solo project by karin dreijer andersson - lead vocalist of swedish du the knife! fu.. button and familjen mixes!

heading the charge on this remix package is ostgut ton beefcake marcel dettmann and martyn, whose frequently stunning blend of garage, house and dubstep should require no introduction - not if youve heard his great lengths lp, or his recent 10s on curle and aus music. fever ray, who if you werent already aware, is karin andersson from the knife

solo project by karin dreijer andersson - lead vocalist of swedish du the knife! mixes by van rivers, d lissvik and the subliminal kid

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

>i m that alley< is the new single from south african shock-poppers sweat.x. it comes as they embark on their two month european tour and is a taste of their forthcoming album >187<. >i m that alley< is a departure from vocalist spoek mathambos hyper-surreal rap style, and, together with markus wormstorms finely designed production, is a modern take on the classic synthpop love song. accompanying the title track is >the knife<, a freaked peek into the world of sweat.x, a favourite of their live shows, it finally gets released here. third track on the single is a remix of >i m that alley< by new york-based mike slott. slott has been making waves with his work as one half of heralds of change and this remix is his best work to date and is already being used to close out his live set. the release also includes instrumental versions of >the knife< and >i m that alley< for maximum club efficiency!

incl remixes by rex the dog, james rutledge and tora vinter !! fever ray = karin dreijer andersson (singer in the knife)

cesare vs disorder has become a name synonymous with dark tribal mystique of the whole ever-ness. now he returns to dumb-unit under his queen atom alias with 2 powerful moody exponent of summer fueled target mayhem. refuse greed is the monster of the 2 and is set to create precise dust storms of engraved monuments throughout the continents. beaten down circuit trek. forward, functional and expertly designed, it is the swiss knife of the hard motion. minsk is the trickster of the 2, the wild coyote data dash it goes deep and dark and slides through stacks like no other tin tit. hollow, resonant and compelling it s some fireside buzz log. it s out there ... now go find it ...

members only does frankie hard as he lays the knife in for 20 minutes of pure pleasure. deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is.

repress: debut solo album from karin dreijer andersson (singer of the knife).

september 2008, nima gorji is spending 1 month at the house of his friend babalow baba ifa leri oma in ibiza. in cuban santeria, a babalow is the father of secrets, a shaman, a spiritual guide. the philosophy of ifa was brought by the slaves from afrika, especially nigeria, to the caribbean islands. it became santeria in cuba, vodoo in haiti, condomble in brasil. the yoruba language is used in the santerias books and the ceremonies as chants. nima assisted to some ceremonies where the babalow is cleaning somones soul, energy, or aura, and establish a direct conection with a special energy called orisha. each orisha has specific attributes like a color, tools, beads, and various patterns of percussion rhythm. nima is listening to all these beats coming directly from cuba, he samples some parts, and produces a new ep : azul y verde. we are blue is a tribute to yemaya, the mother of the sea. she represents maternity, fertility, and life on earth in general. her color is blue and her number 7. the chant is performed by lazaro ross a cuban artist who died in 2005. lazaro was a legendary akpwon, or lead singer in the yoruba tradition. warriors is a tribute to oggun, another main orisha. he represents the force and the work of human kind. he is working with metal, and he always carry a knife. his color is green and his number is 3.

nice price deal !!! the valentinos... or as i should say now the lost valentinos. or the band >formerly known as< the valentinos before their legendary name change? anyway. poor little conquistadors just want to make music... not stress over clause 23 in the trademark agreement over who has the rights to a name. fuck those people, if they only knew about music, if they had a soul, they would pay these kids to share their name! man there is some whackheads out there without a vision. but thank god we do. and thank god the lost valentinos do

so this is what hardcore sounds like: fierce as a sharp knife and melodic like a returning nightmare. the wishmaster makes his first appearance on the third movement with back forever. three outstanding tracks to do the job at hand, an italian hardcore experience to follow! included are get out of my way, no skinny bitches and the title track back forever. all produced to deliver maximum hysteria in the crowds. a down right audio attack by italian hardcore master the wishmaster, it doesnt get any better than this!!

ironik might be the new kid on the block, but the dj/producer/mcs heartfelt message has grabbed the attention of an entire generation with 5 million total views on youtube and over 2 millions views on his myspace. stay with me, was written by ironik for his younger sister, fuelled by his fear for her growing up in a society rife with knife crime and violence. effortlessly straddling the line between r&b, grime, pop and hip hop, it is already enjoying support at radio and tv.

imagine what would happen if the members of !!!, royksopp, the knife and justice had a shy lovechild and you re a little closer to fm belfasts core sound.

swedens speedmarket avenue are a a pop music collective led by a little guy who looks like a cross between charles manson and marc bolan. their new album is, without a doubt, one of the musical highlights in 2008 for all pop lovers! their debut album im going to let my new swiss army knife answer to that, was packed ful of jangle pop reminiscent of label 53rd and 3rd. the band have played various european festivals and collaborated with camera obscura on their lets get out of this country album thanks to the mutual connection of producer, jari haapalainen. under his direction, they ve now recorded their second album, way better now. an absolute beauty from beginning to end replete with precious pop melodies in a non conventional way, imaginative arrangements and an omnipresent trumpet. limited to 600 copies on vinyl.

part 2 of 2 !!incl the hot remixes from röyksopp s what else is there and the knife s we share our mothers health

neu rave manifesto from australia! incl. rmxs by spruce lee & kato , knife machine, waxmaster .. its that time again... is what james said to me on the 7th of oct. time to write the jargon for our next bang gang 12 inches release mr icecream by the soft tigers. ok. lets get to it. they are a band from *canberra (*canberra is aboriginal for meeting place) they are young (please dont think operator please) think late high school early uni or first job freedom type young. ummmm.

highly acclaimed with his first ep >un/mute< minz strikes back with 3 massive tracks to dance on to till the end of time. on the a-side, darkslide, with his huge rollin bassline and the clever housy breakbeat is like a road roller crushing everything on his way! chaton from plak records as offerd us one of the most crazy and burning remix ever on perspectiv. his reisit of the previous ep smashing track >chinese drip< is unbelievable. massive rhythms long walk to the top, catchy loops. exactly what you need to explode all the shy audience! this remix his taken from our forthcoming compilation >family tree<! on the b side, a masterpiece from our family tree compilation: the man with the kite. this is an odyssey about love, wind, friendship, unbelievable melodies, flyin beats and perfect edit

lush 7 follow! constructed around a strutting bassline the claps, castanets, rise & cymbal lines interact to great effect. like a fine wine, k drive & ginman give the track time to breathe before slowly turning the screw. increasing the tension and expanding the room in a wash of metallic reverb! simplicity is the key as each sound cuts like a warm knife through the butter. reactions are huge on both killer tracks so have it large!

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

san fran producer john howard comes with wiggling, rolling snare-driven beats with mad percussive sounds bouncing in and out, a moody chord that cuts through like a knife, sparkling synth sounds on top and cut-up vocal snippets.. the b side is a favourite for derrick carter fans..

excellent electro pop anthem , contains the knife rmx in a pure tiga styleee

superb acidtechhouse styled with funkness..this duo has remixed for spektrum, the knife and a man called adam.. supported by michael meyer (kompakt)..chris duckenfield and steve lawler..

der kanadier zeigt sich von seinen besten seiten & davon hat er viele. das ist techno, das ist rock, das ist der rhythmus mit dem man mit muss

the knife’s karen drejer hat als fever ray mit ihrem neuen album „plunge“ gerade kritiker wie fans begeistert. das düstere und gespenstische erstlingswerk „fever ray“ aus dem jahr 2009, dessen songs bei diversen filmen und serien (z.b. „dark“, „breaking bad“) im soundtrack eingesetzt wurden, war lange zeit vergriffen. nun sind einfach-cd im jewelcase und auch die lp ab sofort wieder über uns erhältlich.

after 2018Õs beloved Òbe the cowboyÓ, mitski is back with her new album Òlaurel hellÓ.

good price for good music! ambient, electronica and experimental sounds.

the new album from cypress hill

standard cd im softpack mit artwork von lee marshall. having recently made his inaugural outing on brainfeeder with aphelion ep, british producer ross from friends aka felix clary weatherall returns with his debut album on flying lotus label. family portrait is characterised by a perpetual desire to experiment and felixs obsessive attention to detail, somehow marrying an intricately layered production style with warm, heavily saturated sonics that elevate, rather than stifle, his melodious funk. with a handful of revered 12inches under his belt via breaker breaker, lobster theremin, distant hawaii, magicwire and a 10inch on molten jets. family portrait showcases his ability to shift and evolve, moving from the world of lo-fi to the world of flylo

matthew barnes, der hochgelobte britische musikproduzent, veršffentlicht anfang mai unter seinem alias forest swords sein langerwartetes, zweites album compassion via ninja tune! compassion ist die antwort auf die ungewisse, aggressive neue welt, in der wir leben und tŠglich kommunizieren - destilliert zu einer einzigartigen soundlandschaft. barnes forschen nach dem schneidepunkt von ekstase und melancholie, dem kŸnstlichen und dem menschlichen wirkt zeitgemŠ§ und rŸhrend, eine lobpreisung auf ursprŸngliche verbindungen, auf das leben und ein besorgter blick in die richtung, die wir derzeit einschlagen. heraus kommt ein selbstbewusstes, unwiderstehliches, lebendiges werk, das vergangenheit und zukunft vereint: webende schwaden von summenden, digitalen texturen, field-recordings, klirrende beats und verzerrte jazzsaxophon-elemente mit zischenden orchesterarrangements. barnes versucht sich mehr denn je an der idee der wortlosen, mehrdeutigen vocals als eigene form des ausdrucks. mit melodien und gesŠngen, die sich im laufe der tracks entwirren, sich dehnen und krŸmmen, und sich selbst finden - auf wunderschšne art und weise. zentral zu dieser spannenden welt steht -compassion-, ein album, das so schwerwiegend wie verletzlich ist, auf dem barnes die apartesten teile seine bisherigen werke in etwas formt, das sich sowohl dringend als auch notwendig anfŸhlt und barnes schlussendlich als einen der wichtigsten elektronischen kŸnstler und komponisten seines heimatlandes gro§britannien zementiert.

sound of the 16th season people have their personal rituals. leaving the international space station russian space travelers left some bread and salt as a welcome gift for their american colleagues. tennis star serena williams bounces the ball exactly five times before her first serve. our beloved master of ceremony of techno music, sven vath, has a ritual as well: when the shadows on the island ibiza grow longer and the noise of the summer is about to fade away, he takes a couple of days off and reminisces the passing season, the parties, the crowds and the music: what were the craziest, the most outrageous, most beautiful moments? which situations, which encounters inspired me? what did we laugh about? and of course: what was the best music? which tracks accompanied me and my cocoon people during those intense weeks? vath assembles those magical tracks for the sixteenth time this year merging them into two and a half hour set.

prosumer, gebŸrtiger saarlŠnder und begeisterter fan des klassischen house ‡ la chicago, detroit und new york, mixt nach zeitlos guten releases auf ostgut ton, playhouse, mobilee und get physical die neue fabric-cd, die zu einem statement seines tadellosen geschmacks und seiner dj-technik wird. so sehr sein vielfŠltiges house-set mit unvorhersehbaren entwicklungen auch Ÿberraschen mag, so kompakt ist dessen flow. es ist an der zeit fŸr den undergroundhelden, seine geliebten klassiker in frisches licht zu setzen.

3 cd compilation incl. skrillex, knife party, chase & status, nero, skream, benga, dj fresh, magnetic man, la roux

the annual! one year. one album! 3 cds incl. example, rihanna, wiley, david guetta, jessie j, dj fresh, avicii, otto knows, discosure, jeessie ware, mosca, and many many more! 3 cds - 60 tracks!!

ambitioniertestes album irgendwo zwischen post rock, warmen westcoast sounds und electronica

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stŸcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stŸck ãwild partyÒ sowie einen sich Ÿber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

incl bonus disc of covers, instrumentals & rarities

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen Ð its driving, percussive dance music. a comedy in six acts: from l.a. to dŸsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach dŸsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of dŸsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

two classic warp albums for the price of one! limited edition!

this mix precedes kelpes brand new studio album >cambio weschel<, which will be released in october 2009!

this real rock debuet album by parchman farm, ghengis khan und cuts contains sounds like 70s rock and guitar riffs like jimi hendrix and kurt cobain.very special!

dieses neue doppel-album ist kein neues studio-album, sondern - wie der titel schon vermuten lŠsst - eine werkschau Ÿber trentem¿llers eindrucksvolles schaffen in den jahren 2003 - 2007. die -trentem¿ller chronicles- beinhalten anders persšnliche auswahl seiner besten songs und remixe, die bislang nur auf vinyl oder compilations erhŠltlich waren, aber auch einige neue und exklusive stŸcke. der fantastische trentem¿ller mix auf cd1 und die gelungene auswahl der remixe auf cd2 machen diese ver-šffentlichung zu einem eigenstŠndigen doppel-album fŸr aussergewšhnlichen hšrgenu§. angefŸllt mit einer vielzahl erstaunlicher songs, bietet dieses doppelalbum einen faszinierenden einblick in den musikalischen werdegang einer der besten elektronik-produzenten unserer zeit.