hotflush presents the return of sigha with a new ep entitled >abstractions i-iv<, his sixth on the label. on this release he reaches into darker territory, beginning with a beatless, ambient suspension, drawing the listener in his submerged sonic sphere before dropping into a series of chilling compositions that seem to seethe and smolder at sub-zero temperatures, adorned with haunting electronic blips and synthetic machinations throughout. having already gathered support from many figures in the electronic world over the last year including marcel dettmann, brendon moeller and francois k, as well as making appearances on scubas recent dj-kicks mix compilation with >where i come to forget< amongst others, james shaw continues to make his mark with >abstractions<.

from the public dance hall to the disco, from the smooch to the shake, fromthe orchestra to the deejay. daniele baldelli remains one of the first italiandeejays, who started his illustrious career back in the 60s and became one ofitalo discos kings of the dancefloor throughout the 70s and 80s. >cosmic disco? cosmic rock!< celebrates a turntable odyssey from a man who lived andbreathed italian disco, american rnb and synth pop and pioneered the soundwhich, with retro chic hindsight, has influenced everyone from i-f, hell, felix, miss kittin & the hacker, marco passarani, tiga, trevor jackson, lindstrom, bochum welt and dopplereffekt amongst many more djs and producerswho have mined the golden age of synth pop for inspiration. featuring rare andhard to find tracks from fra lippo lippi, positive noise, the romantics, labionda, ray parker jnr., thompson twins, martha and the muffins and richard bone, >cosmic disco? cosmic rock!< takes on a dancefloor mission to the shoresof lake garda where from 1979 – 1984 cosmic was the place to be and danielebaldelli was the disco king at its epicentre.

vibe003 remixes ep was born when the magic voice of michael franti, famous american singer, met the club-vibes of these guys.... that had retouched the single >theres enough for all of us<. from the elegant techno of deepchild (trapez, affin), to the deep dry-groove of butane (crosstown, alphahouse, rrygular), we are pushing on the wall by the man-of-the-moment in spain, marcos in dub (goa, highgrade, monofunk)... where funny techno and warm ambient make you dance smiling. this remixes ep is closed by an old-school house remix ofmussen, where the 909 and 808 sound is all you need...

to celebrate his mos deep sub label reaching its tenth release, boss man aroy dee has teamed up in the studio with ma spaventi for the labels next release, namely a split 10 inch featuring two tracks: >wrecking< and >mr. floyd<. first up is amsterdams best kept production secret aka marco the doctor spaventi. his >wrecking< is a blisteringly raw house construction with ripping synth lines, delicate hi-hats and slow, crawling kick drums building up to an incendiary, chicago referencing peak where pinging cow bells shooting in all directions. its a bold track designed for maximum dance-floor damage. on the flip, aroy builds in layers. his >mr floyd< is all muted synth growls, clattering percussion and blissful pads. its a tortured deep house track that challenges you before really soothing you, but once the inner beauty is revealed, it really has you under an enchanting spell. another quality release from mos deep, this time on highly collectible 10 inch vinyl.

february sure isnt the month to laze around when the new rennbahn baby is chasing for your dance. the crotalus ep starts as if there was a crotalus right behind you! the original mix delivers a powerful basedrum and deep synths. the snake sounds, vocal snippets and the use of reverb and delay build a wide and huge atmosphere which leads us directly out of the reality into the heart of the jungle where youd love nothing better than to stay forever. watch out - you shouldnt stop dancing unless you want to get bitten by a snake! the marco fender remix on the flip side takes us out of the jungle into the club. an impulsive beat highlighted by a sub baseline comes to a nice replaying synth melody. here the vocal snippets are not applied to fulfill the song with a deep atmosphere but to complete the hypnotic rhythm of it. watch out - the snake still follows you at every turn! finally miyagis remix comforts us with safety - marching towards the end, it seems like we got rid of the snake. now we can wholeheartedly lose ourselves in very deep synths, floating hi-hats and a mystical and tempting melody. as if this wasnt enough the outstanding beat wont let you take a break and forces you to keep on dancing

alberto pascual analytic trail after anagrams ep in 2010, releases for the second time a project of one of the most internationally famous spanish producers, alberto pascual. his works have been played by richie hawtin, dubfire, markantonio, adam beyer, cristian varela, joseph capriati and others techno giants. bailando, is a creative and tasteful ep formed by four track, including a remix of manuel anos a.k.a. psyk, already reached the success with is project released on richie hawtins minus label. the first track is bailando, it has a powerful charge with its massive groove and obstinate synth that flies hasty on a swarm of rides. no breaks in this tune, techno device. bailando continues to leave its mark through another spanish producer, his name is manuel anos a.k.a. psyk. he creates an amazing remix made by a weighty kick and a compressed bassline, this compact but hard beat is surrounded by acid sounds and increasing effects that make of this track a dark techno wave of course.amok has a rousing modulation that directs the track in a swinging vibe with linear claps and hihats. but is just the beginning, after few minutes something changes, a dirty synth in background starts to support an hurry beat that goes on till the break. here everything seems to quiet till the restart, where the ride rules and nobody cant avoid its rage. final lap with homonymous track of this ep. this artist on this tune can show his eclecticism using a techno unbreakable step with electronic cyclic string. wonderful underground soundtrack. so young, so strong, so techno. this is another quality touch for analytic trail, good music must be appreciated.

we are proud to release the first ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. on no man is an island with the unreleased dennis brown vocal version ,an influential song, with a clear message. desert nights a kind of desert rock meeting dub on a road movie. butiama an actual place, where variations and consistency in rhythm is within people s dna. this ep also includes a flowing rmx by our good friend thomas fehlmann. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

zoovox returns with a big release where they leave the slow disco feel for classic sounds of the 80s. snappy claps, phased hats, moody synths and a swingin analog bassline! steve summers (clone) brings a >summers madness< remix to the flip for an enhanced bangin acid trip. ti

el prevost returns for his second ep on third ear, following up the money honey ep from a year ago. four more twisted cuts from out of darkest south london. heavy.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

another city now is the debut ep from ango aka andrew gordon macpherson, the next fresh voice hailing from montreal, canada on the luckyme label. a frequent collaborator with jacques greene, lunice & nycs azealia banks, now is the time for ango to step out alone. over this 6 track narrative - written on the road whilst touring in january 2011 – one hears late 80s pop, early 90s house and contemporary rnb arise in equal measure. every bit the writer as he is the producer, this record is a lyrically polarised selection of girl songs expressing the giddy way up and the painful way back down. but theres something defiantly warm in angos music that serves as a refreshing antidote to 2011s endlessly morose electronic music. where polysynths and hi hats spring above plates of live processed vocals, chopped samples are harmonised upon, punctuated with thumping drums. another city now is a balanced record: upbeat and deep, vintage and yet totally modern, as heart aching as it is uplifting. our tenth record is something special.

it has been a while since alex showed up with a follow up on credo, but as you know, good things do not only last for a while, they also require some time to be finished and this result is more than worth to wait for! hollywood bullet might remind you on some classic trackss essence and it kicks of impressively however, the real >go< follows after huuuge breaks and now its your turn to free the animals on the dancefloor with this weapon that contains not only plenty of energetic basslinesounds, but also load of colors which could be missed these days on often very monotonous technoproductions. alex is not afraid of bringing colors, and not only shades on credo, and so does heartattack: a really weird and unexpected groove on 120 bpm only, even kind of housy, but the upbuilding rythmic noises bring the track back to where it comes from, and this is nothing else as pure bassic energy. very very big release in our eyes!

mrsk on skudge! their fellow swede and long time friend drops his debut on the label and smashes it! tip! the label say: in time, skudge releases the second and rugged release on skudge presents. mrsk does things in his own style, where stripped, waveish sounds builds onto each other.

were you able to touch them – to render them tangible and actually trace the rhythms in yachts i walked alone – the lines would form steep hills and sudden cliffs that rise and drop off, again and again, at steep, sharp angles. the wiry funk and itchy bass move like a controlled spasm, convulsive and itchy, until the breakdown, when the nervous tension gets released in a series of cowbell clunks and a guitar solo that leaks out like a slow moving electric current. on this vinyl only collection of remixes, parisian duo get a room!, aka rove dogs and jeff masson, massage out the herk and jerk, making for a more relaxed and aurally warm take. the sound of things is far housier here – and more pop, in the very best way – owing to synths where there previously were none and angles newly bent and refashioned into smooth, circling cycles of disco-infused sound. and theres more from jacques renault, who contributes a remix both with and without vocals. the new york city dance music stalwart takes his time building to a plateau of perfectly paced beats and a wall of recurring dream(y) house rhythms. feels like music that fills the room, takes over your senses, and wraps you in its effervescence. - kali holloway

next strike by peter grummich on the new berlin-based label innerbird. 2 massive analog bass tracks touched by the hands of love! midnight funk is a hypnotic house journey where you feel analog birds flying through waves of well structured but always funky rythms with a classic garage attitude. watch ya on the other side has a more stepped touch and brings in a huge bassline combined with deep and soulful chords for the moving crowd. again, lots of birds flying here.

for our third instalment on mars recordings weve decided to go for transparent green vinyl! this has nothing to do with aliens, we wouldnt be that obvious, but its the colour chosen by the artists and we think it looks like another great mars package. musically, well edward oberon & paul t have conjured up 2 awesome tracks. >love is< is absolutely sublime with its warm bass line and delicate sounds to the breakdown, while keeping the drums nice and punchy, a great tune to roll out. >absolute< harks back to the deep sounds of old good looking by the likes of big bud or tayla. ridiculous sub-lo bass and deep strings, this is how mars do things and we feel its another quality 12 inch where the music & the packaging matter.

after 25 years bordello a parigi offers you these mid-80s italo-disco-bangers on vinyl again. three old killer releases transformed in one reissue. the three course menu contains the two 1985 hard hittin d. carred obscurities and continues with this spicey hidden gem >i ll go where i like to go< from rambles, which was d. carreds first production on vinyl in 1984. on top of this sunny mountain of an italian pie you will get two extra remixes of >you ll be a winner< by the danish creme de la creme of italo: flemming dalum and mike salta. comes with beautiful picture cover and illustrated inner sleeves. limited pressing of 500 records. an action packed must have!

as a debut 12inch release for both dj marfox and principe, >eu sei quem sou< (i know who i am) is the best title we could hope for our collective present & future intentions. it is what marfox has always made clear to us through his work - a unique vision of technological, artistic and civic advancement. everything is about having your code, knowing where you come from, about the way in which he s chosen to progress through his music.

persnickety sounds is here to funk-ti-fy your world!in this era of nu-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

samurai vinyl only horo series volume 2. limited multi coloured vinyl 10 inch.
after the success of the last 2 asc singles for samurai red seal and the flood of quality music that was arriving in our inboxes from the man, it was inevitable it was time for another shot of this uk born, california residents vision. the horo vinyl series appealed to asc instantly being a man from a strong techno background and an avid vinyl collector himself. >no secrets< is one of those tunes that touches you deeply without you realising, echoing in your subconscious and drawing you back for repeat listens. >zenith< picks up where >bleep test< left off, stuttering timeless breaks patched together with diving bass and percussive polishes to produce a unique sound that takes the past and hurls it into the future.

2diy4 is back to release its third ep! this time its a classic four tracker consisting of two original tracks by hamburg indie-band pool and their remixes by solomun and stimming. game over ep is the debut release of pool which where founded by daniel husten, nils hansen and david stoltzenberg this summer. its a classic three piece band of guitar, bass, drums and vocals showcasing a particolored, melodic and unique sound.

theshining are morgan zarate and acyde, a produc-tion/dj duo who decided to put the sum of their mu-sicianship and influences together. the result is hip-hop influenced beats, with sound-system inspired vo-cals, the sound of after hours, dark clubs and the morning after. heyyou is their first single, a glorious flash of psy-che style keys and hard hip-hop drums, with the un-forgettable chorus hey you…know you think youre a star, a much needed call to arms to stop posing and hit the dance-floor. tell me (im wrong) continues where heyyou lea-ves off, a glimpse into their dark side, with a stom-ping rhythm backed by a triumphant horn section: like a conversation between rick rubin & fela kuti

organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

one year ago digitaline has released raouls very first release. it has been one of their most successful eps so far and both tracks instantly found their audience and brought raoul onto the main floors of the entire world, where it still stands confortably one year later. so what better than to celebrate one year of the label and welcome digitaline back home? same format: two tracks of deep techno, fat grooves and aerial melodies made for the dance floor. almost made on the dance floor. true! digitaline’s sound is always very inspired by their live performances and with those two tracks the boys wonderfully managed to transpose the best of their live skills, energy and dynamic. before finally being released here, both tracks have been played live on many floors throughout 2011, adjusted slowly set after set to touch every soul listening. a-side neon is a massive groove infecting the entire track through long breaks, while synth strings generate waves of tension in the piece. b-side comet is build around a big round bassline and concret noises that give the track its organic motion. the melodies of the track seem to come out of a fairy tale, dreamy arpeggios that defy the laws of gravity.

this ep represents a landmark on nice cats history as fiat 600 cuts a deep slice of musical history on chileans underground scene, since >the pinochet boys< , back in the 80s where miguel conejeros started his unique approach to groove making as the brains of this legendary art-punk band ( think glaxo babies meets los angeles negros) and throughout his oblique jungle-drums and bass excursion in the nineties this national treasure always knows how to deliver the unexpected and leave a sweet aftertaste. here are six offbeat dance gems , including his reworking of villalobos-los updatess >miss u so<. we at nice cat try to keep it cool but , if truth needs to be told , we are gleaming with pride. nice cat 05 . all tracks and music by miguel conejeros except a3 ( ricardo villalobos / jorge gonzález) and b2 ( carlos vergara-miguel conejeros). artwork by yvonne blanco

the ep begins innocently enough. but as you progress into the tracks, entitled a1, a2, and a3, it feels like searching for pleasure where you know you shouldnt. the beat in this clandestine affair has just enough restraint. by the time darkside concludes, you know the catharsis is worth the sin.

jack underwood was born in norwich in 1984. he graduated from norwich school of art and design in 2005 and is currently studying towards a phd in creative writing at goldsmiths college, where he also teaches english literature. he is a librettist, musician and co-edits the anthology series stop sharpening your knives. he won an eric gregory award in 2007. he lives in hackney.

minus are proud to present the newest member of the family, in the form of matador.in the past four years gavin lynchs sounds have found a home on perc trax and cocoon, plus most recently on plus 8 where richie hawtin recently introduced the young dubliner ahead of his first minus event (at berlins watergate, joining the minus team for the official fly bermuda afterparty), with his stellar remix of bryan zentzs d-clash.

ghettomania is just the finest in retro chicago techno and dancemania dj funk action ? face down ass up !!!

the tracks blend the best of booth producers, rachmads detroit influence shaped with lauxs dynamic style. the title track viking, is led by a synth that sweeps in an almost hyperventilating rhythm that raising the track with a series of industrial ticks and clicks that flavour the german, dutch and detroit mix. a dark bassline leads the track into its climax where glitchy synths squeak and stretch before the track drops. carlos is a track that bounces with groove. morse-like rhythmic bleeps carry the track cementing the individuality that is created in the ep. awash with sweeping sounds, the track gains a smoother feeling of deep techno demostrating their delicacy. 7tine is a juggernaut with a dark, heavy rhythm, showing the industrial power of the pairs production. flanged distortion scratching like fingernails give the track a tense edge, while simple yet powerful synths steer the ep into an eerie conclusion.

long time no see but the waiting time is over.yo! announced details about their secondrecord. after the first incredible release by live thugs (from space) with their slomonster exploration ep the new one will be by montana falcons. a newcomer-gang straight from the hoodof nowhere. we met them in our holidays where they guided our pony trekking tour in the mountainsof madison county. a great inspiring day cruising around and seeing nice birds and pretty clouds.at night we sat around the campfire, drank hard alcohol, smoked original montana tobakko, cleanedour weapons and heard these tracks for the first time on their pony-soundsystem. make your own opinion, but they hit us like a bullet. yo!

repress of ultra rare detroit electro record, including remixes by peanut butter wolf, maxmillion dunbar, steve summers and legowelt. heavy!
originally recorded in detroit, 1982 by the late danan potts a.k.a. superlife. at that time danan was hanging around the recording institute of detroit where juan atkins was training in production. danan was interested in atkins style of dance music and quickly recorded >go bananas<. bananas was released locally on southern sun records in hyper limited quantity, it is today one of the most sought after underground detroit techno recordings of all time.

young marco is a gentleman from amsterdam. this is his first offering for the esp institute. it makes us smile and we are sure you will smile too. with his head in the clouds, marco blends soaring melodies that harmonize beautifully over loop-de-loops of bass lines and bleeps. his warm analogue aesthetic invites us to his daydream, a place of innocence where we can do no wrong, dancing eyes-closed as the sun rises somewhere outside. this is pure feel good dance music, no gimmicks, no pretense, just right.

pillow talk continue to impress with their unique body of sounds on the latest wolf + lamb release. masters of weaving a variety of styles and influences with sumptuously nostalgic live vocals, this debonair san fran trio is fast becoming a prolific force on the global scene. its difficult to pigeonhole the pillowtalk sound since its purveyors are such experts in playful eclecticism. shifting the tempo and joining the dots from retro soul leanings to deeper electronic, pillowtalk is a melting pot of influences and voices that takes you on a new ride with each sonic wave. bursting with original vocal flair, the far from heaven ep is a steamy four-tiered affair, between the sheets and under the disco ball where tales of lust and desire unfold to soundtrack of 80s sex music and soulful house.

psychemagik presents the second installment of four limited edition 12s in a series of edits from their forthcoming re-edits album healin feelins. first up on this new 12inch ass nation a slo-mo disco monster with dirty drums, nasty synths, super sweet female vox and an infectious guitar hook that begs for dancefloor control!the flip upskirt drops a filthy guitar and bassline hook, funky drums, dirty moog laserbeams and the kinda groove that takes you to places you know you shouldnt go, reminiscent of a reckless late night drive thru sleazy backstreets where insanity lurks just behind the curtains, come in and take a peek!

limited edition of 500 heavy weight 180g 12 inch vinyl.
landing as the second release from the new french label clekclekboom recordings, young newroller coni drops us sensitive, deep but yet powerful tracks with sensual rnb reworks that would make any female moan. combining groovy sophisticated house and naughty/soulful bass on the lead track >luz in pool<, the parisian takes us to a delightful journey where you will be losing yourself. on the flipside, >suma< is mixing up an uplfiting 90s rnb vocal with a very effective uk funky drum line. the laid back g-swagger >crush< favoring a modern half-tempo 808 rhythm with a sweet subtle voice adding to a haunting purple synth coloration. this 3 track ep is full of heaviness and is already listed as favorite by many established big names. this number is not to be missed!

this is the first part (of four) of the much anticipated reissue series of drexciya s early catalogue, marking 20 years since the release of their first ep deep sea dweller , and 10 years since their final album grava 4 . one of the most influential techno acts ever, and part of the heritage of detroits underground resistance, drexciya explored techno like no-one else before: raw and uncompromising music that reflected the harsh environment of the city where drexciya was conceived, with a mythical approach that only added to their cult appeal. drexciya arguably stands for the darker side of techno and electro, made not only for the club scene, but a further development of the music as an expression and extension of the mind. journey of the deep sea dweller is a near-complete collection of their early works, released in four parts, with all audio remastered from the original master tapes. since the original releases have such a strong character and stand on their own, these reissue can never recreate the magic of those originals. instead, clone have stirred up the catalogue, taking tracks out of their original context, giving the committed fan a fresh experience and the new listener a document that is the best possible introduction to the aquatic world of drexciya.

norm talley tackles techno. yes, you heard that right… in spite of 3 tracks on the original transmissions that fell a little closer to what the heads would expect from a very reliable source, it was that first one that everyone begged for more of. we must agree that those 3 minutes were just a little of a tease, so here is the full 9-minute extended cut of “man on the moon” that all of you asked for, and what a trip it is! certainly funky broken-beat techno is a new look for norm, but it’s pretty obvious in all 9 of the minutes here that this is a man from detroit making the music he knows best. there’s a groove and a touch here that speaks of soul and experience… although you may find this one in the crates of some of the new school techno elite, it’s safe to say they couldn’t have made it the way norm talley did. even if you remember part one you may be surprised where he takes it, but we’re even more pleased to say that “earth 2 moon” beats it at its own game. this one made our necks snap and heads turn the very first time.

local talk is proud to present the first release on their sub-label 1nce again. this is where we bring back classic and forgotten house gems from back in the day with new mixes and reworks. for our first release we have gone back to 97 and a producer known and respected worldwide in the house music community with more than 200 production credits under his belt. joshua michaels aka joshua iz perhaps best known for his collabs with dwayne washington as iz & diz but has of course used many other pseudonyms over the years for releases on labels like prescription, balance, classic, junior boys own, om and guidance. the return was first released on heard, sub-label to tom middletons evolution / universal language productions ltd. using his moniker circulation. the track can easily be described as a mammoth house track, clocking in just over 12 minutes. its one of those pieces of music that’s stood the test of time and why iz has been a major force in electronic music for so many years. on the flip much hyped duo prommer & barck stripped it down from its original costume leaving not much left of the source material resulting in something that we best could describe as old school warehouse meets uk bass. its pretty raw and definitely a basement sureshot!

emergent behaviour is what one might determine the calm before the storm, as we dive into the second instalment of the jupiter cycle, as the drifting ambience and somewhat ominous synths proceed abstract thought, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, the ghost in the machine, if anything a more traditional styled, yet irresistible electro hit. the deep showcases hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. finally, drifting into the collective and satellite swarm, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in the jupiter cycle. special limited edition pack includes the second in a series of collectable posters.

it had been since the dj qu remix of walt j that we did something on our subdivision petite. you know, this is where we like to re-release those forgotten pearls, with a new remix on the flip. this time we chose for >on and on< by italian-living-in-scandinavia raiders of the lost arp. in 2003 >on and on< appeared as the d2 track on his album >4<. but we thought this track is so great, it deserved a full a-side. on remix duties this time someone we have been wanting to work with since a long time, patrice scott. we have been following his sistrum label since the very first release, and he just never disappoints. neither does he this time.
pressing on translucent, white marbled vinyl.

played by silicone soul, butch, kiki, troy pierce, dj t... bardia salour is a hamburg dj institution and music connaisseur, his dj-sets have had a great influence on the whole hamburg scene for years now. jakob seidensticker is one third of the internationally respected wareika trio. with wareika jakob has been producing and releasing music on well known labels such as perlon, circus company, eskimo, etc. as well as touring all over the world. both have a huge diversity of club experience to pull from and you can hear it in their productions. the duo have recently started a party called dance for fans here in hamburg. the concept is for a range of local events to spread innovation into the local club environment. after djing in various clubs and locations, they have finally found their base at the fulminant ego club in hamburg where they share their tracks with other djs and the ass shaking crowd in general. one thing is for sure, seidensticker & salours track selection and their dub influenced sound have been known to satisfy all hedonistic impulses one may have. after their releases on einmaleins musik & formresonance the two tracker katzenjammer is the next step. early in the morning is pure deepness and perfect for any warmup or after-party situation. midnight tar is the peak time bomb with understatement. from gentlement to gentlemen. from music lovers to lovers!

müller records, the berlin-based label, has a long and proud tradition of high-quality releases. it also has a strong track record in sniffing out up-and-coming talent - acts like berliner falk romstedt, alias hawkinson. his eps and remixes - check his former eps and remixes on muller records- hadalreadyshownthathewasequallyathome creating techno with a driving groove as he was knocking out strong and detailed synth melodies. now his first lp is being released on müller records. klaf , put succinctly, is an album that picks up the style of hawkinson s previous singles and runs with it. (or: that expands on the style of hawkinson s previous singles.) it s a story written by the dance floor, for the dance floor. hawkinson is processing the experiences and emotions he s had over the past few years both as consumer and dj and really shows us where his roots lie - in techno! the influence of detroit is all over this record and can be heard straight away, with strings, melodies and soulful surfaces drawing you in immediately.

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

full crate is at the forefront of dutch progressive electronic music. red bull music have acknowledged his talents having invited him to their academy. since the buzz, which started in 2009 with his independent free release of >she was fly<, full crate has worked with the likes of eric roberson, ab (black milk), ntjam rosie, daru jones, jesse boykins iii and remixed chris turner and steve reich.
this year has seen full crate has perform at sold out venues from new york to london alongside vocalist and old friend, mar. the ongoing buzz has fans salivating for new music. and new label wonderful ear are very pleased to fulfil this need with their debut release >golden glasses<, a very limited edition, hand numbered 10inch where full crate takes the listeners to the dance floor in his own sophisticated, groovy way.

music is about passion, not competition. in this spirit the something vinyl series continues again with another stl record in his diy do-what-you-wanna-do style, including 3 house tracks aswell as a astro-science thrilling farspace interlude and loop introductions. the ascetic elements on this ep are the result of an isolated one man musical universe, where the love and passion for sound research is perhaps the strongest driving force behind the machines output. a bit of squelchy mircowave-acid, some sunny analog sequences and someting that seems to come out of a lovely b-movie track, where humanoids moving death proof onto the dancefloor feeling addicted to the groove. something 18 is probably that kind of vinyl which can be enjoyed the most when the time has come to loose yourself and let things flow into the positive. this 12 inch comes in limited quantities of 500 copies and is dedicated to all believers of the something vibe.

fresh from starting us sister label fade to mind, kingdom is back on planet night slugs with a new 4 track ep. the long-awaited >let you no< continues where fogs (ns006) left off: a cinematic half-time environment of snap percussion and winding eski synths, with a longing performance from a disembodied diva, the track s anonymous guest star.

with marc poppcke s >mind revolution ep< we are proud to present crossfrontier audio s first artist ep, the second vinyl release, and the last release in 2011. after releases and remixes on labels like freerage, defected, soma and darkroom dubs and finishing his masters at the berlin university of arts, crossfrontier audio labelhead marc poppcke delivers his frist full artist ep in 2011. with a touch of house, a hint of progressive, some techno on top and everything garnished with a whiff of melancholy, marc brings us four tracks displaying his taste in music and his love for four-to-the-floor electronic club music. the tracks on this ep send you on a journey, perfect for the late hours of the night. he takes you up to space, spins you around, and brings you back down to earth with the drop, leaving you tumbling and now knowing where you are. just like it should be.

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!