another quality salted music release, chunky soulful grooves with mixes from dutchian soul & dave mayer.

strictly limited, hand stamped white label 12 inch from the kenneth bager experience. the a-side features an extended chunky, drum driven edit of sades soldier of love. the b-side has a peppy danceable edit of birdy nam nams catchy bad connection and kate bushs cover of sexual healing!

double a side release from a london based unknown artist on this dark dubstep label inspired by early 90s sampling culture. first tune up is a dark and heavy stepper with sinister vocals drenched in echo. mutated basslines sit nicely under face slap snares. flip side is a nice roller that never lets up, a chunky bassline plays off the relentless beats while paranoia samples bring on the thc induced psychosis.

like all previous sold out colours releases each 12inch is on coloured vinyl - this time purple - shrinkwrapped and strictly limited to 500 copies. be quick! dj support from jimpster, sebo k, lauhaus, osunlade, terry francis (fabric), meat, shur-i-kan, anthony collins, ed davenport, arnaud le texier, yakine, okain, bearweasel,.. following the hugely successful white ep with ethyl (the biggest selling release on tsuba last year) huxley makes his highly anticipated solo debut. lead cut >cobourg< shows huxleys love of uk garage and us deep house and has soul in abundance, whilst agnes delivers a stunning remix in his own imitiable style. on the flip >get your own< uses a choice miles davis sample to create a slice of deep & musical underground house. label boss kevin griffiths rounds off the ep with a chunky dub version

italian du ajello drop tip-top disco business on demo-disc. side a : bull attack: tough kick with wah-wahed guitar, hypnotic synth sound go along with rap. side b1 : 2 the top: starts off with killer percussion and dubbed out stabs keep the groove going till bass and vocal comes in. uplifting disco. side b 2 : motor show: chunky bass line with acidic analogue synth sound, and stab keys brings strong groove till percussive breaks part. peak time disco bisiness

fans of beyond the wizard sleeve, a mountain of one.. will get straight into the sound of double drop label – psychedelic, cosmic rock with chunky beats by luca c & brigante. a side – ‘lucio’ starts off with laid back guitar and strong hand clap, this funky groove goes behind the main melody line that make the impression of sort of cosmic / psyche rock feeling. side b ‘faber’ : light kick, pleasant catchy codes, latin male vocal with bug pipe (?) sound – imagine the balearic classic of ‘stop bajon’ by tullo de piscopo with twisted modern feeling…..

spinnin had a prtetty incredible start to 2010 with numerous top flight releases and more club and chart smashes than you can shake a stick at!. paul thomas & sonny warton are at ther helm here and roll out an uber funky and chunky number that fans of the label will be lapping up

rick preston with this new 12 from the worship label. >the magnet< is a chunky, percussive houser for the peaktime crowds, with dubby stabs and vocals mixing it up with a steady bassline, and great drum patterns, while swirling effects top the whole track off nicely. on the reverse, its heavy dubs all the way on a thick, syrupy helping of dub-house, packed with ragga goodness.

despite dfas disco pedigree, the juan macleans dj-kicks mix is a love letter to straight-up house music. its a driving, sweaty session thick with pumping keys, chunky drum-machine beats and chopped vocals, and it cuts confidently through the sweetest hour of dancefloor communion with filters billowing like sails. recorded specifically for the mix, the juan macleans new single >feel so good< is a perfect distillation of that vibe.

galens original mix is a stellar funky techie house thumper with some nice james bond influenced horn stabs and bouncy melodies that inter-play skillfully with the subbie bass line. of the two remixes on the b-side claude vonstroke steps up first with his cant miss minimal funky dirtybird style. rob mello closes out with a sultry, techie acid house flavored journey featuring long modulationsweeps perched on a chunky bass line.

this vinyl format is featuring the 3 exclusive tracks of the upcoming 2cd compilation. tigerskins >voodoo< is a bizarre vocal wanderings and chunky beats set the tone from here on in. the new cat andrade contributes a cheeky, bumpin house of >merise<!

from the chunky dub tech funk of runner to the lush, beautifully orchestrated hole and fach, billys attention to detail as well as his instincts as a dj are clearly apparent.

minimal techno which is primarily made with expensive soundsystems in mind, these tracks are about chunky rhythm, melody and colour, built to cut through under any circumstances without pandering to cliché

idle hands is a vinyl based label operating out of rooted records in bristol. the focus of the label is on raw and experimental dance floor tracks, in the best traditions of the uk underground. hanuman and atki2 make up monkeysteak, and along with dub boy run the steak house records label. over the past few years they have released 12&#8243,,s on the werk and punch drunk labels as well as recently featuring on toddla t’s fabric mix. here in the west country dub boy runs the bristol’s best bass music night, the acclaimed ruffnek diskotek and has recently been voted one of the cities favourite dj’s, second only to joker. this 12&#8243,, sees the crew delve into house music with satisfyingly bass heavy results. the a side is a chunky deep house track with a feel good carnival vibe. the b side is a unique slice of post-soca dance music, and also includes a remix from the internet’s funkiest man – grievous angel. dj support from martyn, ben ufo, blackdown and 2562.

guy gerbers supplement facts records is proud to present the rise e.p. by - jona -(sfr019). the rise ep carries three original productions by the belgium born artist jona. hes a newcomer on supplement facts, but a veteran to quality techno productions and we are excited to welcome him! the release rise ep continues to push the musical boundaries of the supplement facts sound, this time in the direction of a solid techno production in typical >jona< fashion. deep beat lines and long stretched chunky bass riffs elegantly piece together the cheeky highs throughout this release making all mixes true peak time dance floor options.

its still like that: even though digital is everywhere there is still something very special about having your own tracks on a vinyl release. so this is it again: the very best of the last releases on koletzki_s sublabel stil vor talent digital on a double-sided vinyl edition. starting off with two tracks by bruch & junior that couldnt be more different: while >fiesta de la residencia< sounds like somebody threw some spanish vocals and trumpets into a pool of tech-house beats and basslines at a maniac afterhour on the white island (ergo: great),>sunset< is the deeply euphoric sound for the morning after. the synthesizers so crisp and all around you, the beat and bassline so warm and seductive: this is purely magical music that will make you forget when the sun went down or up the last time while still making you want to shake your legs to the strong bassline and chunky loop. hit! on the flip then comes a re-work of a massive hit on stil vor talent: a 2010 version of nicones >una rosa< complete with the original spanish vocals, but a much more grooving loop that turns into an absolute percussion fest. claps turn into effects and we all raise our hands to those reverbed original vocals. last up australian murat kilic with the wonderfully oldskool house anthem >summer traffic<: great melodic pads, a superbly harmonic bassline and when the breakdown kicks in, an ever-indulging xylophon melody. this whole record has got summer written all over it and helps us all get through this icy winter.

prime numbers are back with e11.... the latest in the pn e.p series. three exclusive tracks by mr scruff & kaidi tatham, motor city drum ensemble and andrés! this time we feature a heavyweight collaboration between mr scruff & kaidi tatham who provide a smouldering jazz-house production with kaidi leading the way on keys and flute on top of a chunky, bottom-heavy groove. motor city drum ensemble drops a killer raw cut. a heavily smashed jackin’ disco workout with all the markings of a fine cajual dub or early striclty rhyhtm. the track oozes soul and is unpretentiously aimed at the dancefloor. once again danilo plessow proves less is more. andrés completes the line up with a cheeky blend of some classic ingredients. sounding like a track from his early releases, “jack city” has all the essential hallmarks of the andrés sound with an excellently simple but purely effective fusion of house and hiphop ethics

od muzique & mark holmes have been producing some seriously chunky beats of late, now they team up for this project on baroque! funk fueled, tribal esque house music - with a top line that will simply devastate! on remix duties tobias lutzenkirchen, with his tech house take on things... a massive package, to bring in the new year!

limited edition blue vinyl - bringing us the immensely talented duo submerge and virgil enzinger with their drop dead chunky beats, lush analog keys and a bassline thick enough to cut with a knife, complete with subtle rhythms, heavy bassline and a ton of underlying tension.

support from andre rozzo, alex jones, so inagawa, jamie jones, matthew styles-harris, laurent garnier, steve lawler, nic fanciulli. luna records is a new uk based label from respected club promoter/ dj/ producer paul bowen, the man behind middlesbroughs infamous >riff raff< events. the label is set to release music from some pretty well established artists with an emphasis on stripped back chunky house music and in that vein the debut single sees the much hailed german producer chris lattner step up get the imprint firing in the right direction. lattner has been djing for the best part of two decades, initially gracing the decks at hannover techno parties before word of his talent spread, seeing him strike out to play across germany. he has hosted a radioshow for australias pulse radio, worked as a booking agent for lessizmore and has had releases on labels such as einmaleins musik and wba. his passion for electronic music has shone through in everything he has done and led him to produce some great records, to which can now be added the luna debut >memory<. this single release kicks off with lattners original of >memory<, a solid tech driven slice of house with heavily effected vocal samples and a simple floor shaking groove. this is understated underground house music at its best, deep chunky and highly effective. first of the two remixes comes from ex-peace division man justin drake, who builds on the vibe of the original, thickening out the drums and layering some heavy filters over the sythn stabs to great effect. a straightforward and highly effective arrangement provides everything that is needed in this excellent reworking. finally we have a remix from bearweasel, who have been providing choice cuts in house music over the last year via labels such as tsuba, supernature, bloop and murmur. for their >lazy dub< they take things back to basics and turn in a slab of deep and dubby house with an emphasis on razor sharp percussion and earth moving bass. this is a superb debut from a label that is sure to become a major fixture in 2010.

a fantastic four track release that shows off lisas vocal skills alongside a slate of slamming remixes. lisas performance partner miguel migs turns in a bumping deep house groove that recalls classic nyc garage, while blue sixs jay denes goes the minimal soulful route with his typically sublime and subdued vocal style. other mixes include a chunky, breaky house rub from scott hardkiss and a slamming electro house dub from eric stamile.

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.

claire ripley, the london based producer and head of her new phobic records imprint sends over some lovely extended and hypnotic vibes with this magnifi cent four tracker, backed up by a classy remix by gorge of 8bit and cecille fame. just the right medicine as summer draws to a close! written and produced by herself, & engineered by justin drake, the ep captures all the excitement & promise that a new artist like claire exudes, plus the added bonus of having one half of peace division working the mix. nice! title track labyrinth introduces us into claires world with long, drifting arrangements full of tension and cooly placed melodic sentiments. deeply tuned, chunky drums work the floor while only a handful of carefully selected elements sing their tune. flirting between sunrise synth-lines and tingling atmospheric moments its a haunting adventure into modern hypno-house. gorges remix of >labyrinth< lifts the energy a notch with his trademark rolling drums and pushing energy from the very start. using the main hooks with discretion this 8 minute drum workout is a tough, addictive and essential club tool.

alex celler has made quite a splash in 2009! since his tuningspork debut ep trapped in dub, hes had a hitrecord la palma for arearemote, and consequently teamed up with fellow londoner anthea of phonica records. as anthea & celler they released a pair of 12?s forfreak n chic and cÚcille, and now their third effort as a duo appears on tuningspork. down with g.o.d. is a chunky and forceful workout, fuelled by jesus juice, with a distorted bass bounce and vaporous dubovertones that just might make the dancefloorbreak down and speak in tongues.

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

beep beep beep. remix remix remix!
on the a-side, the loco dice dub is a perfect set-builder, one of his best remixes to date. purist loco fans might also be happy to hear that tigas vocal has been 99% extracted from this version, leaving behind only the echo of disco-pop in a solid, dj-friendly groove.
kaines mix keeps things closer to the original, emphasizing the pop punch-lines with staccato beeps and a chunky beat. positive vibes here from a bright young uk producer.
finally, space-disco maestros emperor machine turn in another epic roller complete with a brilliant analog synth jam finale.
great job!

future classic continues its momentum with the future classic attractions 12-inch sampler from a full-length compilation of the same name previewing the immense quality of talent emerging from australian shores. first up come the soulful broken beats of eddit, known for his solid 12Æs on equatorial and freestyle records. the a2 rumpski is a hip house jam from meem with a chunky bassline dropping in the second half of the track reminiscent of early morgan geist. flip and we are treated to mutual sigh, a sublime late night production by deepchild (following up his recent blackness of the sea classic) in collaboration with gauche. touch sensitive concludes the sampler with body stop, a standout slow burner of new school disco deepness. look out for the future classic attractions mix cd featuring 12 exclusive tracks mixed by nathan mclay, a quality overview of the bourgeoning australian scene.

sven tasnadi is a producer who, with every release, audibly and gracefully takes his style down the many different avenues of house and techno cityà his latest, brave work for poker flat then could perhaps be described as a midnight drive down main street, tempted by and lingering at some of the darker side streets, yet journeying on regardlessà.! its a fantastic ride from tasnadi, that sees two versions of the title cut plus a perfect b side track included for good measure. >habanero< is a tough, tracky concoction of thick bass led percussion, warbling, building sci-fi synths and classy hi-end hats. the unmistakable groove begins low and simply builds upwards, creating a 10 minute cabride through ultra-modern tech house, cuba style! we wont spoil the fun with the tingling breakdowns key momentà but theres also a (without trumpet) version on the b1à.! carrying on the chunky, dramatic vibes, >piri piri< dubs things out as a blissful and unique synth line carries this beautiful journey track along its honest and respectful path. a wonderfully resolute deeper moment from tasnadi, the phasing vocal stutters and pads play together with the central in delightful harmony, reminding us of the producers ear for touching and timeless arrangements

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

joker & ginz purple city quite simply put ? purple city is one of the biggest tunes you will hear in 2009, no fronting! being repped across the board by the biggest, pickiest names in the scene, hear is a rhythm that crosses boundaries effortlessly. think turbo charged g funk flavours, chunky square wave bendy bass and rolling carnival drums ? perfectly executed. rave funk ? served extra greeeezy!

christopher spero a.k.a glimpse has really made a name for himself the way that producers and djs in this day and age should: by making tasteful music of the highest caliber, and putting substance over style. these two tracks co-produced with frequent collaborator and head of the hypercolour label, alex jones, put that said taste on display in a refined and elegant form of house music.true friends pumps right from the beginning with a chunky rolling kick drum only made denser by the thick brushing percussion that surrounds it. before the beats become to overwhelming a soothing male vocals drifts in reminding how hard it is these days to find a true friend. a stark tune of epic proportions. returning with a similar pressure from drum programming aesthetic, which basically means hefty percussion layered over warm and tumbling drums. æcambria sets itself apart from the a-side with a more open-air vibe. light piano notes float along side softly played wind instruments, creating a surreal dreamlike audio experience that still has the tools to do damage on the dance floor. glimpse and alex jones have really put some true style, grace and class into their music. masters at creating a distinctive sound that exist in the space where warm and lush tones meet musicality and stimulation. a summer record with good vibes scrawled all over it.

a chunky / phunky chicago house classic , contains mixes of mark farina & lance de sardi

the jaffers is a brand new project launched by jaffa music label head nicolas vautier and keyboarder nicolas gueguen that presents their debut single be good featuring songstress rachel claudio, with an album currently in the works. be good is a chunky feel good affair on a funky tip featuring outstanding vocals by rachel claudio alongside spacy keys. remixes are courtesy of rocco who adds his distinctive deep remorseless touch, and david mateo & rafix who contribute a main room favorite. support by halo, melchyor a, dj pope, doruk ozlen, andy ward, master kev, soy mustafa, michael fossati & more !

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

kevin andrews as im sure you are well aware is one half of the massive hoxton whores and has launched his world sound label to focus on his own productions and signing up some fresh talent that he has come in to contact with on his djing gigs around the world. 552 is a pure club track with its chunky beats and driving bassline all hooked around a catchy organ riff with 3 mixes to choose from your sure to find one that suits. another killler from the world sound stable

the mysterious edit-select aka tony-scott the man behind the label ôedit-selectö brings his unique techno sound to lmd, two deep techno cuts that are getting played by everyone including richie hawtin, villalobos, derrick may, adam beyer, len fakià the stay_below ep opens up with aurian a chunky techno killer with a real detroit style feel to it, bantu on the flip is more deeper with a hypnotic tribal edge.

mr negro returns with the sunburst band for a superb e.p of remixes. æour lives are shaped is in the capable hands of mr grant nelson who keeps the original vibe alive adding his own chunky beats and flavour. æfree bass is a wicked slice of space funk. æwe can live forever is beautifully reworked by purple musics very own simon grey who provides 2 mixes the first being skillfully edited by joey himself and the dub taking the deep funky electronic route works so well. dj support seamus haji / danny krivit / dj meme / groove armada to name a few

a1: decimals concoction is chunky with a thick creamy broth. spaced out spiced sonic crumbles interact with your waistline. basslines? plenty, without the pork. bring a spork. a2: ominous tones shape a rocky mountain of inferred understanding. what did she say? 303 like analog waveforms try and decipher the words like musical hieroglyphs. b1: the voice of darkness speaks to mortals. bells ring and merge with the ether. madness ensues. a fog descends on humanity., b2: showcasing nonstop high kicks, david lee goth is the star attraction of satan s rollerdisco! like an unrelenting metronome, the drums disguise his disfigured soul. jpls strips it down and paints it black

melbourne based junji masayama swerves his debut bearfunk release flying in from leftfield in the guise of his green circle ep. its a fine four tracker for which the adjective eclectic was surely made. smatterings of disco sensibilities, bleepy house, deep groove & squelching synths. green circle leads the pack with all its underground rhythms and chunky synths. monotone radio is a drum led wonk soundscape whilst sponge feet is one for the more uptempo alternative disco floors. oyster rounds things off with more eclectic beats and disco firefly darting keys. one for the varied tapestry that is bearfunk.

one of our best selling labels, who have really carved out a niche for sublime, chilled but chunky grooves a side is dropout –seeing coyote stepping onto the dancefloor whilst still keeping all the elements of their sound. electric guitars, arpeggios, and a catchy little melody. tranced out, chugging and laidback in equal measures. the remix of dropout by deadstock 33s-the balearic godfather himself-justin robertson takes the track into chunky electro dub bounce territory. the flip sides >how you doin< is a laid back slice of dubby balearica with a remix from the international peoples gang who offer up a supreb remake, reminiscent of weatheralls early 90s output coyote and is it balearic doing exactly what it says on the label !is it balearic…?-oh yeah

played by raresh, luciano, kreon, dj sneak, oscar miranda, doc martin, anthony collins.... amazing return by the labels head honcho!! 4 strong chicago flavoured house tracks by phil weeks here!! back in effect is a cool colab with another well known robsoul artist - joss moog!! a must have!!!

chunky and funky breaks 2 tracker by bubu!!

g&s is nadia ksaiba and matt nightmoves waites and show me the good times is a chunky, bass heavy beast full of live percussion, space echo fx and sparkling electronic flourishes. theres also someone from a rather famous pop group banging and shaking things in the background, we ll leave it to you to work out who...

uk born, japanese based max essa delivers us a tasty morsel and appetizer for his upcoming album on bearfunk. drive time is a slice of trademark slick, slo mo disco. with live drums, rolling bass synths and sundrenched chord changes, the track conjures up visions of sunsets, surfboards, highway 101 and long lazy days. irish based john daly delivers his re rub on the flip, adding in chunky stabs and rolling synth lines... but still managing to retain the slo mo feel.

tedd pattersons debut release for wave find the ny stalwart bringing out some seriously chunky techno funk that snarls and phases its way through 7 minutes of pure dancefloor mayhem. check the groovy and dubby beat pharmacy remix !

a very warm & innovating ep full of lush melodies & harmonies ! especially blue is that sort of track you fall immediately in love with after first listening and it contains enough chunky deepness to rock any club

miguel migs has always been the master of dubby and hypnotic house grooves, and on >feel it< the man really excelled himself. the >dubpusher mix< is a heavyweight house groove whilst the >deeper mood mix< adds some great keys and melodies. on the flip of nrkrem008 is a very early nrk production. anu pillai aka freeform five produced an early vocal house tune with legendary diva carolyn harding and here we ve remastered the chunky and robotic dub mix

ep002 hosts fresh new material from the labels head, sync 24, the debut release for matt whitehead, an appearance from pyramid transmissions well respected label owner adj and the brighton based acid maestro junq. chunky analogue basslines accompanied with some great electronics