repress. both hip-hop and boot camp click purists alike have long recognized and appreciated sean�s commanding delivery, powerful voice and clever verses (exemplified by monkey barz playful leadsingle onion head). with ayatollah, agallah, 9th wonder, nottz, & khrysis contributing beats as well as guest appearances from the boot camp click�s core members (black moon�s buckshot & 5ft, smif n wesson�s tek & steele, o.g.c.�s louieville sluggah and starang wondah, rustee juxx and sean�s heltah skeltah cohort rock makes two cameo�s) the bcc collective was fully in-tact and operational for sean price�s 2005 solo-debut. monkey barz was named independent album of the year by allhiphop.com and was the first release from duck down records 2005 �triple threat campaign�, followed by buckshot & 9th wonder�s chemistry, and smif-n-wessun�s smif �n� wessun: reloaded, with many believing it was the most acclaimed of the three.

the late 1960s / early 70s brought about a change in sound for many gospel groups. producers and label heads at abc peacock recognized that the traditional sound of gospel needed to be updated to appeal to the younger market. the groups started to incorporate elements of soul and funk with arrangements influenced by the r&b records of the time. this compilation presents 13 striking examples of this seismic shift in black music by some of the greatest groups in gospel music�s rich heritage.

tenor singer johnny clarke had many false starts in his youthful days. hanging around studio one as a schoolboy with jacob miller, clarke was supposed to record material written for him by bob andy, but somehow never made the grade. his 1973 debut recording for lesser-known producer glen stair was not released, and early work for clancy eccles failed to hit, though �everyday wondering� for rupie edwards made an underground impact in britain and new york. subsequent singles for keith hudson and glen brown also did not get very far, but the breakthrough finally came when bunny lee asked him to sing �none shall escape the judgement,� which was written by the singer earl zero, it became a massive hit that launched the �flying cymbal� craze (based on an open-and-closed high-hat cymbal pattern, adapted from the soul train theme), and clarke became one of lee�s most reliable hit-makers, partly because lee stoked a rivalry between him and cornell campbell, whom lee had previously asked to voice �none shall escape.� clarke�s satisfaction lp was recorded at harry j for lee, voiced at king tubby�s studio, and issued by third world in 1979. it is a set largely comprised of cover tunes, such as the strong opening update of the paragons� �riding for a fall,� the title track adapting their rock steady hit �my satisfaction� in a post-rockers style. better still is the hard-hitting �reality� tune, �play fool, get wise,� which uses a proverb to relate a means of avoiding trouble on the dog-eat-dog mean streets of kingston.

limited edition 45 for record store day, 2017. cover by jean andre.
mayer hawthorne and jake one are tuxedo. �thank you� is a bonus track to their second album, tuxedo ii, which fnds them at the forefront of a new wave of gangster boogie - one that owes as much to g-funk as p-funk. this is the territory of pre- and post hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

scone cash players is a super human supergroup featuring adam scone (sugarman 3), tommy tnt (menahan street band, budos band), eric kalb (john scofeld, deep banana blackout), homer steinweiss (sharon jones & the dapkings, amy winehouse, the arcs). together they deliver a tasty dose of hammond funk/soul/boogaloo.

vincent inc & his manuscript records label release new some superb and highly collectable music from the vaults. listen to this 2nd part of deeper than deep ep, this is incredible deep tech house. it s not just a deep. it s a concept of new world. keep it deep & deeper than deep! ep received great feedbacks from the world famost djs & producers such a faze action, justin harris, alexander robotnick, ivan smagghe, dj linus, mike grant, sean smith, rob pearson, hippie torrales, vinny davinci, tyree cooper, eman & etc. deep groove with melodic & an infectious bassline which rides nicely. be sure not to miss questionmarq mix as this is a bumpy groove which will certainly get you shakin your ass on the dance floor.

180 gram vinyl pressing with download code included.
for his third ecm release as a leader, chris potter presents a new acoustic quartet that naturally blends melodic rhapsody with rhythmic muscle. the group includes superlative musicians well known to followers of ecm�s many recordings from new york over the past decade: keyboardist david virelles, bassist joe martin and drummer marcus gilmore, who each shine in addition to the leader on multiple horns. the dreamer is the dream features potter on tenor saxophone � the instrument that has made him one of the most admired players of his generation � in the striking opener �heart in hand� and such album highlights as �yasodhara,� as well as on soprano sax (�memory and desire�) and bass clarinet (the title track). potter is an artist who �employs his considerable technique in service of music rather than spectacle,� says the new yorker, and his composing develops in texture and atmosphere with every album. along with his previous ecm releases, imaginary cities and the sirens, he has appeared on some of the label�s most acclaimed discs, including paul motian�s classic lost in a dream and dave holland�s grammy award-winning what goes around.

we were very happy to be asked by connaisseur recordings if they could put out another album with our music! now it s all come together and they ve asked us to do our own press release for it and quite like the album, we want to do it in our own way, personal and from the heart. it s been a few years since our last connaisseur album, and a lot has happened since. we ve built a new studio, matured musically, acquired new gear, sold old gear, done a lot of gigs, lost faith in music and regained it again. the process of making the loneliest man in space (this album) was a genuinely pleasant experience, as we never really set out to make an album at all. we didn t conceptualize or have any grandiose plans, we simply enjoyed ourselves in the studio. inspiration was running high, so we focused on making a lot of music uninterrupted, rather than signing tracks, which left us with quite a bulk of unsigned material. the idea to release these tracks as an album came from our friend alex, at connaisseur. we instantly jumped on the idea, listened through the material, taking some tracks out and composing a few new ones, to make it sit more together as a whole. we tried to come up with a title that would ft the feeling of the sum of tracks and settled on the loneliest man in space. as the album, to our ears, sounds a little melancholic and a little spacey. we sincerely hope that you enjoy the album either as a listening experience, a dance experience or something in between!

another certified 90s hip hop anthem on 45 for the first time courtesy of 5 borough breaks. original flavour s -can i get open- was an underground smash at the time and is also notable for one of the very first times global rap star jay-z appeared on wax - classic material no doubt. as always, the b-side reveals one of the sample sources for the track, this time young holt limited s -wah wah man- providing the neck snapping drums.

all songs written by amy wadge and ed sheeran, featuring leddra chapman on vocals.

reissue of the 2010 collaborations project from ed sheeran.

a new single by pama international and it s again available only on a super limited edition 45 vinyl only. on the a side a superb version of man next door. the song has been originally recorded by john holt with his group the paragons in 1968 on duke reids duke label and since then it has been covered by numerous other reggae artists including dennis brown, ub40 and horace andy, becoming a massive hit thanks to andy s more recent version with trip-hop superstars massive attack in their album mezzazine. on the flip side you ll find the rock steady scorcher austerity skank that has already gained support on the airwaves by reagge ambassadords david rodigan and don letts. in their first 10 years pama int l recorded 9 albums, 3 bbcradio 1 maida vale sessions, won the rebel playlist on bbc6, and became the first new act to sign to trojan records in 30 years. their collective nature saw them work with members of the specials, madness, steel pulse, style council, galliano, kasabian, mad professor, toots & the maytals, jimmy cliff to name a few.

julia holter eröffnet mit dem live-album -in the same room- eine reihe, der zu ehren domino ein neues sublabel ins leben gerufen hat. domino documents wird, in anlehnung an die legendären peel sessions der bbc, studio-aufnahmen seiner künstler veröffentlichen, die innerhalb eines tages, niemals mehr als zweier tage unter live-bedingungen in einem londoner weltklasse-studio aufgenommen werden. der erste offizielle documents release ist nach einem song von julia holters domino debüt -ekstatsis- benannt. diese neue, karriere umspannende sammlung ist das ergebnis aus zwei tagen arbeit, die julia holter nach ihrem auftritt beim letztjährigen green man festival mit band in den rak studios geleistet hat.
das 180 gramm doppelvinyl erscheint im klappcover, downloadcode inklusive.

haunter records� 2017 kicks off with two new displays of aural expansion by longtime members of the milan-based crew. twin singles from weightausend and petit singe that also mark the label�s first ventures into 7� format. through heavy use of darkened breakbeats and angular dynamics, each of the two producers sets out to have their unique sonic approach ring on throughout the sprawl.
matthias girardi aka weightausend keeps on compiling his private neuroses in a process that seems to achieve catharsis through gloomy analysis and maniacal surgical dissection. hammering down on his dubwise tendencies and his love for the dark side of jungle, he gives out his most club-oriented work to date, channeling two new bassy rollercoasters, including a new version of �green death�.

180 gramm vinyl (vinyl only).
the connection machine are jeroen brandjes and natasja hagemeier.
after releases on carl craig�s planet e, down low music, u-trax or tabernacle
the first re-issue of tracks from 1993 and 1995.
timeless music.
mastercut by dubplates and mastering.

the totality of the many in one: cologne tape, an on and off gathering band from all over the world, did not call their second album welt without reason. the collective incorporates the nucleus of the label magazine and consists of the artists ada, barnt, jens-uwe beyer, jörg burger, john harten, philipp janzen, mario katz, john stanier and axel willner. all members live scattered between berlin, cologne and hamburg. they meet rarely and abruptly, but each of them always has the feeling that something relevant needs to be done. the ensemble�s name represents a city and the musical recordings that are made in it.their -rst release, -render-, marked the start of the label magazine in 2010 and found the way into dj sets by famed artists like dixon with music, which does not necessarily have the dancefloor in mind. subsequently, little, absolutely sublime pieces of cologne tape appeared in the public.

wotnot are proud to unveil another new exciting artist, songwriter/producer william florelle, who follows in the footsteps of previous debutantes like k15 (who features here), glenn astro, deft and many other now established (or quickly establishing) artists. the will flo project aims to deliver unique collaborations with each output, evolving to suit the combined inspiration of william and his collaborators. while he names a staggering variety of musical styles among his influences, this release takes the form of a highly swung, left-field r&b, with jazz and afro-beat influences. think 22a with more pronounced r&b flavours.

pavement und preston school of industry gründungsmitglied scott kanneberg aka spiral stairs veröffentlicht ein neues album auf domino records! es sind nun acht jahre vergangen, seit scott kannberg, seines zeichens gründungsmitglied der legendären pavement, sein solo-album the real feel veröffentlichte. in der zwischenzeit ist vieles passiert. von einer gefeierten pavement reunion bis hin zum ausbau seines familienlebens in australien war alles dabei. jetzt meldet sich der gitarrist als spiral stairs mit einem neuen album zurück. �doris & the daggers� wird es heißen und zehn rock songs enthalten. am schlagzeug sitzt justin peroff (broken social scene), am bass hat sich matt harris eingefunden, der schon seit der gemeinsamen band preston school of industry mit kannberg musiziert. als gastsänger sind matt berninger (the national) und kevin drew (broken social scene) mit dabei. scott kannberg über sein zweites album: �i guess i�ve been writing songs for a while now. i like hearing echoes of things i love in the music that i make. writing music doesn�t come easy to me - it�s hard to write a song that�s good. but our memories slowly escape us as we get older, and in songs you kind of relive those moments, the things that matter.�

nach unzähligen releases auf labels wie sub pop, troubleman unlimited oder jack whites third man und zahlreichen kollabos mit acts wie sonic youth, anthony braxton, andrew w.k., hieroglyphic being oder morton subotnick, veröffentlicht das detroiter post-industrial/noise-trio wolf eyes sein neues album undertow auf dem eigenen imprint namens lower floor music. auf den fünf neuen, teils überlangen tracks graben sie weiter in den untiefen ihrer ureigenen, durch electronica und free jazz infizierten noise-welt. die lp erscheint mit download-code und doppelseitig bedrucktem a2 poster.

the always wonderful begin returns after a very balearic absence ! and what a return ! let s talk eases us in with some trademark begin style mid-tempo mellowness, as undulating melodic elements are carried straight to the beach on gently lolloping beats aight adds a little more anticipation, with a syncopated backbone and some mesmerising carl craig style synth cycles... on the b, the cut the paste is a burly, new beat inspired chugger, which manages to sound exactly like an early morning, strobe-lit boccaccio moment, while simultaneously basking in the midday sun

cd included in the vinyl has the same tracklist. a relentless vinyl collector and a fervent connoisseur of anglo-american culture, the founding painter of the figuration libre movement (with di rosa, blanchart and boisrond) in the early 80s, robert combas has always connected his art with rock music. the two are always intertwined and fuel his inspiration. during his exhibition sans filet, robert combas made an essential encounter: the artist and video maker lucas mancione, also from the town of sete, and decided to make the leap. together, at the start of the decade, they created the band les sans pattes. notre renaissance is a dazzling discharge, a geyser of cold and searing emotions, a conscious search for a unique and extreme experience. the tension in each track is palpable, as constant as it is pregnant. this band is full of character. sometimes electronic, often a bit punk, always particularly rock n roll. raw and physical tracks, compact and heady. les sans pattes always lean towards psychedelics and repetition.

alleviated veteran ben jenkins launches his new vinyl label partial magic with pittsburgh s chase smith. chase turns in four cuts of percolating-hissing drum machines and squirting- gibbering oscillators. the whole quivering ensemble chugs with an electro snap and a steady dance mania clip until the cool- down of silky and sensuous pads on the closing track.

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 1 kicks off with something very special - a lovingly reworked, top secret, late 70 s jam favoured recently by none other than dj demi-god harvey anyone who s heard him play in the last couple of years will be familiar with the original version of this truly magical 13 minute slo-mo disco jam - it s a genuine holy grail moment ! having established that quality is of the upmost importance, busted continues with a beautiful duo of amended cuts on the flip. the uptempo, playful play me hard works the groove, hard ! while have a cake is a gloriously sleazy mid-tempo workout one hell of a 12- ladies & gentlemen !

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 2 continues the journey with a fine foot-stompin slap bass jam, followed by a foot-workin & vibe heavy jazz funker. the b side gives us some top drawer psychedelic soul and another awesome cosmic cut that wraps up a package of the finest obscure floor-shakers around one hell of a 12- ladies & gentlemen !

next monster by sam paganini. we believe music shouldn not be explained or overanalyzed. we would rather avoid too many useless words. just press play and listen to it.

another motive launches its record label with an ep from finnish producer roope karhunen aka mirage man. mirage man has crafted a unique sound exploring a hypnotic and seductive aesthetic within house and techno. the a-side opens up with �hiss & hers� , a soothing-narcotic take on techno with overtones of dub and ambience. followed by a hard-hitting �harmoni�, layering crisp drum machines and ethereal synths within a magnetic groove that evolves from raw to rich. the b-side embarks with �healing�, composed of shuffling rhythms and subtle streams of warm synth pads that grow into an esoteric climax fitting several styles within one. closing the ep is �harmoni� remix by bnjmn taking the essence of the original and folding it into a kaleidoscope of fractured rhythms and surreal sounds that collide to finish the ep off with a bang

!! 2017 repress !! dodgy white label number 1 from your favourite grumpy old shit sticks is a couple of low rent, don�t do much ass shakers from the vaults.
give me the was made in 2007 & let�s dj�s get on with what they love doing �.. mixing the hell out repetitive records.
our man though may, or may not, be heavily sliced out of something else & rearranged into dancer paradise from the shards left over.

10th anniversary reedition of pedro winter classic, if we remember correct it was his first release ever.

eindrucksvolle und hypnotische coverversion des america klassikers in tollen remixen von richard dorfmeister (kruder & dorfmeister / tosca), rainer trueby, rj (rj ist eine hälfte von dürerstuben) und max joseph.

another ep from the label boss of home invasion.. franck is back this time with a new collaboration with famous new yorker singer based in berlin mandel turner on a new nasty song. the rets of the ep is gifted by some of his new works in the studio�enjoy

soak by james hadfield, featuring danny linton, is one of the main reasons for the launch of me me me and a record i love so much i have done my first rem ix for the label, explains man power. further remixes from axel boman and bird of paradise cement a stellar third release on the burgeoning me me me imprint.

ehrlich und direkt! atemberaubendes pop-album der schwedischen ausnahmesängerin. �reverseries� erscheint als doppel-lp mit download-code und bonus-track.

in today�s increasingly barren rock and roll landscape, ulan bator stand as beacons of explorative songwriting. formed in paris in 1993 by amaury cambuzat (vocals, guitar and keyboards) and olivier manchion (bass), the band�s atmospheric approach to composition has consistently yielded guitar-driven avant-rock at once hypnotic and untamed. and while their sound has developed in a variety of directions � often in relationship to changing line-ups and various collaborations, including with krautrock legends faust and swans michael gira � ulan bator�s resist simple categorization: kraut-y repetition, post-rock guitar flourishes, kosmische synth work, intimate whispering and pounding drums have all taken an audible lead throughout their now twenty-year career.
the white coloured vinyl lp includes the album on cd.

the hamilton mixtape ist ein hochkarätiges mixtape mit sia, the roots, wiz khalifa, busta rhymes, nas u. v.m. als spin-off zum gigantisch erfolgreichen hiphop broadway musical, das vom grammy-, tony- und emmy gewinner lin-manuel miranda erschaffen wurde.
das doppel-vinyl erscheint im klappcover.

hot on the heels of great black merlin and david vunk releases omnidisc drops another hot one by shokh. a rocking 3 tracker of somed raw distorted electro along with bit crushed techno. thats how you make your debut!

nach ihrem ersten generationsübergreifenden zusammenarbeit, �late night endless� (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee �scratch� perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos �merry christmas mr. lawrence�). neben lee perry begrüssen sherwood & pinch auf �man vs. sofa� weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo�s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

this is the first various artist record on peder mannerfelt produktion with tracks by isabella, andre kronert, peder mannerfelt and sissel wincent.

holland-based planet rhythm usuals dubiosity and pjotr g return to the imprint with a slice of wax that contains 4 delicate and deep cuts all with a corresponding melodious touch to it. �a man is no island� opens up the 4-track effort with heavy drums colliding with devious soundscapes and a heavy sense of adventure. �die in a forest� is a more traditional techno cut that revolves around a tough acid bassline intrusive synth bleeps and firm set of drums. �poisening the well� is a beautifully orchestrated dubbed out cut that goes into the more spaced out territories of modern day techno. �tears in the rain� is an emotive piece of music that thrives because of dramatic sounding pads and off beat drum patterns.

tin man drops a series of six twelve inches with some hot juicy liquid acid tracks in his welknown style.... hypnotic, trippy, ultra seductive and addictive tracks! hot stuff for these cold winter days!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 3 of 6 limited releases by the tin man!! e1 undertow acid f1 drenched acid f2 oily acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 4 of 6 limited releases by the tin man!!

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 5 of 6 limited releases by the tin man!! i1 washing acid j1 diving acid

dripping acid is a series of 6 separate 12-s exploring themes of melodic liquid acid. part 6 of 6 limited releases by the tin man!!

this is toma kamis first release on his own label man band. the imprints name derives from the well known one man band expression and aims to focus on the correlation between this statement and the process of making electronic music as one person. the result is a record with 4 singularly different tracks, blending cosmic and percussive sounds in a variety of styles, and featuring the bewitching voices of bulgarian women on the title track dali bear which has had the most support so far.

crunchy, funky techno trax from the workshed of ford foster. featuring a mike dunn remix for decisions with two other versions for digital release. early support from hodge, fabrice lig etc

obbatuké are an 8-piece rumba group from santiago de cuba, lead by renowned quinto player carlos guerra. the band are mainstays at the casa del caribe, widely regarded as the epicentre for the eastern rumba scene.
rumba is a percussive-led genre descended from africa which was formed when mixed with spanish influences in the ports of havana and matanzas.
as innovators in the genre, obbatuké have been a huge inspiration to the manana project, and were involved in collaborations at this year�s event with plaid, quantic, nicolas jaar and london based breakthrough act, ariwo. this particular session was recorded at castlesound studios in edinburgh on the band�s first trip outside of cuba. it features three different sub-genres of rumba and an extended yoruba bata piece called orun seco.