without any doubt ps. you rock was a big player at the beginning of 2009. we proudly follow up now with the second ep of leipzig based artist marc depulse .my other face contains beside the 2 original tracks an amazing remix by koen groeneveld. keep on rockin!

after a some big remixes and a nice original outing this summer on get physical, catz n dogz return back to their home label. this time the guys team up with their friend, the hot producer, pol_on while also featuring the candid vocals of fellow mothershipper , monty luke. this is a great single to check out as we wait for their new 2nd album for mothership due out in the spring of 2010. the sexy analog sound of the original mix will fit well within any proper house set, but i particularly prefer the drama queen mix which breaks into a beautiful melodic section 3 quarters of the way through. groovy.

for the 5th installment of adultnappers illustrious ransom note, we welcome into the fray paul kominek, otherwise known as pawel (dial/orphan ear) with two sublimely beautiful compositions of modern electronic music. there is not many words to describe the feeling of these pieces. they run deep into the soul of house and techno. moving, yet intelligent, pawels plaintive take on dance music is unique in sound, but profoundly universal in feeling, connecting to emotions that seem rare these days on the dance floor. with powerful peak time remixes by new yorks alexi delano and brendon moeller, ransom note part five should make some noise in the coming months. from the desk of adultnapper, as inspired by lines and curves… as you well know, parallel paths are foreordained entities of diversity. as they travel further away from their origins, the more attraction tends to set in, not as a spiritual mechanism, but, rather, as a physical replication or limitless mimicry. one trajectory makes reference to the other, leading to a barrier, a zero crossing, some sort of cessation of thought. lines become curves and act as waking agents for the soul as it approaches its limit. sometimes this process is disrupted, as is the case this time. i have lost something on the way and i seem to be stuck in the place where i lost it. i feel anchored here and need to find a way to move again. there is not much time.

the debut situation release has been one of our best selling 12s of the year, thankfully the boys are back with yet another massive release. having taken the edits scene by storm with their amazing debut release on disco deviance and the launch of their own imprint with an equally strong set of cuts, the situation crew have now established themselves as favourites of some of the worlds leading disco djs like greg wilson, ashley beedle, optimo, horse meat disco, the revenge and pete herbert amongst others. on this release the seriously percussive disco vibes of late in the love break fuses the sounds of paul simon with some salsoul flavours to produce a truly inspired musical blend. heavily influenced by the sound and attitude of greg wilson, its a perfect track for any disco or balearic dj set. flip the record over and the party really starts to lift off as goblin gets mashed up with the b52s and reworked into a wicked, percussion driven slice of disco funk. absolute dance floor madness situation style

in form and informed moves from the heavy artillery imprint. fresh off the back of a storming garage match up with el b for the soul motive crew, labelhead rossi b and long term cohort luca smack it around some more with some utterly deranged bassline power manoeuvres, completely stripping off any lactic sounds sometimes associated with that scene, all leaving a pristine and utterly rampant rhythm mastery on show. i.d drops a sensual garage mover which delivers equal parts ruffage and sensuality with just the right amount of piquancy for club play, really delicious stuff . 501 runs the dances ragged with a banging rave-ready and heavily synth inflected side long cut for all the half-step massive dem rounding out a confident, varied dances ragged with a banging rave ready and heavily synth inflected side long cut for all the half-step massive dem rounding out a confident, varied and complete package from this fine bristol label.

the second record >trapez 100 pt2< features a great dynamic track by dominik eulberg, and two remixes, one by break 3000 of oliver hackes legendary trapez track >der vampir von düsseldorf< and the other by the famous berlin duo format:b of florian meindls hit track >blast<. welcome back to the trapez world. dominik eulberg released stunning records on trapez in the past: >gasthof zum satten bass< was a huge hit and also >adler< createda waves of enthusiasm. with his exclusive track >ambivalent< for the trapez 100 release he refers to the days when techno was defined through its drive and enormous dynamic. >ambivalent< is exactly such a pounding driving track with a big synth joining in that creates joy and a great rush. mr eulberg was in a really good mood when he finished this track and we expect it to be played on many big raves. >der vampir von düsseldorf< (eng. the vampire from duesseldorf) is a legendary track, we released without any writing on the etiquette and just communicated by word. very few people knew that oliver hacke produced it and a lot of people like michael mayer and richi hawtin played the limited 12 inch a lot. now you get a very cool and fantastic, monumental, grinding remix by dirt crew records label owner break 3000. the format:b remix of florian meindls slammer >blast< is a winner. they manage to walk the fine line between techno and minimal by using sounds from mystery movies and funky beat patters, as well as slow down beats which create funky breaks and interludes that provide the original with a more trippy and rhythmic side.

eijajei - aye ya yay! this is a hit record! but what else would you expect when two of berlins hottest dj and producers, guido schneider and jens bond, are working together!? following the duos major success on pokerflat in 2004, we have managed to get the two of them back together for this exclusive release on highgrade. the results are well worth it. >getting sleepy< pulls us comfortably into the musical world of jens bond and guido schneider. without being obvious, and certainly not lazy, the track reclines into a laid back groove that hooks straight into the rhythm, creating a perfect atmosphere for the psychedelic vocals and hypnotic groove. you wont be able to escape the mood, making this the perfect techno weapon for the late night hours. we like! >eijeijei< is the highlight of the record: warm drums, siren like vocals, the whole thing seems to come from a long way away with incredibly smooth beats which make this track so special. maybe this is the sound of a table dance bar in the jungle? its incredibly sexy in any case

oliver klein and harada (who is no stranger to micro.fon records) deliever some great techno with their fisherman original track,…. it inspired people to do great remixes as kolombo delievers a huge house remix sure to rock any floor with a wicked groove and tough bassline juergen driessen delievers a wonderfully grooving tech house remix whereas circuit breaker and dj emerson make their dubstep debut under the alter ego pronto one

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

supported by: dave clarke (who spins the tracks in heavy rotation during his weekly whitenoise radio show), speedy j, nitzer ebb, thomas p heckmann, felix kroecher, eric sneo, the advent and many more...
be prepared for one of the techno-highlights of the year by those two outstanding producers. virgil enzinger is a true pioneer of the electronic music and is releasing his tracks since many years on the most respected labels such as chris liebings clr, kombination research, enable, killaz, impact mechanics and many others.his partner xavier morel is working in the music-business since the early nineties, released various mix-cds and produced tracks with artists such as juno reactor, prime suspect, eat static... just to name a few. he played all around europe, asia, australia, usa and south america and has been running his own very successful label rasputin records with releases by johannes heil, dj hell, thomas p. heckmann, tony rohr, pascal feos and others.now they joined forces and deliver this massive mind-blowing masterpiece in form of a double-cd-album! this double 12inch-vinyl will contain 4 album-tracks called >particules<, >moon shadow<, >central< and >wolverine<, all stomping techno-killers with a maximum of drive and the top-notch production-skills of virgil enzinger. crystal clear soundscapes meet obscure rolling beats without making any compromises. the album definitely will be a milestone in modern tech-music and for sure won t leave the record-cases of djs around the world during the next months! >fiction< is absolutely recommended for all friends of serious electronic music!

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

after the success of the re-edits vol.1 the messengers (kev beadle & darren moss) are back with a couple of peak-time floor fillers for vol.2.
>first left< is a huge funky fusion bomb that will be sure to move any crowd. looping up the classic herbie tune >just around the corner< the boys have added some percussive flavours to give it a summery edge. side 2 is their rework of ray barrettos version of stevie wonders >pastime paradise<. extending the intro and giving it an extra little kick the tune builds into the perfect singalong tune for those bbq afternoons and summer nights.
both tracks have already found their way into the cd cases of gilles peterson, king britt, phil asher, rainer truby, simbad, eddy ramich, mad mats, michael rutten, rob luis, kay suzuki,dom servini, souled, nik weston, dj asparagus and jonny miller and getting major support from them all.

underground classic trax is a new label focused on releasing original material from timeless artists. for this 3rd release, we bring you some of the rarest 12 inches around & decided to bring you guys a timeless acid compilation called indeed masters of acid. a side comes up with the amazing candyman with slave acid bitch originally released in 1988, an amazing acid anthem with great vocals cuts, perfect to burn any dancefloor! techno rave acid. essential! on b1 & b2, we get tyree cooper with night of acid (unreleased acido mix) & fast eddie, rarest track aint it funky that sampled the great james brown. maybe your last chance to get those, be quick!

duchess says are montreals answer to six finger satellite, to the units, to depeche mode. whilst nodding to no wave, to new wave and to punk, they do something more, something unique that pushes the power of their influences into new places. not at all bothered by format or conventions, duchess says can easily set fire to any warehouse parties or arenas. their musical influences range from no wave, new wave, punk, to cinema and visual arts. duchess says have the mandate to decontextualise the rock and to promote simultaneously their church on the way.

transport technical music equipment with ease and comfort in a solution backpack custom-made for djs. multiple access points to two neoprene protective sleeves for 17-inch laptop and documents. main cavity supports 50 vinyl records, removable 160 cd wallet & detachable headphone case. external seatbelt strap holds contents fast. a drumpoet community music label collaboration.
shell fabric: coated cotton canvas
lining: nylon with unique qwstion print
size: 34x43x16cm
volume: 23.4 l
weight: 1.56 kg cd sleeve 0.53 kg
colour: black

since more than 10 years dennes deen is one of the most important djs in the nightlife of austria. with his special sound he always plays himself into the heart of his audience. besides his many gigs he works also on own releases with success. with his studiopartner he had already some releases on philipp straubs label titanium and through that cooperation dennes got the offer to do a remix for the owner of the label, which was published on deep dishs label yoshitoshi. what dennes deen will do in the future is not sure yet, but we are sure that we will hear a lot of him furthermore. the remix on the flip is by gary beck, a fixture on labels such as edit select, perc trax and soma. this one will go into the cases of hawtin, beyer and the likes in no time!

its back the popular sampler series 4 killer cuts that havent seen the light oif day on vinyl a must for any dj **note volume change

say the name lil dave and an ingenue of class and aural distinction comes to mind. lil dave channels the far reaches of the soul, all the while effortlessly combining taste, groove, and appeal with todays technology. although his roots are in hip-hop, lil dave is most widely known for his electronic escapades through house, broken beat, brazilia, acid jazz, funk and uk-inspired soul and rare groove. through these genres, lil dave defines his signature sound.
on any given day, lil dave can be found behind the boards producing, in the crates digging, at the beats grinding, at the turntables creating. with demeanor calm and levels tuned, lil dave brings crowds from philly to rome and the world over to a fever pitch, leaving them parched for more. he takes great delight in pleasing his treasured following and making them happy through the power of djing.
whether it be through showcasing rarefied gems on his legendary radio program or providing sonic leaflets as 1/5 of the multifaceted illvibe collective, lil dave has the talent, drive, and the penchant for the art of moving butts.
simply stated, lil dave is the future of the funk!

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

kleines handliches case für 24 cd s.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

afulab welcomes our new man from iceland: oculus (fridfinnur sigurdsson). in a country that has been struggled big time by the crisis oculus still found the energy and motivation to present us these three gems of dancefloor vulcanos! outerbody experience has this magnetic groove and with it s evergrowing tension will leave nobody unexcited and untouched! this is a true gem and will surely be found in the cases, laptops or cd players of the grand players! color continues on the flipside holding the level right up and is rounded up with a smooth track named lr. a very nice package indeed and a bright new hope for iceland.

lets have fun! - thats the mantra of big zis and the crew of nation music. the swiss black music label has been broadening its musical spectrum over the past years. just like the artist big zis, whose music could most likely be labeled electro pop alternative punk rap, they dont care about common conventions. while rap becomes more and more pimped out, house loopier and minimal narrow-minded, big zis hooks up with a top-class troupe to get it her own way. for her most recent album und jetz … (and now …) she worked with marton di katz and valentino tomasi (both members of kalabreses famous rumpelorchester), who laid the musical foundations for most of the songs. for the impulsive electro on the track suure räge (acid rain) however, big zis collaborated with the techno producer michal ho (tuningspork) at the studio. suure räge got remixed by several well-known producers: robag wruhme (freude am tanzen) and canson (gs zürich) are to be found on volume 1 and the soul brothers lexx (aka kawabata / drumpoet) and kalabrese (stattmusik) successfully combat boredom on volume 2. the sound scapes of the remixes couldnt be any more diverse and cover a broad variety of styles. and be sure: volume 3 - work in progress - will delight you as well

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

proper modern styled house with haunting melodic elements and a massive pulsating bassline that will destroy any dancefloor. big!

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

two deep house all stars join forces once again to create 2 more instant classics. a must for any househead ! this is what i remember about house music (mark farina) written and produced by fred everything and jt donaldson. spoken word by aima the dreamer. recorded at moulton studios, san francisco.

joss moog drops his 1st solo ep on minority after having successful previous outings on robsoul. fat mamma is a jacked up chicago track that will be doing the rounds with the likes of derrick carter & mark farina. rhodes trip is armed with deep chords and slick beats and is reminiscent of room 25. everything inside has all the right ingredients to kick start a party, tough beats, smooth vocal stabs and a killer bass line. joss finishes the ep off in style with a big jazz bass line, groovy keys and a hypnotic sax that would work the dance floor at any time of the night.

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

digital camo pink design. big cd bag / case for 280 cds ... (dimension 31 x 32.5 x 12.5)

rebolledo is an artist from xalapa, mexico, who is very much part of the comeme family of latin american artists. he s been around from the early days when he used to provide music for the buenos aires based bumbumbox street parties. so far he s had tracks on previous comeme releases, notably pitaya frenesi, but this is his first full release on his own. rebodello is the consummate comeme artist, with a quirky sense of humour, a unique latin american approach to dance music and a lean lo-fi approach to track making that is built to cut through on any sound system. lead track >guerrero< follows in comemes now established strange sense of humour, guerrero means warrrior and is a track about a >guerrero< who comes out at night and dresses in leather, it s all shouted vocals simple beats and 80s style synths. venganza y seduccion means vengeance and seduction and features suggestive panted echoing vocals over a cosmic disco bassline, while atmospheric chords build in the background, if this sounds strange it s because it is, but the combination works really well in a club.
the b side of the record is much harder and more techno-like - marchante is completely different, aggressive kick drums, a pulsing bassline and siren-like synths bring this track a panicked feel, which is offset by the way the drums build into tough patterns. raid features strange nonsense vocals over a pulsing rhythm track that reminds of old chicago acid, if it wasn t for the strange atmosphere. rebodello is a very welcome addition to the world of dance music.

flight case für dj equipment • professionelles design • echte profiqualität für härtesten einsatz • aluprofile • sauber verarbeitete innenpolsterung • extra stabile ausführung • komfortabler tragegriff • sicherung durch integriertes schloss • farben: schwarz xt und silber xt • maße: 470 x 315 x 250 mm • gewicht: 4.70 kg

next killer by nadastrom!! the newly revitalised dubsided keep up the pressure with another ep of uncomprising bass-heavy styles courtesy of debutants nadastrom. the title track æpussyÆ contains a massive sample we sure youÆll recognize brought bang up to date via nadastromÆs clever vocal edits and huge peaktime breakdownà when it drops expect dancefloor carnage! æthe way you movinÆÆ has a sweet half-time drop before a warped bassline crashes the partyà blaqstarr gets in on the act with a nifty vocal turn on ætween me + uÆ riding a bouncy super-charged grooveà æritalinÆ rounds off the sonic assault with super sized old skool stabs and filthy bass dropsà four party starters that will rock any dancefloor!

>who is the person you would most like to work with?< for claude vonstroke, its definitely bootsy collins - the biggest personality in parliament funkadelic and funniest character the funk world has ever seen. we couldn’t be any more excited to have bootsy on dirtybird and this crazy collaboration of styles is the lead single on claude vonstroke’s 2nd album, “bird brain.” if you haven’t heard of bootsy we couldn’t write it better than rolling stone… “bootsy collins’ rubber band was the most entertaining and longest-running spin-off of george clinton’s eternal p-funk circus, and that’s because bootsy is a true star, the clown prince of comic, psychedelic, good-times funk – if he weren’t such a genius of the bass, you’d think he was jimmie walker in a sequined costume, star-shaped mirrored shades included. his career is like a horatio alger story based in chocolate city: plucked from teenage obscurity in 1969 to play with james brown, the former william collins of cincinnati brought a slap-happy zest to jb’s sound, then hooked up with clinton and was reborn in his image, with a little help from lsd.” it is certain that claude vonstroke is not nearly as accomplished as bootsy collins, but he takes the same tongue-in-cheek approach to his music and that’s why this collaboration really works. both claude and bootsy believe you got to get up for the down stroke and there’s no way to fake the funk or your nose will grow, pinocchio!

in the late 1920s and the 1930s, at the end of many performances, all of the musicians, singers, and dancers would get together on stage and do one last routine: the shim sham, shim sham shimmy or just sham. dancers would perform technical variations, while singers and musicians would shuffle along as they were able.
in the heat of the night, let those sweaty numbers melt down any worries. no top hat and gator shoes required ... just shake that ass!

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

here comes the freakshows 14th chapter - yeah, yeah, yeah! what you will get with buying this record is an extraordinary kind of culture clash in electronic music. we have the young guns m.in, patrick kunkel and basti grub in the red corner and the blue corner comes up with no other than the legendary dj sneak accompanied by mr. harold >lenny kravitz saxophone god< todd. some might say that the combination of names who contributed their skills and creativity to the production process of this release alone should make any electronic music freak become desperately interested in this record - but - if that aint reason enough to at least give it a try, you will find 3 timeless state of the art house tracks on intl. freakshows 14th vinyl release, from which each one has its unique, carefully crafted structure and arrangement. all of them manage to develop a superb uplifting energy, ideal for the upcoming hot summer nights and the daytime partys, too! additionally, as an if-14 - digital only released track - you will get an absolutely stunning and exclusive dj sneak instrumental mix, which we think must be described as an epic, typical sneak-like, massive groovin housemusic bomb, a must!

this release is played and got huge support by artists such as extrawelt, perc, xpansul, metalogic, tony rohr, dietrich schoenemann, xavier morel and many more. nachtstrom schallplatten is back with their 12th release and this time we are proud to present the newly formed project of niels paschen (known from his previous releases with his project noosphere) which is co-produced by one of the pioneers of electronic music and our special friend: marcus maichel (the delta / x-dream / desonanz).this unholy alliance delivers 3 superb techno-stompers which will make your booties shake on any dancefloor around the globe. while prototype is convincing with its driving phat bassline and sheer energy, seven seconds is packed with rolling grooves and psychedelic twists. the third track is taking the best elements of both tracks and combining them into a wild rollercoaster-ride which will turn you upside down

picco returns to the electro and house scene with his latest smasher walk on by, the follow up to his impressive yeke yeke recreation of 2008. and what a great single it is: featuring the wellknown african chorus that made dario g.s sunchyme a worldwide mega-hit, picco takes the theme to a whole new level by adding incredible vocals by alexandra prince and combining it with the latest banging house- and electro-sounds. already a super-hit and in the cases of all respectable commercial house jocks

voyage direct is tom tragos long awaited follow up to his first ep on rush hour >live with the bbq<. this seven track mini-album shows his diversity within the genre. it reaffirms that house music can still be sexy, deep, raw, emotional and passionate. the package includes the promo released >passion< plus a host of new tracks. highlights could be the raw >on the side< or the swing of >brothers of string<, but in fact every track is a highlight in its own right. together they make this a complete package. a must have for any house connoisseur.

moombah is one of those records you probably heard on just about any party where chuckie dropped his beats and thought: what the hell...?! the massacre which followed on the dance floor when this bomb (or as david guetta quoted to chuckie: you gave me a huge weapon) got dropped was inevitable: total madness, and a track which became a much sought after release on the net, speculating by those youtube fanatics what it was in the first place. it was only before chuckie added moombah to the tracklist of his dirty dutch compilation when people actually knew the ins and outs.

limited re-release of a very early (and rare) album from silicon scally (carl finlow), released on his own highly respected scsi-av label in 1998. raw yet focussed electro, similar in style to his >voice stealer< project. essential purchase for any electro fan!

excentric off-shoot rekluse has had a great start so far with carl cox, hell, slam, laurent garnier, james lavelle, technasia, stacey pullen andanderson noise all regularly supporting the label. the previous 4 releases have shown the labels sound to be developing rather nicely with a consistent ear for high production quality alongside a drive for exciting and unconventional electronic music for the dancefloor.the 5th release for the label is supplied by loco & jam, 2 guys who have been really making a name for hemselves in 2009, already with a release on >italo business< under their belts and their remix of henry von s propaganda that has made it s way onto carl coxs >space 2009< compilation. with forthcoming releases penned for >hedgehog< and for umeks >sixteenofive< imprint these guys from limavady, northern ireland are definitely ones to watch out for. >medusa< has been fergie & mr henry von s secret weapon since they first got hold of it, never failing to completely destroy any club that has had it pumped through its soundsystem, as well as support from king unique & the japanese popstars who have been behind it since day one. the a sideis backed with 2 seriously strong cuts that show l&js ability in the studio to take things up a notch (whats the matter) or to twist things up somewhat(virus).

dj rubbish samples any sound he gets and spits out any rant that comes to mind for just one reason - because he can! interludes proudly brought to you by project brothers.

superb sounding reissue of azotos 1981 italo disco masterpiece >san salvador<. originally released back in 1981 on italys tiny vedette records, this monster track with its slamming latin groove, killer bass, uplifting vocals and house-style piano never fails to ingite the dancefloor. nearly thirty years after its original release, it still receives heavy rotation by any of the top disco jocks lucky enough to have a copy. produced by italo innovator celso valli, the man responsible for macho, passengers and tantra to name but a few. also featuring the highly sought-after instrumental version, this classic is a must for all fans of good time party music. first class!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

yep, thats right. synth pop sensations heartbreak remixed by the horrors. tom furse from the horrors has a fearsome collection of analogue synths and used them to rebuild this track from heartbreaks debut album from the ground up, and a killer job hes done too. as ali and sebastian from heartbreak both release on dissident their label lex thought it would be a good idea if dissident did the 12 inch release. obviously due to the nature of this release and the addition of the combined horrors / heartbreak fanbase its pretty much an instant collectors item and will fly out of the door at a fair old rate of knots so please make sure you order enough to keep everyone happy, i doubt well have any of these left by the end of the week. the clip is taken from the second half of the track as it turns into a glorious cosmic synthesizer orgy, theres plenty of arpeggiated trackiness before it gets to this bit

a digital hip hop dub floor shaker we rewind is impossible to resist, flore matches rodney ps good time vocal flow with woofer wobbling and 8bit bleeps. not forgetting the 4/4 bass line, b more, breakbeat mash up crew (!) flore throws down a rocking n rolling club mix of we rewind, guaranteed to set any floor alight! on the flip flore lays it down with the kuduro infected the test teaming up with shunda k of silver tongued hip hop duo yo! majesty (domino records). shunda k has worked with deekline, kotchy, peaches (xl/beggars banquet) and featured in a 2 page spread and nmes cool list number 41.

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