rubadub welcomes mexicos naafi. omaar delivers 7 rhythm tracks. think mm & nkcs hard drum sound and the stripped back sounds of kowton and night slugs club construction series. all killer no filler!
savor’s 2021 first release has the uruguayan wonder girl, ema remedi. on this ep she provides us to 2 tracks with her signature sound. ‘virazon’ is one of her biggest tracks up to date and definitely a dancefloor smasher, while ‘nothing tolouse’ is a subtle and hypnotic roller. on remix duties we have voigtmann, who reworked ‘virazon’ adding his typical eerie touch while maintaining the dancefloor energy intact.
the void project keeps them coming with a new split ep by distrikt paris founder bassam and binary sound labelboss antoine sy. the void project is back with a 4th edition by bassam (distrikt paris) and antoine sy (binarysound), both founders of antam records.
agt records return to their editions series with the reissue of a sizzling 4-tracker from stabilizer. originally released in 2001 on boom box records, its sound is a scintillating hybrid of breakbeat and electro and a prime example of the glory days of the early 2000s breaks scene.
phonica am is a new imprint curated by phonicas luther vine focusing on a more after hours sound. think tripped-out techno, minimal, electro and every shade in between.
oráculo records veröffentlicht in zusammenarbeit mit wrong era das vinyl-debüt des jungen litauischen acts ton globiter. zwischen techno, ebm und new beat ist sein sound frisch und überwältigend, bereit, jede tanzfläche zu befeuern. die ep enthält remixe von kris baha und synths versus me, um eine ballistische waffe zu vervollständigen.
after his very successful remix of slip away on noir music we are extremely delighted to release this incredible ep from olivier. paris based giacomotto is no new name to the scene but he has hit a sweet spot on noir music with his recent productions and this postgalactic 4-tracker might be his best effort to date. all 4 tracks move in the same universe but show giacomotto from melodic to the more minimal sound. its been ages since weve heard such a solid effort from 1 artist and we have been all smiles here since giacomotto decided to shower noir music with his great productions.
new world ist das vierte album des in nipaluna (tasmanien) und meanjin (brisbane) lebenden künstlers scraps. in den letzten zehn jahren hat sich scraps als einer der größten unbesungenen helden des australischen musik-undergrounds erwiesen. ihr sound verbindet die synthie-pop- und clubmusik der 80er und 90er jahre und bleibt dabei fest im zeitgenössischen australischen underground verankert.
for us at 1985 music, our various artists series are extremely important to us. it not only provides a great platform to celebrate music from a wide range of artists, it enables us to promote both veterans and newcomers in the scene, and to introduce them as part of our extended family.
fleisch welcomes restive plaggona into the fold with eight tracks of rhythmic tension and raw industrial elegance, replete with an atmosphere of the ominous drama that makes this greek producer’s sound unmistakably his own.
we proudly present: a journey through different dimensions, space and time: future of lofi is our attempt to create a new lofi sound with our favorite artists.
small great tunes vol.1 is varied and offers a traveling dj multiple vibes to choose from. the energy on this new record takes off within the few first bars. the opening track >sport casino< by kid simius introduces a lighthearted mood and 80s synthesizers. peter lcs >sogni dinfanzia< is very likely to become the next lofi-house classic on disco dancefloors around the world. dreamy and melancholic but groovy nevertheless. the b1 track >kamal<, a collab between david silver & luca olivotto is a tasty house mood. the tune features a powerful and groovy bassline and sparkling synth leads all accompanied by rhythmic piano chords. b2 is similar to a2 in the way that its also a lofi-house track with nostalgic moods and careful sound design. with each side of the record featuring both a sunnier and a moodier track, the ep is a perfect fit for summer sets in a heated club or leisurely listening sessions on late afternoons enticing the listener to let go and bringing back memories that have yet to be created.
the 3rd release from audition goes further into the sci-fi sound he is renowned for. >irrational< invites you into a paranoid trance with its relentless synth line that seems to want to haunt you forever. next up is >tense< which, as the title suggests, creates a hard-hitting tension throughout the track supported by heavy syncopated rhythm. the ep ends with >rumours< a beatless, brooding track that feels like you re entering a never-ending black hole.
limited pressing on pink vinyl, housed in a gatefold sleeve. anfang 2018 treffen sich die sängerin inga nelke und die beiden gitarristen thorsten dohle und felix will auf einer session in einem kölner proberaum und kreieren, begleitet von einer drum-machine, eher zufällig einen sound, der irgendwo zwischen shoegaze, kraut- und psychedelic-rock andockt und den diy-spirit der punk- und new wave-Ära atmet.
2021 repress coloured vinyl - das album coco ist nun endlich als doppel-vinyl erhältlich und setzt da fort, wo parov stelar’s bisherige erfolgsalben aufgehört haben. auf der anderen seite entwickelt er seinen sound aber konsequent weiter und fügt seinen bewährten jazzigen klängen spannende, neue stilelemente hinzu. die zwei vinyle des doppelalbums sind als unterteilung zwischen den eher tanzbareren und den zum hören gedachten tracks zu sehen. diese grenze verschwindet bei parov stelars aktuellen kompositionen allerdings zusehends und das album bildet so weniger ein zweigeteiltes werk als vielmehr einen homogenen fluss an nummern, die stetig an tanzfaktor gewinnen. der musiker selbst sieht das ganze als »buch für den musikalischen leser«, in dem es ganz klar eine klassische aufteilung in einleitung, mittelteil und schluss gibt. durch die schnelllebigkeit unserer zeit und das »reinhören« in alben geht die auseinandersetzung mit weniger plakativen songs verloren. »coco« ist von parov stelar hier als gegenposition gedacht.
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