following 3 maxis on hilltop imprint and the label construct re-form, the producer fareed formerly of the society of silence duo (versatile, concrete music) returns on the new label, maze, dedicated to experimental breaks and cinematic soundscapes. this first ep, with irregular rhythms and metallic sounds, loses us in the meanders of a jungle and transports us into a world borrowed from mysticism.

vernacular is all about loyalty and machines. the cycles of influences and ideals converge to a specific creative bulk. and so from whole emerges few, interlinking, telling its story. stories that are all about dance and dreams need a common core. vernacular collective sequence inks these and spreads them into the wastelands of club-music enthusiasm.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

the greatest hits and remixes from italo-space-disco project laserdance on vinyl.

the new album from james blake on 180 gram double viny, housed in a gatefold sleeve

archeo trumps once again with a stunning reissue of riccardo giagni s highly desirable 1988 masterpiece -kaunis maa-. it s a subtle, refined body of work that places giagni s delicate guitar refrains front and centre, with a hazy mist of atmospheric synth pads drifting in the middle distance. the title track is especially sublime, folding dreamy exotica tones into the pastoral sound palette with stunning results. alongside the six original pieces, archeo have also commissioned a special, balearically charged remix from claremont 56 artist simon peter

techno in full on precision. honest, deep and punchy with a raw straightforwardness. simo lorenz on andre kronerts odd even. cut by dubplates and mastering. mastering by markus jogun. artwork by markus suckut and cover picture by verena sturmboeck. manufactured by matter of fact.

fifth release in the sonic saga of san franciscos electric noise factory squirrels on film.

helsinki-based duo timo lassy & teppo mäkynen present a new two-tracker on we jazz records and dive deep into different moods on this 7inch

with 10 albums already to her name, muriel grossmann is well-placed to create more sonic waves in 2019. taken from her mesmerising spiritual jazz lp golden rule, we have deep jazz, modal jazz, esoteric jazz, spiritual jazz refined, intensified and concentrated into 2 whirlwind sides.

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

schlachthofbronx celebrate 10 years of their existence with a new record on their rave and romance imprint. on this double single, the munich based duo dives into all that interesting vibes, rhythms and sounds they have come to be known for over the last decade, exploring the hybrid fields between all kinds of dub, club and soundsystem music. and: they even allow themselves to get a bit more emotional to fit the special occasion.

ltd 2019 repress - black vinyl - out of a mood and while repairing one of his 303 basslines, heckmann just recorded two acid-house tracks on the fly and live in his studio! while checking the just repaired 303 he programmed some new sequences and used them straight away with only basslines, 808, 909, 101 and a few other instruments to get back into the feeling of the acid days

new york native david berrie makes a welcome return to the hot creations fold this april. the latest recruit to join as a resident for jamie jones’ paradise night in ibiza, berrie gifts us with three heavy hitting tracks, sure to set dance floors alight across the globe. airplane to madrid opens the ep with its steady groove and funk elements, underpinned by a tribal drum and old school vocal hook that culminate in a jazz influenced breakdown. on talkin’ bout, berrie utilises a fast-paced beat and bouncy, ghetto-house style vocals that lead into another intriguing breakdown. closing the ep, the bassline of acid souls gurgles beneath the female vocal building to an insatiable drop before plummeting back into the heady bass. raised in the musical melting pot of new york, david berrie draws influence from a variety of genres to create his signature style. he’s released on a number of prominent labels including cuttin’ headz, play it say it and hot creations. last year’s collaboration with jamie jones broke into the top 5 in the beatport charts and his music has been supported by some of the industry’s biggest names such as carl cox, marco carola, the martinez brothers and seth troxler. 2019 is set to be a big one for berrie, with a residency for paradise at dc10 and fresh music due to be released.

this tidy collection of deep house remixes brings together a whole host of heavyweight names with some sunkissed vibes to get the outdoor party season started early. cesaria evora s -nho- gets the treatment from none other than the mighty kerri chandler, who gives the latin vibes a subtle bump and some sumptuous strings. dj spen and karizma take things more straight up as they tackle loverush s -dancin-, rolling out a silky smooth deep house version. vincent inc s -walking on the disco street- appears in its original, heavy-funking form, and then joey negro s mix of -bring it back to love- pushes into the upper reaches of peppy disco house with pattering bongos and gorgeous rhodes keys aplenty underneath the life affirming vocal

the west loop chicago collective reportedly span continents, pooling soul-soaked talents into some truly powerful dance music. -knocking on the door of the cosmos- doffs its cap to sun ra with some crafty samples, but the musical vibe is more in line with the likes of andres, dego or other such masters of irrepressibly funky house music. -theme for chicago- takes an iconic roy ayers jam and gets wild with the filter, -son of equinox- trips down a loose and limber jazz funk pathway and -payback- whips up some tightly clipped samples into a pumped up peak time belter. from start to finish this ep oozes class and authenticity - a serious grip for any self-respecting midwest heads.

thomas leer was mainly active in the late 70s and early 80s, dropping two singles on cherry red that provided the source material for the two original tracks on this emotional rescue reissue 12-. opener -saving grace- is a rich, bombastic blast of synthwave, all chugging arps and massive leads, while -tight as a drum- heads into more psychedelic territory, using strange gating techniques and deft fx to create a wondrous, shimmering bed for leer s poetic chat over the top. bringing an inventive angle to the release, the label signed bullion up for two wonderfully warm, wobbly remixes. honing in on the weirder qualities of leer s work, these modern interpretations make a perfect bridge from the old to the new - highly recommended!

human potential movement is the second release from chaotic reality since his first self-released 12inch chreal01 which received support from samuel valenti (ghostly), project pablo, eclair fifi, coby sey (whities) and telfort. in this follow up ep, chaotic reality takes the genre trance literally, exploring deeper meditative themes on a canvas of 4/4 dub techno. influences like shinichi atobe, ciel, newworldaquarium, sensual physics and fluxion creep into a hypnotic three-track ep.

london based rico casazza has been sliding out warm, harmonically rich techno for over 10 years now, shoring up on labels such as bonzai elemental, archipel, stock5, cartulis music, variance and more. on his latest release, which lands on sterling techno imprint murge recordings, he s channeling the spirit of detroit in a plush spread of warm and expressive synth shapes. -transmutation- is strong in its original configuration, but it s also propped up by some classy remixes from big hitters. kirk degiorgio steps up first with a tense, darkside techno workout for the peak of the night. aubrey then pings things up into a trippy, heavy-rolling workout drawn from the freakier end of the spectrum.

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album ‘escape hatch’ described by vice as a ‘modern masterpiece’ only hinted at the transcendent power of seahawks music. eternal beams goes ‘further’ to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunder…numinous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraaji… flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.#

ghent s muzi cartel crew step into the label game with this assured four tracker from promising emergent talents. viktor udvari is up first with -for our love-, a fired up but delicately executed techno jam with plenty of harmonic balance to make for the most satisfying trip skywards. mrsch takes things deeper and groovier on -pas cu pas-, leaning heavy on the bass and leaving a little more space in the mix for maximum meditation. kled baken s remix of lebawski gets into a minimal house roll with spaced out licks of vocal and hazy pads, and ray mono nudges barbosa s -quinoa- into murky depths for a proper underground roller.

were very happy to announce that drumtalk is back! he never fully went away, but were excited to share the results as he ambles into different directions with slower tempos on one side, and faster on the other - while still sounding as vibrant as ever.

prime diggers of obscure gems archeo set their sights on this stunning new age curio from the late 70s. pepe maina released two albums in his late 70s heyday, and it s the second of these, scerizza, that gets a long overdue polish up. this is far from one dimensional wallpaper music - the sonic range covers choral pieces, delicate melodic meanderings, gamelan-esque refrains, fourth world incantations and more besides. there s even some sweet synth jams to melt into, ensuring there s something for everyone to get into. fans of jon hassell, daniel schmidt or laraaji should sink very easily into this rich, multifaceted album.

prime diggers of obscure gems archeo set their sights on this stunning new age curio from the late 70s. pepe maina released two albums in his late 70s heyday, and it s the second of these, scerizza, that gets a long overdue polish up. this is far from one dimensional wallpaper music the sonic range covers choral pieces, delicate melodic meanderings, gamelan-esque refrains, fourth world incantations and more besides. there s even some sweet synth jams to melt into, ensuring theres something for everyone to get into. fans of jon hassell, daniel schmidt or laraaji should sink very easily into this rich, multifaceted album.

classic hits turned into reggae by some of the most famous singers and bands of the genre.

2019 see s the pair land on strctr, a label with a reputation for delivering that sweet house music and das carma are in good company here with previous artists such as manooz, harrison bdp & liam geddes on the label. even the title of the ep shows the fondness between label & producers : str -> mrs (airport codes stands for stuttgart, germany from where the producers come from and marseille, france where the label is based). delivering a 4 track ep of original productions das carma show that sometimes a &#64258,,,ashy remixer is simply not needed. liftoff cloud 9 opens the ep with a warm &#64258,,,oating dreamlike track, ebbing and weaving beautifully throughout the course of the track. larry & frankie and subnautica keep the subtle refrains of the opener but bring the funk slightly more with bump-in garage drums turning these tracks into feel good lo-&#64257,,, burners. closing out the ep is dub101, here the guys waste no time in making the tracks intentions felt, skippy house drums and a big old slice of call & response from some heavy hitting dub chords - peak time tackle.

buffered multiple is the techno a/v project of vienna electro poster boys microthol. buffered multiple return to pomelo after their debut on our 20 yrs compilation and subsequent eps on other imprints. buffer 05 starts off with prime time in super-saturated dub techno mode, its sublimely textured chords ambling hypnotically over a tense and pounding beat. shitty track changes gears into jack mode, with a bleepy morphing swing hook that drives up the intensity over a percussive beat and takes all the right cues from chicagos second wave productions. junolized delves deep into the abyss again, its expansive echoes weaving intricate layers of dub over a foundation of bottomless bass.

bucketround returns with an incredible work by the japanese tominori hosoya anniversaries ep 2 original cuts based on real love, superb melodies and rhythms that take you into a magical world and all this accompanied by the touch of the brazilian ney faustini and the spanish manuel costela to define a stunning release that you should not miss.

sound journey into the heart of georgian underground

bangin 4 track vinyl

a new label from hugo mendez, co-founder of sofrito! a series dedicated to cross-cultural experimentation, kicking off with this exhilarating dive into the african underground of 1980s paris: a four-track ep from congolese singer albert siassia, backed by a group of young french dreads, rechristened tokobina lets dance, in lingala for the occasion. a mixture of post-punk, rumba, afro-disco and reggae, in two dancefloor sureshots reviving their sole 12 inch from back in the day, plus previously unreleased fire from the same session.

on this third release, deviant disco keeps on digging up lesser known gems of various origins and delivers a hot batch of four brand new edits. the french label sticks to its peculiar aesthetics and welcomes you once again to an enthralling musical trip — starting with tchamy patterson’s groovy & percussive afrobeat only to spiral into barnes and ygalove s hypnotic the mongol raid slow-mo trance edit, and steering from la decadanse s tropical and sensual rework of yves simon vintage hit amazoniaque all the way down to eric vincent s obscure 80s french erotica.

f-dorm is a collaboration between connor camburn of litüus (avian), and visual artist conor ekstrom. commune follows the first f dorm cassette on mazurka and presents the first lp by the project. songs build upon unexpected repetition, wielding normally aggressive sounds into meditative loops with subtle textural evolutions. bursts of tape saturation, controlled waves of feedback, and linear drum beats shift and weave together through rhythmic delays. affected vocals speak low as if coaxing the listener further out into the nether regions of the mind. the strange cumulative mood of the record is difficult to describe: a transcendental state or a foul parallel from which the listener arises stronger or does not arise at all. mummies in civilian clothes -the master of the riddle-a dollmind haunts me in the penitentiary -the puttyman, naked inside -a mind made of cream

limited & numbered rsd 2019 release.

following the release of the aset forever ep in september, dusky announce brame & hamo and kettama as remixers of ep tracks amongst the gods and staunch. on the amongst the gods remix, irish born, berlin based duo brame & hamo bring distorted kicks and industrial percussion that are sprinkled with euphoric samples from the original, helping to provide an unequivocally rave ready flip. fellow irishman, and rising star, kettama takes the reigns on staunch, turning the dark and brooding original into a thumping hard house epic punctuated with zapping synths and hefty percussion.

ion ludwig is a leading light in contemporary minimal house, able to elicit fresh approaches from a well-worn club music template. he lands back on baby ford s trelik label with a chunky double pack of beautifully crafted rollers for the stripped down dance, leading in with the subliminal murmurs of -fall answers- and following it up with the incredibly groovy, bass-led -modern missing mood-. -le imagen- gets into a more wriggling, crafty configuration, while -felt like klariny space- lets trippy daubs of melody take centre stage. -sparse hypnotimes- does what it says on the tin, simmering down to a mellow, dubby haze of blue-hued keys and a slither of a beat.

massive 22 track compilation spanning three vinyl lps and one 45 showcasing a wide scope of subterranean american electronics. comes with download code included. - 1 per customer

denis sulta s silver service imprint - an offshoot of sulta selects - present ssss-3, a two-track collaborative package from the inimitable hammer and atlus, denis own darker alias. taking reign over the a-side, belfast export hammer brandishes a weighty dose of low-slung, swollen bass and disorienting vocal stabs on dance since . using a palette of cathartic 90s house vocals he morphs their energy into something far more twisted. for the b-side, atlus forges an equally hefty fusion of raw percussion and swirling vocals, spun round by a dizzying acid bass lead. wasting no time in heading straight to the dancefloor, ssss3 sees two esteemed characters doing what they do best.

with a hybrid jazz based on african grooves, ethio-oriental melodies and psychedelic dub this belgian five-piece creates an atmosphere where ancient and modern sounds fuse into a powerful, hypnotic and groovy sensation.

sounds for a late nightdrive through the city

enigmatic mancunian duo and bring a dynamic and raw take on modern techno. the two maintain strong analogue production ethics and showcase this with the ep, pushing each track into more melodic realms, while retaining the uncompromising and attitude towards the dance floor.

reissue of the 1989 debut ep from lhasa with 4 additional tracks.

ltd 2019 repress ... after a string of well received releases on the likes of 22a and alexander nut’s hotep, henry wu steps forth with his most bold statement to date with ‘good morning peckham’ on the rhythm section international imprint. arguably one of the most hotly-tipped producers in the uk right now, wu’s broken compositions and deep jazzy keys have earned him plaudits from scene veterans as well as peers, all keen to see what henry will do next. with a refreshing take on rhythm and a virtuosic musicality born out of years of recording and touring as a session player, henry wu represents a brightly shining light in the already glowing london community. equally adept on the keyboard as he is on the mpc, on good morning peckham, we are also given a further insight into the mind of wu as he takes to the mic - toasting along to the soon-to-be-classic ‘ croydon depot’ and spitting on the intro to the broken beat inspired ‘neezy’. a south east londoner born and bred, henry’s debut on rhythm section has been a long time coming and it seems that it was worth the wait as henry presents 6 tracks of white hot intention. henry wu is a name that we are going to hear a lot more of in the future….

when the sun rose on sun ra in the mid-20th century, his innovative style cast a shining light that spurred the development of modern jazz and other forms of popular music. just listen to the captivating sound of india on this album. crashing cymbals herald a haunting theme established by the composer, playing an electric piano, which draws the listener into a mysterious soundscape that haunts the imagination. such exotic use of percussion and instrumental effects was way ahead of its time when the album super-sonic jazz was first released in 1957.

tolga continues his journey into space, reaching hyper speed soon.

2019 repress - this year kevin saunderson, ann saunderson and paris grey, collectively known as the legendary band inner city, release >future<, their first entirely new material since parting company in 2001, written and produced in collaboration with another detroit legend, namely kenny larkin. the track marks a welcome return for a group that combined the tough, futuristic grooves of the detroit scene with the vocal energy of r&b and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come. >future< is devastatingly catchy and highly emotional, exhibiting all the soulful flavours and qualities you would expect from these celebrated producers and singers. masterfully re-edited by carl craig this track ascends to a higher place whilst kenny larkin is on remix duties, beautifully reworking the original into a techno infused monster with intoxicating staccato vocals.

the hamburg based labels 5th release comes with an amazing various artist release this time. a 4-tracker made by musicans the label is focused on. true darkness transports the listener into the deversity of techno.

look like makes his debut on clone royal oak with a great four track ep! a fresh take on classic house music. italo house, balearic beat, chicagos stomp and detroits funk all stirred up into a nice loose hybrid that seems to become look likes signature sound. lovely stuff!! if you havent heard from him just yet... also check out his cool releases on dvs1s misstress label and drum poet society!