white asega co-­owner jack dixon wrote new curtains after a friend who was coming wildly off the rails told him he was a good producer but his tunes were boring. the original version was really sparse and about 300bpm. when jack moved to new york the parts got lost, so he remade the track a dozen times. this was the version we all liked best, although jack never wants to hear it again in his life. it sounds tough and tropical. our friend troy gunner remixed it, and turned it into something so loud and slamming it will knock your teeth out. after telling jack to stop making boring music, mark kodiak spent two horrendous years working with jamie kodiak on a song they ve called taargus. it nearly destroyed their friendship forever but we think it was worth it. it has brutal weapon sounds, nasty snares and an incessant “yo” that has been described as “annoying and unnecessary”. the artist tom pounder has created a blinding video for it that contains brand new colours. french born bass genius bambounou stepped up to remix the track, taming the wild stems into a hypnotic early­morning house stepper. it took us approximately 2000 exhausting facebook group chats, four cross­atlantic flights and one divorce to get to this point. we hope you will enjoy this record for the rest of your lives. rip ken tulley.

frank sinatras 1961 album newly remastered and pressed on heavyweight 180 gram vinyl with download code included.

spencer parker & rekids are back together at last, with the work them records boss returning to the label with his first ep of original material since 2011’s ‘i think i love you’. ‘no more silly club songs vol.1’ finds parker at his playful best, melding together all the elements that give his dj sets such boundless energy. all four tracks are made purely for where spencer parker does his best work: the dancefloor. * this ep is simply a collection of tracks i made around 18 months ago for my own sets. no concept, no bullshit, just some tracks to work the club.* - spencer parker

the third album by norman cook aka fatboy slim back on double 12 inch vinyl.

the fourth instalment from the jens camp comes in the form of the herman the dog ep! the a-side contains two popping tracks full of pumped up house, chunky bass and floating synth lines, whilst the flip taps into techno territory, plunging the low end into darkness and sprinkling with squelchy acid rain!

originally a member of the california r&b group club nouveau, this was irving s crowning glory as a member on the chi-town house faternity. the song was written by dwayne willie wonka grant and remixed by frankie knuckles and is quite unlike most of the vocals that came out of the house scene, with a beautiful clarity to his voice.

die zweite vinyl-lp in der serie *the r&b singles collection* bringt 16 der 30 tracks der gleichnamigen cd vol.2 - neu remastered - auf schwarzem lp-vinyl. die ursprünge des northern soul, als ende der 1940er jahre in den südstaaten der rhythm & blues als hybrid aus gospel, blues und jazz entstand. weiterhin erhältlich sind selbstverständlich die einzelnen 7 inch singles mit jeweils zwei tracks.

the original version is nothing short of a classic, but its as if the song had never been invited to a louie vega post-midnight global extravaganza. was the song not aware that spellbound dancing and high bpms were the standard for house music? normally, such a blaring disregard for nightlife decorum would relegate a song to the pits of sonic hell, but we’re talking about george clinton here! the original opens up with a g-funk groove that screams westside and lowriders. the listener is then blessed with clinton as he adds his sage, soulful and pimpadelic vocals, complemented by funkadelic singers asking him about the pains of the funk. the semblance of a beat that could drive the dancefloor into the morning hours is there, but in no way has it blossomed into its full glory. enter louie vega.

*refugee camp (bootleg versions)* is a remix album of a song selection from the refugees 1994 debut *blunted on reality* and follow-up *the score*, released in 1996. the album features eight tracks, including seven remixes, and one new recording. 180 gram audiophile vinyl pressing.

top-balearic-compilation, zusammengestellt von 2 kennern der szene: chris coco, langjähriger dj und kurator der real ibiza serie, und jim breese, resident-dj im café mambo auf ibiza und produzent der ku de ta albumserie. durch und durch bezaubernde und inspirierende sounds von cantoma (aka café del mar-dj phil mison), nils frahm, afterlife, lisbon kid (aka rui da silva), nick & samantha (produziert von chris coco), u.v.a.

wenn es um erfolg geht, scheinen dem mann keine grenzen gesetzt: calvin harris, vom forbes-magazin jüngst zum bestbezahlten britischen musiker und dj nummer eins weltweit gekürt, schwimmt derzeit auf einer unglaublichen erfolgswelle: mit seiner jüngsten single *summer* gelang ihm nicht nur der sechste nummer-eins-hit in großbritannien, auch in deutschland erreichte er einen neuen karriere-peak. der song erreichte in den media control charts platz drei (bisherige bestmarke: platz 13) und den deutschen airplay-chart sensationell platz neun (!).
nachdem harris auf *summer* eindrucksvoll gezeigt hatte, dass er auch selbst als sänger seiner songs extrem erfolgreich sein kann, verpflichtete der 30-jährige mit shootingstar john newman (love me again) eine der beeindruckendsten stimmen im internationalen pop-business. mit *blame* küpfte harris nahtlos an diese erfolge an: in großbritannien schoss die single von null auf eins, in deutschland rangierte der song bereits nach zwei wochen in den top 5 der media control charts. beide singles finden sich auf dem vierten calvin harris-album *motion*.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

audiophile quality reissue on 180 gram vinyl, includes download code for the full album.

after the series of caribbean related releases, emotional rescue returns to the early 80s downtown nyc post punk / new wave scene with plus instruments collecting their best and rarest songs on one groove laden ep. 4 tracks of pure downtown punk-dub-funk, all with the nonchalant euro-style delivery of truus de groot. it doesnt get better than this. coming with extended unreleased versions, the originals were collected from sought after eps, an obscure compilation lp and fiishes with a never before released song, this is history. licensed and remastered for aural pleasure

territories wold ex france, ex poland the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: blue / bleu / blau 1lp+cd

w&p hgg is back to deep explorer since his last release on the label in 2010. this new ep contains edit gospel 5, a hard to find old classic tune by w&p hgg and two new versions of the song by the deep explorer heads, one killer club cut by dubbyman and another downbeat take for chilled moments. is crurch time

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

an imagined soundtrack album to a film that doesnt exist. you will be hard pushed to hear anything as original of this calibre all year.

this is simply a beautiful song and amazing collaboration between eagles & butterflies (innervisions, get physical) and super talented singer/songwriter j.u.d.g.e. its one of those rare standout tracks you might come to love and treasure for the rest of your life. no more words necessary, hit play and let the music do the talking.

celebrating the 30th anniversary of paul hardcastles iconic song *19* with a double vinyl full of remixes.

simple things is a love song about the end of love and a new beginning. simple things are those that separate the real, the true, and everything else. simple things is about that love that we all let go of, that we lose, and from which we learn so much about ourselves. because love always happens for the best. god hates us all is a digital extra that takes us to the dance floor as a place for rebirth, where the music heals us and returns life to us and to the celebration that it is.

der us pianist bruce brubaker interpretiert arbeiten des legendären minimal komponisten philip glass als erhabene solo piano versionen. nach langjährger erfahrung als glass-interpreteur hat brubaker dabei seine heransgehensweise bis auf einen mikrokosmischen level verfeinern können.

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

voorn clearly has a wide range of instrumental talent at his disposal, the genius of creating music thats by turn as adventurous and as sweetly accessible as a pop song.

lonely souls together under thunderous grey skies recorded this for you while the snow poured outside. frigid techno, sleep deprived angst and alien timbres from a distant place mark this as a memoir for babicka & mic mills far more than their debut single.

maya jane coles lotet als nocturnal sunshine neue künstlerische tiefen aus und demonstriert beispielhaft ihre expansive musikalische vision. nocturnal sunshine ist mehr ein kohärentes, künstlerisches projekt als nur ein album. das album wurde von maya im alleingang in ihrem home-studio eingespielt, produziert und gemischt, sie hat das artwork selbst entworfen und singt auch selbst auf dem gechillten its alright. weitere vocalgäste sind der aufgehende stern chelou, der den beunruhigenden, süchtig machenden song believe singt, sowie catnapp aus argentinien, die ihr gesangstalent im düsteren down by the river zeigt. obwohl eminent dunkel und manchmal bedrohlich, ist nocturnal sunshine eine berauschende reise, die durchdrungen von mayas dancefloor tradition eine weitere facette und entwicklung der künstlerin zeigt.

electronic emergencies is proud to introduce ceci n est pas, a synth wave project from new york consisting of nico nightingale, pierre klein and jorge socarras. nico nightingale is the man behind neud photo and earlier worked with pierre klein as neud. jorge socarras was singer with synth maestro patrick cowley in the 70s duo catholic, and with 80s cult band indoor life. together, they started ceci n est pas in 2014, and this 7 inch -the last time- is their first release. the title track on the a-side is an irrestisibly melancholic and romantic synth wave pop song, while b-side -the stranger- has a mysterious and yearning feel.

another re-issue on dark entries. this time its a release by joe crow. joe crow is a post-punk musician from birmingham, england. he was a member of legendary brum band the prefects, and hung on long enough after the name-change to appear on a couple of early nightingales singles. in 1981 joe began his solo career and recorded a 2-song demo

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

stratford-raised denai moore signed to london independent label, because music (metronomy, little dragon, django django…) and then ben drew was in touch hed heard a couple of denais songs and wanted to work with her on production, eventually producing the lake ep in 2013 (hes since signed her to his publishing company)

finale select series is back to bring you one more from one of chicago s finest producer boo williams and finale sessions boss michael zucker and we start with boo williams song - reckless thought - with its magical keys and it thick pads it has chicage written all over it for sure and then last but not least we have michael zucker with his track good times- it has a jazz feel to it with it moving drums and its wicked bassline. this ep will sure to please the deep at heart.

nice price deal !!! hailing from spain, eduardo de la calle has been a prolific dj and house and techno producer since the early nineties who s productions have recently been featuring heavily in boddikas dj sets. with over 100 vinyl releases under his belt on labels including semantica, cadenza and his own imprints (analog solutions, suprwax, edits records) plus many more, eduardo is an underground legend staying true to his analogue production techniques and never following the pack.

on his second installment for holger, weber further expands the sounds and themes introduced on his debut eins (holger 4, 2014). adequately entitled zwei, it documents webers development and growing confidence as an artist. combining influences from early krautrock and minimal music to contemporary dance sounds, weber shows a refreshing appetite for experimentation and free form song structures. given these parameters anything seems possible: from the post-techno of sklt via the anti-pop of the bug to the spaced out b1 / warten and its ghostly dub companion no4

what happens when you pair multiple grammy® award-winning singer/songwriters from two separate groups whose members are also part of a legendary gospel dynasty? the new super trio, 3 winans brothers. with 17 grammys among them, a star on the hollywood walk of fame, countless accolades and more, 3 winans brothers, bebe, marvin and carvin, have joined together for the first time ever because of their love for writing, singing, and performing music. their debut album, foreign land (released september 30th, 2014) was written by the brothers, and released on the siblings’ independent record label, regimen records through a partnership with bmg & eone music. now, louie vega has taken one of their album tracks, the song “dance” (which features the grammy winning clark sisters) and reworked it for the dance floors. this version also included on vega’s new upcoming album this summer “louie vega starring…” will be released as a single on april 21, 2015 at all digital outlets on vega records. and look out for the vinyl release too. after a stellar performance at miami music week at the poolside funkified get down jam in march 2015, 3 winans brothers featuring the clark sisters have a smash hit already at clubs through select djs playing it, on radio with regular rotation in the tristate area on 107.5 wbls in nyc, magic 95.9 fm in baltimore and now washington dcs whur 96.3 fm. the royal families of gospel are taking the world by storm with “dance” (louie vega mixes) - 3 winans brothers featuring the clark sisters, universal sounds riding the musical dance waves worldwide!!

flying lotus und bonobo haben ihre vocals auf die landkarte gebracht, die faz machte ihr debütalbum 2010 zur platte der woche, musikjournalisten und kritiker jubelten weltweit. im mai erscheint nun endlich das längst überfällige zweite album *giants* der londoner künstlerin auf dem sie gekonnt soul, r&b und pop miteinander verschmelzen lässt. limitierte lp edition mit zusätzlicher 10 track bonus cd + mp3 downloadkarte!

vinyl only release!
toxic is the name of the first lamp, in a series of more to come, on the cover made by remy the feyter – glass blower artist. the tracks are composed by dieter vorderhake and are a natural inspiration of 20 years of techno influence. liroconite and cornubite are natural stones with the same colors as the lamp, hence the names of the tracks. tingeling, the name of the third track, is a dutch word which will translate itself more or less into a ding-dong sound. this sound is one of the prominent sounds in the track which announces a change in the track. it is inspired on the sound the metro doors make in amsterdam when they close. the metro is ready to continue its journey… so is the song.

walk dance talk sing is the seventh album by much-loved crazy p aka danielle moore, jim baron and chris toddy todd.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
wd39 *you get by* is the second outing from rabo & snob, the tel-aviv based duo who previously surprised and delighted on whiskey disco #32, 3 chart-topping songs that brought this duo into the disco limelight. the fundamental goal of modern disco is to ride the groove and make folks move. r&s have an uncanny ability to distill music to this point by weaving new textures over old and creating instant classics. you get by, believe and together carry this torch with subtle nods to our inner disco hippy, signaling themes of peace, love and boogie. the title song has been re-touched by love dance. ld have tweaked the original vocals for a headier combination, aimed at the dawn patrol.

now already almost a year has gone by since “inspiration”, the collaboration between jah wobble and singer pj higgins has come out on sonar kollektiv. with “chaingang (remixes)” we get a further renewal of one of the eight tracks off the album. for instance utrecht, netherlands based multi-instrumentalist and producer pitto gets down to work to morph the song into an eight-minute spheric techno extravaganza. some sort of a teaser for his upcoming album on sonar kollektiv later this year (although it will sound completely different). also releasing an album on sonar kollektiv in 2015 is producer marlow from weimar. his voodoo version of “chaingang” draws nearer to the original and incorporates the jubilee style gospel chanting to a hypnotically impelling rhythm. at the right time at the right place this remix will cause outmost frenzy on the dancefloor.

the 3rd outing from legwork comes from one of our label heads in lance desardi and singer/song writter jesse rennix. this ones been a long time in the making, but the final product is well worth the blood, sweat and tears. with a heavy nod to prescription records and the 1st & 2nd wave detriot pioneers, emotion is the order of the day. not much else to say, other than see for yourself. the heavens await

nervus viii-i is a compilation of 5 tracks from 3 different artists, squeaky lobster (brussels), jerk (lille), hellboy (denhaag-brussels). nerve system records doesnt like to label the music into genres or put them in boxes, but if we really have to describe it: a mixture of eclectic style, soulful electronica, idm, melodic breakcore & dark, industrial electro.

cymasonic s offshoot vinyl-only label returns with the enigmatic argentinian artist fede zerdan contributing to cymawax s second outing. originally from tucumán, but currently living in barcelona, zerdan has established himself as a member of the discos paradiso crew. it s always the heads-down types that are the ones to watch out for and zerdan exemplifies letting the music do the talking. so what is he saying with the low boost ep? techno is unrivaled when it s at its most deep and immersive. a must have … this techno artifact was meant for wax.

jetzt auch als 7 inch vinyl erhältlich! wolke 4 ist das erste resultat einer internetbekanntschaft, die großes verspricht. sie kennen sich nicht, der berliner singer/songwriter philipp dittberner und elektro-musiker marv aus hannover. aber sie haben sich oft genug gegenseitig angeklickt, um einen gemeinsamen musikalischen versuch zu starten. was zunächst als remix angedacht war, entwickelt sich schon bald zu etwas ganz eigenständigem. philipp nimmt gitarrenspuren auf, marv legt beats darunter, philipp schreibt den text und singt die ersten strophen ein. bei jedem hin- und herschicken reift der song weiter, bis es schließlich vollbracht ist, noch bevor sich die beiden musiker zum ersten mal persönlich treffen. -wolke 4- ist ein amüsant nüchternes liebeslied, das elektronische elemente, western, pop und singer-songwriter gelungen miteinander verbindet und sich durch seine heitere gelassenheit in kopf und körper festsetzt. und im internet geht es dann auch weiter...

after more than a year in the making we are almost ready to release the final chapter in psychemagiks magik series. due to incredible responses from the artists we contacted we ended up with more tracks than we needed for one album so it was decided to release magik sunset in two parts. both albums contain yet more of the long lost and obscure tracks that the previous compilations have presented and part one is now available on double vinyl in gatefold sleeve.

a1: song stronge th sound foundations of early 90ies chicago and nyc housemusic define heat vibes trademark. with a bassline as hyper as earliest rave days in y all garage, this track will kill doubts by the drop! a2: nasty troubble nasty - as we like it... marching and shuffling in on a low slung beat and dry drums, the 92 style killer chords make this a real powerhouse affair. root out your troubles! b1: certified this track ensures people rushin the floor. classic deep house chords meet euphoric vocal bits and a battery full of charged and vibrant beats to fill you up with a mood that sets you free from any stress. b2: certified / locklead mix refixing certfied demandingly, wonderkid locklead ventures asides of the hot haus records stable garnering the original with a nasty beat n bass workout. as abstract as raw n funky. bangers anyone call locklead! the member of utrecht*s slapfunk crew is sure to bang n slap your floor.

its mildly comical, that tim wagner and amy douglas, two former long islanders would choose sunrise hwy (former sunrise highway) as the name for their venture, but one listen to the music, and its clear as to why they chose such a lofty and expansive name. sunrise hwy is atmospheric, sophisticated, broad, and most importantly a return to the song as king.

...and tapes added electronics - a shot of drum song and a giddily intense binghi dub. total murder.

rss disco remix masin by ya tosiba. the dj and producer trio from hamburg focus on the bassline and make the synth pads shimmer. the original ya tosiba song is about the sudden appearance of cars in the streets of baku in the 80s. its a perfect cruising track now. patric catani aka candie hank mixes a hilarious, bouncing version of molla, paying tribute to zuzus funky meykhana vocals.

12 inch vinyl with magazine and individual artwork item

with a well nourished upbringing in the belfast house and techno scene, chris hanna has proved himself as an artist that knows what works in a club. with a plethora of upfront underground releases on made fresh daily and extended play already under his belt, chris is set to follow the wave of artists who have cut their teeth on ireland’s vibrant underground circuit to take on the world’s electronic scene.