not another promo text!?!? we find that all of the music produced by harry axt speaks volumes, therefore we simply (and happily!) offer you these two new tracks. it s worth mentioning that this is the last ep from harry axt before his album release in october on rompecabeza music. the whole summer he will indulge in a production break, so that he may doze in the sun, test every type of beer possible, demolish enormous amounts of grilled meat and danish ice cream, and then completely concentrate this replenished creativity on his debut album. then, while the sun fades away for another season, he will let the sunshine back into our ears…

he soul mechanik brothers operating under their creative use name have taken a pair of stone cold underground club classics and extended and amended them for modern use. cat stevens >was dog a doughnut< has appeared several times over the years in many shapes and sizes, this definitive extended version has to be up there with the best of them though, allowing the dislocated funk of the original to simmer away before reaching boiling point. similarly riuchi sakamoto’s timeless classic >riot in lagos< should be mandatory listening for anyone with an interest in electronic music, an absolute masterpiece in it’s original form, this version takes the meat of the track straight to the dancefloor where it’s turned into a juicy electrofunk sandwich of tastily huge proportions

after the roller coaster success of the total departure from smith and selway comes yet another bomb from adam beyers now more than legendary imprint. after the success of kyle geigers release as dc37 comes the follow up release. as before we have a twisted dancefloor monster this time with the addition of remixes of heavyweights jpls and martinez

heres a 3rd slice of the big pie featuring deeons bite off mike dunn, >let it be<, which is a deeon style rejig of mikes >let it be houze.< then he gets even finer with >fine hoes.< slugo pitches in with his all time classic >where the rats<(dm168) and tosses in >like it raw (subyh)< which is from the >like it raw ep< (dm143), on which its titled >strap up before you hit it.< its a dirty job, but someones gotta do it let it be >huge classic< ! tip

rob mooney is definately a name you should watch out for! with his first releases on substance, renaissance and punch funk rob delivered a couple of highly respected tech house killers. now the protagonist from portsmouth surprises us with new fresh stuff on alphabet city and delivers us three pumpin and solid tracks. >mask<, the a side track begins where his hit record on substance has stopped. driving and forward going beats with heavy and distinctive, backwards slippin basslines you might not have heart before. ace! but check >tundra< and >together< too

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

this soulful banger was originally signed to dj spens code red imprint, but before even seeing the light of day it was snapped up by the original us house label – strictly rhythm. wondrous showcases the killer vocals of the original underground diva susu bobien. the package delivers mixes from atfc & spen under his muthafunkaz guise as well as his original. this is a slice of the most upfront soulful house that any dj who likes his soulful house should not miss out on. smashed all over by heavyweights such as kenny dope, louie vega and todd terry.

supported by alex attias (planet e), italoboyz, karotte, sebo k, raresh, d julz, funk d void. michael melchner is barely at the beginning of his twenties. at the moment deep house of the late nineties has to take a shine to him. in the detail it gets clear, that this is not only a copy of an epoch, but a certain vibe, which is going to be transferred into the present. this vibe with his warm sound, the well dosed house beats and a strong musical sense is hearable, but this sounds by no means antiquated. on a-side several instruments like percussions, xylophone and samples of an mexican trumpet make sure that there isn’t only an exiting variety shortly before or after the primetime, but also a proper portion of itchy feet. with the both tracks on the flip-side the whole spectrum of michael melchner becomes clear, at the one hand a clear view on the dance floor with classical house beats and on the other hand a musical character, which one misses in many current productions. >chen chen< is slightly more co plicated and more rhythmic whilst >nothing happened< is a pleasing leaned back dramaturgical subtle house piece with a distinctive bass line and interspersed voice samples.

rick wade - one of detroits inner house music circle together with moodyman and theo parrish - revives his legendary harmony park imprint and rest assured: it has lost none of its magic. after embracing the listener with a nice, thumping rhodes jazz cut for a start, he gets right down with sleazy, uncut disco funk before flipping back to melancholic, bluesy piano chords and string layers on the flip. 4 equally great tracks make this an essential purchase for all lovers of kdj and sound signature!

new full length from seminal industrial band meat beat manifesto (aka mbm). led by sound sculptor and producer extraordinaire jack dangers, mbm is continually evolving. its tenth album pushes musical boundaries further than it has before, creating a masterpiece of electronica and dubstep. meat beat manifestos constantly evolving musical invention has generated a long string of influential futuristic classics, including such tracks as god o.d., psyche out, helter skelter, radio babylon, edge of no control and its the music. the single, prime audio soup (from the album actual sounds and voices) was featured in the sci fi fantasy blockbuster the matrix and on its platinum selling soundtrack.

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

3 classic and rare chicago cuts plus another recent, searched after house anthem

pogo features digitalisms trademark synth saturated production & live drums, but they ve introduced some new order esque guitars & jens moelle from the band singing vocals. these remixes of pogo comes courtesy of css. digitalism make electronic music that everyone can rock to - they are part of a new breed of producers leading the renaissance in electronic music reinvigorating and uniting the indie and dance scenes. after their sell out dates last year, hamburgs hard working digital duo continue to troop the globe with even bigger tours at even bigger venues before hitting the festival circuit.

zombie-zombie is a crazy scientist and musical project based in paris, lead by two people, professor etienne jaumet and cosmicnemanusing sound and rhythm to explore the feeling of fear growing deep inside of you

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

on the flip, data takes us back ten years ago, with the techie curfew. a sly sample invoking the terror of a war torn citys attempt to enact a curfew sits perfectly before this one truly takes off. this is another cut that doesnt try to be too much, just establishes a serious vibe and works very well in the mix. sound artillery what a perfect name for this label. weapons for mass consumption, tools for the audio soundclash, tracks that hurt you. and make you come back for more!

amp fiddlers vocals set the stage for 3 different styles of remixes. their individual energies create a diverse set of remixes that can be used to compliment one another on the dance floor. you ll need two or more of these 12inches in order to tease and play with the crowd...! brian & ketch aka strand are old skool producers with 15 years of serious underground producing, and for this track they have laid a simple yet effective chord drivin mix bringin the east side of detroit to berlin. eddie fowlkes and niko marks, have collaborated on numerous tracks before, as we all know, but they came together this time to put a nice deep dubby cross vocal bottom pit feeder ass kickin mix for their third detroit wax release. alton miller, name needs no introduction, brings his cool, smooth, cigar smokin percussion mix. you get 6 minutes of mr. millers let your nuts hang vibe.

the new great soulful jori hulkkonen album.. featuring ebb, jimi tenor, justine electra, nick triani, john foxx, jerry valuri and ernesto

monotonix are a punk trio from tel aviv. they formed in november 2005, set up on the floor of the club with the audience, and the party began. but the party usually got too wild, the power got cut, the cops were called and monotonix were banned from playing again almost everywhere. before long, they were looking for good places to play outside of israel - and they were delighted to find that there are more rock and roll party places outside of israel than inside! today, monotonix are the hardest working rock band in the world. sure, lots of other bands work up a sweat, but monontonix are definitely the only band who puts in the kind of miles they do, and they rock rings around pretty much the rest of us too. these guys do two different shows in two different towns on the same day whenever they can manage it. but thats only the tip of the hard working iceberg. body language sounds almost like a monotonix show. the only thing you cant hear is the sound of your heart beating in your ears after having been chased around the room by a vocalist with his pants literally on fire, then getting dousedwith beer and dancing your ass off to the guitar riffage, then ending it all by carrying the drummer around on your shoulders while a few other guys hold his kit up so he can keep drumming. you dont end up quite as out of breath when listening body language, but you do get a ton of excitement anyway, courtesy of a killer guitar sound, precision power drumming and lusty lead vocals. they recorded body language with tim green (of the fucking champs) at louder studios in san francisco. it twists and grooves with all the fun and fervor of great rock and roll.

loved by alex from tokyo, alex attias, ame, dixon, marcus worgull, peter kruder, roland appel, tony lionni and many more.. fabrice lig, the prince of everything electronic, is back after his very acclaimed x-slaves. he delivers the goods once again, starting off here with chapter one in a purple raw trilogy. first up is the track, based around a jerky syncopated rhythm and a very dry kick, which remains light all the way. as usual, lig’s arrangements evolve progressively before they wipe us away with their screeching pads and synthetic melodies. a great mixture of minimal techno and detroit nostalgia. no doubt, the more efficient track produced by fabrice lig and hammered by dixon, ame, alex attias, quarion… much more aggressive, bump bump is built around fat analogue sounds, or acid noises if you prefer which seem to emulate screaming animals. one is easily carried away by an animalistic groove that keeps on building from the beginning till the end. it all ends with the very funky the riff pourpre, a perfect crossover between metro area and parliament. the retro sounds sit nicely on a big fat beat, the kind which lig excels in.

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

erwartungsgemäß tolles album !!

streetwise was one of the seminal dance labels of the eighties, responsible, with its subsidiary imprint partytime, for several important and influential examples of the dance genre. several of its releases were indicative of the directions that both dance and r&b would take over the next few years. the signing of vocal group new edition and their resulting hit candy girl is generally acknowledged as the beginning of the boy band phenomenon, and the labels last hit, music is the answer, was also a key element in the rise of house music. the label lasted for only a few years before falling victim to its own success and the related success of its owners, especially revered producer and remixer, arthur baker. here is a selection of streetwises greatest 12inch mixes, gathered from the archives during streetwise reign over the dance market presented on this vinyl.

incl remix by h.o.s.h.!! played by james holden, ripperton, phonique, someone else, stephan bodzin, mark august, sian. lucy builds up a menacing wall of sound in just under 8 minutes, inspiring the listeners imagination, like >summery drumming< before. oscillating melodies and strings condense to a dark blade runner type scenario, driven by a crystal clear snare drum

this teasing 4 track ep combines the previously unreleased tracks of foster, kawabata, the lost men and soultourist on vinyl. deep house heaven!

nice price deal !!! noir presents black magik with fuck me on just for fun recordings could quite easily be billed as porno house, as its clear that the new wave of danish dance is not only aiming at the alternate dance market, but could well be playing a starring role before the sun rises on another summer season.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

paperclip, flexo & selector kick off here with some dark neuro vibes all the way from russia! a progressive intro builds and heavy crushing drums come in before it breaks down into an eerie build-up. the bass comes in giving a hint of what?s on the way before the drop arrives and explodes in a wave of neuro sickness

ray kajioka returns with his 4th work on kanzleramt >simplify<! modify to simplify is rays credo and so it is self explanatory that this release bears the tile >simplify<. the daily grinds with undulating ups and downs give ray the pulse for making things straight without being ornate. downloads of this release wont be available before april 2008 !

dj support - adam beyer, loco dice. marko nastic, marco bailey plus all the usual suspects not long after his discovery of techno, it was the harder, more precussive tastes of the swedish sound that initially inspired indiana based kyle geiger as a dj for years before the genres overall sound took a slower and softer turn. still loving the energy and power of the earlier phases of techno, while being greatly influenced by long time friends and minimal techno veterans such as jpls and skoozbot

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

ground cru, kicks off with some tough beats and old skool jungle ragga samples before it all goes very wobbly in a kinda early 90s jungle stylee! on the b side we have a funky breaks rendition of the soul ii soul classic. this is rough, , ltd repress

storm system swirls into the mix with a torrent of sweeping pads and brooding synth lines. sultry vocals play off against the pads and set the tempo before the storm comes crashing in with waves of layered percussion and breaks that charge in while the techy bass stabs keep things rolling bouncing off the beat patterns perfectly.

dj mary is knwon from releases on pornographic, north west dynamics, btrax and soul access. starsystem is an upcoming artist who teamed up with mary before. together these men create a fantastic ep filled with funk laced rhythm patterns which are fresh like morning dew. for fans of sway, adult, norotious north, hztrax and spilo

blood red shoes are from brighton. they are two people: laura mary and steven. they play guitars and drums and they sing. the pair have found time to record an album that embraces their plaudits and emerges resplendent in all its glory. the first instalment arrives in the form of you bring me down, a jerky, vibrant track where laura marys short, sharp guitar bursts and stevens energetic pounding unite perfectly. its about being fed up with your life and the need to get out of a depressing situation and do it before its too late. limited 7 one comes backed by exclusive b side cant find the door.

rounding off the emperor machines vertical tones and horizontal noise era before ushering in new material - this new 12inch returns to the sordid pop genius that is no sale no i.d. and here singled out for a remix by none other than simian mobile disco.

dj onionz needing no introduction to house heads, this prolific dj and producer began his career in the early 80s, playing parties in his native queens, nyc before taking his music across the globe. >play dat song< is an electronic jackin house monster with a bass hook that grooves throughout the track. it s latin tribal drums and electronic stabs cause mayhem on the floor and a cool vocal sample raises its head. >pokin u< has the same quality production and bass driven groove with great breakdowns and more of a techy vibe that would rock sets from carter to pete tong, whilst keeping the trademark onionz latin influences... limited backstock

12inch before a full album from phlash. 2 great new house tracks from phil asher. already getting heavy rotation in the uk from benji b and gilles peterson...watch it!

massive nu-electro-breaks/house hybrid

limited to 800 coloured vinyl - purple transparent !! the follow-up of >male isms< which was released in 2004 comes along with two variations of the track >gothan<, a timeless deephouse track and it s beatless dub version. the main title >male kicks< is an upbuilding funky techno track that starts with african tribal sounds and smooth percussion before it twists into a stormer

flemming >king of the cut< dalum and moustache records are very proud to present the true 1984-1985 italo feel: 2 eps containing some of the most rare and obscure italo releases ever produced. most of the tracks never came out on 12 inch before! on vol. 1: paul rays superhit >my machine<, a 130 bpm straight forward high energy track, the vocal and instrumental edit. for the real italo lovers... only 500 copies available

big with steve bug, jimpster, ewan pearson, james holden, kiki, sebo k, crock, marc romboy, agoria, mike monday, 3channels, fabrice lig, 2000andone, james flavour, pascal feos, philip sherburne,… big! plasmik – our connaisseurs for deep and oldschoolish techno tracks, were quite successful in 2007. their interswap release from april 2007 found its way in several top dj charts and on great compilations and mix-cds. due to this and also our celebration of our 20th catalogue number, we proudly present an extraordinary remixpackage, split into two parts. part 1 features supertubos in a remix by another king of oldschoolish techno – matt o brien. on side b, afrilounge gives mindpattern a special string treatment. part 2 has to be in no way inferior in the choice of the remixers. on the a-side, claude vonstroke goes with pitch it as deep as he has never gone before and on the b, perspectiv newcomer minz gives the dancefloor a lesson in hypnotizing state of minds

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

after the highly limited test pressing of make the world go away (clone x) we can finally offer the official release. mechanical dark disco with a lot of energy. great tune which rocked sets of many good dj s.

kbushs classic track gets a balearic/italo styled re-edit, an extended wind swept and interesting intro slips into the unmistakeable marching drums with snippets of distorted guitar, before ms bush lets rip in that falsetto style that is her hallmark