a very special compost release with two very rare tracks! the a-side features a great remix of beanfields >tides< with amazing vocals from bajka - of course its not quite up there with the unbelievable carl craig mix but then that would be an uphill struggle. ripperton from the lazy fat people adds his moody, deep slant to the track, less anthemic than carl craig but a more than welcome alternative. this mix was available for a short time as bootleg with ricardo villaloboss remix of depeche modes >sinner in me< on the flip and sold out quickly despite the poor sound quality. finally, one year later, this great tune sees it official release completely remasterd in chrystal clear sound - get it, play it, love it! in 2006 the duo tom wieland and marc frank - better known as 7 samurai - crafted a fine remix of invisible sessions under their panoptikum moniker. when michael reinboth considered this remix for his new future sounds of jazz compilation the guys decided to contribute even a little bit more: an excusive new version which became a definitely highlight of the whole compilation. the panoptikum 2007 remix surprisingly takes a leaf out of innervisions book for a smooth deep houser with a slighty techy sound and a touch of detroit in the vein of Âme or henrik schwarz. in contrast to the vocal version included on fsoj this 12inch features the trippy instrumental version. ace stuff! two must have tracks - all killer, no filler!

this raunchy indie meets electro single gets a driving italo rework from glass candy. then moves!!! (aka starkey) turns out an uptempo, dubstep tinged house refix, while chrissy murderbot has a dubbed out mix a la francois k or larry levan.

after a very successful release on immigrant records and a couple of remixes this year and a very busy dj schedule on the nations floors, mr. sleep another day and old highgrade buddy, jens bond, returns to sender, spreading his urgent little flatbread ep through our highgrade network. with some coolish afro rhythms and strange zitarsounds, flatbread immediately makes sure to storm your mind. also the b1 superficial demonstrates mr. bonds current affection for complex rhythms in a minimal corset. then again b2, kodiac gives us jbs interpretation of a warm and housy minimal track

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

incl jeff samuel rmx !! spinned by 2000 and one, chopstick, tom clark, woody, xpansul, karotte, laurent garnier, tom mangan. deeop (grzegorz demianczuk) and ketiov (wojciech taranczuk) aka 3 channels released their very first record on trenton back in june 2005. since then they became quite busy and after touring the world and releasing other kind of music on labels such as crosstown rebel, trapez and with their side house project catz & dogz, mobilee or dirtybirds they are now back on trenton with label boss reynold for a dirty and funky track called >macho lato<!!! polish housy beats and french electro chordy textures makes this track the perfect european cross-over and will fire up every womens panties where ever you are on this crazy planet!!! ist macho time and its lato fever . to complete this almost perfect record, a very very hot remix from our friend and respectable artist jeff samuel!

this project was born of the american culture of consumption. field recordings were made in metropolitan shopping centers during the united states holiday season. conversations drifted into ambient sounds of money being spent, commerce being transacted. the results of these recordings were then sent to artists to be turned into music

hammered by madox, dopamine, meat katie, claude von sroke, lee coombs. australian superstar dj and electro house hot name of the moment dopamine meets up with italian funk stallion madox, (known for his stunning >breakbeat meets techno< releases on mantra breaks and monster techno collabs with john acquaviva.) when you need madness on the dancefloor, then this is a sureplayer.

armand returns with one of the favourites from his ghettoblaster album, if you ve got that already then fear not, theres an incredible array of remixes to choose from, including switch, simian mobile disco, riva starr!

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

every friday hugg & pepp sits down to have their mid day break after having a sturdy lunch at the partymakers. pepp is usually not late to suggest that something sweet should be consumed during this time in order to get inspiration and joy. hugg, who is also known for his sense of culinary experiences sometimes surprises pepp with exciting creations from all corners of the world. this particular friday, the team has choosen the mormors hosta, a typical swedish bread in wich a special yellow fudge, the hosta, can be found in the middle of this delicious bakery dedicated to our beloved grandmother. pepp, who is specially found of the hosta, also suggested that the two would make a tribute to grandfather so they wrapped the mormorshosta in a farfarskofta into a roll, then split it in half and feasted on this magnificent little piece in a cheerful mood. after this, filled up and satisfied they returned to their mystery machine and started to feed it with this new recepie. at first the machine returned some strange messages but after correcting the proportions between the amount of hosta and bread the machine successfully coughed up a banging bassline.

the first various artists project on car belongs to daniel gloomy and lexis. a and b side consist of one lexis and one gloomy track. lexis tracks offer more forward going hard drum line tool tracks with powerful subbass lines as gloomy tracks offer a different approach to hard tech tools with powerful synth themes. all the tracks are peak time material for any hard tech playing dj

two classic chicago house tracks taken from the clone classic cuts album. after more then twenty years since they were born, these two formerly very hard to get masterpieces will still cause major damage on the dancefloor...

word we werent expecting this! this fine platter kicks off with a deft mash up of paris greys dont lead me and neurotic behaviour by psyche (carl craig) and then launches into a beefed up edit of derrick mays kaos. on the b-side is a re-edit of the kevin saunderson remix of we know it by the wee papa girl rappers. we dont know who did this and nor do we care. its a perfect party record for peak time dance floor lunacy. nothing innovative, nothing new but just adding a new twist to old classics and doing it with style. highly recommended

dejan milicevics name is spreading fast with releases on patterns, adult, orion muzik and recon warriors to name a few. this record really has 2 different sides. on the a-side you ll find a strange piece of music! its hard and fat, techno with an electro-house-baseline to die for! then the break just tears every thing apart. massive! the flip is a different story, minimal and fat

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

the ron hardy tribute juggernaut rolls on with two more flashes of enlightenment. a slice of salsoul scorcher is paired with the cooler vibe from chris & cosey. >i remember ron hardy dropping nitzer ebb (hard industrial band) in between records by marshall jefferson and adonis.< says scott k. (more club, los angeles >in urb magazine theres an article on felix da housecat where he mentions frankie knuckles dropping cuts from bands like new order. he then credits (rightfully so) ron hardy for starting that.< >ron was more adventurous that frankie knuckles. frankie would play straight disco but ron would play all kinds of stuff. hed play eurythmics, he play man parrish, hed play shannon, right along with the disco. and man, he just stole all of frankie knuckles crowd.< - marshall jefferson deep underground chicago staple of music played by the chose few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

support comes from paul mac, ben sims, reynold, fabrice lig, russ gabriel !! a solid detroitish techno ep from franco cangelli. digging deep into his roots, he delivers 3 brilliant tracks that exemplify the machine soul of techno. >highway< pulsates with deep bass kicks, slowly evolves to a rhythmic orgy of beautiful detroitish chord layers. future classic deep techno. the darker and moody >things coming together<, works the dancefloor with classic 808 sounds, a square bassline, dark strings and a nasty melody. dbx meets detroit. >presumably so< starts off on a minimal trip slowly evolving into a funky track with a moving bass string, squelchy electrifying sounds and a sweet pad to add a nice deep touch. reynold then comes along with a mind shaking remix, funky chords, electro bassline, building up to an unrelenting dancefloor experience

played by troy pierce, kiki, matt tolfrey… stefan tretau has quickly made himself a name as a producer of techno/house with releases on fortek, sounderground and karma rouge. now stefan delivers his debut on heimatmelodie, with 3 original tracks and a stunning remix by mobilees marcin czubala. flederlaus is a real journey into sound: capturing immediate dancefloor attention with its bassline, then taking off with an intense frequency-shifting synthline that delivers another one of those dbx references many heimatmelodie releases have to offer. bettfluchthemmung is slighty deeper though, focusing more on the bassline and percussion patterns. the vinyl is completed by reiner modern, the most techiest track of the pack

this >sources ep< shows exactly where matthews heads at as a producer and dj, wonderfully deep groove-lead modern house with his own unique twist. being released on dinkys highly-desired horizontal imprint, its the first of a run of releases with another ep soon to be released on diamonds & pearls, a label whose small roster includes luciano, ricardo villalobos and henrik schwarz. >double exposure< on the sources ep can also be heard as the penultimate track on dinkys fantastic new get lost 3 mix for crosstown rebels, its safe to say shes a big fan, but then again its hard to find anyone who knows matthew personally or through his music that isnt a fan. 2008 could be a big year for the unlikely but highly talented star

dj support : matthias kaden, jimpster, italoboyz, karotte, tom clark & amongst others !! a 4 tracker this time called >nautical dawn<, theodors square basses are groovy as hell and as usual the swing notch is turned all the way to 16.e j!!! pieces of short and abstract vocal samples appear here and there and some fantastic jazzy sounding melodies played by old instruments like this pseudo vibraphone-guitar on the strong first track called jazzphysics or this 70s wha-pedal arabic strings on nautical dawn. theodor expands his horizon by developing a new genre that we could name something like >smart minimal melodic dry ass funk<?!? so if you like bouncing beats and want to experience serious booty shaking while you play that piece, then this record is >sans aucun doute<

heres the latest release from >the awesome supa dupa troopa< .... if by now you dont know who he is by now ,then youve been in a comatose state for the last 20 somethin years.this is a new release from tyree coopers label entitled supa dupa. the track is called >take me away< it features matt flores. its a four track 12inch with mixes from eddie fowlkes, b.n.m , goosebumpz ,and tyree himself, it is sure to be a dancefloor filler at anytime of the night

do u love the sound of border community ? then u should buy this one.. great pieces of music for listening, dreaming and feeling... and a big playfull davis & may remix on the aside. this is future sound that must not be hidden behind the boys from the island... let us introduce davis & mays friend alt fenster

a limited 300 copies release on dub recordings. superb 90s detroit / uk techno with some electronic trickery. square bells track is nothing less then genius... b-sides show the more techno-ish side of bernardi (octogen)... very good record!!.

original underground resistance member robert hood is a true icon in techno music, with releases on legendary imprints such as tresor, axis, peacefrog, logistic and his own label m-plant. one could even call him the godfather of minimal techno. hoodmusic 3 is the follow up to his 2005 and 2006 releases on music man. theres a little bit for everyone on there and we are pretty sure youre going to like these tracks as much as we do!!

mixturee between tribal proggy house and tribal flavoured electro tech !! roman rai (tribal vision / existence / solstice rec.) offers a groovy peak time house tune with emotional feel. incl. a great remix by shiloh (baroque / hope / electrofly). shiloh havent released anything for more then 4 months and their latest 12 on nick warrens label hope recordings was a big hit supported by pete tong, sultan, digweed, warren and other big djs.

you may already know barem (aka mauricio barembuem) from his releases on (un)foundsound, pariter and phonocult or from his remixes on resopal, mos ferry and einmaleins. if so you, wont be surprised in the slightest to find him surfacing on minus with never better than late to round off what has been another groundbreaking year for this ubiquitous label. the electro flavoured broken beats of so serial (digital only) make it the perfect tool for opening a set or for shifting the mood. the melancholy tones, the massive snare reverbs and the low, stuttering acid bassline gradually turn up the pressure before eventually triggering the 4/4 section, establishing the perfect platform to propel the eve! ning onto the next level. the fantastically titled ears conclu! des the release,offering more subsonic trickery in a similar vein. the percussive licks shift up and down amid a wash of reverbs and delays, while the bubbling bassline motors forward, keeping the scuttling efx in check

next hypnotical gel abril two tracker !! on the a-side, >200 grams< cannot be the weight of this heavily bouncing and hypnotizing tune. with a distinctive quirky line and a heavily bouncing groove like we are used from gel abril, “200 grams” keeps you moving all the way up to the main break, and then takin you back into the dubby old school groove. if the a-side was freaky and bouncing, well the ep title-track >your face is a mess< on the b-side can only be descibed as a dirty mindblowing minimal/tech house track with a druggy vocal all over and a very stripped down synth line

one of the most hyped & discussed remixes of 2007. alavi uploaded a demo version of his nirvana rerox on his myspace site only a few weeks. it was ripped from there & various mp3 blogs then published it. then many djs around the world used this one for their sets. finally the long awaited official version in good quality is there. even courtney love is showing her support & respect for this rerox. played by tommie sunshine, felix da housecat, annie mac, a.v.helden, freeform five & many many more! this one is gonna be huge!

played by todd terje, tim sweeny, mungolian jet set, bill brewster, dj cosmo and more. on this release they don’t seem to hide their combined love for soundtrack and trip hop at all! the heavy sonic landscape that is painted then suddenly gets some strokes of warm synthetic keys while a mid tempo 4/4 bass drum hypnotically keeps you going towards the end. finally you kindly get administered a dose of druggy guitar for maximum distortion effect.on the flip norwegian top-flight psychonauts mungolian jet set show their genius by telling a totally different story. for their dark & gloomy medievel knievel version the main theme from bs&f gets many variations and transpositions.this is a genuine and highly intelligent epic dance floor masterpiece not for the faint-hearted!

monster!! the a side of this new drumcode 2 tracker produced by belgian artist ortin cam could possibly become the biggest harder techno record of the year. it is simply twisted in the way that it builds towards a massive mid break point, continues to build in intensity and then a gut wrenching rave hook comes from nowhere to blow you away. this then warps and pitches up until the drop back when crowd responses that weve witnessed have been nothing short of demented

we ve always been suckers for the irresistable buttrich groove and his new remix is no exception - absolutely amazing deep as ocean and hypnotic and driving electronic house music that build and build for a fuull 10 minute bliss. dont let the forever deep intro fool you, it peaks at minute 7 and then - bang - you ll just love it! tip!!

wind of change is a massive slammer that already proved itself as having a huge impact over dance floors across the globe, with its twisted trance melodies, stable groove and electro and house influence, incl. a powerful remix by the amazing israeli duo brisker & magitman, logiztik sounds then turn in a tech prog stunner!!

multi talented parisian producer dj fudge comes with a killer 3 tracker for the newly re launched sub urban records, showcasing the diverse styles of his endless production skills. first up is the disco infused liv & love featuring the classic sound of vocalist mani hoffman (a longtime collaborator with fudge) who is most famous as the voice behind the hit record starlight by supermen lovers, then we shift to the other end of the spectrum of fudges flavaz midnight sun is a deep dark journey that wont fail to rock the global dancefloors, last but not least comes grysor a beat heavy journey laced with a twisted synth bass line for those who like their house dirty...

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

layo & bushwackas latest offering >saudade remix< has been getting a huge amount of attention recently following plays in l&bs and many other djs sets. originally appearing on the duos long player >feels closer< the track has been twisted and turned into a pure house gem. trademark drops, kicks, emotive strings and the beautiful vocals of jesse monroe will ensure this is being played for a very long time to come. on the b side >tabloid< receives a full outing following a very limited release back in 2005 to mark the launch of olmeto records. many people missed out back then and since that time the label has been under alot of pressure from fans who want to get their hands on it, and so heres their chance. support comes from pete tong, will saul, ben watt, chris fortier, dave mothersole, jesse rose

broken rules is a busy producer. this year he has hit more labels then any other hard industrial techno producer in the usa. appearing on labels such as men in motion, industrial movement, the third movement, monoid, compressed. here on industrial strength he comes with e mixture between brutal hard techno and hardcore

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

here comes andreas heiszenberger (ware/normoton) with what seems like a requiem to a past love. the track is moody, twisted, dubby and full of intense ambivalent emotions, from love to hate and from pop to abstraction. then comes nass aka geiger (firm/teile/kindish) to give the original the treatment and what a treatment! surely more effective than your post-depression counselor, nass goes for a dub techno oddissey that will make hardwax enthusiasts drop their prozac prescription. on the flip side one of the men of the year, mr. efdemin (dial / liebe*detail / curle) comes with the definitive solution: go deep, then stand up and dance. efdemin presents us with a work of love, an unmistaken hommage to the sound of berlin. to finalise, andreas heiszenberger goes for the traditional medicine to relieve any heartache: deep house with a nod to lowtec, theo parrish and the dial ensemble. a truly perfect moment

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

moton returns with two killer disco joints, delivering a spacey edit of the 1980 paradise garage classic billy who, on the flip the edit of micheles 1977 classic cant you feel it, originally released on west end records, pure disco glory. loved and revered by many a dj, moton is a sexy and elusive little eclectic beast, that dropped its 1st 12 inch back 12 years ago in the big apple with dj harvey at the helm on the 1st 2 releases. first off was east then came the massive northbeach. those 12iches & 20 others are now going for big money and are long gone, but after much nice begging & pleading the boys have decided to return & give you a big dose of what you have been missing! killer underground old skool disco, acidhouse and tasty breaks, re served with some tasty tight re edits. long live moton!

skat, the paris underground groove machine, the ever banging and so respectably personal sounding producer is onboard with us at sthlmaudio! mais oui!!! fred aubourg a.k.a. skat made his first musical education in the early 80s in rouen by listening his father during his radio show. hidden behind the mixer, he discovers artists and musical styles which would soon become essential for him, and would naturally lead him towards house, hip house and hip hop as well. he will then build his first loops with a k7 recorder in the mid 80s... skat comes here with a deliberately house ep. and it makes us all happy, because weare tired of the sterile, tired of the clicks with micro kicks

gerard hanson aka convextion aka e.r.p. comes with one of his best records so far. a bit more electro influenced then his down low outings but similar to his earlier frantic flowers release

groovements 4th vinyl release introduces one of the finest portuguese djs and one of the labels main activists. shifting destiny is just what we ve all been waiting for a diverse and challenging record ready to be played in different environments. the opening track is a hybrid electronic soul tune with vocals from melo d, the bluest of the afro portuguese singers. then comes the love for hip hop and cosmic music in the shape of a vibrant collaboration mastered by broadcites main man troy.the b side keeps that irresistible dance appeal alive with hausers blues and ends in style with lata dog providing the perfect musical vibration to kaspars programming, turning raindown into a great urban song for radio and club.

pure underground minimal techno sound

second octopus is mr statik with an excellent 3 channels remix, stathis is a greek gentleman of some refinement, his tracks caught our ear on mathias schaffhausers ware imprint as part of the mudmax duo and his talent for combining careful modern production and late night hysteria drew us to him as a future roster artist. then we come to 3 channels,what can we say,they have blown up on crosstown rebels and trapez and their own imprint channel records, their dj sets kick ass all over the place and their remixes, from claude vonstroke to decryptor have proved them as the bright stars of the european house movement. this mix is inspired,relentless, unusually energetic and yet typically 3 channels, aimed straight into the heat and haze of the night

oh my gosh, are these guys crazy?????????? >the force< is a big ravelectro dancefloor killer at its best. do you remember green velvets >destination unknown<? then you surely know that this one will destroy any floor in the world once again. caution: highly explosive! where do this fellows have their grand ideas from? have a look on the label. from outta space, saucermen might have brought it. pushaishiousmania!

asylum seeker + padded cell rmx blackpool refugee, cycling fiend and house music-machine magik johnson joins curfew for obviously his finest piece of music ever. imagine dj sneak, switch and jesper dahlback all kept hostage in a small room under orders to make something really good or be shot. filtered electro riffs build the pressure over a huge rumbling bass-end, then it drops into a techy hook that sounds like richie hawtin remixing a john carpenter soundtrack. paranoid and minimal as you like - and then back to the earth shattering beats & bass..

dead soul brothers is that man herve again, along with production partner seba. the eight track double pack opens with a four cuts of dancefloor hysteria - the type you would expect from the man herve. it also includes a killer rerub from phones too. the ep then turns into a blissed out, dreamy electronic psyche album reminiscent of rubber soul era beatles not what youd be expecting at all! its very much in that chemical brothers vein one minute bangin, the other all fluffy and deep. limited to 500 copies and totally needed.