second album from the black eyed peas, originally released in 2000 - now back on 180 gram double vinyl plus download code.

vinyl release of the original motion picture soundtrack from “pitch perfect 3”.

man of war is a significant sonic progression for the band. opening track gaia sets the tone for the release perfectly. heavy, brooding bass and glitchy, synth stabs create an imposing sonic backdrop for tom’s menacing vocal to hang on. lead and title track man of war is driven by its propulsive beats and more washes of bass and eerie electronic touches. fall crocus finds the band in contemplative mood. a heavy, regretful air hangs over the track and brings to mind the work of international superstar and mercury prize winner james blake, who the band has toured with, as well as mount kimbie and ghostpoet previously. final original cut cosmos pink is perhaps the album’s most touching effort. cloud boat have always been a band capable of inducing sincere emotion and this release is no different, taking the listener on a powerful, cathartic journey through life’s big issues. remix wise, the release features offerings from phaeleh and la – 4a. each act brings its own distinguishable flavour to man of war. phaeleh’s version features his trademark, cinematic, take on house electronics and is a typically atmospheric effort, while la – 4a takes cloud boat in a modern techno direction.

nena’s “feuer und flamme” (german for “fire and flame”, with the additional figurative meaning of “great enthusiasm”) was released in 1985. it’s the third album by german pop band nena and the fourth studio album of its singer, gabriele “nena” kerner. the album was a success, reaching no. 2 in germany.
prompted by the success of “99 luftballons” (1984), which included english-language versions of songs from the band’s first two albums, nena recreated “feuer und flamme” in english as “it’s all in the game” (1985), with lyrics by canadian singer lisa dalbello. the experiment failed commercially and was not repeated with the band’s next album. gabriele kerner recorded a new bilingual german-english version of “anyplace, anywhere, anytime” with kim wilde in 2002.
pressing on 180 gram audiophile vinyl.

ltd coloured vinyl edition..... aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern

after introducing jin cromanyon end of last year with a special 7 single, we asked him to prepare an lp for 2017. few weeks ago he sent us his tracks which made us so anthousiastic ! a pure ovni in between electro, acid-house, synth-pop and j-pop, rough but romantic, a sort of viewlexx meets depeche mode meets a guy called gerald with the japanese twist » !! takuti takuta !!

aus gro§en melodien und strapazierfŠhigen elektronischen teppichen gestrickt, ist -love what survives- gewisserma§en die essenz ihres bisherigen schaffens, indem verschiedene gesangsgŠste und musikerpersšnlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-†berlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks entstanden grš§tenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualitŠt hŠtten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die †berholspur, von wo aus er seine zerklŸfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern

split limited edition 12 inch
ssjj and devin dare.

synthetic is a track from iib debutant kimopots. sythetic is a deep grooving house cut. eastern elements and soft arps melting with subtle technoy acid vibes. dreamy. ilija rudman brings out the analogue hardware and adds a boogieesque bassline keeping the deepness. finally robot 84 pumps it up a touch with a nod towards italian house sounds of the early 90s. 3 great versions

medea tells its story within a deep but powerful ambient soundscape that will make you dive into dark hypnotic psychedelia. don’t forget to wake up… inflict is a futuristic sub-bass heavy broken techno roller. driving but refined, full of subtle variations and intricate sound design where idm, jungle and electro unite. both tracks have been magnificently mastered by pole at scape mastering in berlin. from 2008-12 pierre serafini ran airflex labs, one of the first french labels to release uk inspired bass music, and since 2012 he has been producing and djing under his more techno and electro inspired moniker peev. throughout the varied steps of his career, his musicality and meticulous attention to detail have seen him forge multiple connections and alliances: notably through his work promoting his residency haste at lyon’s iconic le transbordeur. haste lasted over half a decade and brought multiple international artists from the post-dubstep and uk continuum to lyon, where they shared the stage with local artists, helping develop the environment that has seen lyon blossom as a scene in recent years. pierre has now been active as a dj and producer for over 15 years, sharing stages with the likes of autechre, blawan, mount kimbie, shackleton, umwelt, andy stott, plaid, hodge, lee gamble, pearson sound, objekt, call super, joy o, beneath, leif, and many more. in 2016, serafini released the highly anticipated “delia” ep, which was the first title on french stalwart oxyd’s new label intramuros. the fine blend of idm, industrial, techno and ambient music, refined over decades in his precise productions has made peev one of the most exciting contemporary artists in the renascent french scene.

dj koze introduces sophia kennedy - stunning debut album by 26 years old wonderwoman sophia kennedy!
elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw s harp loop, kissed by the golden californian sun, or shrouded in gloomy, dreary fog: sophia kennedy is currently the most versatile composer in german pop music Ð not to mention the greatest singer. her debut album -sophia kennedy- reveals her as a dramatic romanti-cist and distanced diseuse, as a deft lyricist and master of melody. in her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless r n b, from frank sinatra to beyoncŽ. her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time. all tracks have been produced by sophia kennedy and mense reents (who is known as being a member of die všgel, egoexpress, die goldenen zitronen).

edie sedgwick was the true it girl of the pop art age a woman who famously said she wanted to turn the world on just for a moment. part of andy warhol s factory for a year in the mid 60s, she is widely believed to have inspired the velvet underground s femme fatale as well as bob dylan s leopard-skin pill-box hat and just like a woman

re:issue, an album that is close to perfection. feat r. kelly, jay z, angela winbush, mase, puffy, lil kim, 112, too short, dmc, the lox...

paris, 1954. henri-françois rey wrote the thema of the piece la bande à bonnot and asked boris vian to write the songs in order it to become a musical comedy. la bande a bonnot was the name of a french illegal anarchist group. as soon as the piece was played at théâtre du quartier latin, french authorities made it being stopped. musical parts have been lost. 1971, jacques canetti has been told the original handwritten lyrics of the boris vian songs have been found again. jacques canetti asked louis bessières to re create music parts. 1975, jacques canetti released this record with songs being performed by judith magre, yves robert, lucienne vernay, pierre jamet, kim ibarra, maurice barrier & cécile vassort + 2 bonus tracks whose lyrics were suppsoed to be too for the original spectacle.

for its third volume jongno invites old collaborator and friend of the arts laura ingalls to the fold for more obscure korean edit madness. laura ingalls takes it down a notch with his signature endless dub delays and french touch filters, looping kim wan sun into oblivion on top of 707 daft beats, complete with guitar solo geekiness and spliced out vocals. on side b, mysterious digger and editor jongno edit takes the disco to the max on side a with a tina hwang facelift that will make you do the korean shuffle and back. loaded with bass slapness and disco synth toms this will fit right into the late night boogie and day light workout of anyone with a heartbeat.

this opus was recorded in a room transformed into a studio, where countless hours of work happened on an old computer, with trips back and forth to the grocery to buy liters of soda. in between soundtrack, jazz-funk and house, the beginnings of this ep find their roots in the encounter between lucien and dj gregory (point g), spiritual guide, who pushed into an introspective work, where the feelings were ultimately revealed sincerely. this ep is also the meeting of 4 musicians whove known each other for a long time and, together, form lucien & the kimono orchestra.

finnitus is back with its first 12- release! spanning the entire a side, superkind, consisting of rulefinn and kim durbeck, delivers a driving disco bass line, epic strings and screaming laughter, which the glue dubbed as the weirdest thing we ve heard in our entire lives . on the flip, rulefinn drops just try , a nine minute slow jam, slowly building to a climax worthy of finishing your perfect night at the club, and let the ok music play , an intense disco drum tool in his favourite bpm range(130s).

nice d&b sounds.

lovely release from chee shimizu s 17853 records. reworkings of dip in the pool singer and lyricist , miyako koda, from her first (and quite unknown) solo album -jupiter-. featuring jordan gcz and wolf muller... tip! the original album was released in 1998, and featured productions from well known japanese artists such as: haruomi hosono, yasuaki shimizu, towa tei, gonzalez mikami from gontiti. earlier this year, the bands producer tatsuji kimura planned this new project with japanese dj chee shimizu. together they produced this five tracks mini-album featuring the amsterdam based jordan gcz and dusseldorf s wolf muller

die legendären uk-elektro-pioniere & ninja tune-gründer coldcut sind mit einer grandiosen 5-track ep inklusive features von roots manuva & roses gabor auf ihrem label ahead of our time zurück! coldcut veröffentlichen einen neuen cocktail aus wörtern, musik und bildern, die black als -dissentertainment- beschreibt. die neue veröffentlichung ist außerdem auch die rückkehr von ahead of our time, dem label, das matt und jon als zuhause ihrer ersten veröffentlichungen wählten. coldcut wären nicht coldcut, wenn ihre musik nicht immer mit visuals und politik verknüpft wäre. das duo arbeitete für das artwork mit rca studenten und dem absolventen kim rugg zusammen, um kulturaktivismus in einem laufenden system aufzuzeigen. co-produziert von switch, enthält diese ep auch gastauftritte von ninja tunes roots manuva und roses gabor. fordernd, forschend und immer noch verspielt - nun mehr denn je: coldcut sind zurück!

zweiter tribute-sampler für den legendären, britischen soul-club blackpool mecca. mit 12 legendären northern soul-perlen und raritäten aus den playlisten von ian levine und colin curtis aus den letzten 45 jahren. mit bobby womack, lou courtney, the charisma band, diane jenkins und the boogie man orchestra.

kicking off the bump sampler is head honcho luke solomon, with his remix of anytime insanity by lil mark. it features vocals by us based vocalist allegra bandy. next up is the brett johnson remix of hot by copenhagen based producer kim kemi. on the b side lil mark s original production runaway, gets the remix treatment by the infamous matt tolfrey for his ec1 mix series. rounding off the sampler is bandwagoneer, a brand new production by lil mark.

niro perrone better known as simply niro, or easy to remember, alongside sibling and production partner elia perrone, has come a long way over the past few years stacking up releases on the likes of m50’s revered kimochi sound, sound of vast, memento and the dub, as well as releasing his debut lp on his unclear imprint. here though we see niro introduce a new chapter with his brand new label pads.
‘hands of shadow’ opens the release and sets the tone of the label from the very beginning with an understated melodic feel fused with raw percussion and a subtly evolving yet intricate structure. ‘inner space’ follows and wanders into dub territories with spiralling echoes, low-slung drums and ethereal atmospherics. title cut ‘pieces of you’ opens the flip side and lays focus on an infectious unfaltering groove via vacillating pad swells, sporadic jazz licks and a weighty 4/4 drive before closing cut ‘the spectrometer dance’ rounds it all off with some ambient vibes.

strictly ltd nyc styled house

strictly ltd nyc styled house

expect unexpected music from the 1960s and 1970s, mixing western and eastern elements, remapping your knowledge of pop music along the way. hear italian shouters, east-european freak beat, anatolian rock, kurdish spiritual pop, uzbek folk pop, pakistani soundtracks, nepalese folk beats, mongolian pop, indian bollywood scores, malaysian rock’n’roll, philippine surf pop, singaporean dream pop and many sounds more — for all lovers of the danceable, the mind-expansive, and the sure-fire hits. come on and take the trip...
with pt. 4/4 you will travel from south korea via japan, india, indonesia, malaysia, philippines to singapore. here the trip ends.

four floaty dubs & re-rubs from san francisco s ryan bishop aka the beat broker (bear funk, flexx, adult contemporary, etc). many heads probably best know ryan as the brains behind dream chimney, one of the longest-running and most consistently interesting online hangouts for like-minded music freaks. this 12- busts loose with -satin kimono,- a funky floor-filler with the most perfect aor song title in existence. -make it happen- cools the a-side down with a mellow yet uplifting soft rock groover, dubby voices beckon the listener to break free and never look back. -honey it s you- is a pumped up edit of an old chimney classic and was crafted specifically as a wedding gift for fellow dream chimney member hatchback - now available for the first time in a physical format! larceny dub soars to new heights of aor bliss, featuring an extensive re-working of a record that was passed along to ryan by an ex-deadhead neighbor.

die doppel cd kommt in einem schnittigen pocket pac design
dj koze : * wir haben Ÿber 1.5 jahre unsere sehr geschŠtzten pampa freunde und kŸnstler gebeten, ihre bestmšglichen exklusivstŸcke fŸr die compilation zusammenzutragen. stŸcke, die alle komplett unterschiedlich sind, aber sich alle durch ihre originalitŠt, beseeltheit und liebe zum sounddesign aus der flut der veršffentlichungen dieser tage herausstechen. zeitlose musik, von ausnahmekŸnstlern, die auch in 20 jahren noch bestand haben wird. musik, die uns berŸhrt und hoffentlich auch den rest der welt*

panic! at the disco wurden 2004 in las vegas, nevada, gegründet. death of a bachelor ist das mittlerweile sechste album der band um mastermind brendon urie. der letzte longplayer too weird to live, too rare to die! stieg 2013 auf #2 der us billboard charts ein.
am 15.01.2016 brachten panic! at the disco ihr neues album »death of a bachelor« auf den markt und sorgten mächtig für wirbel in den usa. nun traten sie mit ihrer erste singleauskopplung »victorious« in namenhaften shows wie jimmy kimmel und good morning america auf und lieferten energiegeladene performances ab.
und genau so ist auch ihr sound. »victorious« ist frisch, voller power und wie von panic! at the disco nicht anders zu erwarten, mitreißend. die kraftvollen vocals werden perfekt durch die präzise gesetzten drums unterstützt und werden immer wieder durch synthie-sounds durchbrochen, die so klingen wie der song. siegreich und nach jeder menge spaß!

im anschluss an ihre zwei Šu§erst gut aufgenommenen singles auf nang, veršffentlicht das aus st.petersburg stammende duo kim & buran sein albumdebŸt mit dem titel orbita. die gruppe gibt es schon seit fast zwšlf jahren, und jetzt kommt ihr album als ein kaleidoskop von verschiedenen stilen wie disco, soul, funk und elektronischen klŠngen. die gruppe scheint eine vorliebe fŸr reisen zu haben. es ist nicht nur der albumtitel, der dieses widerspiegelt, sondern auch die stŠndige dynamik und der eskapismus in der musik selbst. 70s funk frequenzweichen, kosmische pads, arpeggio glŸhwŸrmchen synths, alle ergŠnzt mit sanften gitarrenriffs.

kein club ohne eine regelmŠ§ige dubstep-veranstaltung! dubstep hat sich lŠngst zum festen bestandteil der club-kultur entwickelt. ursprŸnglich ein nischen-stil von clubgŠngern fŸr clubgŠnger, hat dubstep nun schon seit lŠngerem seinen weg in die gro§en clubs und charts gefunden, ohne etwas von seiner coolness einzubŸ§en. sogar pop-grš§en wie rihanna, lady gaga oder madonna lassen dubstep-mixe von ihren songs anfertigen. die basslastigen, treibenden beats sind einfach der sound der stunde. mit dubstep 2016.1 the ultimate hits setzen wir nun unsere erfolgreiche dubstep-reihe fort. hier finden sich gleich 32 der stŠrksten und angesagtesten club-hits aus diesem genre!

simple enough to come true (lag005) is the debut solo e.p. from l.a.g. label boss arthur kimskii. the ep contains 3 cuts. simple enough is the emotional big room cut with trippy vocals and rolling bass and big kicks. she survived playfully uses noise elements and reverb. the producers ny/nj influences really shine through in this deep house/techno cut.

als wäre gestern schon morgen: willkommen in der retrofuturistischen welt von esb aka elektronische staubband, dem analogen synthesizer-projekt von lionel laquerrière, thomas poli und yann tiersen. die vinyl-lp erscheint inklusive cd.

a slamming balearic / cosmic journey

repress 2015 ... with dubsteps big push into the mainstream, stirring up all manner of hybrids, variants and mutations, its worth remembering that some have been creating fresh twists on the current generation of global bass music from its very inception. paul rose, aka scuba, and his hotflush label have, since 2003, had experimentation and genre-collision etched into the very structures of everything they do. putting out key tunes by the core pioneers of dubstep, but also by true outliers like mount kimbie, joy orbison and sepalcure, hotflush has created a sense of absolute consistence in diversity: multiple sounds united by true craftsmanship and high-tech expression of complex emotion. joining the uk underground to the deep-rooted techno culture of berlin, where rose is now resident, the label is a vital nexus in the flow of musical information that is fuelling the current innovative climate. so next time you hear someone talking about >post<- this or >future<- that, consider that maybe the times are just catching up with hotflush. back and 4th features ten brand new tracks from bass musics most innovative producers, as well as a collection of essentials from hotflushs recent catalogue. the compilation is presented in double-cd and as a triple 12 inch vinyl release.

an exploration of spiritual identity and femininity, the new ep titled conscious cunt from swiss-born, nepalese-tibetan electronic producer aïsha devi is the latest release to come from fabrics houndstooth label.

cool new material from from kimmo rapatti - this is his second release on skudge white and it is another killer! *little elephant* was previous released on a various compilation cd on kims own dum records in 1995 so we are very honored to be able to finally release it for the first time on vinyl!

ud returns for the second part of their trilogy, this time with reworks by sw., area, and skookum. suitably deep and strange gear. limited to 200 numbered copies in spray-painted sleeve.

ltd 2015 repress !! highclass house stuff

auf cherry red records erscheint jetzt eine exklusive veröffentlichung der indie-rock-formation lost girls. nachdem die beiden musiker patrick fitzgerald (kitchens of destruction) und heidi berry (4ad) aus ihren alten bands ausgestiegen waren, gründeten sie 1997 die band lost girls. die band bestand aus patrick fitzgerald, heidi berry, ashley wood, dave morgan und kim smith. lost girls spielten ende der 1990er einige live-shows und veröffentlichten 1999 die single needle s eye, ein album wurde jedoch bis heute nicht veröffentlicht. mit dem album -lost girls- erscheint nun erstmals das komplette songmaterial der band auf einer 2cd. darunter titel wie all fall away, -hold me down, a reason to live, u.v.a. patrick fitzgerald beschreibt den release wie folgt: -im so glad these songs at last get to be heard - ragged and raw, done and undone, whatever, they were loved and not at all lost after alldefinitv ein must have für alle indie-rock-fans! jetzt erhältlich als limitierte 180 gramm vinyl edition inklusive mp3-download-code (album-tracks + 10 bonus-tracks der 2cd)!

the long dormant ud project awakens with tracks from the archives + fresh-reinterpretations of their uniquely nostalgic & delicate tone poetry. part 1 of a trilogy, featuring fresh takes from svn & sw. (sued, acido, meakusma, sex tags) limited to 200 copies.

the first release after junk yard connections mr tophat (or was is art alfie) did spend some time in a tokyo record store and met kogara. they had a good click and since then the idea for the tokyo impressions series was born... here is is... three killer house tunes on the trustworthy junk yard connections label!

first of three samplers celebrating mood ii swings seminal original tracks and dubs from nycs finest king street sounds.

classic hip hop album, originally released in 2000

debut 12inch from a fresh talent with patient, emotive sounds, each track has a different mood: from a fanciful summer breeze to grim resolve. 200 copies, handmade art.

benjamin brunn follows up on his wake up 12 inch with this collaborative release, inviting some friends to make some deep jams. includes contributions from kai kroker & move d of studio pankow, & dave wheels of wen. 300 numbered copies in handpainted / sprayed sleeves.