london based producer kaveesh mangtani aka mr. kavalicious fronts up the next vinyl ep on milans number 1 house imprint, dabit records

>we have been incredibly lucky to put out laszlos first two stunning releases, and this third one is more of the thoroughbred house music we ve come to expect. i love these guys so much i even did a remix for this release. plimton is a huge slab of filter house, perfect for the high points of any set, whilst zizzou takes things in a quirkier, more introverted direction. as for my remix, you can make your own minds up.< - george fitzgerald

some words from the man himself on way he chose these tracks: make me feel: classic disco track from sylvester. always gets the dance floor completely pumped. love2love: i love everything that donna and giorgio have done. love to love you baby is definitely a big favourite. just wanted to put my spin on it. great vibe for the early hours of the morning.hes mine: one of my favourite rnb tracks from the 90s given some lntg muscle.

brian d souza aka auntie flo stammt ursprünglich aus goa und hat seine neue heimat in london gefunden. seit seinem debut -goan highlife- im jahr 2011 und dem nachfolger -oh my days- (2012), die beide auf dem huntleys & palmers label erschienen sind, kann sich auntie flo über eine stetig wachsenden fangemeinde, die sich aus den verschiedensten musikalischen lagern zusammensetzt, freuen. es folgten das experimentellere mini-album -future rythm machine- und eps für kompakt und mule musique, die das ganze spektrum seiner musik, das sich von klassischen house und techno über disco zu afrobeat, kwaito, cumbia und südamerikanischen rhythmen zusammensetzt, aufzeigen. seine erste ep für permanent vacation hat dann auch zwei afro futurist knaller aufzuweisen, die sich auf jeder block party zu hause fühlen. auf der rückseite steuert auntie flos esa, label-kumpan und zugleich teil der auntie flo live show, noch einen afro acid dub bei.

phat analog house at it best !!

this is the first full-ep from denmarks erosion flow aka henrik koefed having made his first appearance on wax at the end of 2013 with his his spaced-out edit of nexts too close. this record, manmakemusics first release of 2014, pitches the breadth of koefods sound-running swinging, gritty house against grime-infused 4/4 and off beat electronica. this ep shows the damage that erosion flow can do!

repress , forever sound is an attempt to make simple, cyclic dance music unbound by metre where melodies and basslines phase against one another like comets around a distant sun: a slow wave on a boundless sea. geist sets about to express that moment when a dancefloor stops being a mass of independent bodies and instead becomes one connected, moving spirit, while the fold pours waves of cascading synth warmth around the listener

wolf + lamb & john camp are no strange bedfellows. in 2013 john contributed to tracks on wolf + lamb records, including his remix of soul claps need your lovin and his work on no regular plays birdfeathers making him a seminal part of the family.

at the end of the 90s a few friends united by love for music used to meet in an underground place dubbed last drop where they collected vinyl sharing music. our music comes from our souls and for us the music is the universal language of any hearts. last drop records born from the need of spread our concept to make music connecting with the universe ... music is connection.

boogie nite make me hot feat. remixes ltd color d12 gvr1227clr exclusive new special, super limited color vinyl pressing (red and green for christmas!).

shenoda steps up to the plate for manmakemusic s final offering of 2013. having already caught the attention of matthew dear, mattias tanzmann, skream and martyn for with his earlier outings on defected, hypercolour and losing suki, shenoda gives us a superb 3 tracker of hefty, garage-infused house. the ep shows shenodas musical gifts alongside first-rate production skills and we predict that it will have many a winter dance shaking to the rafters.
upfront dj support: scuba, will saul, cyril hahn, eats everything

following releases from midland, dusky, bicep, leon vynehall, komon, and deetron, aus continues its run of releases with glaswegian, london-based producer sei a ...

10 releases deep manmakemusic return to something from the labels co-founders, love&mercy.

dritte und letzte 12inch aus einer limitierten vinyl-trilogie von mark pritchard (harmonic 313, afrika hitech) als teaser zu seinem für 2014 erwarteten album unter eigenem namen. alle drei maxis sind mit einer banderole (obi-strip) wundervoll verpackt und enthalten je vier neue tracks. part 1 ghosts (wap341), part 2 lock off feat. the ragga twins

double 12inch featuring 3 brand new house tracks from chicagos own boogie nite on one 12inch: make me hot (sexy one), feel me (boogie nites un-plugged mix) and take you higher. the second 12inch has remixes of make me hot by two chicago house legends: glenn underground and rahaan.

in the 70s radio stations were a powerful force across the whole of the us, and anyone with a transistor radio had access all kinds of music. live music was another matter altogether, and unless you found yourself in a major city your nights out were limited to what the local talent had to offer. this was especially so with soul and funk acts, as mainstream rock and pop was where the money was. so for small time oklahoma soul bands such as husband and wife charles and barbara burtons groups messengers inc - and later burton inc - times were tough. however, like many purveyors of soul, tough times were no match for those with determination, persistence and a story to tell. many artists scraped enough money together to make a 45 or two on their own label, but the burtons took this to another level – they got themselves organised and released their own full length lps.
limited to 1000 individually numbered vinyl lps.

leon vynehall and christian piers join forces for a second release as laszlo dancehall for more raw, lo-fi house vibes for the head and hips. early support: george fitzgerald

strictly limited to 150 copies worldwide. advance, hand stamped, white labels featuring glenn undergrounds nostalgia dancers remix and rahaans sexy remix of make me hot. in plain paper sleeves.

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

once upon a time ... in the midst of masked identities, artist pseudonyms and the like, midnight shift introduces a creature not even of human form. tapirus conjures music reflecting the duality of his soul. on one hand, rough and acidic to tell of the terrain of his past. and on the other, pure ethereal sounds borne of another place. this ep, showcasing 3 songs of the tapirus alongside a remix by label artist basic soul unit, is just the introduction to his tale.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

man make music edits series kicks off with a superb 3 track ep featuring reworks by u, trikk & erosion flow.

name is program: its techno & its raw. great teamwork from coyu, solid black vinyl pressing

house is ok! house is ok! house is ok! third and last part of the we make music series has finally arrived and just right on time as janis, oliver achatz and homeboy deliver the perfect soundtrack for the summer, accompanied by a new friend, east-coast disco honcho sleazy mcqueen, assigned for remix duties.

ltd collectors item (7 inch vinyl + t shirt in size xl)

with yooj and steve huerta delivering another deep track for the dancefloors avotre continue strengthen their profile. darius syrossian on the remix duty for make me bad, delivers the much loved and very successful signature sound of the leeds producer.

just be has been riding a wave of success in the past year and further cements this new incarnation with next installment for the mighty crosstown rebels. the massive dont make me wait for you, featuring jesse monroe is a wonky slice of pent up tension and swelling moods, reminiscent of proto garage house classics with a touch of modern slinkiness. as the diva vocal narrative builds with a dirty bassline groove, hypnotic echoes of dont make me wait for you propel the track higher to truly captivate the dancefloor. the more tangled 5am remix comes courtesy of rebel wunderkind subb-an

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

after a well received debut zagreb/frankfurt based house is ok trio returns with the 2nd part of the we make music compilation. once again oliver achatz, janis & homeboy deliver three deep house gems which should shake up the house, this time accompanied with a remix from dynamodyse.

after releasing two eps and utilising the broader canvas of their universally acclaimed debut album (sepalcure) to develop their collaborative project, the adroit drum-programming and production duo of sepalcure (travis stewart (machinedrum) and praveen sharma (braille/ praveen & benoit)) return after a year-long absence with make you, scheduled for release in april on their long-term home of hotflush recordings.

the first shift limited release comes from nasty boy, backed up with a huge herzel remix. limited pressing of 250 copies on green coloured and subtle marbled vinyl - no digital!

the every make ep is a double-sided record, featuring 3 tracks crafted structurally for djs and emotionally for dancers. dont bother with em at home or in the car. and, if you are actually able to explode someones head on the dance floor with them, thatd be just fine. morgan alexander began building a sonic home in house music in the early nineties. having relocated in 2005 from seasonal boston to straight-sun los angeles, 2013 finds him with his fingers in as many musical pies as possible. topping them is his respected series of underground events, bottom floor, where he is featured as resident dj. the recent string of guest artists joining morgan in the booth include the likes of john tejada (palette recordings), kai alce (ndatl muzik), chris brann (wamdue project), brett dancer (track mode recordings), jordan fields (mowax), jus-ed (underground quality), boo williams (strictly jaz unit), daniel bell (7th city), recloose (planet e), mike huckaby (s y n t h), and dj sprinkles (mule musiq).

robert hood influenced detroit techno

establishing itself as a reliable source of music for the soul with minilogue - endlessness, the stockholm based label make a beautiful corpse now welcomes its new family member.

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.

fold cut his production teeth as one-half of the much lauded london deep house outfit homepark. his first solo release to date, this ep reflects folds extensive knowledge of house and feeling for the dancefloor. a-side slime perfectly fuses driving staccato percussion with classic deep house warmth. moving patterns is a more laidback affair combining soaring vocals with an irresistible bassline that harks back to the early days of jungle. the ep is a given a special twist by an unforgettable technofied remix of slime from fellow londoner ethyl.

the first release on project squared in a year, *make your mess* is a three track ep by melbournes craig mcwhinney. craig has been making music for years and releasing since the late 2000s on melbourne labels such as pinksilver, melbourne deepcast and his own haul music, also on labels based further afield such as brendon moellers steadfast and speedy js electric deluxe. craigs music is techno, but it isnt preoccupied with the 4/4, employing broken, swung and rolling drum patterns. his tracks often include melodic and harmonic elements and effects reminiscent of dub techno but without conforming to the pastiche template of the sub-genre. the make your mess ep is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: *provocation is an excuse* is more furious and loud, *disengage* is more restrained. all three are around 125 bpm and were produced in the space of a month between september and october 2012.

incl phon.o remix! (limitiert auf 500)

manmakemusic kick-off 2013 with their housiest offering to date from two new label artists, natan h & amy jean. natan h made his debut last year with anton zaps ethereal sound and on this occasion collaborates with longtime creative partner for an ep of bumping, unconventional house music. title track, *for her*, is a beast of unrivalled warmth working a deep and steady groove to perfection. on the flip, *i know* is a soulful disco-infused workout while *rush* takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

newly established music connection house is ok from frankfurt and zagreb is raising the roof with the upcoming we make music vol. 1 release.

top-remix-12inch by tim, chad & sherry, consisting of members of silver jews and lampchop, remixes by ashley beedle (under his dub/percussion-alias afrikanz on marz) and jamie blanco.

name is program: its techno & its raw. great teamwork from coyu, ltd coloured vinyl on first pressing

dam mantle, aka tom marshallsay, commits the first track from his forthcoming debut album to vinyl as part of a split ep with glasgow collective lovers rights. the four-track ep is released via london-based art collective getme! lovers rights is the new project of three friends living in glasgow making music with synthesizers, they want to make you bounce in a dark room. after some time of the trio sharing ideas and equipment, this is the first of two planned releases in 2012.

ron carroll & (byron stingily) - two legends from the early house era. their voices have been an instantly recognizable signature on countless records from that time. these two heroes are back now with paskal & urban absolutes. the duesseldorf / berlin-duo has been busy in the studio for the last few months working on new tracks and remixes.

now this is what you can call great fun. amidst all the numerous releases somewhere between funky house and uplifting disco arrives finally a record again that will reach consensus transcending genres.

up next on scubas hotflush recordings is the stunning debut ep >forever for now< from 20 year-old duo shelter point. through the use of field recordings, upright pianos, their own chopped and screwed vocals and a varied palette of synths, the pair have created a lush and elegant four track love letter that is bound to make their contemporaries stand up and take note. >braille< sets the scene, its wistful, haunting vocals delicately slinking along to emotive and complex analogue synths, only slightly changing course on the vibrating and discordant 80s inspired >hold on me<. on the flip is the title track, a compelling and experimental piano ballad, rich with vinyl crackle and a bittersweet lyrical flow (forever burned your picture in my mind) followed by the pop-inspired >sleep easy<, a sweetly composed bedroom soul production kitted out with filtered synths and dubbed out atmospherics. a unique and memorable debut from a very bright new talent, shelter point is here to stay.

in this release minilogue continue their journey through musical landscapes. they invite us all to join them for a guided tour into a range of different feelings. the a-side takes off in a quite serious mood, with a rolling beat to get the body warm whereon an ascending trip begins which is slowly inspiring us to open ourselves up and welcome the feeling of endlessness. feeling at ease with ourselves after the a-side we are ready to take on the playful jam tune on the b-side finally arriving in a loving place, a place where we all are supposed to be.