan, italy and germany come together on the first snuff trax in 2012. our friend humandrone from tokyo already gave us a wonderful piece of music for the snuff trax for japan benefit compilation last year. now we welcome him on snuff trax with an own ep. his tracks my racoon and paranoia will make your body movin for sure. my racoon also got a beautiful melodic remix treatment by our italian brother nick anthony simoncino (known from mathematics, skylax, hotmix) as nick anthony. and on the flipside the minister (you know him from creme jak ) delivers a super-dark version of paranoia. enjoy

nice price deal !!! vae victis is back for its 2nd release and is glad to welcome the very first debut of nightjars. with this 4 tracks ep the label shifts on a different musical path, sound and style wise. sound wise, both sides are written, mixed and produced on hardwares and polarized on a ferromagnetic tape. technically, side a (raw side) is mixed with a tough multitrack mixer brought to its saturation limit: the sound is indeed distorted, raw and unfriendly. while the flipside (clean side) is instead mixed with a big class a vintage studio mixer. the sound is brighter, richer of harmonics and the infrasounds are charged thru a wide dynamic range. style wise,the label shifts on a more broken beat field, lets call it bass, dubstep or whatever, but anyway something which should put this vinyl in the records bags of all the lovers of shed, peverelist and horsepower productions to name a few.

green coloured one-sided vinyl limited to 333 copys flipside has etched basmati artwork

killer doubleheader, funky / disco at it best made by the one and only björn torske... check flipside > lovestomp< !!

disco connoisseur and edit maestro ray mang is back with a killer release for the disco deviance imprint. lock & pop is a heavy slice of body popping, good times boogie that is guaranteed to get the party started. while on the flipside, viva las vegas is a hands-in-the-air style disco bomb that will drive the dance floor crazy. lovingly edited and re-mastered for 100% disco action. enjoy the music!

ncql annouces himself in no uncertain fashion with the anthemic strings of >the framed dreams of loki<. the track nods to dj premier, prefuse 73 and classic metalheadz d&b hidden agenda style and theres a subtle (!) reference to a certain classic 90s rave tune in there aswell. it sounds like a mess – its anything but! this is uplifting breakbeat at its very best. its not often a tune gets played twice by bailey on his bbc 1xtra show in the space of a month, so this must be something special. the flipside has a similar organic & uplifting aesthetic. a strutting break is the base for a deluge of warmth in the shape of synths, strings, flutes, harp and vocals – an unusual sound palette for a drum & bass track these days but refreshing to hear. dj flight thought so and has aired it on one of her next chapter rinse fm broadcasts.

two new tracks from gothenburgs shakarchi & straneus coupled with two remixes of liseberg, the enlightened schaffel hymn found on their previous barnhus release. trust us - when the apprehensive first part of something evolves into full on, heartwarming house riff mania,spectacular things happen on the floor.then we have jamison - based around a few simple harmonic elements, this is a lovely warm blanket of sound.no beats,pure bliss and dont you dare call it a dj tool! on the flipside, portable delivers a psychedelic dancehall epic sprinkled with the melodies of the original liseberg.last up, londons mains-hum maestro turns liseberg into a colourful, echoing dub ballad.

sonic underground compiles remixes by the ccc family of up-and-coming indie artists – four floor-ready, mutant hybrids of rock, pop, disco and deep house. belgian firebrand mugwumps rework of cccs own acid snow transforms the acid/no-wave original into a disco-house monster thats earned accolades from the likes of ewan pearson and magda. ivan smagghe calls the remix a no-nonsense record. while some look for experimental arty-ness, some for the big hit, all of this pretending to be underground, mugwump pull out of their sleeves what is properly hard to achieve, a cool big track.in a similar way, the rest of sonic underground explores new combinations of arty edginess and mass appeal. mack winston & the reflections see their swaggering glam-rock transformed by ccc into a deep back-room sex jam thats getting support from the wolf + lamb crew and is featured on soul claps compilation cd for mixmag in february. the flipside highlights remixes by cccs own night plane: with its atmospheric guitar and emo vocals, his take on presssures sounds like if the cure ever showed up on crosstown rebels, and his re-design of fellow new yorker baby alpaca is a dreamy k-hole lullaby, with blissed-out melodies that make it an after-hours snuggle classic.

nach ausverkaufter ersten single tanzen und dem hoch gelobten album experiment musik setzen wir noch einen drauf, indem wir einen der beliebtesten tracks des albums prophetic dreams von zwei meistern ihres faches neu interpretieren lassen haben. prophectic dreams ist ein bartsch track wie er im buche steht. langsam bauen sich aus einer etwas dreckigen und rauchigen atmosphäre verschiedene melodien auf, die immer mehr zu einander finden und mit peitschenden claps zu einem pumpenden dancetrack werden. dabei verleihen spielerisch abwechselnde sounds und housige percussion dem ganzen weitere dynamic. classic. das berliner durchstarter-duo aka aka bringen mit ihrem remix den nötigen kick für den ravenden dancefloor, indem sie die melodie des orginals aufgreifen, in einer klasssischen sägezahnbasslinie und dazu passenden phatten synthlinie umwandeln, die sich immer weiter steigern bis sie in einem stummen break enden, aus dem sie wieder emporsteigen und die crowd zum schreien bringen. ein erprobtes oberbrett, dessen klaren powersound sich niemand wiedersetzen kann. auf der flipside entfaltet unser aller liebling axel boman all seine kreativität und dreht das original in einem 13 minütigen megamix komplett durch den wolf. alle elemente erscheinen an anderer stelle und werden durch neue sounds ergänzt. so entseht ein dubbiges außergewöhnliches ergreifendes werk, welches nur künstler seiner art so hinbekommen.

mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

after a summer break were proud to announce the forthcoming klangfarbe-release: kla09 is done by mikh solvis, a young & talented, 22 year old russian fellow from yekaterinburg, who delivers two atmospheric tracks in warm and gentle moods! perfectly suiting days which are getting colder. the original tracks are framed w/ edits by todd bodine and flipside by daniel mehlhart, who will both be featured, each with a single track, beside mri and tandem on our tenth ep, the x ep! please check also our klangfarbe klub venues in colognes lovely studio 672! come around if you are in town! keep your eyes, ears and especially mind wide open and enjoy our music! supported and played by: laurent garnier, karotte, someone else, oliver schories, sebo, andrew grant, mike callander, tandem, seth troxler, souki & windish and many more!

whomadewho, notoriously named after 1986s album by ac/dc, have always been hard to pin down, with their music sounding as effortless as it is stylistically and sonically adventurous. fusing pop and disco memes with punk paraphernalia, the genre-bending trio made up of jeppe kjellberg, tomas høffding and tomas barfod honed their skills on stage and in the studio, releasing a series of bestselling records topped off by their 2011 mini album >knee deep< on kompakt. now they return with the sublime full length >brighter<, due in early 2012 and shaping up to be one of next years highlights. its first single >inside world< is prime stuff as expected…jeppe kjellbergs characteristic vocal hit the pop-nerve in the verses while tomas høffdings soft falsetto holds the song together. second to none is the exclusive flipside, which features a grandiose acoustic version of >inside world< graced by the warm baritone from john grant, former lead vocalist with indie outfit >the czars< and critically acclaimed solo artist. clearly sharing his pivotal vision of pure craftsmanship and musical ingenuity, whomadewho never settled for streamlined mediocrity, thus churning out another instant classic that will rule our hearts and minds.

re funk explosion is the third gimme! gimme! release featuring amazing edits by the italian dj belabouche. his work received critical acclaim on soundcloud and this selection presents pure dancefloor disco dynamite! side a starts with >one of the best edits of jb< - to quote a soundcloud member - and is followed by the funky monster >dance and chant< by sam jam. next is belabouches version of the underground gem >the rock is gonna get you< by gordon war from 1979. the flipside continues with 2 finely executed edits of al hudson & the partners and paul lewis >girl, you need a change of mind<. last but not least an awesome edit of bebel gilbertos >aganju<. for your listening pleasure all tracks are professional remastered. enjoy the sound explosion!

15 years of drumcode, vol. 4 with chris liebing & brian sanhaji , an on the flipside slam (soma rec)

after the last crazy studio session, matt k created a brandnew remix from the legendary release from carsten fietz s rappelkiste. matt k s new remix is based on a crazy percussive baseline with some tribal elements. on the flipside we release the original mix from 1998 again, because it was a long time out of print !

nice price deal !!! die erste limitierte 12inch aus dem vierten leila album (vÖ: januar 2012) bringt den darken und härteren track >(disappointed cloud) anyway< feat. mount sims on vocals, plus instrumental. die flipside enthält zwei exklusive non-albumtracks. limitiert auf weltweit 500 stück.

the second release by berlin based knuggles recordings will be coming out in december. it features the previously unreleased original 12inch mix of 7107 music by netto houz. this hybrid of chicago deep house and oldschool electro caused some dancefloor action back in 1998, when it was originally released on ladomat 2000. on the flipside, knuggles recordings presents a new exciting producer: dj nikolaos aka moire patterns spins his track the roots anthems 001 (co-produced by dj kriton) into a modern and spherical growing deep house bomb. enjoy!

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

following the debut lp on ki, we have put together a few of our favorite artists to remix some tracks of their choice. it was important for us, that the artists kept their individual approach to their genre, so that we could get a very diverse release. first up is the japanese producer stereociti, who just released his debut album on mojuba records. he gives the title track >reisegefaehrte< his very own deep touch. second up is our close friend glitterbug, who seems to create a very own genre with his interpretation of >barracuda<. on the flipside stundman goes straight to the dancefloor. jacking beats and pounding basslines are his >reminder<. and as if p.laoss knew what the real deal is, he turned >subsistence< into a fata morgana trip back to the time when dub was really dub. perfect completion of what we expected from this remix ep.

jokers new single on 12 inch, >on my mind< featuring william cartwright on vocals, gets a full release on december 5th. includes mixes from both goldie and rustie on the a side, with the flipside featuring remixes of his last single, >slaughter house< from tiesto and tc.

its number 77 here at morris audio and your weekly dose of house and techno! 4 hot producers giving you the beats and basslines you need. starting with swiss duo azuni, their raw chord is a special one. sadly, it will be their last track ever released, as the azuni project has come to an end and gianni and sven will work solo in the future. thank you guys! frenchman julien sandre is what you call a name to watch. his music has been released by labels like tsuba or diynamic and his future looks bright. the flipside offers us housemaster dj aakmael (uzuri, unxpozd entertainment) with some old schoolish beats for all those mixmasters out there.
big with: maceo plax, mic newman, robert dietz, sebo k, huxley, hector, trickski, jordan peak, ekkohaus, james johnston, roberto rodriguez, shaun reeves, boris hotton,..

a return to vr from ben sun, who delves into deeper territory on the original cut, emotive analogue synths washing over a roland drum groove and a swirling female vocal, all underpinned by a warm, rumbling bassline. the flipside features some heavyweight remix work from the prolific deep space orchestra (use of weapons, art, delusions of grandeur) and label mate tyson ballard teaming up with vincenzo (poker flat, dessous). vincenzo and ballards mix is a heavy hitting, moody take on the original, with subtle, dark strings and a growling, evolving bassline, while dso round off the release with trademark fat drums and soaring melodic synth work.

robokop returns for his second vinyl release on mwm recordings. this time he teams up with julia for this dubstep smasher. spl on the flipside with a wicked remix! were proud to present our 1st vinyl release!

ah yes, the carter bros. the mysterious duo from down under who put out a 12 inch on rush hour recently. wild cats ep holds four cuts that represent the carter bros sound, which can only be described as an eclectic brew of dancefloor detonators. it starts out with >i didnt need you<, a devastating grower that gets into your brain and burrows a special little place for itself. forever. then, the title track, which is strictly deep, pumping and emotional vibes for the discotheque. on the flipside, >run< is skank-tastic business. already charted by the likes of radio slave and others. the ep ends with >no caller i.d.<, a track that shows the depth of talent these two brothers(?) really have. limited to 300 copies. vinyl only release

orlando b serves very delicious detroit rooted deep house . incl kez ym remix (yore records) / back 2 basics on the flipside is a stunning 70s inspired disco monster

just a brilliant three - track -vinyl, with maceo plex & mercury remixes... amazing tech house and deep house on the flipside!! decks tipp