with over-under, montreal-based composer drew gragg conjures those rapt moments of music that burst from solitude. heres an artist who understands boredom, its sublime ambience, and how an idea builds to wake you from it.

an explosive caustic acid concoction awaits from within the grooves of this gargantuan twelve inch from chicago heavyweight, hieroglyphic being. free the energy (no vocal energy) is highly volatile, with severely unforgiving and distorted drum programming, this violently radioactive adventure is nothing short of brutal and certainly not for the squeamish. title cut, acid rain under the stars paints a dreamy landscape, while the acidic protons and neutrons busily rebound in the background on this elongated, hypnosis inducing and beautifully mind-distorting headtrip. straight outta nowhere like an atom bomb!

the new year starts with the welcome news that the cosmologist returns with episode three of the cosmology series. trip 1 started life as a tribute to 70s radical firebrands the last poets and their 1977 clarion call to arms, *its a trip*. a loose and ever changing collective, the initial line up was formed on may 19.1968 to mark malcolm xs birthday, having all met at east wind, a harlem based writers work shop. they took their name from a revolutionary south african poet keorapetse kgositisile who rightly prophesized that the talking would soon give way to the persuasiveness of the gun. continuing that thought, civil rights for african americans was very much the beat of the last poets, a cause they would champion and indeed, were not afraid to back up their mighty words with direct action.

ahead of the release of a fantastic compilation of music under the title music for balearic gabba dreams comes this, a four-track vinyl sampler showcasing some of the out-there sounds on offer from hell yeah next project

second part of the tambien project series. released by public possession / under the influence. three carefully selected tracks that got reinterpreted by tambien, which is a collaboration between bartellow and marvin & valentino.

vinyl only! alien rain is a tainted techno project of milton bradley. under this alias the berlin based artist has served up disgruntled electronics and downright deranged acid. panel beaten 90s tracks that pervert and pummel. floor a-bombs that leave behind nothing but a 303 wasteland. mr bradley has caught the attention of deep sound channel and been called upon to deliver his style of hypnotic fallout techno. two sealed vials of audio venom are the result.

italian dj legend dj rocca (from the infamous maffia club) joins forces with file under disco to produce a stunning ep of original new disco sounds. as one half of erodiscotheque alongside disco superstar dimitri from paris, and as a regular collaborator with danielle baldelli the grandaddy of the cosmic sound, dj roccas disco credentials are firmly in place. for this release, he captures the classic sound of disco funk on *love power*, but gives it a modern production twist and re-spins it for the contemporary dance floor. on the remix front, the one and only dimitri from paris rolls out one of his heavy-hitting, prelude-style nightdubbin mixes of *pizza on wednesday*, which will have your dancers beating the street for more. while dicky triscos dance floor intentions are obvious as he hits the boogie button with a hands-in-the-air retake on *a magical day*.

with six years of covetable releases under its belt its safe to say that erol alkans flourishing phantasy label is well on its way to establishing itself as the uks preeminent purveyor of independent music. 2013 has been a particularly golden year with daniel averys critically acclaimed debut lp dropping in early october, sao paulo wunderkind babe, terrors btu project with man make musics u, recent collaborations with emperor machines andy meecham as future four and disco mavericks in flagranti and a slice of perfect summer pop from nadia ksaiba, not to mention connan mockasins upcoming sophomore opus caramel and the debut release from mysterious new signing ghost culture.

neil landstrumm unleashes his tenth album. dragon under marks the scottish trailblazers first lp since 2009s bambaataa eats his breakfast on planet mu, and follows a series of eps for labels like killekill, brothers and dont

expect some great techno tracks with the typical handwriting of alex under.

file under disco have steadily been building a seriously strong back catalogue of 100% original disco music. so far this has taken shape through digital eps of original material by artists like drop out orchestra and jkriv & the disco machine, plus a series of big hitting vinyl remix releases from acts like the idjut boys, ron basejam, dicky trisco, pete herbert and duff disco amongst others.

maher daniel & matthew dekay from canada are well known by releases on souvenir and rejected as well as innervisions, cécille and all i dream. they did the first track, tauben, released at marcuca rec.

mit lump und pink moon zeigt alex q wiedermal, dass euphorisierende momente, idylle und romantik das feeling einer kleinstadt nicht besser beschreiben koennen. erscheint als eingeschweisste vinyl only 12er mit poster

nice price deal !!! finlands halvtrak joins dont be afraids burgeoning family for his debut ep. across four tracks, scandinavias latest musical export explores the house sound of chicago via tampere, offering four outstanding dancefloor options with a unique and very personal twist, whilst touching on some familiar uk-centric tropes.

the sixth volume in our luv n haight edit series featuring 2 hard-hitting tracks from turner brothers is a throwback to the classic edits sound courtesy of sun sound records owner, edit master and renowned record collector paolo scotti. with several recent edits under his belt including classics by touch of class, joe thomas, and ultrafunk as well as a compilation of rare disco and soul from his sun sound records label imprint based in italy, the time was right to tap him as the next producer for our ongoing series of edits from the luv n haight catalog.

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

firing out of his northampton studio, tom dicicco brings the heat with part.2 of under the aquadrome. his sound is bang on point for the current techno climate, the perfect balance of deep and industrial sounds... mesmerising & searching deep techno - mechanical yet delicately put together – the first track physical states its claim for the dancefloor and the heads alike. the ep then continues to take the listener into other sound zones and will continue to find favour in the longstanding traditional clubs alongside the new basement party scen

file under disco return with another set of cracking remixes of jkriv & the disco machine, whose 6 track digital ep the high fidelity sound drops in late june. 100% original disco music is again the name of the game. for this edition, long-term stalwarts of the uk disco scene faze action step in to remix disco rocket in two very tasty flavours – main mix and dub mix. both are bang on the money and ready to rock the dance floor. meanwhile on the flip side, disco deviant dicky trisco is back at the controls following his heavy hitting remix of drop out orchestras the blue train at the end of last year. the results are again 100% guaranteed to raise the pressure to boiling point in any discotheque. file them all under disco and dance.

big with: tim sweeney (played on beats in space radio), gerd janson, axel boman, smallpeople, sotofett, oracy

dikso return with their first super sound single in 2013 with four new dikso summer anthems for your hearts and bums. featuring matt meler from down under with kathy diamond on the mic, roberto and remco from maastricht on the piano, electronic disco band e.b.o from madrid on stage and last but not least jay west on the filter bank

marvin & valentino started a project called tambien in collaboration with munich based producer bartellow from munich. this is an official repress of the self promoted 12 inch that came out in spring 2012. three carefully selected tracks that got reinterpreted by the trio.

the sound of yss, is gravitating towards old school detroit, working beautiful harmonies as well as stabby chords, with classic 909 programing keeping the stems on a short leash. on the b side is a remix by the chicago based producer melvin oliphant iii aka traxx

hardly a rookie these days – perhaps more of an intrinsic part of the great british renaissance and current techno climate, tom dicicco brings his new label run out run to the table with a superb 1st release. treading a more layered path than on his previous outings, tom shows his teeth here with brilliantly creeping, menacing riffs at the fore while retaining the house and dub sensibilities in the rhythm section that have already gained him much support – certainly something for everybody here on this worryingly confident own label debut!

the first release from under bron recordings highlights a firm and direct feeling, like being seduced and sharing something personal with somebody new, the a side showcasing a mixture of dialogue and trust. keeping a steady house groove and pace, sounds in the grass inspires the dust from the ceiling at your local warehouse to come down to the ground again, while waiting to exhale turns to the conversationalists standing by the bar or on the outskirts of the dance floor. delroy edwards (l.i.e.s.) remix on the b-side expands the wrd horizon and brings in a different blueprint, where swirling sounds combines the track into a beautiful palette of youth and decay

returning from a faraway place with a far away sound, the hotly anticipated follow up from the cosmologist has landed. those who supported cosmology volume one will know what to expect and volume 2 arrives with refreshingly little fanfare.
early support from greg wilson / ashley beedle / severino hmd & is soon to be featured on leftside wobble s acid soul vol 10.

mark templeton presents jealous heart, an album which reimagines the story of his sound in an approach that is both staid and deeply emotional, re-orienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations.

israel has proved a hotbed for electronic music of late, with talent such as guy gerber, shlomi aber, guy j, and more all making quite an impression on the global scene. an israeli producing for lithunian label might seem like an unlikely combination then, but omer grinker s esteemed debut for parallel is a release that as its tittle suggest under water .the young tel aviv native boasts all the hallmarks of his fellow countrymen then, with the tittle track a brillantly clever anthem that flirts openly with various genres while maintaining a shrewd deep house edge. fans of trippy, multi layered house music are sure to embrace this one.sonic intricacies hold the key to seen or not seen , another record that s been scrupulously produced with even more off-kilter motifs playing their part. pitched back andever so detailed, it chops and changes with the sort of deviousness typically associated with warp s back catalogue.the last of the three originals, under water, emphasises the producer s credentials with more lackadaisical piano inter-changes an underbelly of simmmmmmmmering percussion and portentous chimes all playing key roles.label owners monkey brothers then beef up the latter with a remix that s basking in steday groove and even more suggestive vibes.a thriling and seductive package that indicative of the protagonist s musical nous, makes sense is a record that serves up a fascinating journey throghout. omer grinker is a producer you shoud keep in your radar.

a/jus/ted is the musical concept of veteran producer justin strauss and analog aficionado teddy stuart, better known as eddie mars. the pairs inaugural release comes in the form of a brighter light featuring the incandescent vocals of jeremy glenn for london based under the shade records.

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.

just one touch has been a long time coming but it emerges as a classic ode to house past and present. porto based producer social disco club was sat on the track for two years before miss bee added her dusky vocals. frayed and taught with emotion, her voice works in harmony with the gritty analogue sounds that drive the track.

danse club is dedicated to both releasing solid grooving, big, bad, upfront dance-floor records and re-releasing, remastering, and remixing big floor-filling house tracks from the 90s as part of their gold series.

new 100% original disco imprint, file under disco, drop the first vinyl sampler for an extended player project by production outfit drop out orchestra. the power of music ep will be released in feb 2013 and features 6 original, dub disco workouts by the scandanvian duo. here we are offered a taster of what is to come via a couple of hot reworks. first up is crazy p member ron basejam who conjurs up a wonderdul el coco inspired refix that covers all the bases. while on the flip, disco deviant dicky trisco pushes the big red disco button and flies like a disco eagle.

part 2 of the 3 part vinyl series. with >chapter one< documenting their past and earmarking possibilities for future exploration, hemlock looks set to fearlessly guide brave listeners into the next chapter of uncharted frequencies.

with what might turn out to be one of the biggest tracks of the year, the massive what i might do by ben pearce is here. solomun, seth troxler, david august and jamie jones are all already on board with championing this slick combination of raspy soulful vocals and irresistible grooving deep house

obscure japanese house release from 2010 that was pressed in a small batch and sold out soon on the japanese market. the funk drenched, jazz injected tracks slowly went from mouth to mouth over the last 2 years creating demand for a proper release that reaches more corners of the world! excellent release produced by this japanese producer from tokyo, manufactured in detroit (archer)

ound kemysty a new outlet for the housier side of sound black debuts with a bang. ikenga projects snow ep chilling vocals from both carolyn harding and lady blacktronika under her alias akuarising. ikenga project seeks to put a thaw to winter ice with hot tracks from beginning to end that are deeper then the rabbits hole, including a remix from none other then harley & muscle. ikenga project is the brain child of lady blacktronika & chris mitchell whos seem to have perfect synergy in the studio. this release is sure to be the first of many more stellar projects to come

trevino aka marcus intalex has been wowing all and sundry with his tight detroit / chicago / whoknoswhere take on uk bass music. his early tracks like >chip< on martyns 3024 and >derelict< on naked lunch, showed tough, melodic, techno and electro were back on the menu, but filtered thru the mind and ears of a man who was been releasing fresh uk music since 1994. appleblim was amongst the first to hear and start playing trevino’s new cuts, and has seen him go from strength to strength.
eearly dj / radio support already from: martyn, loefah, 2562, scuba, mary anne hobbs, oneman, rob booth, rob da bank, ben ufo, pearson sound, axel boman, distal, objekt, synkro ...

first collaboration between the artist/producer professor inc and the sound engineer mathieu berthet using a drum machine and a keyboard on a sequencer with enlightenment and … this is house we do

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

including rhadow remix - limited to 150 1-sided hand-stamped whitelabels!

since its launch at the end of last year, bristols elastic dreams has been making a name for itself with its own take on the underground sound of house, techno & electronica. at the heart of that success has been the music of label boss a sagittariun, whose previous singles the circle stops somewhere & carina have received critical acclaim and support from key djs such as francois k, ripperton, huxley & lawrence to name just a few. now the elusive head honcho is back with a new ep, born under 22 stars featuring 3 new cuts.

bonar bradberry is a name you wont forget in a hurry. one of the new breed who marry the snappy energy of house with the weight of disco beats, his productions have recently piqued the interest of andrew weatherall among others.

london based welshman chamboche returns to the label that launched him with the smoke screen ep. his unquantifiable sound swerves genre classification, hovering around house but with enough musicality to please the hardened disco head. swirling pads and a bubbling bass line set down the groove, while keys fall around horns and vocals to make the lead track a refined, uplifting work out. slowly unfolding, the track is hypnotic and absorbing, showcasing the style of a producer as able to work the mind as the hips. bicep toughen up the drums and work the arpeggio, stripping down the track and bringing the chicago influence higher in the mix. while the original subtly unfolds, their remix demands attention from the outset, building to a climax then recoiling for another bite at the cherry. thinking big, krl ramps up the intensity with a bright, kinetic reworking. aimed squarely at the peak time, he harnesses all of smoke screen’s most propulsive elements to really work the floor. tucked away on the b side is the expansive mind your mind. trademark chamboche percussion is woven around a blissful riff, swelling majestically to round off the ep in slo(w) burning euphoria.

nice price deal !!! back for more, brooklyn duo native underground drop the first under the shade release of 2012. remixes from alphabet city, ben pearce and the production half of native underground, son of sound

10 track album of re-edits from the turkish super producer who has released 12 inches on gamm, square, plimsoll and others. a kickass mix of disco, funk & jazz tracks from gloria gaynor, stanley turrentine, don costa, quincy jones and more. double 180g vinyl in color sleeve.

phat spooky detroit infected minimal techno, incl slam remix !!!
spanish artist alex under marks the progression of his work with the release of second album, la máquina de bolas, released in march 2012 through soma records. the acclaimed producer and cmyk label boss returns a more experienced, complex artist after a seven year album hiatus following 2005s trapez lp release, dispositivos de mi granja.

with his collaborations with ian pooley as mvip, jazz pianist matthias vogt is a comfortable behind a piano, a drum machine or in a club environment. with his partner c-rock, they have been residents at sven vaths cocoon club for many years now. he’s releasing music on some of the best labels around the world including freerange, infracom, urban torque, simple and their own stir 15 label. he’s also collaborated with ingenious musicians like nils petter molvaer, bugge wesseltoft, viktoria tolstoy, jhelisa anderson, alice russel, nathan haines & eric truffaz. he and c-rock also collaborated with house music legend, chez damier, on the project kids in the strets with the classic track keep on running. matthias & fred everything also collaborated on the frederico todos ep on urban torque earlier this year and theres a fred everything remix of matthiass frankfurt sour to come out soon on urban torque.this ep is an ode to the old chicago prescription underground sound of ron trent & chez damier. a time when music spoke by its feeling rather than a formula. let it grow on you and play it loud! we hope you enjoy the music. show us your support with charts and plays!support by osunlade, john tejada, alland byallo, roberto rodriguez, scope, jimpster, llorca, johnny fiasco, giom, grant nelson, nacho marco, shur-i-kan, danny krivit ....

alex and bill met 16 years ago when bill signed one of alex s first productions (is this the rhythm? by rhythmnvibe) to a new york label he was running. alex, whose father lives in the us, was a regular visitor to the states and they sent many happy hours together hanging out at the sound factory bar and comparing maw dubs. when bill returned to the uk in 1996, they had a few sessions together making house music, though neither of them can remember why they never finished anything or, indeed, what became of the tracks. fast forward a few years and they finally got back into the studio to make sweet music together under the moniker hotel motel. since then they have created a rich seam of work that some have already described as, like salvador dali with his pants down being fellated by deirdre barlow. few would disagree.