man band dancehall music

incl. forest drive west remix

next stomper on livity sound

* following a string of releases on his own manband label, toma kami lands on livity sound with a fresh two track 12” contrasting the zippy percussive groove of sharp tool with the gurgling vibrations of land of the insane . * established in 2011, livity sound is a frontrunning label in uk electronic music. since its inception, peverelist s imprint has dedicated itself to releasing innovative music, eschewing existing forms and forging its own stylistic path

bold and raw sounds for adventurous dancefloors

back in the area. banoffee pies original imprint continues with bp007. the more serious and leftfield off shoot under the labels wing this time inviting the introduction of two new label members on this 4 track va. toma kami opens the a1 with the title rivershells, a slowly erupting swirl of percussion and progressive drums. a real head turner. the a2 comes from pablo marco with his second addition to banoffee after his breakbeat power track on their black label series imprint earlier in the year. murmuring vocals and a swirling feeling with all about - sure fire dance floor reset button included. the b1. comes from liem & eddie ness, whos split ep with acs on the earlier released bp005 analog acid record was enough to invite a return appearance this time with leftfield fujiyama, and welcoming of k-lone previously known for his involvement on the powerful bristol label, wisdom teeth with a down tempo track with warm spherical sounds.

this is toma kamis first release on his own label man band. the imprints name derives from the well known one man band expression and aims to focus on the correlation between this statement and the process of making electronic music as one person. the result is a record with 4 singularly different tracks, blending cosmic and percussive sounds in a variety of styles, and featuring the bewitching voices of bulgarian women on the title track dali bear which has had the most support so far.

hjirok are iranian-born kurdish singer and artist hani mojahedy and music producer and toma of mouse on mars.

pumpin and chunkin tech house banger

from brazil with love

including remixes from raw m.t., jk and jo patriota.

first release of endless flight in 2015comes from a new berlin artist. one of our most favorite new artist matt karmil introduced him to us and suggested to release his music with the remix of himself. we really love his unique house music and matt karmil remix is first class.

supported by: ellen allien, pirupa, marco violi, m.a.n.d.y, oliver klein, horatio, paco osuna and more ...
after a long wait finally the first limited edition vinyl of lost land records. carlo toma (cr2 - defected) signs the first vinyl release with a bumpy track with big pauses and restarts. the ep includes an original version and 3 remixes. the ep boasts the remix by aldo cadiz (desolat), alberto sola (barraca) and andre butano (drumm-amam). enjoy!

96 mixes by johnick, davidson ospina and prophets of rage!!

limited digisleeve 2cd

los totes 2 compiles more celebrated bangers and anthems from the colombian label tratratrax this edition features bitter babe, nick leon, verraco, doctor jeep, tomás urquieta and luca durán remixes come from rhyw, identified patient and gamma intel.

can’t miss this final installment, the cherry on top of an amazing set!

limited 4 x 12 inch hardcase boxset

fantastic first album of tunisian producer azu tiwaline, melting psychedelic dub, industrial and hypnotic techno deeply rooted in her berber culture, supported by lena willikens, nicola cruz, toma kami and violet, to name a few!

dark new wave and kraut influenced electro tracks with partly german vocals

limited silver vinyl 12inch incl. mp3 download code

limited series 07 lands after a few summer months off duty for banoffee pies records. more hot legs and feet for your record bag. five selected mixed bag cuts for morning and evening, aperitif or pudding. following suit from previous releases in the series with a new selection of sounds. a flurry of jazz keys, horns, drums and breaks. music for prancing, love and dancing. with love. bp x

mouse on mars’ andi toma and jan st. werner return with their most inventive album to date, dimensional people. the new album finds the berlin-based duo reunited with thrill jockey, a powerful aesthetic partnership marked by such seminal albums as radical connector (2004), idiology (2001), and niun niggung (2000). after a series of notorious dance floor releases, dimensional people reveals them working deep within their own vernacular, digging into fertile terrain of their inexhaustible vault of digital and acoustic experimentation, and charismatically making elemental components new again. this album makes clear how their craft is of discovery, of finding new contexts for places, sounds, memories, sensations, ambiences, technologies, relationships, and of course, people. limited colored vinyl, download code included.

the first ep from mouse on mars since their anniversary recording 21 again (2014) is clearly connected to their recent club gigs. in fact, synaptics sees the berlin duo embrace their love of juke, footwork and chopped up house music like never before. on its three tracks, andi toma and jan st. werner reinforce the collaborative idea of 21 again: eight different artists have been involved in the making of these tracks, which deliberately depart from a characteristic mouse on mars sound, creating a more organized vibe while still maintaining links to their previous work. there are two directions of research in andi and jan s sonic laboratory: one is focused on experimental club music, the other is in search of music without ties to specific genres. though heavily leaning towards the club, synaptics is caught in between. from the duo s perspective, it even touches pop territory. all three tracks came into existence during the past four years. opener „jack is out- with its pounding lazer stabs is an obvious link to their current club sets as well as a clue on future productions. after months of redesigning and rearranging, it found its final form through an edit by bon iver producer ryan olson aka arson only at his wisconsin studio, where andi and jan also recored for their next album. „bluescreen- was born out of a berlin session with jessy lanza and junior boys and was completed some year later with support from modeselektor. and the tropical funk of „sensitive person-, based on a studio jam with sepalcure, also needed some aging and refinement after a couple of months.

die in genf lebende, in lyon, mit vorfahren aus kamerun, geborene emilie nana ist ein wunderkind. -the meeting legacy- beinhaltet eine eklektische selektion, die viele davon aspekte beinhaltet, was emilie ausmacht. -the meeting legacy- umfasst 11 stücke und erfreut sich an dem erguss aus nanas grazilem und dennoch lebhaften wesen und trachtet erfolgreich nach dem brechen der regeln, mit denen kunst oft behaftet ist. indem sie ihr leben vergegenwärtigt, führt sie uns gekonnt, mit kindesaugen, teenage-erfahrungen bis erwachsenen sehnsüchten und ausgereiften konversationen, durch subkultur, kampf und verschiedene soziale einflüsse. nach vier jahren produktionszeit liefert emilie nana ein album ab, das ihren verspielten, aber reifen geist widerspiegelt und ihre seele miteinbezieht, the meeting legacy.

es klingt wie ein verwegenes abenteuer. sergio mendoza, bisher als tourmusiker bei devotchka und calexico unterwegs, entschließt sich vor drei jahren eine mambo-band aus dem boden zu stampfen. er nennt sie sergio mendoza y la orkesta - und ja, 15 musiker sind in der tat so etwas wie ein kleines orchester. sergio mendoza y la orkesta klingen wie eine big-band mit punk-attitüde

five lines lay the foundation for a new sound community: komaton. tomá ivanov and sebastian lehner are two young austrian sound artists living in vienna and linz. always focusing on their passion to touch and move the body and soul of their audience, they express their musical sentiments through the utter infinities of electronic sounds without compromise.

on >dos<, his first album since the demise of funkstorung, michael fakesch has taken the strangely alluring musical form known across the butt-shakin globe as funk and battered it to within an inch of its dancefloor hugging life

mixed cd , ltd to 300