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Opener >Playing For Keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. Chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >Playing for Daddy’s Girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. On the B side, The Mole transforms >Playing For Keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest