tom demac teams up with the band silverclub which results in slightly tripped out piece of house music

das sollen still flyin sein? das soll diese band sein, die damals auf ihrem debüt die indie-welt mit einem charmant-kruden mix aus pavement, rocksteady und new romantic verwirrte? das klingt ja wie scritti politti! oder prefab sprout. oder frühe tears for fears... und der bass? der klingt wie new order! wow! seit der ersten zoot woman, nein, dem les rhythmes digitales-album >darkdancer< haben wir kein album mehr gehört, das dermaßen 80er-retro und jetzt! zur gleichen zeit ist.
inklusive cd-version des albums.

forging a fantastic fusion of modern electronic pop, human woman are the new signing on hamburg’s hfn records. originally hailing from iceland, the band consists of gísli galdur thorgeirsson of prolific icelandic band trabant, and producer jón atli helgason aka sexy lazer. now after the launch of their debut single,delusional, with its sensual, indie-dance roots and pleasing 80s/90s undertones, we see the pair expand their vision of modern electronic pop with a feelgood, rich and edgy album spanning 11 glorious tracks.

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

rising parisian producer yakines career pretty much defines the word eclectic — in his teens, he was a bona fide metalhead, playing guitar in a metal band that toured all over europe, before his love of hip hop steered him in the direction of the dancefloor. he really found his home behind the decks, however, and once he discovered the world of electronic music via the patronage of his brother—who introduced him to the sounds of underground deep house and techno — yakine quickly moved into production. he has since released a series of eps on european labels like esperanza and jetaime records. the rise ep is his first release for spectral sound, a four-track slab of understated, atmospheric techno.

modern indie rap from las finest - busdriver!

a welcome,fresh and high-quality collection of obscencely rare and desirable 45s including bonus 7 single

deer ticks fourth record, divine providence. their first record recorded in the band’s hometown of providence, ri. 12 tracks showcasing the band in their most honest and straight-forward songwriting to date.
comes with code for free mp3-download of the full album.

perception productions, a new york based label that ran from the late 60s through until 1974, was a strangely eclectic affair. its roster stretched from a radical afro-american poet through to the pop band king harvest whose hit ‘dancing in the moonlight’ became a massive hit for the uk band toploader a couple of decades later. the inbetween points covered jazz, funk, vocal harmony soul and proto-disco.

for some time now the bar25 label has wanted to put out a release with all of our swiss musician friends – the many folks who came to the swiss weekends at the bar and generally made a habit of visiting us in berlin. the bar always had a deep swiss connection, manifested not least in the legendary swiss cabin, home away from home to larger groups of visiting friends and monday evening after-hour hotspot. alpenglühen – feines aus der schweiz (alp glow – swiss bliss) is a swanky double vinyl of high-quality production art made in switzerland. on vinyl 1, animal trainer from hive audio share a side with andri, the zurich native. techno gladiator wandler and live artist canson play the other side, while vinyl 2 lets two matadors from the new zurich club friedas büxe – don ramon and san marco – steer for a while. and the two music geniuses from galoppierende zuversicht are also here, fittingly, using sounds recorded live at friedas büxe for their track. the sampler concludes with the exceptionally talented mastra, who contributed a special song to this swiss musical collage. the digital release also comes with a bonus live track by sublime stage band rizzoknor. even the cover was designed in switzerland, during a bar25 night at the legendary cabaret in zurich. were all excited about this release since its a special one for the 25 label. marked both by good old times and new horizons, this record is a musical compilation representing the very special kind of artist that will always be welcome in wild berlin!

marbert rocel spend most of their time looking out of the window and smoking. then they make music, someone draws for a while, and they soon go back to looking out of the window and making music. marbert rocel are twinkle-toed, and yet hardly tangible when you try to grasp them. they combine dance music with songs, songs with cookies and, in turn, cookies with dance music.therefore, marbert rocel spent a lot of time touring – playing gigs in germany, holland, italy, poland, indoors, outdoors, on the roof, in the cellar, in small groups, in front of many people, and in front of very many people.<it greatly influenced our music. this is the reason as to why we now make ballads at 130 bpm.< at a concert on enceladus in 2010, marbert rocel met martin kohlstedt. he seemed to fit perfectly to the band and behind the rhodes, thanks to his constant eight- armness and his tiger stripes.

pitchben, das neueste signing von compost, katapultiert den electro funk der 80er jahre ins hier und jetzt. the whispers, d-train oder zapp sind die einflüsse des münchner musikers und produzenten. die zweite maxi aus seinem album >pitchslap< kommt mit vier pulsierenden remixen für die clubs, produziert wurden diese von jamie liddell, alexander maier, lorenz rhode und krazy baldhead.

limited 2x 10 inch boxset...

the fact that they are the hottest band in the buzzing spanish independent music scene in itself may not be enough to stop the presses, nor are all the comparisions to the black keys or the band citing motorhead as their main influence. its hard to break into the crowded new band scene, but let us give you a piece of advice before deciding who should stop the presses - just sit and listen to the album first.
a text like this usually tries to say how great the group is and how new and fresh their songs are. in this case, we are going to try to save time and space, and just talk about the right ons.

the german band the audience was founded in 2003 in nürnberg and released their first album >celluloid< on the cult independent-label hazelwood in 2007. soon after the five-piece was signed by one of the biggest german booking agencies fkp-scorpio, which sent them on tour throughout europe where they proofed to be one of germanys most incredible and exciting live acts. their current album >hearts< was recorded in a big music hall over the period of one year. the aim was to catch both energy and emotions of an authentic live-on-stage situation. the recordings document the audiences most intense, dynamic and sophisticated moments, without losing their very own feeling for catchy melodies.

after a rip-roaring tour of the us with his live band at the end of 2011, a healthy wedge of new remixes under his belt for the likes of david lynch, the dø, the drums and m83, copenhagens anders trentemøller remains in the spotlight. last year also saw the release of reworked / remixed, a must-have double cd release featuring some of the inspired producer‘s favourite remixes, and his pick from remixes of his music by other artists

souvenir presents ruede hagelsteins second single release >berlin< off last years debut album >soft pack< alongside his band the noblettes. last time round it was >a priori< with a bunch of remixes, and here >berlin< is featured in its original version.

es klingt wie ein verwegenes abenteuer. sergio mendoza, bisher als tourmusiker bei devotchka und calexico unterwegs, entschließt sich vor drei jahren eine mambo-band aus dem boden zu stampfen. er nennt sie sergio mendoza y la orkesta - und ja, 15 musiker sind in der tat so etwas wie ein kleines orchester. sergio mendoza y la orkesta klingen wie eine big-band mit punk-attitüde

nach 500 auftritten in 30 ländern und 50.000 verkauften alben binnen vier jahren, alles in klassischer diy-manier, veröffentlichen das aus mathieu phil jourdain am schlagzeug und backgroundgesangs-mikrofon sowie leadsänger und gitarrist laurent malcom lacrouts bestehende duo the inspector cluzo ihr drittes album >the two mousquetaires< am 12. april 2012 als lp mit comicbook auf ihrem eigenen label fuck the bass player records.

es gibt bands, die schmecken nach parfümiertem vollbad und stundenlanger session vorm handspiegel. never ever!, rotzen the pet goats. noise und trash sind die einzigen geschmacksverstärker dieser band aus dem angefaulten big apple. gitarren prügeln eine handvoll akkorde zu einem hypnotischen soundteppich. der rhythmus rumpelt, als hätte der schlagzeuger den beat auf den küchengeräten von velvet undergrounds mo tucker gelernt. man muss nicht punk sein, um punkrock zu machen. denn wisse: weniger ist viel mehr, wenn du wirklich was zu sagen hast. kuscheltiere sind the pets goats keine. aber das zeug zur lieblingsband haben sie allemal.

the collectable artifact imprint is taking a detour from incendiary and obscure disco re-issues into releasing even more obscure material. mysterious italian electro-wave band cristalli liquidi are featured here with a killer rare italo gem produced by tinto b. (also known for robots are un-american, re-released on italians do it better last year). inspired by a lcd soundsystem song tinto b. comes with this great record! we cant find the connection to the lcd soundsystem track that supposed to have been his source of inspiration, and actually we dont care... its some of the best recent italo disco we ve heard in a while! if you are big on italo vocals the a side is for you, if instead you dig deep electro disco but without the chanting, the dub version on the flip side will more than certainly send you into italo space. another hot artifact release from mr. bottin. tip! (limited supplies!)

introducing black orange juice for 2012 … a cosmic crew of dance floor saviours. nomads of the musical galaxy who are crazy in love and love craze. brought together by ossie of hyperdub records fame. his >tarantula< track was selected in the fact top 50 for 2011, not forgetting the awesome joe goddard >gabriel< remix for greco roman which took his sound to another level and which won him fans the world over… the all singing black orange juice, found it’s sweet spot when ossie recruited two of his closest compadres, paul black and orial, partners in crime with a history of gospel choirs, r&b quartets and lending their vocals to some of londons finest underground heros. they blend the best elements from the uk undergound with a nod to the talents of roska, jamie jones, scratcha dva and mosca, and a wave to those infectious vocal-house sounds reminiscent of hercules and love affair and azari & iii. the sound is both unique and dangerously infectious…

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

electric guest is a los angeles based rock band formed in 2010. their music is a melding of r&b, funk, pop, and classic rock. with meditative lyrics, catchy choruses, and dance inspiring rhythms the band brings a feel-good experience direct to the eardrums

nice price deal !!! mordbrand und bombs of hades sind zwei der prominentesten death metal-bands der underground-szene in schweden. die band besteht aus mitgliedern von god macabre, abhoth, the crown, the law und tribulation und liefert death metal der alten schule. für fans von echtem schwedischem death metal im stile entombeds!

der lang vergriffene longplayer von 1981 als vinyl-wiederveröffentlichung! dieses legendäre album ist ein arte muss für jede ernsthafte black uhuru lp sammlung - die musik wurde im harry j studio mit den besten musikern jamaikas aufgenommen, und die gesangsspuren im king tubbys studio sowie der finale mix von produzent prince jammy realisiert!

der lang vergriffene longplayer als vinyl-wiederveröffentlichung im original-cover von 1981! >wa do dem<, das seinerzeit im channel one studio aufgenommen und von scientist, prince jammy und barnabas im king tubbys studio abgemischt wurde, ist zweifelsfrei das beste album von eek-a-mouse. eine erstklassige henry junjo lawes produktion mit den roots radics als backing band.

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

2012 vinyl label sampler, check this out

the man with a hand in hypercolour, hypeltd, glass table, losing suki and sneaker social club has such an inexhaustible enthusiasm for all forms of electronic music that he is starting a new label! space hardware is jamie russells latest project and comes to fruition with the inaugural sounds of placeholder, an artist russell unearthed one afternoon on soundcloud. the labels mo is simple: to release spaced-out headphone music for the rave generation, where this debut ep consists of two original tracks from the mysterious placeholder, plus a tidy remix from uncanny valleys jacob korn.

after a 5 year gap, vince watson released what is now his 7th! album to the world in march to great critical acclaim. 5 years is a long time to wait for something ... but some things in life are worth waiting for.
here on this ep, vince has selected 3 of the albums tracks, as well an exclusive. starting with a club version of the albumâ€,™,s title track, every soul needs a guide. its got roots in house, techno and latin jazz, but in reality its a fusion of all of the above and displays some wonderful production techniques along the way. the word inspiring is overly used these days, but it defines the soul of this track perfectly. following this is the quite breathtaking never too late with its lounge and jazz track roots, cementing vinceâ€,™,s one-man band status as intact. beautiful chilled out percussion and double bass soak up the timely keys and give you a real sense of the manâ€,™,s artistic prowess. stunning ...

former knob-twiddler with the hardcore band the rise, alongside cory kilduff, who both later went on to form ocelot, an electro-pop band that was signed to mark joness wall of sound ...
james welsh has had quite a career already it seems! in between his bmxing holidays, touring the world and slaying festivals, he has found the time to come up with some excessively heavy house music ...
pressing on dark red vinyl.

bill youngman has become one of the most important parts of the killekill family. his new record displays his wide range of interests: from dark techno in shadent he crosses over to drone monster alert in wespe to his very own style of melodic electro in centrumcircuit. about bill youngman: scandinavia, tresor, null etc., bill has from day one been producing a lot of excellent other stuff. for exam- ple, he released one album of the finest electronica on depth charge’s dc recordings under the alias audible, several great eps of electro on serotonin and recently remixed jamie lidell in a rather techy dubstep style for warp. bill doesnt follow trends and dislikes being categorized into one stale genre and so perfectly fits into the killekill master plan. expect several eps from him on killekill in the future. bill will furthermore attempt to push the threshold of modern electronic music production.

inme are an english alternative rock band based in brentwood, essex.

das nächtliche gemunkel am tresen bei bier und klaren war irritierend gewesen: aufs neue album, so drummer zimmermann und basser strohmeier, würde das lo fat orchestra auch kinderchöre und ein streichquartett packen. man dachte mit grauen an the wall, konzeptalben-bombast, artrockkacke und hoffte halb, das sei nur der berüchtigte schwarzwälder humor. jetzt ist the second word is love da. nicht mit kinder- aber mit chören und natürlich mit streichquartett. die befürchtungen zerbröseln im nu, wenn im opener be honest die bassdrum nagelt, die elektrizität in der luft rauscht und singt, bevor der sägezahnbass und schmids gesang und orgel einsetzen. alles gut! alles besser! alles: mehr!

this record – never before released on vinyl - contains a 6 panel insert and a secret bonus track. pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

taster peters metro sexual is ready for a remix-ep! citizen kain, ascii.disko, jamie stevens and joachim pastor do a refresh of this supersmasher which was released on vi två records sublabel v2 nightworker records.

london based act natural records was founded in 2011 by jamie ward. focusing on quality house for the deeper dance floors, the aim is to release music with groove, warmth and soul, pushing respected artists whilst simultaneously searching for the next generation of producers and djs.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

nice price deal !!! the bristol reggae explosion is back with a third volume. whilst still happily exploring what was happening in the city during the 1980s, they have bent the rules and included a lone track from 1979. if anything, this third volume is their strongest so far, an amazing achievement when you consider that most of the tracks are previously unreleased.
by popular demand, >bristol reggae explosion volume 3 – the 1980s part ii< has a strong leaning towards the roots side of reggae.

excellent groovin deep house

nice price deal !!! hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta. with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people. now set to unleash his highly anticipated debut lp on climate recordings, rregula presents: the barramundi experiment.an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep. the vinyl ep features 4 groundbreaking tracks of the album. the a-side holds 2 superb drum n bass tracks for the dancefloor, while on the flip you will find 2 massive bass tracks that will do equal damage on the dancefloor! the vinyl ep also includes the full doublepack cd in the sleeve!

the material included is a collection of three selected tracks from karol xvii & mb valences ep series remixed by famous producers. before, the duo has collaborated with gorge, soul minority, kruse & nuernberg, sebastian davidson or the timewriter, just to name a few. now, the remixers involved are aki bergen, pezzner, and shur-i-kan

(mdh + floris regoort + m.i.r.k.o. + klankarbeit) theres so much great new music and new talent around these days, that for his new hey! release, michel de hey took a few of these new skool kids under his wings. nice way for hey! to start 2012!

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

this debut album, originally released in 1992, is named after blues-rock band the red devils favourite hollywood spot, which also happens to be the place where they cut this live album

>blueprint< (movlp 455) from 1973 presents a well-rounded picture of gallaghers eclectic influences. muddy waters, big bill broonzy, roy head are all shown their due. includes the brooding >seventh son of the seventh son<, which locks the band in a swampy groove for over eight mintues!
remastered audio on 180 grams audiophile vinyl.

>the loudest engine< is the third studio album of london-based australian indie rock band howling bells. the album originally came out last september. the band wrote most of the material whilst on the road supporting coldplay during the viva la vida tour.
180 grams audiophile vinyl pressing including full colour insert. features the bonus track arrows (acoustic version).