eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

technoir audio is proud to announce the release of tna-011, chase smith’s “romance synthetique”. this 3-track release from one of pittsburgh’s best home grown talents shows that the steel city’s musical future is in good hands. mr. smith’s delicate balance of rhythms, melodies and synth work, allow him to walk in fresh areas and yet pay respect to those who have explored before him. we at technoir audio appreciate his sounds and flow and are pretty sure you’ll enjoy it as well, whether on the floor or at home.

after appearing on record for the first time as part of cologne tape (magazine 1), barnt now releases his debut on magazine: the ep what is a number, that a man may know it? is a hypnotic and free-floating haze, heavily influenced by the dance floor. few times before has the psychedelic energy of the 1970s been combined with techno house in such an idiosyncratic way.

it only takes one listen to jee days >like a child< – and its whirling, hypnotic rush – to recognize the know-how that has made studio whiz dennis dj mcnany a go-to source in new york citys dance music scene. over the last decade, the sound architect has become a musical jack-of-all-trades: fine tuning releases from outfits such as the rapture and turing machine, working on early output from dfa records, maintaining his own run roc label, remixing artists like panthers, ghostape and digable planets ladybug mecca, and contributing keyboards and percussion on tour with the juan maclean. in light of the already impossibly long list of credits to mcnanys name (including the numerous pseudonyms under which he has released his own music) the jee day debut 12 inch is a bit like a first listen to an artist who audiences, ironically, have already heard many times before.

lunar disko records returns with its 6th release from promising irish producer, automatic tasty (at). at delivers five fantastic analogue trax with strong house, acid and electro influences, crafted with precision and aptitude somewhere beneath the wicklow mountains. the acid jam >i ve missed the last bus home< opens up the ep, ats trademark basslines, warm melodies and pads command this track, while >i can see your house from here< continues on with with more 707 percussion, mesmeric melodies, voice samples and a bassline unveiling another automatic tasty gem! >an cnoc rua< introduces us to a b-side with more acid, and electro soundscapes. a slow-burning acid track, including more fascinating melodies under the control of a mysterious eerie lead... >to the moon and back< warms you up again with more delightful melodies and captivating pads transported in true automatic tasty style. concluding this debut ep is the outstanding >autonomous system< the 606 & 101 combine to brilliant force before an arpeggiated bassline takes over alongside more lush synth melodies.

double 12 inch in gatefold cover with health remixes. comes with poster and free album download code plus 12 bonus remixes!

this movement must be the moment from marcello napoletano is a preview to the cd-album the space voodoo, which contains completely different tracks than the vinyl release math033. here are 4 tracks in true amazing marcello fashion - deep, unpredictable, and bangin! tip!

one of the major players in oslos disco scene joachim dyrdahl aka diskjokke returns to full pupp with his new original track takt raver, a shiny example for his melodic, epic yet jacking style where almost fragile melodic fragments, stomping grooves, simmering acidlines and air-horns magically gel together. label boss and discoverer prins thomas takes us on a space walk with his marvelous psychedelic remix of 1987 which will appear in its original version on diskjokkes forthcoming second album on smalltown supersound. on the flip excentric duo and food geeks ost & kjex ( diynamic ) serve up a whole menu with several courses and a huge variety of flavours: their remix of interpolations makes itÆs entree as a jerky, crunchy afro-beat style funker followed by aromatic, earthy house chords before a well-rounded finish of tangy acid lines and hints of bitter-sweet melodies. sink your teeth (and ears) into this!!!

>twin< from wikipedia, the free encyclopedia: >a twin is one of two offspring produced in the same pregnancy.< we doubt there is a relation in bloodline between the two artists that come together in this release, but there is definitely a relation in sound even before one might have taken notice from the other. one from the empire, the other from a fallen socialist country, but both pretty much on a similar understanding for music. welcome the extraordinary robaphex!

you know that uneasy feeling you get right before something big happens? no its not a terrorist attack or an earthquake. its your good friends triage and the bassist bringing yet another ground shattering release on your friendly neighborhood hollow point recordings. triage the bassist have been leveling houses for a combined 16 years, so be warned! these tunes are built to completely annihilate dance floors, car systems, laptop speakers, headphones, you name it. we accept no liability for the use or misuse of this product as it is intended for controlled demolitions only. use at your own risk!

just who are the >agents of time< in the title of mathew jonsons debut solo album? is it a reference to futurism, or to the here and now? is it us, are we them?
whatever the case, its a suitably open-ended name for a record that presents a side of mathew jonson you have never heard before.

fresh from his massive release on dj dies clear skyz label, s.p.y rocks up on traffic to drop a polished twelve that bristles with thinly veiled menace. stuttering breaks, high tension pads and bursts of static introduce out of the blue, before unleashing the distorto drums and 20.000 volt bassline, laced with echoing laser stabs, and snatches of oldskool mentasm.

matt moroder - one half of the team that brought you the short-lived but no less notorious glossy series - unearthes his new ambitious -little leaf- project compiling other producers and his own reworks of songs that are not your usual disco/ boogie fare but demand a true diggers and imaginative djs mind to spot their dancefloor potential. matt moroder proves this ability right away with the blinding, hypnotizing >secret secret< - an interpretation of a cut by one the biggest, most avantgardistic 70s rock/ pop icons. he extends a short portion of the originals beat, loops the jagged guitar riff and throws in more layers of congas, shaker, handclaps etc before revealing the tracks secret by throwing in parts of the chorus sung by this totally distinctive, instantly recognizable voice. flip over for spanish producer nelues take on >porque te vas< - a one hit wonder song that had worldwide success after being the main theme in carlos saura cannes-winning movie >cria cuervos<. already an unusual mixture in its original form - breathy lolitaesque vocals gel ingeniously with a more 60s bubblegum orchestration of horns, big beats and folky guitar - nelue does a great job with sublte loops and additional bubbly synth overdubs while keeping the sing-a-long charm intact. both tracks already recieve well-desereved support from mark-e, gilb-r ( chateau flight ), beppe loda, tim sweeney and more main players. these two big cuts shouldnt need extra arguments, but since mr moroder is a generous guy he also throws in some extra special, lush artwork for this vinyl only release

levante is the name of a warm wind, blowing between northern africa and spain during the summer months, a warm wind that especially surfers, but also other kinds of deeply relaxed summer people appreciate a lot. as some surfers and other people require some of this feeling already before next summer, schallbox records associated with monoroom has caught some of this wind and transformed it into levante una, which is basses, waves and beats that will blow some tube-heated pre-summer frenzy through the speakers and on the dancefloors. for an even longer surfing experience and a continued boomy feeling in your knackers (hmm sorry ladies?), martin eyerer, mike wall and steve cole have got their speedoes out and dived into 45°(celsius) warm drums and samples, in order to offer to you their personal renderings of levante una. wasn t there a track once, warm surferette??

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

supported by piemont, marco carola, chris liebing, danny tenaglia, deepchild, orde meikle / soma, igor tchkotoua (pig and dan),philip sherburne, derek plaslaiko, leo leal, axel bartsch, toni d!! this is something of a departure for our label, and one were very proud of. &#8232,,,we are happy to say jules made these 4 outstanding tracks with a lot of soul and passion. a lot of influences have lead to the making of these tracks. his uncle has a recording studio near frankfurt where jules spend endless hours, before he started to play in a soul band at the age of 13! his career as a drummer lead to a final show in berlin in the >tempodrome club< and there would be more to add, but let the music speak for itself..

ooooooh yeeeaaah!!! haasten is here! one of technos fastest rising stars brings his strongest ep to date with two huge tracks you will be hearing lot of this summer! egbert returns to gem… >haasten< (translates into hurrying) has been destroying crowds during egberts live sets around the globe for the past few months. a dark commanding bass line that skips over the beat is accompanied by a retro sounding orchestral jab to create what is looking to become one of this years biggest techno tracks! the b-side >yourself< has also proven to be a crowd pleaser and is paving the way for the future of percussion based techno. the punishing drums, deep basses, narrow mids and rattling hats kick ass throughout the track before taking a break for 30 seconds to introduce some melody and continue on mercilessly afterwards. a mean f*cking package!

the third release from one records, comes from one half of the backbone to the project, subb-an, one the uks finest young talents who delivers an anthemic package with >soul skool<. >soul skool< is unapologetically gripping, opening with moody atmospheric keys before settling into an iconic bassline, and teasing with the vintage sounds of early house vocals and rasping brass instruments. this is the distinctly vivacious sound of subb-an, matched with an equally alluring shaun reeves remix.

the future disco series has quickly gained a reputation as being a compilation, where you are sure to find a cutting edge collection of the best in modern day disco. the series is now on its third outing >city heat< to be released on 31st may on cd as well as digital download. the very best of this album are transferred onto vinyl for an exclusive three track vinyl sampler. each track has never been released on vinyl before as well as featuring on the album itself.

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late

limited edition one sided 10inch. a tune. and a voice. and a simple choice?. be my husband and ill be your wife. i can hear it playing in clubs from newquay to east fife. >what is that?< they say, >i know that, im sure<. but theyve never heard it played like that before. its all about the drop, let the music talk the talk. no one ever gets paid. never run before you can walk. and its all about the music, love the trouble, love the strife. because i will love you for the rest of my life. busted by:(the tea drinking) scruff,(the diminutive yet mighty) geiom,( the masked wonder that is) sbtrkt

marbert rocel is a band and you can hear it! their live performances are more than a normal electronic act. on compost where the first marbert rocel album was released, they already revealed their feeling for emotional house ballads and jazzy sounds. on fenou they follow this way in a more experimental kind of art. marbert rocelÆs cosy sound is perfect for sunny hours or those before

>central< is the first new technasia album in five years - and sure to be one of the musical highlights of 2010. the much-anticipated lp is powerful testimony to why technasia is one of the most respected acts in electronic music. taking its name from the hong kong metro system, >central< is an emphatic creative statement that marks a new milestone an evolving story. technasia mainstay charles siegling was in no hurry to put out an album: >i wanted to give my music time to evolve artistically before making a new record.< the result of his patience is the purest technasia album to date - a seamless interweaving of sounds, styles and moods.

following the stunning and bestselling debut from das volt has taken the lna boys a little longer than expected, but boy was it worth the wait ! having forged a keen army of converts to their late night audio club nights & establishing a reputation as one of london’s best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. toby tobias really needs no introduction, his productions have graced some of the worlds finest underground labels, and his debut lp on matt radioslave edwards rekids won unanimous praise. macasu is a solid dancefloor piece, layers of slick percussion, plenty of low end girth and enough of tobys trademark dubbed-out and lysergic track trickery to usher in the summers al fresco dancing perfectly. the mighty danilo plessow, otherwise known as motor city drum ensemble is at the top of his game right now, selling crazy units on his raw cuts series & almost single-handedly converting an army of minimalistas into disco darlings ! in his own words made for breezy summernights, open air, near the beach, beautiful people around you, and the dj spinning slow sexy jams like this. enjoy! a killer release folks, which won’t be around for long !

support by: in flagranti, toby tobias, andy black, munk, bottin, babyg, massimiliano pagliara, dicodromo, rayko, clap rules, love supreme, club silencioà after record, slow motions follow up û wrong era ep is set to catapult this small italian label into the big time. this time around and its all about the charms of italys very own motorcycle boy who delivers two stunning original tracks backed up with white hot remixes from the heels of love and old school disco legend fabrizio mammarella. try begins as a sleazy electro disco cut, thats swaggers along until breaking out with melodic strings that lighten the mood, before things drop back down to a perfect 4am groove that john carpenter would have been proud to call his own.

a 1982 released lp called >ten ragas to a disco beat< containing kraftwerk-like acid house music, years before the genre was invented ! tip!

the droids beamed down to planet earth in the year 1978. yves hayat aka droids, was a young label manager at the seminal french disco label barclay in the seventies. >star peace<, originally released in 1979 is his concept to the classic sci fi movie >star wars< out that year. featuring the french space synth classic >(do you have) the force<, in both parts, this lp goes from strength to strength with spaced out lullabys >inner space< & >tchough fou<, before kicking back into the groove with >be happy< an assault to the senses with its manic synth lines running riot over heavy funk overtones. the flip kicks off with >shanti dance< parts 1 & 2, sleezy robot-funk work outs that are inter-joined to make a 6 minute continually evolving piece of music. the closing eight-and-a-half- minute >renaissance de l amour< is a tour de force of cinematic synthscapes, bleeps, bloops and world rhythms, before dropping in the drums 6 minutes in to ignite any dancefloor. this is light years ahead of its time.

the last franck roger on fr prod before september !

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

after a two-year wait since tadd mullinixs last release as james t. cotton, the man storms back with on time, four tracks packed with more music than any ep has a right to. the titular first cut announces itself with tight jacks and bouncing bass before a male voice begins an endless >on time< mantra, twisting and churning furiously through more than eight minutes. the short n sweet >octopus< mines drexciya territory with granular synths and washes of static. >on time (rick wades grimetime remix)< is a decidedly sexy, nocturnal house reinvention of the original, pushing languorous keys to the fore. >jak your own stars< builds slowly with rubberband bass, cowbells, and an 8-bit melody till some nasty 808s toy with the funk.

supported by ellen allien, konrad black, kiki, dop, andre galluzzi, dario zenker, dubfire, mikael stavostrand. yeah, finally the highly anticipated pherox ep on stock5 as arrived. everybody that worked on this knows how much hard work was needed to accomplish this epic feat. but what was the hold up? rumour as it that pherox aka tim querengaesser crossed the whole ruhrpottrainforest to find one of the weirdest bendiest organic house grooves that even a harden cadenzian wouldn’t be able to frown at.

a lot has happened to blm since his last solo ep back in 2008, fatherhood being the main factor for his absence. thankfully the nappy changing musical magician didnt stop tinkering with his synths in that time has come back with a string of forthcoming productions that mark a real step up in quality for him. so, first up blm releases on home soil on his own fof label. garage is back keeps things silky smooth – simplicity is the key here, the percussive elements building slowly before the evocative vocal of suz brings a hypnotic sexyness to the whole affair. step to this is the logical progression from his last fof release (believe in love) with its skippy beats and uplifting stabs being a sure winner for the coming summer. mulletover promoter / dj / all around sexual dynamo geddes provides a rather splendid dub remix of garage is back on the flip. cleverly using key elements of the original to keep the flava but dipping the tempo to give it more of a groove based feel. we think its a high watermark for the man.. check it

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

nice price deal !!! >titan<. sometimes titles are just perfect, arent they? its a huge, sprawling beast that seems to inhale every mutant strain of bass music it can and exhales it in one exhilarating 4:20 blast. it opens with ominous rumbling and 8-bit bleeps (and crickets?) before ambient chords ascend out of the depths, dragging a twisting electro synth with them. that pulsating, spiraling synth slinks its way through the gossamer membranes of the track, contracting and expanding as needed, its bulbous, serrated ends emanating industrial howls like ghosts of rave sirens.

ltd 2010 repress !!! marco carolas string of recent releases on plus8 and his own 2m imprint are now effortlessly hurtling forward under the weight of their own momentum and the bloody cash ep shows no sign of relenting. in fact if its possible, this collection of four new combustible tunes adds another dimension to his already substantial repertoire. on the title track bloody cash, carola immediately shows his intent, letting fly with a spiraling tribal groove full of bright, crisp percussive elements that stretch skywards towards the sun. the tough, earthy beats keep everything rooted to the ground as he taps into some age-old hedonistic urge, creating a universal groove that rolls out across the oceans before breaking on the shores of each continent with an all encompassing call to dance. the main body of the track incorporates a straight synth stab doused in reverb that sets the scene for the finely crafted main keyboard riff, which is an accomplishment in itself. alternating between two complimentary parts, it elevates the backing track to another level. perfectly balanced and enhanced for maximum danceability, its without doubt one of carolas finest works to date

support: adam beyer, chris liebing, alex bau, len faki, the advent, technasia, laurent garnier, brian sanhaju, nihad tule, secret cinema, bart skills, tony rohr, dustin zahn...... another big one on dmom, just as you are used to! avex axiom from chicago shakes through the clublandscape for around 10 minutes before dustin zahn reaches down with his stompy edit of >carbonite<. dustin just recently approved his talent on editing tracks with his mash up of chris liebing and green velvet, so be sure to grab this one also!

loco & jam are northern irish based techno duo, lloyd reid and james peoples. now its time for their brand new ep on marco baileys mb elektronics label. >roundhouse< builds up slow with a nice deep bass but turns into a big room techno track before you know it! the second track is a splendid remix of >roundhouse< by ascion & d. carbone. what the funk! this track has such a nice groove and will fit in a variety of record-bags. on the b-side you will find the uplifting track >3d symphony<. this track will surprise you again and again: so many things are happening here. peak time slamming techno destroyer!

and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

revys music is strange. there really is no better way to put it. having grown up in the pacific northwest usa before moving to tokyo, the influence and contrast of nature and technology are made clear in his mesmerizing pieces. his sound is one that is complicated, rapidly revolving between themes which are at times serious, beautiful, strong and others almost comical and ridiculous. each track encompasses such an emotional gamut that they themselves seem to be intelligent entities.

from jason reitman, the grammy-winning director of juno, comes the soundtrack to his latest film, up in the air. features sharon jones & the dap kings, csny, elliott smith and dan auerbach plus unknown artists sad brad smith and kevin rennick, and score. reitman personally selected all the music for the soundtrack and as a director he sees music as a character in each of his films.

everyone being into house music should know paolo mojo by now.not only has he released and had success with some of the worlds biggest dance labels but he is also the man behind oosh records.
on this lovely piece of music mr. mojo gets deep down and funky to bring a more laidback vibe than he usually offers. the vocal hookline delievered by the lovely ryan starr will stick on your mind after only 1 listen and the tight beats and deep chords will make you wanna play it during your warm up session or just before heading into the more big room sounding stuff.

dj pro is one of those wicked techno labels from the leading country in funky techno: spain! this is for the pro djs only! 4 techno tracks for the professional to spin at the top of the set and make the dancefloor craaaaazy.. a massive various artists pack feat. dj preach, j.leyend, axel karakasis and reaky.

with a well-earned remix refill, cocoon recordings is taking a bow before the belfast-born dj and producer phil kieran, whose >shh< album from last year, like rarely another album release, was able to proof how fresh, futuristic and complex modern techno can sound.

for already 28th release on his recognition label, jacek sienkiewicz comes with probably his most varied and adventurous work to date, yet again proving his status as one of the most forward-thinking european producers.

the next animasola ep is on the line with promising new names and hardtechno at its best.a1 doen by sepromatiq who showed his talent before and golpe a newcomer from czech - nice ravi melo break and powerfull beats. a2 destroyer is giving us serious fun with this hard hitting tool, perfect to mix and it pounds everything away b1 clean hitting hardtechno tool. some new ideas coming from tiltihammer who has done an innovative original hardtechno piece b2 robert fabian is showing as that hardtechno beats and asian melodies come along very good - nice original sounding piece of art.

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!