incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

the first new single from small world disco edits label in 2011 comes from the don of italy: ltj. dope.
a: you know - heavy on the bass with a light hihat pattern and mellow kick/snare creates the backing for delayed/reverberated vocals and synth stabs. a down beat boogie feel on this one and its infectious!
b: all the way - easygoing rhythms in this track create a great groove. the vocal is the principal theme giving lead to the bass line and percussive elements. laid back funk style!

round two on plumbum! on the a and with an acute attention for detail, piemont present us with involved. a rolling march through the wild. with bird noise, the scything roar of a gorilla and a weighty bassline. we are drawn through the undergrowth, with the delightful organ drops invoking memories of classic kong and tarzan movies. on the flip the duo get there fidget on. a growling bassline, sci-fi bleeps and moody synth waves, make for a solid tech number.

repress !! blackest ever black is a new london-based label that seeks to re-establish electronic music as a poetic, provocative and emotionally inquisitive force. music by artists, not engineers. its first release is a self-titled ep by raime, a british duo who draw explicit inspiration from the marginal mavericks of early european goth, industrial and synth wave - artists largely omitted from the current master narrative of post-punk history, and who strove to make music at once cerebral and visceral, futuristic and atavistic. well-versed in the language of club music, but rejecting its typically rigid sequencing and arrangements, raime use technology pensively - to convey a sense of crisis, collapse and longing. transporting and disorienting though their work might be, its narratively taut and has no truck whatsoever with the cosmic, its too aggressive and engaged to be called psychedelic.

early support from locodice, matthias tanzmann, gregor tresher, dubfire, nic fanciulli! new japanese dance music label, arpa records is launching as its first release very own label boss dj sodeyamas techno track >miles<. previously having released on respected labels zenit, ante zenit and more recently on labels archipel, kumo, we are, dj sodeyamas tracks feature a wide range of musical dimensions and have gained much credibility and interest from djs worldwide. the original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by richard spitzer and a deep but solid synth groove. 8bit and cecille label boss nick curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.

specialist interest is back!! with a huge release from mr. pete herbert, a tremendous release to inject a new lease of life into the label. a1: well heeled - melodic bass line with snyth stabs and arpeggio, a very big room sound. the track builds with a great groove and very spacey sounds. killer track!! a2: earthy powers - popping synth line really makes this track! gentle bass adds to the groove and widens the sound with a funky guitar riff adding an organic feel. vocal is a brilliant addition.

keyboard masher came to our attention with their incredible debut km editions 1 ep early last year, selling out immediately through the handful of uk outlets lucky enough to get a few. as a fairly under the radar operation from london town, enthusiasts and champions of the good stuff, km have kindly allowed us to help them move the sensibly titled and equally brilliant km editions 2 ! picking up plaudits from titans of balearia like phil mison, moonboots etc, km editions 2 is a heady mix of early 80s, synth drenched boogie (amor & satisfaction), arabic influenced folk-funk (discotheque arabe) and a beautiful alan parsons style mid-tempo jam in the shape of >tartari< really very special indeed...

spun presents the neurofunk legends synthetix & corrupt souls! these artists were a big hype from 2003 - 2006 with their very own unique sound and caused mayhem in the scene on labels like renegade hardware, obsessions, freak, black sun empire, disturbed and many more. spun came up with these 2 forgotten gems that still sound fresh. neuro heads will love the freaky sound of the a-side with the unmistakable heavy stepping beat and neurotic synths. the vibe reminds us of the good old days while the flip will fit in every djs set with its heavy percussion, siren like sounds and heavy synth stabs! still fresh! only limited available, so grab it while you can.

australian newcomer delivers a bumper ep for londons 3rd strike. the lead track is a driving deep looped disco house in the vein of soundstream or the mole. gaining support from mark e and the revenge to name a few. lovin you keeps the pace high, again utilizing subtle disco samples with a rigid house backbone and hand in the air keys. hunee is on remix duties and keeps the quality as high as his acclaimed releases. merging a moody bass synth with jittering drums and stuttering keys.

a1: your last chance - very housey vibe on this one, with a heavy kick drum/snare combo. expanding synth line and very subtle percussive elements help the track build. it really kicks in when the vocals hit along with a funky ass bass groove. beautiful! a2: sailin 79 - slow paced track, centred on the vocal. great backing with bass, rising & shooting synth sounds. not so much for the dance floor, a great track for bar surroundings or a low key dj set! b1: youre welcome - smooth groove on this one, vocals are really well executed and give the track a great edge. killer track! b2: love is gone - super chilled track with a cosmic disco feel. waving synths, and echoed vocals create a very big sound. this track is encapsulating, pulling you into the groove for the entirety and sticking in your mind once its ended! brilliant stuff!

after an incredible whirlwind of a year lee foss returns to the culprit fore with >your turn girl<. foss is the labels most consistent and prolific artist with this ep being his fourth release, solo or as part of hot natured. it is safe to say, lee has become one of the pillars around which culprit is being built. the >your turn girl ep< carries foss signature hallmarks: melodic funk-infused basslines, vocal hooks that grab you from the off and a smooth electronic edge. lees incredibly emotive sound makes him stand out even in the current glut of soulful dance music washing over the global scene. your turn girl – the title track is an epitome of foss >ominous funk< style, playful yet with a distinctly sultry edge. yet another memorable r n b female vocal bit sits on top of some of lees own best synth work. and driven by a killer analogue bassline. >pyramid scheme< –bristles with the disco-inspired propulsive energy. an acid-flecked low end, that comes to the fore mid-way through, a swirling guitar sample, the crisply sharp drums add up to the releases, perhaps, most hands-in-the air moment. >cabin party< continues the themes lee explored with his mega successful hot creations ep. foss eschews the standard house beat yet again, opting for his most organic drums yet, stunningly conceived textures and melodies, with another pair of vocal hooks to die for. finally >warriors< has been a staple of many a culprit dj set for the best part of 2010. lees trademark combination of a terrific electronic bassline, and an unabashedly emotional sample work make for a deep house stand-out tinged with a sense of nostalgia.

ldr returns with the labels first various artists release, four house expressions - from four cutting edge producers. dublin based italian producer, lerosa opens the ep with longing…a warm, proficiently produced electronic house cut as always from the adopted dubliner. smooth percussion and synth sounds layered and arranged to perfection while still keeping that free-flowing lerosa style. rotterdams mark du mosch delivers an uplifting house / techno influenced workout blessings. re­fined percussion and wonderful space-synth soundscapes alongside a driving bassline that will get the dancefloor moving for sure! glaswegian meschi debuts with concrete island , the london based producer delivers a blissful deep house track. a laidback rhythmical production that just gets better and better throughout, with clever arrangements of elements including a classic voice sample and a soothing and delicate piano line. wicklows automatic tasty concludes the ep with another killer analogue jam, 707 percussion, a rail­way raver-esque bassline, and ats trademark pads and synth melodies combine to make >welcome ohm luv< another classic from the machines of mr.tasty

aardvarck comes with >gloom<, an offshoot of his highly successful >bloom< imprint. >gloom< is the second split effort between aardvarck and dutch beatmaster kubus (opgezwolle, top notch). it features aardvarck on an oldschool techno vibe with deep and greasy beats plus his signature style breaks. on the flipside kubus delivers three insanely loud and bass heavy bangers. limited white label!

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

january 2011 marks the 5th anniversary of the label and to celebrate there will be two very special releases, the first of which brings together new killer remixes of tsuba classics. the one and only sebo k remixes nina kraviz & okain creating a true peak time house bomb. arto mwambe deliver an atmospheric acid mix of label boss kevin griffiths and art department live up to the hype with a synth driven mix of dyed soundorom. all in all a fitting package to celebrate part one of a very special birthday!,

after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

nice price deal !!! dj panik and yox do the honours again on frances number one drum and bass label. with catchy synth leads and scatty beats these tracks have been damaging dancefloors around europe for the last few months.

following on from their last two sell out eps, foto recordings (run by ali ooft!) enlist the talents of deep space orchestra for release number three in the catologue. first up >riding in my imaginary jeep< showcases their trademark old synths/modern production aesthetic to full effect, taking in classic drum machines and warm synth lines to produce an epic piece of deep house. second track >sir shina< sees them doing some deft sample-manipution with a big chugging midtempo jam the result. ooft! meanwhile give >riding< the once-over, beefing up the low end whilst retaining most of the musical parts.

radius continues its superradio series with one of the deeper but bigger tracks from the superradio catalogue. every self respecting disco dj has hammered this gem for years. catch by sun la shan. the best way to describe this track is to picture yourself visage and moroder working out together in a gym staring at a blondie poster. catch is most definitely a seminal piece of work combining disco and new wave in a sexy and sleazy molotov cocktail. the ep comes with a stripped down dub version and a disco devil remix. also hailing from gent, belgium, where radius is based, disco devil stayed quite close to the original vibe with minimal synth efficiency and equally sleazy vocals. catch is sexy!

dj support from james holden, ewan pearson, dj three, trans forest alignment is taken from luke abbotts critically acclaimed >holkham drones< debut album, which appeared in end of year best of lists in magazines such as mojo, amongst others. a remix from dfas synth overlord gavin russom takes the mystical, ceremonial undertones of the original to the next level, layering eerie synths over a proto-kick drumcircle to epic effect.

we present superb deep house treat from alex danilov - framing the ear worming lead refrain around a robust ny house bass line and crisp, punchy percussion with his seal of vintage touches. it kicks off with the track >pool< in which alex builds a chunky chicago/ny styled house cut with silky smooth synth pad and hypnotic vocal loops that carry on to theme of the b side chicago tribute >get old house<. this ep rounds up with the deep and playful >sequence smoke< poem track that will keep you going through the late night. we bring the funk !

a northern norwegian village disco compilation: ultra obscure live-only tracks featuring bjorn torske with rural-pshycedelic synth-acapella, dj candle in the wind with finnish afro-disco and live improvised sami-disco by geir tore holm & vilunki 7000. this limited 300 copies 10 inch also includes a dj sotofett bonus.

three other edits by the italo deviances founder marcello giordani. stop is an italian release from 1983 with 303, live & electronic drums, and percussions…a very chicago feeling till the lead vocal starts so become very early 80s italo disco! automatic is from an italian singer / soubrette called patrizia pellegrino… warm bass and synth pianos with a space/ flangered lead vocals. p&p is a must for all disco lovers, taken from the break of nightlife unlimited peaches & prunes its a tribute to ron hardy (who has been the first to edit the song)

the seventh release on dva records comes from a young, unknown resident of manchester named gugu. staying true to the dva style, his two tracks are fine examples of todays hybrid funky house scene, maintaing the 4 to the floor drum patterns whilst drawing on a wide range influencesà and as it suggests in the epÆs title, is packed full of cuban flava. straight up music designed to make people dance. it wouldnÆt be right to get a dva release without a feature from the man himself, rinse fmÆs grimey breakfast show host mr scratcha dva. as a slight deviation from the norm û and in a way a return to the styles his earlier production û dva lays down a heavyweight slice of synth laden half step, defiantely one to pull your dirty face too. check it out and get back to us with your thoughts.

new collaboration with bobby&kleins giom and la derek dunbar. title track is peak time disco funk all out jam that has a perfect vocal hook and serious funk. gioms remix takes a deep turn adding synth stabs and pads. dereks remix is driving force with beat cuts. last cut is downtempo gem.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

superior elevation is proud to present to you the raw unadulterated motor city funk of exit, a one man band consisting of the psychedelic artist george gullet.originally from detroit, george relocated to california in 1980 and soon afterwards began to reminisce about the d.he decided to take home-studio action and recorded detroit leaning, a synth strings drive through a dark neighborhood of motor city.

nice price deal !!! second in the all-analogue cave paintings series where raw machine funk workouts are very much the order of the day. >2x< takes up where 1y left off and adds a sinister backwards-sweeping synth line to turn heads to jelly while the limbs carry on jacking to the syncopated percussion and insistent one-note bassline. >2y< is all but completely enveloped by a warm, deep, resonating bassline which is so wall-to-wall that it leaves plenty of room for the intricate, interlocking percussion to create a body-hypnotic groove. cave paintings - letting the machines decide.

m a n i k returns to ovum after his incredibly successful park to the slope ep. he comes to us this whit his follow up keep that fresh ep. the title of the ep says it all as m a n i k is constantly evolving his sound and keeping the music fresh. the title track >keep that fresh< has a funky 303 bass line with intricate grooves and a hook made up of some chords. this is something that will clearly get the floor rolling. next up is ditmars blvd with its heavy drums and catchy synth line, is a stone cold groove track. on the b side we start with >hold on<. this track is inspired by the sounds of early west coast g funk hip hop with its lead synth and funked up analog bass line. the final cut on this diverse ep is >shes slow motion<, with its r&b vocal floating over the incredible deep instrumental. this is something you could hear in the early mornings at a brooklyn warehouse party. all in all a great diverse follow up from m a n i k that should be in the sets of a wide range of djs

oh cristo! label comes back with memoryman/ltj, heavy one.
memoryman - aint no big edit: great percussive elements bring this track to life! short stabs of echoey synth carefully placed throughout add to the atmosphere, the track builds and builds. there is a strong house/techno feel but the slow tempo ensures it grooves, a big track! and lovely vocals with the deep bass work really well!
side b: ltj - all night: hypnotic loop carries the track, slow bass grooves and the vocal is perfect! a dancefloor gem! would be a great secret for any djs bag!

well rounded are extremely excited to announce the imminent unleashing of the 2nd instalment in our r&b refix special series. ladies and gents - cash antics vol 2. this time round we bring you 4 separate artists take on remaking r&b in their own inimitable ways. first up deadboys >fireworks< edit has elicited a massive response already on forums and blogs, its simple house framework lending extra soul, gravity and impact to the beautiful vocals and piano. incredibly effective and affecting stuff. on track 2 gongon & bad autopsy (ptn / ramp) showcase their stripped back luminous garage informed sound on >mag (remix)<. the contrast between the bare bones beat, warm sub tones, hovering chords and earnest vocal make this a highly addictive tune. watch for future releases from these guys. flip the plate for skinnz and his steamy half-step selection >turn u on<. already a regular feature in deadboy dj sets, this wastes no time in seducing the listener with a breathless panting vocal riding a bumping beat, bouncing bass and sweaty synth work. this tune is hot and heavy! finally gatto viola & doc daneekas >backstabbin angie< wraps things up with nakedly emotional vocals riding a uk funky updated take on a classic 70s philly soul groove. a natural closer for a fantastically varied ep united with a common purpose - to drop honey-dipped r&b voices and vibes into the epicentre of new uk bass music fusions.

deep house label ornate rounds off a fine year with a 12 inch from esteemed irish production duo fish go deep aka greg dowling and shane johnson. >deep, like< kicks off the a side, with the result bring to mind what would happen if jean michel jarre rolled a spliff and started making deep house, while the synth work on >model one< will please anyone who indulged in the recent recloose retrospective on rush hour. >dub model<, meanwhile, is drenched in positively luscious detroit chords and shares the b side with dylan debutts emotive >red light< remix of the eps eponymous track.

the hideout deconstruction revisited series is going into phase two, here we go: after the french connection (d julz and paul ritch ) , this new release sees a more international bundle of top class producers : to start , we have dusseldorfs master producer martin buttrich (desolat , planet e , ...) put his magic hands on davide squillace & luca bacchetti s around the bay ( ho001). the track starts with an >acoustic style< beat and, a strong sine sub bass line, evolving to a jacking groove with rising vocal sample , intelligent synth lines , and arabic flute break. on b2 , carola pisaturo ( titbit , claque) delivers a more minimal rework , using bouncy sub bass , vocal snipets , 909 snare and clap ... giving davide squillace and luca bacchettis around the bay a rebirth. on the flip side, mathias kadens ( vakant , cocoon ) relecture starts with a strong shuffled tribal beat , 909 toms , synth lines ... mathias interprets the original elements of around the bay in a very personal way , dropping snipets into reverbs and delays in order to create a deep rising atmosphere untill the track peaks.

after a string of releases on local action, buraka som sistemas enchufada and his own deep teknologi label, t. williams drops his debut ptn release, the euphoric synth and syncopated drum laden peoples choice.

we again two flying something objects are located in the orbit, waiting for permission to land on your turntables and in the lay-by of your recordbag. this time with 13 pieces of stl deep shakin house madness, mindscratching lo-fi grooves, cranky energized synth activities, dope loops and sound effects. all pressed on a delicious double vinyl album with a limited printing of 500 covers! the music is all hardware based and sequenced. recorded in live sessions without any computer arrangements. surely the style is not for everyone and compared to others, probably seems a bit unconform, cat-headed or sometimes just different. but it s always true spiritual. an open minded artform with the sense for functionality. every track is talking to you in musical form without any barriers straight down to your feet and feeling. as in all something releases there is much sound personality and imagination inside, giving the listener a ticket to the fascinating world of beat orientated something music. get on board and enjoy the trip.

ranieri is back with his vernacular imprint. three high energetic minimal techno releases for the dancing crowd. listen to the a1 track with the great synth stabs and moving bassline. nodd your head to the affectious beats on b1 and the ravey synth feel. this is vernacular, welcome back.

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

a1 – >10% is gone<: full bodied track, heavy melodic bass line really drives the whole thing! intro has a slight purple haze feel to it, the squealing atmospherics and percussion create a chilled ambience while at the same time the bass/kick combination keeps your head nodding! b1 – >free luv<: a very 80s sounding track, kraftwerk-esque rolling bass line. synth and strings add to this very pumping kick heavy piece! b2 – >in upper case< : highly percussive song, super deep bass and echoed and poppin synth sounds. this track really bounces: the brass section is a welcome addition along with a number of cool vocal samples. a real strong track

originally released on chain reaction in 1996, pelons >no stunts< harks back to a time when the nowadays so gladly used and over-used term >dub techno< was still waiting to be found. but thats secondary. the main thing is: >no stunts< is here again. with addictive, heavily-transformed and echoed synth sounds connected to a strong and pulsating bass line, it is exactly that type of no-frills techno you just cannot stop listening to. now restored and remastered, the a-side contains an edit taken from the 1998 chain reaction cd >various: compiled…< - previously unavailable on vinyl. as if this wouldnt be enough advocacy for vinyl as the agent of choice, the flipside holds 30 locked grooves extracted from the original recording session of no stunts that you wont necessarily find in the track itself and most definitely not as downloads. especially enjoyable with two copies. the effects can last forever

this is one of the biggest releases on the label so far: juan pablo pfirter and alex bau team up for a smashing peaktime experience that leaves no space to take a breath. the modulating main synth-theme determines the character of both mixes and while juan stays very dry and powerful, direct sound, alex roughens it down to a dark technomonster as if there is no tomorrow. after release of pfirter on such highclass labels as clr, figure, stroboscopic artefacts and his very own mindtripmusic this is a stunniung debut on dmom.
played by: richie hawtin, alex bau, wjh, pfirter, dalidad djs, laurent n, etc

erdbeerschnitzel makes his debut on 4lux records! mr schnitzel is rapidly making name with his intense and funking house tracks that always seem to be looking for new directions. here he comes with deep slower paced electronical tracks combined with dusty house grooves. >suave< flows straight into the air. combining a fat and dirty infectious beat with crazy synth lines that reach and reach and develop in their own unusual way. the same goes for >360< and >ultimate margot< but in a more beat driven way. the sounds build and rarely get extinguished just to build nearly from scratch again. one for the real connaiseurs!

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

for detroit techno lovers ... fantasic record incl strong christian smith rmx...616 seconds highlights marcs dancefloor knowledge, and once again sees him harnessing the strength and power of contrasting sounds. the cascading and sweeping synths, sit pretty alongside the underlying, gated growl of the main bass-heavy synth, pierced only by its open hats and snare hits.

ltj – go man go - classic ltj! killer track, based around a synth loop, vocal and a real strong groove. a firm disco tune that will be loved on the dance floor!
alien trick – black mystic prayer (jfk rework) - jfk is bang on form with this rework! a deep and hypnotic track that has a real dark feel and a beat that rocks. the bass line carries the song throughout, another hit for the club!