a transverse flutist is an arguably rare sight in electronic dance music, but thats not the only thing setting apart trained instrumentalist and upcoming producer l_cio. having become known to a wider audience thanks to his collaborations with floor-savvy artists like portable or patrice bäumel, the sao paulo native doesnt aspire to be a dj, but instead delves deeper into live performance in a club context - which led him to become that rarest of all things, a live electronic musician holding residencies in regular clubs without ever so much as touching a record. for the latest release from d.o.c., l_cio sat down with aroop roy and the labels mastermind gui boratto to produce an exquisite ep full of enticing grooves, lush harmonies and organic flow, engineered to perfection by gui himself. its an exciting step for both the imprint and the artist - pointing in different directions, but all of them right.

lehar - flora & zephyr ep (feat. musumeci) approach with a strong recognition value, which may be the secret to his success. each element of -horizon remains in your mind after having listened to it. a guarantor for this summer, for sure. the closing title of this ep is -flora-, a timeless and alluring cut with a dub-techno approach. its subtle power comes from its deepness. it is simple but full of universal brilliancy. lehar - -flora & zephyr ep- (feat. musumeci).

after an 8 month long break, sylphe is back, this time changing things for the first time with a solo ep by the b side dweller, micawber. he is delivering two solid, thumping techno cuts in the well-known mystifying sylphe mood. on the a side we have * fasma*, a rolling, melancholic techno jam. sparkling rhythms meet lamenting melodies in a 10 minute trip of bubbly sub-basslines and transcendent grooves. on the usual b side micawber is delivering yenbashu. a psyched-out trip into electronics, it moves swiftly into an experimental territory of madness, full of edgy and shuffled up beats. both cuts remain true to the sound sylphe has forged, albeit taking a sharper turn and evolving naturally. we will be pressing 599 copies.

swedish producers mr. tophat & art alfie partner up to drop an intergalactic 2step rendition of luca cazals maya for a fidgety number that incorporates spacey synths and otherworldly chords. meanwhile on the flip spanish duo acid mondays deliver an infectious groove courtesy of convoluted percussion, mesmerizing synth licks and a purring bassline. tying things together brigante provides a rendition focused on undulating rhythms whilst vocal murmurs resound throughout the mix.

2015 repress - from the first glimpses of henry laufers work as shlohmo, it was clear that the la native and visual artist turned self-taught musician was onto something. with an effortless grasp on sound design, laufer combines deceptively simple and emotive melodies, subtle bass drops and swinging slow motion drums. his early work has placed him at the forefront of a new wave of rising talent amongst west coast producers… inspired by the desire to write songs and create a release of full-range instrumentation and vocals all his own, laufer promptly began home-recording >bad vibes<, his proper full-length debut album for the friends of friends label. some might say the songs on >bad vibes< represent the spawn of a new rhythm and blues - one that swings and sways under the backbone of henrys own take on modern electronic music. augmented with delicate slide guitar playing, homemade synth sounds and lilting, tuneful melodies, shlohmos latest output is one that will take you places - specifically the un-paralleled vibes swirling through this young mans head.

releasing not very often, understand has always kept things in the dark about what is going to happen next. the wait is over and the fifth instalment of the series is named ebandogue and features 3 tracks from dubtil, one of today s best producers in the bucharest underground. ruling side a is opus ebant, an epic masterpiece, driven by a groovy bassline and subtle male choirs. this heavenly atmosphere goes from trippy to driving back and forth making it perfect for a peaktime moment that won’t be forgotten. may also be used in some worship places. debandada and epilogue share side b and besides the producer himself that is almost everything they share. debandada is kind of dark and experimental but full of energy in the same time with weird whispers and evolving hats keeping everything on the move. epilogue has a more positive approach, the general uplifing feeling is spiked ocasionally with a techno resonator and some background synths, and just like that, the random delayed male vocals make it so more interesting.

fred p s music stays visionary by using simple codes to transform his inner voice into rhythms & melodies.

andy scott likes to keep things physical with hardware setup that includes a trusty mpc, juno 106 and a couple of roland drum machines. starting things off with curtis scott achieves a warm,sample heavy cut that chops up dusty kicks acoustic guitars and cerial soul legends signature vocals.he is reminiscing about the golden yeas of hip-hop here and nalls it with this nostalgic groove

*** repress 2015 ***!! its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

backwards ep is the first collaboration between moodmusic head sasse and maurice aymard. backwards is a fresh take on house music with touches of disco, electronica and techno mixed in to the equation forming a beautiful mixture of forward thinking club music with a hands in the air factor. athabasca forms a perfect companion to backwards, taking a more disco approach to things and letting the steam build up before dropping into deep house territory. remixed comes courtesy of massimiliano pagliara and luvless.

untilmyheartstops are proud to present the second in a series of releases from fellow freerotation resident and remarkable talent, duckett.

long-time techno protagonist and figure mainstay johannes heil returns with a new 4-track package under his cryptik pseudonym. continuing the focus on a more leftfield, experimental sound, cryptik emerses the listener into a soundtrack world of rich sound, depth of field and versatile, changeable moods. by no means a simple club record, all four tracks offer subtle and rich musical content, each telling a story with beautiful melancholic melodies and rushes of endorphins. from elongated 10 minute journeys into the more reflective zones of heils techno world, snaking and building, showing off all the skills he collected over his 20 years-plus career at the top of his artform, crypik is a dance on the senses. from the cinematic elegance of >the gate<, or the bleep-laden epic of >radiance<, to the post-house piano led drama of >messenger< or the heavyweight synth swarms of >belief<, the ep is full of passion and life, capturing truly magic moments.

porn sword tobacco and svn return to kontra-musik for another untouchable release far off the beaten techno track. trying anxiously to get with whatever is fashionable right now has never been kontra-musiks way of doing things, and the same goes for porn sword tobacco and svn. thats why were such a good match

sometimes the best things in life come slowly, building up over a prolonged amount of time to reach a perfected state of euphoria. thats the ethos at play as josh winks ever-lasting ovum imprint release the breathe ep from ben hoo. the london based producer and multi instrumentalist draws on his long list of influences and tastes, weaving in classical structure, down-tempo beats and more into his eclectically flavoured tracks.

the third release on interzona13 s sister label outerzona13... black s debut was one of our best-selling 12 s of last year, so this highly anticipated follow up couldn t come soon enough ! edits ? yes, but out of the ordinary, and out of this world - a ron hardy staple teleports into the 21st century, elsewhere devastatingly good afro-soul is sure to work those thighs, and wrapping things up we get an impossible to resist, sultry, cosmic jazz-funk workout like no other. another keeper on this fine label !

two pieces of snarling filter house from nyc heavyweights robbie busch aka dj mcboing boing - record dealer to the stars, digger extraordinaire, & dj of sweaty underground parties around the world, and josh dunn - one part of the sorely missed 100 limousines, and one third of the holy trinity that put on new york s legendary foreal people party. for two guys so deeply immersed in the rich history of urban dance music, from the blues & gospel through deep disco, soul, chicago and detroit sounds, you could be forgiven for expecting to hear a rich homage to the sounds of the past. instead we get the future ghost of ron hardy playing the record backwards on a janky turntable with a quarter for a counterweight and fucking shit up in every conceivable way. these two are chiefly concerned with moving things forward, having some fun, and taking no prisoners along the way. golf channel every time !

red laser returns with four tracks from ste spandex. if you ve heard any ste spandex productions you ll know what to expect ! this ep is a fascinating collision of diverse dance music aesthetics & bristles with energy and passion. as usual all the tracks are live takes with various hardware working overtime from ste s orchestration. side 1 features two tracks with long time collaborator sarah bates. soaking wet is a peak time workout with tightly sprung drums, whirling effects & sarah s vocals weaved enticingly throughout the track. next is breakin my heart, an addictive bubbler melding house and boogie feelings with the vocals more centre stage. side 2 kicks off with gotta move, an 80 sesque grinder. pumped bass rubs up against squelched keys and peaky synth riffs, while nice weather closes things down, a short and sweet movement of shuffling drums and swerving synth action.

there are two things, that really set terre des pommes apart from all other labels with all their cool dj friends : a: no cool dj friends, b: the ceo himself aka saap really listens to all demos he receives, honestly.. to him running a label is all about fresh blood and unexpected new talents! even when it comes to remixers.. no wonder the lucky chaps that go by the beautiful name of schlango mango hit the jackpot when hiding a minidisc in saaps daily italian food delivery.. still chewing on spuma di pizza-schnitzel the boss called them up and made the deal.. schlango mango met gerd janson and shan at a lan party in the shire. they shared similar interests.. the rest is histology ..

the latest various artists ep from fuse london s infuse imprint features labels stalwarts rich nxt & seb zito kicking things off with the deep and moody *serve* whilst pat ondebaaks *one* delves deeper still with its deliciously hypnotic vibe. on the flip, ant & ferro up the energy levels a notch with the quirky little roller *toasted* and rounding off the ep, inner provides *mascota arlechin*, a fresh tech tinged groove.

we first introduced these strapping young house aficionados from sligo, ireland, with their debut ep as a pair, street urchin, a little over a year ago. since then the guys have been busy with a massive release on dam swindle’s label heist, not to mention their unbridled musical passion lead them to launch their own label splendor & squalor beginning of this year, kicking things off with a sell out vinyl only pressing of another four track ep of their own imaginings featuring a hot remix from session victim. were pleased to share with you their latest creation, the stunning lamajs secret ep

revisiting the artists that started it all, the odd boys return to sol asylum for another full length ep on the label. bringing their known flavor of funk and all things odd, we are happy to present the seventh release on sol asylum filled with >cosmic energy<. vortex shows the boys fine tuned producing skills and showcases their well-developed expertise with analog production techniques to create futuristic sounds. the elegant track takes us to a far off place with traveling basslines and glimmering synths with just enough dirt recorded from their analog tape to get that distinctive odd sound. taking us back to ancient egypt with pyramid we are taken into a thought forming incubator of divine cosmic landscapes with swinging razor blade hats, pulsating synth lines, rolling techno grooves and their signature tweaked percussion. finishing off this planetary trip through the odd galaxy with sphere, we are orbited into an emotional realm with alluring pads that are accompanied by arpeggiated synth lines that levitate you to a state of bliss.

this release captures kicks, rhythms, and snares—only to drag them kicking and screaming into a metallic underworld. in j. tijn’s echo-sphere, there are only allusions to the status quo of sound and beats, and never a full-fledged embrace of the conventional. on side a’s “kanon v.i.p.” a grizzly digital war is left to play out between both kick and snare, with grainy battle lines drawn around upbeat and downbeat. survivors of the conflict are rewarded with a groove reminiscent of grime, if only the genre had been reborn in a dystopian future. side b opens with a roughneck beat on “mor” before turning its hand into a fist and effectively destroying its own image. the groove lives through this barrage of sound, but as a heavy and dark undercurrent just strong enough to remind you where j.tijn’s roots are. “shy” lures you in with a rounded electro kick, before glutting the rhythm and ushering in a wall of sound. a snowstorm of screaming drum samples proceed to surround you: you may have been here before, but you are somewhere rhythmically unseen. embedded in all of these tracks are perhaps a sign of the times: the things that used to be seen as normal have now changed and mutated.

michael l penman s lazy boy opens up proceedings on a dark and hypnotic tip with dreamy pad lines, modulating bass tones and weighty distorted rhythms. belgium s igor vicente reworks lazy boy next and provides a more reduced take on things with sparse percussive elements and menacing atmospheres. on the flip side scott kemp turns in sirma , a subtly unfolding groove-led number built around stripped rhythms and soft synth flourishes, while sascha dive rounds off the package by reshaping sirma into a brooding, seven-minute mesmeric workout.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

seit mitte der 1990er-jahre jahren bereichern last days of april die welt mit ihrem zauberhaften, leicht amerikanisierten indie-pop. doch klingt das neunte album der stockholmer um songwriter karl larsson viel überlegter, gereift und ausgewogen, als hätte sich eine raupe zum schmetterling entwickelt.
die vinyl-lp erscheint inklusive cd-version des albums.

standard edition auf doppel-vinyl inklusive album-cd.

deluxe edition auf 180 gramm vinyl im 3fach klappcover, inklusive cd mit bonus-tracks, poster und sticker.

the debut release from shannon saunders as 180 gram vinyl ep.

darkness breeds darkness. since the beginning of time, the secret quest has always been how to simulate this blackness. vent explores the dark side of things, guided by the fearless stephanie sykes lighting the way. a complimentary reinterpretation from dasha rush is shedding new light on stephanie’s visions. with this installment, vent is more than pleased to display a different take on techno, both deeply atmospheric and danceable.

it’s not often that a breakthrough producer manages to cause major hype after just one release but when that artist is from the uk, putting out a brilliant ep on moodymann’s mahogani music, you start to realize how it happened in dan shake’s case. now its time for dan to build on this incredible start and from the way things are looking it’s safe to say it’s all going in the right direction. another rising star from the uk is wolf music regular medlar who has been making serious waves the last 5 years. remixes for the likes of glenn astro and disclosure have all helped put him in the spotlight and his debut lp sleep from 2013 delivered in spades. so when the news that these two were joining forces for a collaborative project reached us here at d.o.g we wanted in on the action.

brandneue auflage auf 180g heavyweight vinyl! der legendäre albumklassiker der funk-sängerin marva whitney aus 1969, produziert von james brown - eines der am meisten gesampleten und gebootlegten funk-alben aller zeiten. die soul brother version wurde sorgfältig remastered und um vier bonustracks erweitert und erscheint hier nochmals und erstmals über soul brother auf schwarzem 180g vinyl in neuer limitierter auflage.

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

repress 2015 - following an impressive string of productions on labels like leftroom, murmur, and vitalik, london based, new zealand bred hugo barritt is set to present arguably his most accomplished work to date in the form of the penumbra ep this october. the release will be the second for young uk label construct, which has already worked with the likes of swayzak and the mole, and garnered the support of craig richards, heidi, tensnake, and midland. taking a step back from things over the last 12 months hugo was able to focus genuinely on what he loves: making dance music. and his patience and unadulterated passion shows. >penumbra< is impressive and understated. with a solid a side comprised of barritts driving yet subtle house cuts, and classic remixes from tuff city kids (aka lauer & running back label boss and panorama bars secret weapon, gerd janson) on the flip, the penumbra ep will looks set to be a mainstay of dj sets for many months to come.

180 gr - vinyl only
laurine frost steps up for the second release on marionette. this is an exploration of all things deep and percussive. ghostly, momentary quirks and modular tinkering fuse with popping drums and sampled live drums. the wonky knob gets turned up to eleven on the b-side with scattering jazz rhythms and resonant space age pulses firing in the periphery.

jef ks silver network springs a surprise on the label s followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

jef k s silver network springs a surprise on the labels followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

pittsburgh track authority return with a new single-sided limited edition edits record on the imprint that bears only their own logo. “i always wanted to be in a band” kicks things off in an early 70s soul jazz style, with infectious vocals and catchy horns doing the damage. next, a flute driven cover of the dance classic “lowdown” keeps the disco-funk vibes of the original but with added springtime/summer vibes. both of these have done damage for pta at their gigs, and now they can do damage for you at yours. a fitting end to the magenta logo series!

frits wentink launches his new label bobby donny with ‘live fast, dwayne young’. bobby donny has been set up to primarily feature frits wentink’s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound. the emphasis will be on tracks that are hardware jams on rhodes, juno 60 or mpc, then structured later. frits wentink has already garnered a huge fanbase for his quirky, innovative and characterful house music on a number of forward thinking labels like wolfskuil, 2020vision, heist and wolf with his recent debut album, ‘rarely pure, never simple’ on the latter, gaining much critical acclaim.

after a strong first release contort yourself returns with events at the fatal party which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. hamburg duo fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary french industrial band die form from their 1985 tape hurt. here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. the mysterious slugbug (l.i.e.s./russian torrent versions) starts the flip with goback, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. any calm is then shattered by ibm a.k.a. jamal moss whose remix of die form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums. a highly recommended, intense journey.

after a strong first release contort yourself returns with events at the fatal party which comes over more as a description than a title, brimming with a bubbling sense of tension and fear. hamburg duo fallbeil kick things off in impressive style with a crunchy acid monster which twists and turns followed by two killer proto-techno cuts from legendary french industrial band die form from their 1985 tape hurt. here we find ourselves in a unsettling scenario with metallic voices scowling over clanging machines and guitar feedback in an unhinged way. the mysterious slugbug (l.i.e.s./russian torrent versions) starts the flip with goback, a creeping acidic beast moving unstoppably forward as a reverberating voice ripples throughout. any calm is then shattered by ibm a.k.a. jamal moss whose remix of die form hammers home a tough seven minutes of mangled synths, bubbling acid and thundering drums. a highly recommended, intense journey.

dungeon meat are back with a bang and start 2015 with a mighty slam of the hammer. the 4th ep to come from the dungeons and a special one as the boys enlist one of their long time inspirations point g aka dj gregory to deliver his first ep for the label. this heavy 3 track collection marks the first collaboration between the parisian don and leeds finest beat butchers. an alliance that will have fans of both artists hot under the collar. dm are very honoured to be the first label outside of point gs own imprints to release a full ep from him. here point g delivers a selection of his trademark stripped back club bangers ready to do the damage on any dance floor. if this is a taste of things to come then we can t wait to hear what is served up in the near future from this united force.

the second part in the hudd traxx 10th anniversary *now & then* compilation sees tracks from luna city express, sek, iz & diz and rick wade. berlin duo luna city express serve up a lush deep house groove that builds throughout the track, and will bring a smile to the faces of those who follow them on their beloved moon habour recordings. sek uses slick beats, trippy leads, a driving bassline and some *thug life* vocals to ensure this one has future classic written all over it. go back in time (to 2006 to be precise) on the then side to find iz & dizs *happy*. the words epic & journey are often misused in music but both can be mentioned about this track. it had devastating effect on first release and is set to do the same again nearly 10 years later. rick wade closes things out in fine style to fly the detroit flag on an all chicago / detroit side.

for their latest vinyl release, the tink! music label looks to lisbon and the enigmatic duo gatupreto, whose modo di trabadja 12betrays all manner of influences that seep beyond the realm of house music. in their own words, the art gatupreto generates is simple, unpretentious and sincere, it owes to the classic rave vibe as much as to the rawness of hip hop as much to the sunset of cape verde as to the sunrise of the lisbon riverside.this manifests itself in two understandably diverse productions from gatupreto with the heavily percussive workout of vahagn s closing remix of grandi loba of particular note.

kito jempere s fata morgana is back on track with second remix ep off his debut album objects. on the a-side you will find proper peak time banger by moscow based simple symmetry duo (famous for their releases on glenview records, low budget family and that s a steal, supported by everyone from lexx and alexis le-tan to mudd and bradley zero) and disco version of typewriter by poland based duo ptaki (famous for their releases on the very polish cut-outs, young adults and they have their debut full-length album forthcoming now on transatlantyk). on the flip you will find an almost techno version of hw whales made by ruf dug (famous for his ruf kutz label and much others releases on labels like unknown to unknown) and gas station remixed by moscow based arsenii (he released on that s a steal, glenview and others)

spilt milk return with their second release from mr spilt milk himself tred benedict. tred drops a tasty original track full of groove and energy, alot like the man himself. on remix duties, label favourite marcashken turns a wonderful interpretation and the awesome mihai popoviciu takes things up a notch with a classy techno work out. the final track is another original but this time in collaboration with label partner st. bernard, with the pair dropping a rather murky minimal number with some choice words from one of their idols.

neue(s) ep/minialbum des osloer produzenten andré bratten, der neben todd terje, prins thomas und lindstrom zur cosmic-disco-speerspitze des landes gehört. der opener *trommer & bass* befand sich bereits auf einer compilation des berliner labels correspondant und erfuhr starke unterstützung von dj legenden wie dj harvey und erol alkan.

maintaining the focus firmly on the underground and keeping that no-frills party vibe running throughout their output, music is love keep things flowing at a steady pace with their 12th release. dedicated to continually curating original ideas, the premise behind mil012 is all about the label paying homage to their most prominent musical influences. leading the way behind the new concept entitled tribute, head-honcho oli furness teams up with one of his favourite producers - chicago house legend paul johnson - for a four track ep, with two tracks from either producer intended to highlight the impact of johnsons impact and influence as an artist.

italian born producer distant memories with a four track ep via london based label, wunderkammer recordings. the ep starts with degrado (a1) that belongs to a segment of works named originally “untono” because of the minimum employment of sound elements in the composition. few and simple sonorities to describe the disapproval on the current conditions of things. compulsive (a2) is a track with a more deep feeling that proceeds untill the end around a sharp kick and spectral and obscure sounds. it is crystal clear that this tune represents a compulsive behavior. while mentale (b1) has a good speed with a deep ambience. is a mental but natural progression of sounds that evolves maintaining an incessant and hypnotic journey with a classic refrain that characterized late ’90 trance records. a never-ending cycle minimalism aesthetics of the whole ep.

proto sites present their debut vinyl release featuring three tracks of hazy, murky ambient and bass-loaded techno from lobster theremin s imre kiss (with a special appearance from fellow hungarian and label-mate, s olbricht) plus three slabs of abstract, experimental workings from casi cada minuto, taking things into serious dream-state territory. 200 copies, red vinyl in beautiful packaging. mastered by stephen bishop.