a time machine appeared to us recently in a cloud of smoke and a giant portal of light. out of the portal a smoking piece of futuristic metal emerged and fell onto our floor. closer examination revealed it to be a time capsule sent from the future. a message from the year 2043, it contained diagrams of futuristic machines from what looks to have been the studio sessions of the recordings presented here. here is what we found, a 2 track ep (plus remixes) from artists from the future. recordings made 21 years from now but from artists who you may have already heard of today.

terra incognita (noun/lat.ter-rah in-kawg-ni-tah) : 1. discovering and exploring new – aquatic – territories (terra incognita), 2. watching a super hero surf inside a big blue tube (dave kalama), 3. experiencing a fascinating meeting with a giant manta ray (ray manta) 4. feeling of in- tense and pure sensation by closely observing a ballet of sharks, whether its an illusion created by the rapture of the deep or not (dance with the sharks). ray manta couldnt have emerged to feel the light of the positive sun without the transatlantic collaboration with chahe demian, aka blufarm. mastered by lupo at dubplates & mastering

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

new 12 inch heat from dj spider and hakim murphy on plan b recordings called kaiju ep. inspired by the giant monster fights that were part of the saturday rotations of network tv in the 70s and 80s sparked the inspiration for this 6 track ep. four futuristic bangers accompanied with two ambient soundscape pieces that take you on a ride through murky beats and lush sound textures. super banging chicago-new york hybrid release for the new year!

two giant forces in dance music collide as guy gerber makes his first foray with the visionquest imprint. >the mirror game<, guys first original material since 2010, explores varying shades and tempos across two distinct cuts of progressive tech and electronica.

perfect pop and rock edits from down under continuing the caliber of smash hit releases on foot & mouth and kojak giant sounds.

>rastaman vibration< is a roots reggae album by bob marley & the wailers released in 1976.
it captures the last moments of marleys tenure as jamaicas folk hero before he developed into a worldwide superstar. to those with their ear to the ground, he was already a giant, but it wasnt until the following year that those slower off the mark were to latch on to his energy.
the 180 grams vinyl is housed in a gatefold sleeve and

in a short time, north londoner randomer has built up a small but heavy hitting catalogue of work – releasing >brunk< (on hessle audios 116 & rising compilation), the acid tinged >obtuse< and most recently his dance mania-on-steroids ep for numbers, >real talk<. his debut for hemlock recordings sees him taking things even further back to basics, dropping two heavyweight trax of pure beats and bassline indulgence. a. scruff boxs beats roll heavy but with a crafty, garage skip in their step, giving no clues to the obese bass riff that soon rudely exposes itself, tearing through the track roll by roll. aa. get yourself together more of those trademark, overweight beats with one giant, elasticated bassline. for those who like them large and lovely

lp and giant fold-out poster.

following their last 12 inch from nightwave, svetlana industries remain in their eastern european heartland with a long awaited ep from 1000names, the bulgarian production duo who made their debut alongside rustie on the now legendary >beatnicks< ep back in 2007. the >machine city< ep follows 2010s album and ep for black acre, as well as mixing for mary anne hobbs on radio 1 and recommendations in pitchfork. the ep marks a development from 1000names, taking giant steps on from their base in the beats scene towards a new sound, taking influence from giorgio moroder and analogue synth disco to imagine a future both optimistic and dystopian. it is like john carpenter meets hip hop and it is as good as that sounds.

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

extra virgin is happy to get the chance to release again rondenion this time teaming with his compatriot altz, for an 100% japanese house music vinyl >sol levante epy. a side has been taken for 2 tracks of the nipponic moodymann, with the disco house bumper superfly and barely legal downbeat giant of human touch, while b side sees for the first time on our label the ultra twisted genius of altz with other 2 cuts: the latin cumbia styled party track zelly and the quircky and drunk composition of >vento japone<

hdr002 takes us straight to 90s house territory with four new edits from nycs marcos cabral. the a-side opens with >sym phon<, an anthemic filtered piano house jam that opens up wide and swallows all in its path. a2 gives us >better think again< with sticatto chords and twinkling keys in a jersey-esque house sound. the b-side hits with >in the sea<, starting off with a giant slow tribal beat and then morphs into a psychedelically swirling synth workout. b2 wraps things up with >get get get< turning our ears to old school chicago house. rolands tr-707 lays the percussion down while the chant of >get in the groove< repeats into infinity

wack records return after a short holiday in scarborough. this time fully equipped with giant disco balls, 70s roller boots and flame throwers in order to get the party started right! dj kid stretch hails from greece (dmc greek champion 2000) and his production skills shine in this superb refix of disco got me mesmerized. french veteran dj prosper turns the heat up with his version of disco reach blending soul and electronica. on the b-side smov busts some rhymes and flips it over a melody of a pure disco classic dropped into a vat of tuff beats that result in busta move. the breakbeat junkies collaboration with dj p from stoke u.k resulted in this powerful ball breaker of a tune that will leave you in a slump exhausted from got what it takes.

mosso is an intimate project, born out of the natural desire to present ones work in ones own home. it is a private space in which the artist picks and displays his own favored pieces, enabling an unconstrained and harmonious blend to unfold.alejandro grew up in mendoza, argentina, and has been producing electronic music for over 10 years. following the use of various aliases, funzion being the most celebrated one, he decided to pursue his experiments under his real name. this was a simple decision, made possible through his creation becoming the honest rendition of his very inspiration. alejandro mossos music is the humble exploration of the ample musical heritage our planet has to offer, side by side with an ever-expanding and personal definition of the electronic medium. the first record inaugurating this series stands as the perfect example for his intent, bringing melodies and instruments of the world together with sophisticated technique. instantly awakening the soul, ohrwurm and caracoles come together to form one giant leap of optimism. indeed, alejandro mossos tracks build into a sheer heartening experience. as a shamanmesmerizing his attendance, alejandro brings the listener along into his own reverie, temporarily suspending time and filling space with wonder.

mr raoul k and baobab secret take the next step and put out new remixes of >le karantkatrieme peul<. prisme are a belgian duo (nicolas pepinster and yves theys) who started to produce their own material in 2010. they liked the title track so much that they remixed it and sent the result to mr raoul k who instantly fell in love with the melodic and laid back approach they took on it. this lush piece makes a perfect entry into a long night out, promising that every piece will fall into place. the other production crew featured on this release are the iklawa brothers (mzwandile nxasana and sandile magwaza) who run their own label in durban, south africa. they are big fans of mr raoul ks work and have been dropping his tunes in their sets on a regular basis. their remix is a dark, afrobeat driven tune that takes the listener on a long trip into a gloomy world full of surprising musical twists, dramatic changes of mood and impressing string sounds. the last remix is done by mr raoul k himself. he shows a new side of his musical skills. resulting in an epic track that seems to dance on tiptoes around a giant beast. one small step. hesitate. check carefully what happens. do not disturb. just watch in astonishment how it slowly awakes and stretches out to its full glory. a track that is full of hope, but reminds us to keep our feet to the ground to provide a solid stand.

aniligital music presents tal m. kleins >deep dark place<. this is one deep trip with a giant didgeridoo tribal dub setting the pace for a house intro that melds into a heavy juno bassline and peaks with a piercing 303 acid lead. this track does not mess around. the dead rose music company goes deeper both figuratively and literally by adding vocal elements that echo through their swagging cosmic thumper remix. soho808 liven up the mood and tighten up the impact with their remix classic house piano treatments and guitar.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

the miracles club is a group from portland, oregon featuring members rafael fauria, honey owens and ryan boyle. fusing elements classic chicago acid house, world music, experimental pop and contemporary dance. they have been adding a new and vibrant energy to the west coast us club scene over the last 12 months. cutters records brings us the >light of love remixes< ep which has all the makings of a mid 80s house party except on the dance floor is a giant cosmic rug to float you through space and time. >light of love< is the psychedelic piano house jam from the deepest depths of a dank dark rave cave and cut copy have reworked it into an entrancing dancefloor gem. also included is a dubbed out house mix by new yorks ever-consistent neurotic drum band. and dont sleep, because on the flip miracles club journey into classic 909 house with two versions of their jam >so hot<. it feels like the second coming of jack, but believe… its the rise of a new dawn!

emerging from afternoon studio sessions, the final scores, too many beers and then nights in an upstairs room at their local boozer, discomendments aka lee fisher (of mother >all funked up< fame) and paul kaminski have developed into a fine production unit who are into anything and everything. having started out cutting and pasting edits for their own dj use, they are now focusing on original productions that fuse different styles and genres from past to present. sleeping giant, their debut release on maxi discs, borrows unashamedly from the early network house sound, but fuses it perfectly with contemporary slo-mo house, disco and balearic vibes. whether on the beach or in the basement, the discomendments sound is equally at home! on the flip side, maxi label boss, pete herbert, turns up the heat and reworks the original into a dancefloor bomb. while disco deviant dicky trisco keeps his eye firmly on the mirror ball with a lo-slung ny influenced workout. listening to the sounds of maxi discs is guaranteed to release the pressure

this latest ep on 030303 is like a giant zeppelin. on the crossroads of electronics, twisted electro and classic uk techno, this is stuff that makes you want to, well?fly away and look down upon the dancefloor. eod resides in trondheim, norway and we can see this fits into a landscape sparsely lit by the magical northern lights. a big six tracker for those who crave big portions of deep space!

extract from the forthcoming uffie first album (out this summer). uffie returns to the club scene this summer with a.d.d suv a electro crunk monster that sees the miami-born, paris-based rapper step up to front with fellow rhyme spinner pharrell. produced by mirwais, rap-icon pharrell and ed banger wasnt enough, legendary house-giant armand van helden took the track on a journey back to his roots with a peak time summer festival remix. and do buy some credibility hudson mohawke got hired for some synthetic bleeps mixed with 2 step garage rhythms. loads of big names

zt and his kiwi buddy get a bit rowdy this time, with a heavy inspration from the early virus sound of 1998-99. >shallow grave< sneaks in a kicks you in the gut and pounds you like giant haystacks! as the vocal sample states: >i roam when its dark, and take you to some secret place and bury you< indeed! mr.t decided to keep it in the family, irish-style, for the 1st two 12 inches. so after old cohort calibre provided the 1st flip side, next up is zeros original colaborative partner beta 2. its now 10 years since the pair debuted on 4 heros reinforced, and a long awaited return to the game from beta 2 looms large! cabin phever is classic blue note buisness, for those that know! beta tickles the ivories with aplom, plucks the double bass and chops a break in a style remeniscent of that ginger ninja, rupert parkes (aka photek).. two words: film-noir.
heavy support from the likes of marcus intalex, jubei, ulterior motive, bailey, loxy, ed rush etc.

with 2009s magnificiently deep >cone ep< raudive aka oliver ho became an integral part of the ever brilliant macro family. the man is in there for a reason. now he drops one of macros most dancefloor-centered, yet distinctively future forward outings so far. >paper< - the chord, the bass, the strings! all deepness ingredients are there and it would be just classic if it wasnt raudive in control, whose chord is rather acoustic than synthetic, whose strings are rather xenakis than detroit - and whose bassline is just pumping genius blasting any reference system. but its a double pack of excessive excellence. >brittle< is papers evil sister and a giant step in groove design, throwing the thrills of the unknown right at your dancefloor. its repetitious, maniacal vexation patterns put any record to shame that has ever been called hypnotic. 2010 is right here. the ep is rounded off with the shimmering >sienna< - a no-beat melodic variaton set against the warmth of grainy crackle. one of the most thrilling releases by one of the most thrilling labels

great stuff, kling klong, mutekki, blufin, my best friend…oliver klein had them all. now he teams up with kolombo (turbo, blufin, giant wheel) to bring a real smasher down to the floors. techhouse at its best ... completed by 3 nice remixes. stand up and dance!

bron, a mysterious giant from the plains of canadas sub arctic region, comes out of nowhere with danksouls second release great white north. brons debut record is a truly northern take on the infectious grooves of micro house. the title track, great white north, is a jacked-up home grown classic that has been garnering a cult-like following in canada since its inception a couple years back. french avant-garde house producer le k provides a heavy handed remix, which will surely occupy a permanent space in record boxes and play lists across the globe. bron polishes off this ep with the bouncy beats and bass of splash back, followed by the soulful space hop of postcards from the prairies

encer kincy was giant in chicagos house music revival - part of the second wave of younger djs and producers that took the music of the early 1980s, rubbed it up and dropped it in places like 500 west cermak, medusa’s and the vault. a lot of people who are now superstars of the scene - mark farina, sneak, derrick carter, and dozens of others - were a part of that movement, too. spencer released a number of tracks on relief, planet e, cajual, peace frog - labels representing the classics of that era - and he usually recorded under the name gemini. as a dj, he operated in his own space - i’m sure he could play for a room, and sometimes did, but the unrestrained madness of a spencer kincy dj set had to be heard over several hours to appreciate. he could blend a sleazy disco track into hard acid, downtempo into a punishing armani track, jazz into detroit techno and so on. it wasn’t technically brilliant or tricky, but the selection was exquisite. a number of figures from his era still list him as an influence. his productions, viewed as a whole, are so much like his sets: going softer than many dared to go, and going much harder than just about any dared to go. simple jack tracks! respected by the standards of the industry of the time, and you certainly couldn’t go anywhere in chicago without hearing derrick, sneak, mark, lego, gene, jevon, diz, johnny or the other djs beating them. and so many of them have a timelessness - a little piece of eternity stuck like some bit of wax between the grooves

excellent sampler release on important hardcore!this vinyl presents four kickin hardcore tunes produced by several rising german hardcore stars which are all regurlarly playing on the biggest hardcore events in & outside germany.the a-side offers two slammin mainstream hardcore tracks produced by gigi & fallout, co-produced by giant, both track rock like h*ll, phat bassdrums, cool edits and catchy melody lines do the job perfectly!the flip side offers two, more raw tracks by d-ceptor and giant. distorted kicks, filthy noises and cool samples show their harder view on hardcore!superb release which is brought in a limited edition (no re-presses!) so grab your stock quickly!!

beginning january 18th, tiga will release a series of remix 12inches for sex o clock, overtime, gentle giant and love dont dance here anymore, songs from his 2009 album ciao! the ambitious project features some of the most respected and sought after producers in dance music.

supported by: dj hell, dubfire, martyn, brothers vibe, glimpse, chloe, jeff mills, mr g, perc, konrad black, echospace, d.diggler, joris voorn, joel mull and many more!! under his echologist moniker, brendon moeller has releases on rekids, mule musiq, resopal & ransome note. this release sees him taking off the kid gloves and offering up four slabs of massive dancefloor oriented techno that take what he accomplished on the much praised >jazz space ep< to the next level

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

limited edition 2 x 12 inch double album vinyl!
nu electro vol. 2 features 12 specially mixed full length versions of the freshest, biggest and latest electro tracks, of which many are exclusive to the album and not available to buy anywhere else at this time. the double-vinyl also feature 2 incredible and exclusive bonus mastermixes.
nu electro vol.1 vinyl sold out in a matter of weeks - so get your copy quick!

metronomy are back for 2009 with this perfect slice of pop pleasure taken from their fantastically received second album nights out. a multi layered party playlist that gurgles out anthems without pause! a sleeping giant of a dancefloor creeper that will be everyones favourite in approximately six months time. 9/10 nme

magic balearic house / summer tune with a giant buzz! incl tocadisco remix

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

nice price deal !!! 3lp album (long versions!) with collaborations from the likes of soulwax, jesper dahlback, gonzales, jori hulkonnen, jake shears and james murphy, its a riot. these are the times, and these are the rhymes !æi feel i have become exactly what leonard cohen would be if he owned a jetski with a detachable sidecar æ

metronomy are back for 2009 with this perfect slice of pop pleasure taken from their fantastically received second album nights out. a multi layered party playlist that gurgles out anthems without pause - a sleeping giant of a dancefloor creeper that will be everyones favourite in approximately six months time.

new jack hustle are blu, exile & taraach affiliate shawn jackson and newman of giant panda.

another deep house classic !!

maverick us producer gunjack aka brian gibbs delivers an absolute crossover bomb. with early support by rag and bone crew, scorn, surgeon, stormfield and many other heavyweights in both the techno and dubstep worlds. >murda< is a giant dubstep/ hardcore/ techno hybrid cut deep at 45 rpm for that chest rattling quality. the sample, taken from ini kamoze >world a reggae< (out in the street they call it murda), makes this hard, freaky ride into total mayhem. >bruckshut s revenge< mick harris aka scorn had the following to say about this tune , >hat s off to gunjack! solid! a killer. really ****ing punk and proper! the way it should be done.< this tune has a deep droning intro leading us to a new twist on the techno/dub hybrid sound. this is the sound of consume. >down the ox< continues this hard lesson in hybrid dynamics! more off beat techno than dubstep.

prologue and juho kahilainen (bpitch control, frozen north, initial cuts) release a wonderful deep depressive giant ep called prophet without a vision. juho is recognized as a great electronic artist in europe with the right talent to take you on an excessive dance floor journey without any compromises. de:bug wrote about juho, everybody should take an eye on his productions. prologue shares the same opinion! juho kahilainen has produced one of the greatest summer hits last year on bpitch control and is back on prologue music with a mind-boggling ep called prophet without a vision, now. he is delivering perfect techno tracks with space consuming tunes and unbelievable deepness, people cannot really sit down... you must dance. but dont lose too many words about this prologue release, just listen to it and be surprised. mastered by oliver lieb. support from cio dór, oliver lieb, alex flatner, donato dozzy and many more to come!

the most skanking acid techno track ever gets two giant size remixes, acid style from aaron and the geezer and then a hard to the max techno version from the getafix label crew

this is not an exit records is proud to present the debut album by brain machine. a six track broadcast from the electronic vanguard, brain machine is one of the most haunting, sensuous and distinctive releases you ll hear all year. brain machine is guido zen and juan t trippe. they recorded this album in their spiritual home, the islands of the federate states of micronesia. double vinyl release all packaged in a beautiful gatefold sleeve, with awesome artwork...

love and respect continues to grow in every corner of the dance world for the humble italian giant since his arrival in the uk at the end of 2007. phonat has now received plays from tong, jules, annie mac and annie nightingale onradio 1 along with strong support from the worlds dj elite as he continues to redefine electronic music.

dj support by adultnapper & matthias kaden !! cynosure is proud to present the debut ep of one of italys finest house and techno djs, andrea fiorito. hailing from the southern city of bari, andrea brings new warmth to the otherwise ice cold italian house sound and delivers a timeless deep house original. things commence on >moderato mistico< with a subtle tribute to a close a friend that has some serious issues with partying called >boti world<. a stripped down minimal house groove with several different monster bass hooks. a killer bumping, grinding, walking bassline that heats the floor with every change up. but as we all know this is not enough to really push things to the limit, so andrea answers the call and brings the furry with givan on the sax. imagine that moment where things in your night boil over the edge and you begin to loose control. thats when givans post punk style sax attack begins to push things past the threshold of insanity. next we have the lovely >betty loop< feat the sensual voice amelia saul. a layer of percussion a la spring reverb set the pace leading into some piano chords and a giant bass hook that make up the foundation of the groove, laying the sonic rose pedals down for amelias presence to be heard. with a voice sweeter than honey and some twisted lyrics, she creates a sexy yet warped feeling in this track. and of course if the vocals were too much, you can play the dub version >betty goes to gio< and mix your heart out. with >moderato mystico< andrea fiorito lights the deep minmal house flame for cynosure closing the summer releases in style by producing heat that only a southern italian can. howie mangel

including tv rock >been a long time (laidback luke remix)<, jin sonic & dive >giant panda<, john dahlback >pyramid (dirty south remix)< and jerry ropero >the storm (inpetto remix)<

one sided killer application!! some tracks are so weird, that they can neither be fit into a regular release schedule, nor an appropriate b-side be found. for these black sheep we have decided to create a small niche on connaisseur supérieur. the cnss black edition will sporadically present tracks that are way out of our usual categories… with >numb<, daso finally opens his >panteras< box and again proves his ability to rock reeeally hard. the track actually consists of two seperate tracks whose combination has proven itself during several of dasos live performances. it is the transition between the two tracks that makes the crowd go mad. the clonky intro (already published on ware records as mud max - zampone (maderfotor rmx)) morphs into a giant breakdown with perhaps familiar sounding spoken words before it suddenly reincarnates as a ravey monster from hell! numb shouldnt be taken too seriously and is definitely not for all occasions, but dropped at the right moment, this atom-bomb will cause serve damage on dance- floor-gro