as the first asian-american solo rapper to perform at lollapalooza and coachella, and to release a greatest hits record, lyrics born has broken through countless barriers to cement his illustrious career. now, on september 14th, on the cusp of acting appearances in acclaimed films as sorry to bother you, and the upcoming always be my maybe, he will be the first asian-american solo rapper to release a 10th album a record of funk and soul woven into classic, boom-bap hip hop called quite a life via mobile home recordings.

das neue album von dj bobo heißt kaleidoluna. kaleidoluna lebt von unglaublichem abwechslungsreichtum, welchen dj bobo mit sehr viel herzblut in die songs fließen lässt. der dj bobo- und musikliebhaber wird wiederum mit einer fülle von großartigen ideen und perfekt abgestimmten, zeitlosen pop-songs überrascht. bei songs wie senorita und un ultimo baile kommt urlaubs-feeling pur auf. mit colors of the world und yaa yee gibts großartige hymen – die auf die dynamik der kaleidoluna-show vorahnen lassen.

the inaugural release on enigmatic conceptual artist and freerotation regular aboutface’s new label coordinates a limited physical release series exclusively showcasing his music and original art, depicting conceptual themes and exploring the aural terrain of two sets of location coordinates around the world. coordinates 1 explores ultra-sonic bat recordings from lincolnshire, england, and ancient mayan culture from the chiapas region, mexico.

noamm is the electronic equivalent of a honed switchblade. with surgical precision the bass agenda alumnus incises keys, cuts chords, pierces percussion and razors through rhythms. it is this slicing sound that the greek artist brings to his debut 12 for shipwrec. seven tracks of machined melodies and frigid fire make up psychoanalysis. the ep is brimming with calculated fury and clinical rage. from the coursing cruelty of ruhestimmung and the menacing dance macabre to the future world coldness of das schwarze korps, noamm is direct and straight to the point with his hard hitting style and no-nonsense approach. few respites are to be found on this 12, into the abyss of changing subconsious being the only refuge from the arctic winds and audio blasts that scour this record. frosted ferocity from start to finish from this exciting musician.

over the years moton has become synonymous with releasing great quality edits from a range of amazing producers. their 43rd release is no different offering up two glorious edits ready made for the dancefloor. cuffari (make the world larger than me) on the a side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. trust us, she s right when she says the melody echoes in my mind this one will be stuck in your head for days! flip it over and marcel vogel, under his em vee alias channels the happy-go-lucky nyc discotheque days through dancing (jumbo). with an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants its sure fire, peak time disco gold.

erstmals vollständig auf vinyl: das legendäre debütalbum der australisch-britischen d&b-formation pendulum, die damit 2005 aus dem stand in die szene einschlugen. mit sämtlichen 14 tracks der original-cd plus dem bonustrack “blood sugar” (einem späteren 12” track aus 2007). limitierte triple-lp-auflage auf 180g heavyweight vinyl!

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

diving into nu’s musical world is like a butterfly’s flight through the tropical nature of the peruian andes. orchídeas. cantutas. mariposa. at berlin’s bar25 club, nu was a pioneer. with his organic sounds, he paved new paths and set the foundation for a new genre: relaxed, open-minded, playful, floating, full of soul and depth.under the alias canu, he and mexican world-traveler alejandro castelli draw us under a spell once again with “mariposa“. the unwavering beat grooves to the sound of the melody. equally inspired by his music, bedouin, kmln, viken arman and davi each contribute a remix to this single. these four artists are also among the brightest stars on the night‘s horizon. let’s fly little mariposa…

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

180 gram double vinyl, housed in a gatefold sleeve. first time on 2 lp vinyl. features >it aint over til its over< and >always on the run<.

unobenga (louie vega remix) professor featuring ndu shezi & thebe remix produced by louie vega! with the music of south africa conquering it’s way around the world due to afro house leaders, black coffee, culoe de song, anané & her nulu label, shimza, da capo, black motion, mo black records, and more, from the shores of ibiza to bali and back everyone is feeling the emotions coming from such rhythmic and melodic sound.

limited to 300 copies. comes in a deluxe tip on sleeve. on her debut ep, brussels-based multi-instrumentalist esinam gives us an entrancing insight into her eclectic world of jazztronica. blending traditional and modern instruments with her soulful voice, the acoustic sounds of the instruments are allowed to evolve and take on new dimensions, opening up a kaleidoscopic spectrum of sound and colour.

(incl. jp enfant remix) legendary dj/producer and long-time friend of the mary go wild family joel mull returns to our label with 3 mesmerizing tracks. the title track sounding like the growling of a beast. roundabout is a world of its own and syncopate pulling you into the unexplored depths of the dark and deep unknown.

flexin hard 2 by world champion turntablist dj woody, consists of all the scratch samples from flexicuts 3 and 4 (his innovative flexi-disc scratch record series) plus some added extras. side a is programmed at 83.33 bpm and contains 9 skip-proof scratch phrases plus full scratch sentence and 1 lock groove drumming sentence. side b is programmed at 100 bpm and contains another 9 unique skip-proof scratch phrases plus full scratch sentence and 1 lock groove beat. flexin hard 2 is pressed on white vinyl with full colour picture sleeve.

italian producer piero pirupa’s musical cv is nothing short of impressive. so it’s no surprise that his next production has found a home on damian lazarus’ crosstown rebels, enlisting the vocal talents of new york’s mr.v. influenced by the sounds of 80s and 90s chicago, pirupa worked tirelessly on this ep to reach a version he was happy with. after seeing the reaction from dancefloors around the world, he decided to send it to carl cox and damian lazarus. we must be (the piano track) breathes new life into today’s dance music with a message from a bygone era. it harks back to the golden age of house music with its lush piano topline and positive message sung by mr.v. happiness simply emanates from this production. with lyrics such as “we must be all in this together, we must live to respect one another” and “this is the plan to make us unified” it takes clubbing back to a time when everyone came together on the dancefloor regardless of race, gender, sexual orientation or religion.

the very best of kuschelrock volume 6 - 10 on double vinyl, housed in a gatefold sleeve.

moscow head-honcho archie hamilton teams up with cousin benson herbert for another collaborative ep on the imprint, bosteled via a club ready reshape from s.a.m. having already garnered support from some of the biggest names in minimal house, including raresh and barac, for previous productions, the ‘swerve’ ep is benson’s second, family-affair release on moscow. a promising up and coming talent, benson’s already played some of europe’s most prestigious dancefloors including sub club, fabric and paris’ rex club. as moscow enters its tenth year of releasing the most forward thinking and respected names in house and techno, label boss archie hamilton continues to release across europe’s most highly revered labels, whilst playing the world’s most exciting clubs and festivals including robert johnson, miami music week’s get lost chicago’s spy bar, croatia’s sonus and estonia’s moonland to name a few. ‘swerve’ sets a powerful pace with a rumbling bassline, offset against gorgeously melodic and minimal textures, it’s a roller that will undoubtedly be thriving across dancefloors this summer. informer, is a complex myriad of winding and hypnotic micro-melodies, which serves as a unique and effervescent follow up to the ep’s first track. denmark’s hotly-tipped dj/producer s.a.m is on remix duties for ‘informer’, delivering a jacking slice of dub infused four-four that deftly utilises the haunting riff of the original.

ryo murakami is based on osaka entered the world of music playing piano at an early age, then was devoted to synthesizers and drum machines. his productions contain alternative dance music and classical contemporary music, a combination of atmospheric ambient, noise and drone. his production history had been varied up until his album released on his own imprint depth of decay in 2013 since between releases on bug’s poker flat, the dessous label and the more recent releases on german outlets baud and styrax.

le matin, always rare and uncategorised, following the reissue of his early synthwavepop tunes on poussiere depoque and a track on the good lena wilikens dekmantel selectors 005 comp, this new ep on lost dogs ent. let you hear some of his last works. expect an ultra-cold-minimal-electro riddim, a less-mental-nearly-good-for-the-dancefloor tune with depitched haunted r&b vocals, an analog and bassy arpeggio ride on the flip side, oh my god! this is the peak-time-for-weirdo-nearly-techno tune, a blast, only for craziest djs that like broken-frustrated-uncomfortable dandefloors and to finish this well balanced 5 trackers: the are you depressed that much? its the 10th time youre listening to this ost of a dying world, this wont get any better but at least this is good music! tune. le matin is a good kept secret that prefer to take care of his kids than to travel the world of nightclubbing with drunk teens (ok thats how it is in france, that looks better in some other countries), but sometime you can hear his music on decks of some wise people and djs like call super, lena wilikens, house of traps, charles drakeford, jon k, bergsonist, body motion

three hot new tracks and a handy reprise tool feature on this new outing from london’s mysterious hardworking families. machine funk electro, deep acid flecked bombs, and a gentle nod to the old skool on sunshine.

music is feeling, music is meetings. in 2015, the s3a records 04 was released with collaborations of good friends of s3amet in the world by the music (tito wun, mannmademusic). this sampler continue the story with tracks from people s3a met during gigs and travels in the past year: sweely delivers here great speedy long jazz banger with a great voice sample as a theme. the columbian felipe gordon gives a great stompy funk bass track! on the b side, the french g2s drops a beautiful house sample based -graef like- song. for the last track need a little bit of story. in 2016 s3a released an ep called 3711 on soundofspeed records in japan. the track -bush- taken from this ep has been remixed during a contest in early 2018. 42 remixes were done and the winner has is remix edited here. pnom pen gives us here his 80 s electro version of the track adding great pads and a complete different rhythm and grooves!

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

vox populi field works vol.ii is the second part of a broader project entitled ‘field works’, in which the label travels to different locations in the world in order to collect sounds, eventually creating an archive of some of the finest and humblest musical traditions. inspired by academic methods proper to ethnomusicology and ethnography, this project’s aim is to showcase the diversity of our human cultural heritage, which is threatened by accelerated globalization and homogenization of the worldwide musical spectrum.
this record is the result of a twenty-day trip to japan. led by anthropologist and label founder fred scharf and his vox populi records crew, this is the second instalment on the ‘field works’ series. this 12’’ vinyl release is a collection of field recordings, jam sessions, studio recordings, street soundscapes, religious rituals, fighting championships and wedding ceremonies, all of which were remixed and reinterpreted by japan blues, tim karbon, hiroaki oba & shizka (aka inoue shirabe), delivering tracks whose core represents a wide array of traditional japanese sounds.

2lp heavyweight 180g translucent vinyl housed in a 5mm spined sleeve with prismatic foil detail. photography by b+. includes mp3 download code.

behaviour war das vierte studioalbum der pet shop boys, das hauptsächlich im münchener studio des co-produzenten harold faltermeyer aufgenommen wurde. vollendet wurden die aufnahmen in den londoner sarm west studios und schließlich im oktober 1990 veröffentlicht. behaviour chartete auf anhieb auf platz 2 in england und platz 4 in deutschland und wurde in england mit platin ausgezeichnet.

the sheep s fall ep is the latest result of dahraxt s freaky mind keeping that path of harmonic doughty techno rhythm with 90s nostalgia, already shown through previous releases on his own imprints jtseries and picnic34. the release seeps a clear message: the most dangerous thing in life is an incompetent that has been given the chance to rule the world.

widely acclaimed techno pioneer nicole moudaber has delivered the release of her adoption ep, a two-track production on nicoles own mood label which sees the dynamic producer tackle two tracks from one of the most important innovators of dance music since the 90s, moby. first up she offers a uniquely dark and twisted rework of like a motherless child, pitching down moby s vocals to create a deep demonic sound,verging into a range of immersive textures. on the flip side moudaber spins a heavy and grinding feel on her remix of mobys mere anarchy (taken from 2018 album everything was beautiful, and nothing hurt). moudaber packs the mix with haunting melodies, with the subtle use of orchestral sounds adding a hypnotic feel to the release.an event promoter, record label founder, radio host, and one of the most passionately followed dj/producers in the world,nicole moudaber is a one-woman army marching her muscular take on techno all over the globe.

after two years unearth noise returns with a second dosage on lfi. and the light beams will guide the way arrives as a double lp with one disc from unearth noise and the other from his collaboration with vocalist myrh, together they are dreamspeak. unearth noises solo works delve into familiar territory. at times reminiscent of his debut on the label -prayer and resonance his signature, dense and mesmerizing sound world develops on this second outing, harnessing a frenetic energy that dissolves like devil dust. dreamspeak create a transcendental experience that beguiles listeners one that is equally as haunting as it is enchanting

debut double lp album from blakk harbor the greek berlin based artist and sound designer behind native instruments, angelos liaros. soaring drones, dark ambiences and expertly crafted sound design. “madares” title derives from the actual dune mountains of crete. this moonlike landscape a sacred land of ancient ceremonies and the main inspiration for the album concept, cover and artwork. percussive samples and drones are created from traditional custom cretan instruments (lute, skin drums, lyra, tsabouna) & world instruments (tibetan bowls, gongs, dungchen horns) granulized to death drones through modular synths and hardware samplers. a black hole soundtrack that sucks you in tearing the fabric of space and time. enter a ritualistic occult trip to the unknown. limited to 250 copies on double vinyl with download code included, no separate digital release.

chris liebing veroeffentlicht sein neues album “burn slow” via mute!
“burn slow” ist ein 10 stücke umfassendes album, das mit miles cooper seaton (akron / family), mute-labelmate polly scattergood (ondeadwaves), cold cave, aleen und natürlich gary numan eine ganze reihe an gastsänger bietet. das album ist ein minimalistisches elektronisches epos und zugleich der beginn eines neuen kapitels für liebing, der als dj eine langjährige autorität vor allem in den bereichen schneller, harter techno ist. weltbekannt für seine einzigartigen dj-sets, gehört chris liebing zur speerspitze des deutschen techno in performance, produktion, distribution und aufführung. seine sets wurden an anderer stelle als sonische reisen zwischen dunkelheit und licht beschrieben, immer bleiben sie weit abseits des musikalischen mainstreams.
die lp erscheint als schwarzes doppel-vinyl im klappcover inklusive downloadcode.

finnish dj and producer otto yliperttula, aka yotto, is a dance music star in the making. championed by some of the genre’s most respected trailblazers and building an army of adoring fans, yotto is primed to join the big leagues with the release of his highly anticipated debut album ‘hyperfall’. yotto’s unique sound blends dark, brooding atmospheres with light, uplifting melodies – deftly hitting the sweet spot between melancholy and euphoria. otto draws inspiration from his childhood favourites the chemical brothers and röyksopp, along with more contemporary influences ranging from eric prydz and m83 to jon hopkins and xxx. having debuted on anjunadeep in early 2015 he quickly caught the ear of bbc radio 1’s pete tong and annie mac, picking up no fewer than 5 ‘essential new tunes’ and 3 ‘hottest records in the world’, along with dj support from the likes of solomun, jamie jones, patrice baumel, adriatique and joris voorn, who signed yotto to his renowned green label. the 13-track debut lp hyperfall is the culmination of three years in the ascendency, and sees yotto continue to carve his own exciting path.

micah shemaiah teamed up with fruits records’ studio band the 18th parallel earlier this year to produce the unanimously acclaimed “roots i vision” album on evidence music label. the album hit every charts in the reggae world and is seen as one of the best effort of 2018! in collaboration with evidence music, fruits records is proud to release on 12” maxi vinyl two of the toughest tunes of the album in their eight minutes extended versions : a side features heavyweight stepper “zion trod” and b side gives the rub a dub anthem “soul rider”. this one is a sound system must have! killer tunes + ultra heavy pressing in a early 80’s jamaican simmons style!

the third and final instalment in frits two bar house music & chord stuff sees him continue to showcase his distinct style of lo-fi, wonky house - both quirky & unconventional, yet instantly endearing in the same breath. served up first in frits melting pot, theme 09 kicks things off with a shuffling, ukg esque rhythm and rnb flexed vocal snippets, alongside floaty arps and that chord stuff that swells and stabs in the mix. throw in a weighty bass and frits trademark analogue wonkiness and you ve got a prime example of a wentink wobbler. next up, theme 10 hits you with an organ melody reminiscent of a warped crystal waters, before twisting and turning into an edgy off-kilter house track. a glitchy synth line, bouncing bass and dreamy pads will hook you till the end. flip it and theme 11 offers up a chuggier affair where glistening arps are interspersed with squelchy and sustained synths. elements and effects are combined throughout, mesmerising you with a glimpse into the wonky world of the frits. closing it out wentink leaves you with a quirky club stomper, coupling a gritty bassline, saturated loops and off kilter, lo-fi stabs all tied together with a driving kick. across this 3-part series frits has left the fancy titles at the door, letting the music do the talking and demonstrating his penchant for making interesting, engaging and distinctive house music, not your average two bar house music and chord stuff.

the global skywatch family have been discovering evidence of geoengineering on a scale never before seen and have decided to take a stand. for the foreseeable future we will be releasing audio recordings painstakingly designed to protect your mind and body from government control. we understand the risks involved in doing so. if you don’t hear from us for an extended period, know we have most likely been taken, and continue fighting the good fight in our place. may this first offering bring you peace from the madness of the modern world.

limited re-issue on transparent orange 180 gram vinyl.

at the end of the summer, ke//er will present you the new ep verbrennungsmotor of the berlin based producer acud and the first own vinyl release on september 7th. peppered with spicy basses, ckeeky beats and a nice dose of funk, the record takes off for a ride in the depths of deepspacedisco and features old friends and colleagues in the title song with the beatmoertelz. gentle and still rough, acud seduces us with his voice into an emotional dream world between wit and poetry.

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

from the mind of the prolific genius legowelt (under the alias rising sun systems) comes this amazing space ambient longplayer. originally released digital-only in 2015, the album finally comes to vinyl with 11 tracks spread over two discs of musical tranquility in a picture cover, featuring brand new artwork by legowelt himself! using special quantum frequencies, this release will alter your brainwaves to make you a smarter and better human being. limited edition of 300 copies!

one of our most mysterious and intriguing states of consciousness is the dream. we lose consciousness when we enter the deep waters of sleep, only to regain it as we emerge into a series of uncanny private realities. through the fog of the mind we can get a glimpse of a world beyond our day to day realities that sometimes is able to show us deeper truths than those we face in awake states. roger is one of those lucid pioneers that is able to translate these experiences into sound. let him guide you through these wondrous clouds. were very happy to welcome dutch-born german-raised roger van lunteren on sohaso for the first time. his rosa dos ventos ep is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of lynchian dreamscapes. vanish starts out with an emotional chord sequence, as you enter the fluid world of the subconscious. a gnarly bassline welcomes your arrival and lets you know things here aren’t exactly what they seem. journeying on through seemingly dark areas, it ends with a hopeful melody and the bass softens as you start feeling weightless. uncontacted uses choral pads and two intertwining 303 sequences as a way of communicating between the different dimensions. aroy dee remixing vanish is like taking a psychotropic liquid, adding more drive to the original while retaining the emotive synth patterns. sleepless is rogers hardest cut on the record, again providing directly plugged in 303 goodness and stomping beats. it rounds off a balanced ep with plenty of introspective dance material.

emad dabiri, born in iran, began operating under his alias sarin six years ago with ebm, techno, and audiovisual experiments in toronto before moving to berlin in 2014. kuleshov effect marks his fifth release and displays an evolution forward in his productions that are exemplified by cutup sample techniques, mechanical basslines, and piercing drum sequences seamlessly blurring the fine line between puristic techno and bona fide electronic body music. the ep title refers to a cinematic technique developed in 1920s russia in which two images with different inherent meanings are played in sequence creating a third definition by the juxtaposition. from this concept is where the audiovisual montage and sampling approach of sarin is developed. with regular and infamous performances in the berlin club circuit as well as the rest of europe, dabiri expertly implies how his precise methods of production articulate themselves into the techno framework with music that is pure and mechanical yet incessantly funky and addictive. obsessively sampling from films of espionage, tension, conflict, and war, sarin fuses this imagery with his meticulously curated compositions to force through a new sound.

short attention, a new mexican record label, appears for the first time in the vinyl world, with a solid release in charge of chicagodeep co-owner of perpetual rhythms a respected record label from chicago illinois, putting mexico in the radar of underground music.

the sun has set and above us track pant clouds are draining our imagination. the beach pebbles blossom in the glory of our denim world. can you see where this is going? indeed. jeans don t fuck with the levis, because garage house is back and the summer is tickling our toes. susans getting it going with her sixth instalment and always remember friends: whos susan?

bittersweet brings three hard hitting electro works and one lush electro-tech track from silicon. in a time of world chaos and disorder the strap, noise, and worms reflect this with double meaning lyrics and sonic push reminiscent of old silicon productions. wish brings the feeling of sweet hope and that all will be well with a crisp and clean sonic push

the 1982 album from marvin gaye back on vinyl.

the 3rd studio album from nas, originally released in 1999, now back on double vinyl

a.g. returns with all-start cast, featuring the likes of diamond d, lord finesse, alchemist and more. for this album, he’s on his a-game, from beginning to end. touching on topics from the hip hop biz, street tales and political hypocrisy.
the taste of ambrosia is a full meal serving for mature rap devotees who’ve grown tired of contemporary rhymesayer laziness. joined by guests including diamond d, a-bless and thirstin howl iii, a.g. backs up his claim that he is ill enough to paint his own portrait, and illustrates and vision of rap immortality that hardcore heads and fellow legacy mcs alike can worship eternally.
limited edition of 500 copies on black vinyl.

an evergreen disco-funk-calypso record, bunny mack’s ‘let me love you’ from 1980 was the first commercial hit for the sierra-leone-born composer and is now available alongside remixes by dj gregory and moplen on this unmissable 12” vinyl package. perfectly suited to dj gregory’s world fusion sensibilities, he worked a remix for defected in 2008, laying down additional percussion and emphasizing the electric guitar riffs. italian dj and vinyl junkie moplen introduces organ chords and synths in keeping with bunny mack’s afro roots on his brand-new remix discolypsomix. completed by an accapella version courtesy of bunny mack himself, this is another stellar lightbulb moment of rediscovery from 4 to the floor