presented in 5mm spine, ltd edition full-artwork colour sleeve which fits parts 1-3. having scored on mosiac, bodyparts and project london, kashawar returns to autoreply to complete his critically acclaimed moments & lost memories series. here the young german star steps up with time cures a hook driven weapon possibly paying a slower respect to mills purpose maker releases. mpc style swing infects the groove on rise and shine adding soothing vocals and subtle acid lines to side a. flip the disc for deep, funking atmospherics on knotting and spheres adds some of kashawars early morning dub magic to the package. look out for repressed parts 1 & 2 to complete your collection!

waypoints builds on those early successes, with that delicateness of touch plain to hear. a renewed warmth enters. tracks wash with a lush and textured sound. sheer class spills from speakers. porthole illustrates from the needle-drop what you are in for. a tapestry of tones reveals incredibly emotive electronics. tracks are sculpted with an awe-inspiring precision, from the wind-swept wonder of murmur to 303 echoed dreamscape of the searching. and it is a dreaminess that embodies this ep.

the fifth installment of the prrukblk series includes 3 buldging techno bits giorgio gigli and ness. leaning towards the more sinister side of techno this record contains everything from off beat rhythms to sinister early morning themes.

martyn dropping his second one on dollydubs. once more the dutchman is delivering a masterclass in contemporary dance music. on block the box you ll find 3 tracks with roots tracing back to the early nineties underground rave spirit, but with that special energy that will unite future dancefloors worldwide. subs, strings & breaks are all present, shifting back and forth between hedonistic ecstasy an moody melancholia. instant magic guaranteed!

this time, they have collaborated with british producer and songwriter brolin, who has written a heart melting vocal for this release. as the lyrics and melody swirl across an uplifting instrumental, it becomes obvious that lost n free is the soundtrack for those introspective, early morning moments. the b side, doin it takes the release underground with its pulsing synths and piano stabs that gradually build over contagious basslines and swung drum hits.

*this is how it started* focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardys music box. vinyl sampler 3 of a comprehensive journey in the essence of chicago house music, features gene hunt, chicago blues orchestra, yam who? & gg.

pittsburgh track authority return with a new single-sided limited edition edits record on the imprint that bears only their own logo. “i always wanted to be in a band” kicks things off in an early 70s soul jazz style, with infectious vocals and catchy horns doing the damage. next, a flute driven cover of the dance classic “lowdown” keeps the disco-funk vibes of the original but with added springtime/summer vibes. both of these have done damage for pta at their gigs, and now they can do damage for you at yours. a fitting end to the magenta logo series!

the late nite stepper, the strut in the stuff that leaves you wanting more. that goodnight kiss, that early morning mist. mystery producer olmos steps to the plate for his debut 12inch on hot shot sounds, boogie funk vibes paired with modern nods to house stomping og mix backed with remixes from label boss inkswel and faces & mcde maestro pablo valentino

• the fourth and final re-release of the early rrose titles originally on sandwell district
• full colour printed jacket
original promotional text : yes, the rumours were true - a full lp here of the latest tête-à-tête between secret artist rrose and experimental maestro bob ostertag.

next up on obsession recordings is a new one from label co-founder primitive world (sam willis of walls/ecstatic) following up from his excellent previous release ‘worship / premonition . fast falling hands , has a relentless, almost abrasive groove, offset with a staggered insolent bassline and jagged percussion which see primitive world further developing his off kilter sensibility and sense of texture. on the flip, ‘rush’ twists proceedings up with its humid atmosphere, heavy breathing, and the unique sense of restraint seen demonstrated in his previous work.
early support from barnt, john osboure, laurent garnier ...

a powerfull mix of house & techhous sounds.. a paean to the universe, the ep brings a fresh, new sound while being rooted in the spirituality and intent of the early days of underground housemusic. long basslines and a straight experience with ups and downs, newly interpreted and played with every track, is what makes these two artists so catchy. perfect buildup tunes, deep and jackin housemusic.

one of the uks most enigmatic bootleg labels returns for its fourth installment of dancefloor bombs and feel good hits. following the trail blazed by early bootleg pioneers such as ron hardy and john morales, boogiefuturo presents two instant classics for the edits hall of fame. * give me some emotion* features an expertly amped-up sample of a particularly well-known female vocalist (we don’t want to give too much away now). jamie bull’s edit respectfully takes the track into the 21st century, with solid, punchy drums and big room snare reverbs to support the original boogie funk synth lines and staccato guitars. sing along vocals and catchy hooks make this a fine addition to any vinyl junkie’s record bag. ‘lovin’ spree’ continues the boogifuturo tradition of tasteful edits. neil diablo loops an infectious guitar hook with the addition of low growling synths and rhodes keys, to build the track into a crescendo timeless disco strings, chant-along vocals and killer sax solos. an underground classic on the disco scene but never reaching the heights of commercial success, diablo presents an edit to give this forgotten record new life. boogiefuturo is vinyl only and strictly underground, this won’t be played out by everyone – this one is for the purists, the vinyl addicts, the one’s that reminisce over the days when the white label ruled…

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

u-star records has returned! after spearheading a dub-soaked and twisted disco revival in the early nineties, u-star quickly became a cult label, whose catalogue still manages to sound as fresh and dislocated as ever! they are kicking things off again with shrinkwraps incredible versions of the 1997 idjut boys and laj track karmakazi from the outhouse ep. shrinkwrap serve up two recreations that have captured the spirit of the original and taken it far far away

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

the next communication from butter sessions is here! label heads sleep d team up with dj fett burger & jayda g to wow you with a wide range of sonics recorded via the velvet vortex between vancouver and melbourne. something for the pure late night bliss, early morning ecstasy or sundays on the couch!

high:controla is a vinyl & digital label which has been founded in 2014. the label sounds fuses elements of underground & techno with more organic styles to bring it special.

tommy bones returns to strictly rhythm with the * love & war ep*, featuring get down and love & war, two original cuts that highlight once again that tommy is a man with a history that spans the many variants of house music. get down contrasts the classic house sound with contemporary beats, while his get down (remix) adds more horns to give the track an early 90s feel. the retro future vibe continues with ‘love & war’ which rolls on a heavier, darker and techier tip. rounding off proceedings is love & war (war dub) which is exclusively available on vinyl only.

momomo is morgan garralon, resident of bordeaux in south west france. the dard dart ep comes on like early audion, spectral sound, plastikman or jeff samuel but french and wilder. the detail is in the destruction. momomo began with an interest in classical music before discovering electronic music in particular ambient music. from then, he ventured into industrial techno. the music he now creates lies somewhere between these two intensities: ambient and industrial. in his own words momomo describes his sound as dark-waved deep techno

vinyl sampler 1 of a comprehensive journey in the essence of chicago house music, featuring forgotten gems, future classics, highly sort after originals and obscure edits...
this is how it started focuses heavily on the early days of the chicago sound, especially in the formative years at ron hardy s music box.
following chicago s disco demolition night in 1979 the genre s popularity fell dramatically, hence fewer disco records being released.in this era chicago s djs such as hot mix 5, hardy, knuckles & jesse saunders played a variety of styles mixing in italo, electronic pop music, electro-funk and older disco joints often playing their own edits which focusing on the portions of the songs which always rocked the dancefloor. at the end of 1982, when dj frankie knuckles left the warehouse to open the power plant, ron hardy started to dj at the warehouse s new location until owner robert williams renamed it the music box. in 1984, a local label released a 12-inch single called -on and on- by locals jesse saunders & vince lawrence who had simple made the song in order to replace a record which had been stolen from saunders collection, the -on & on- bootleg disco megamix by mach. hence chicago house music was born and a modern day phenomenon followed.

early may will see italian imprint amam offer up the modern sound of yesterday ep coming courtesy of germany based producer doubtingthomas.

active for over 25 years, max durante is a legendary figure in the italian techno scene. an early 90s innovator in combining the sounds of techno, acid and industrial with his old school project on the legendary italian label acv/hot trax. his project automatic sound unlimited with darchangelo of rephlex records fame was ahead of the game back then. so like glove fits hand. max fits perfectly on sonic groove with a cutting edge , menacing time bomb of an ep. sharp as a razor, hard as steel this is seriously powerful stuff for those that like there techno uncompromised.

quickly becoming one to watch in the techno circles, john shima is making waves with his fresh approach to that classic detroit sound. his contribution for boe is nothing short of a stunning representation of underground electronic music. prototype is a sonic ode to industry: blueprinted in the motor city and forged in sheffield. it s heads down for the dance floor with shimmering metallic overtones and a side order of robot jack. ancient skies points more towards chicago stylings capturing the melancholy party vibe of early cajual records with crystal clear production skills and neat arrangements. transducer is groovy experimental techno that could have easily sat on the much-revered objet d art. it s electronic music that will stand the test of time. rounding off the ep in fine style is true distance. a stunning ambient piece with deep pads and swirling melodies that complement and round of the ep perfectly.

s1 warsaw is back! after last years sampler including crooked disco debut from matat professionals it is time to get back to artists series with warsaw-based producers full lenght ep. dial b for fun time is a perfect soundtrack to memories of 90s teenager spending all day hanging around skate spots, driving car and listening to some noisy mixtapes, watching skateboarding movies and cheesy comedy flicks on vhs tapes or bombing downtown at night. sounds and styles blended in these four tracks vary from early dj shadows sublime beats, soundstreams disco-house pumpin, bjørn torskes nordic moods to mobb deeps lo-fi hardcore hip-hop instrumentals. all served with cheeky sense of humor and dose of irony.

as spring dawns, rhythm section international go from local artist to a pair of very * local* artists - peckham’s very own chris watson + chris coupe, otherwise known as fyi chris , who present the ‘back in the millennium’ ep as the labels 5th offering. the ep was born after a rather hazy late night listening session at rhythm section hq, where bossman bradley zero was instantly beguiled by the duos hypnotic and rhythmically complex arrangements. the record begins abrasively with the trance-inducing mechanical stutter of back in the millennium , before shuffling into downbeat number * jeru* and then picks things up with the peak time groove of * need i say more* before bringing us back down to earth with the melancholic acid bump of * dedication*. early support from osunlade, mr.g, ryan elliott & damiano von eckhert. ready for club use.

the crew are at it again, having caused a mini storm with their debut 12- ep they are back with a rsd limited edition, first up we have this 80 s drenched balearic monster - just how you feel-, fat drums and baseline with plenty of synths, acoustic and electric guitar and haunting vocals. next the crew take us up the nile with this majestic track full of eastern flavour, fused with jazz and a relentless rhythm. finally we have this little gem of a track, fool in line, delightful in every way, with some mean marimba playing and catchy vocals, what a great jam. early dj support from kenneth bager 12 inch purple vinyl with splatters of white & black, in a manilla sleeve

a true child of the rave generation, dj/producer warlocks mixtapes and radio show, on the now legendary london pirate station pulse fm, established his cult status as a stalwart of the early 90s uk dance scene.

phase insane is proud to present el carton, the first collaboration between the madrilenians gale talk andunkle fon. this massive work will not leave anybody indifferent, as it is really unusual having music as original as the one they bring us. gale talk and unkle fon bring us two huge dark techno tracks produced over really deep melodic and groovy elements. these songs generate a massive effect in the dance floor as they are based in very hypnotic sounds which make listeners get into the groove from the very first moment. if this looks great, it becomes better when you listen the fantastic remix of el carton produced by the brooklyn based duo loud neighbor.
support early supported by richie hawting, maceo plex, joseph capriaty, paco osuna, anderson noise, cicuendez, franco bianco and many more.

granulart recordings new serie, on limited coloured 12 inch vinyl. the first release comes from eric fetcher, inspired by the sound of detroit, is full of 909 action and hypnotic leads.
early support by dvs1, darko esser - tripeo, paul mac, antigone, svreca, jeroen search, sleeparchive, samuli kemppi, etapp kyle, arnaud le texier, answer code request, truncate, raiz, pfirter, angel molina, aiken, marcel dettmann, ness, blndr, james ruskin, vince watson, andrea, efdemin, ame, inigo kennedy, peter van hoesen, joachim spieth...

first single from the sly johnson new album the mic buddah. after enjoying success and platinum discs with hip hop french band saïan supa crew in the early 2000s, sly johnson released an album on universal jazz as a soul singer along his carreer of beatbox virtuos

another re-issue on dark entries. this time its a release by joe crow. joe crow is a post-punk musician from birmingham, england. he was a member of legendary brum band the prefects, and hung on long enough after the name-change to appear on a couple of early nightingales singles. in 1981 joe began his solo career and recorded a 2-song demo

early support from kasper bjorke, michael mayer & dan ghenacia. when you feel me part 1 feat. two great originals and two remixes, one by fellow french luminary chris carrier, and the other by usa deep house and techno talent jus ed.

van kaye + ignit is the dutch duo of ed van kasteren (van kaye) and ignatine bekken(ignit), who joined forces in the city of arnhem during early 1980. while at university, van kaye was the singer of the monomen, a local new wave band. by the end of 1979 he had become more interested in the use of electronics and rhythmic industrial patterns. in april 1980 he released a demo cassette with 30 minutes of his own work titled a slight delay.

dan curtins musical quest began in early 1990s cleveland and continues today in berlin, where the pioneering dj and producer carries on defying conventions and pushing boundaries.

nice price deal !!! hailing from spain, eduardo de la calle has been a prolific dj and house and techno producer since the early nineties who s productions have recently been featuring heavily in boddikas dj sets. with over 100 vinyl releases under his belt on labels including semantica, cadenza and his own imprints (analog solutions, suprwax, edits records) plus many more, eduardo is an underground legend staying true to his analogue production techniques and never following the pack.

following *containing a thousand* and the *mountain divide* ep, their pair of sublime releases for the label, lakker now deliver their debut album *tundra*, perfectly in line with r&s’s techno heritage whilst also taking in influence and inspiration from the varied likes of no u-turn records, the choral music of arvo part, merzbow, early human league, and raw ethnic music.
pressing on white colored & splattered double vinyl, download code included.

on his second installment for holger, weber further expands the sounds and themes introduced on his debut eins (holger 4, 2014). adequately entitled zwei, it documents webers development and growing confidence as an artist. combining influences from early krautrock and minimal music to contemporary dance sounds, weber shows a refreshing appetite for experimentation and free form song structures. given these parameters anything seems possible: from the post-techno of sklt via the anti-pop of the bug to the spaced out b1 / warten and its ghostly dub companion no4

invisible inc launches with this 4-track sampler 12”/ep from four artists that we plan to be releasing music by over the coming year – secret circuit, higamos hogamos, tim love lee and the poncho brothers. packed with modular synthesizer funk, psychedelic wonk, kraut-rock infused space opera and downtempo analogue “balearica”, the 12” is due to be in shops in early may. already getting praise from soft rocks (esp institute, endless flight), house of traps (firecracker, unthank, sacred summits), dj kaos (rong music, dfa, jolly jams, astrolab), josé manuel (eskimo, kinfolk, disques sinthomme), bobby beige (pork, garden zadar), chuggy (emotional response/especial) and gavin hardkiss (hardkiss, siesta, sunburn

nice price deal !!! b-stock! cover with bent corner. concealed sounds are very proud to announce martinez fourth studio album, -o-pen-. it has been about four years since he released his -paradigm shift- on moon harbour, and during this time he been busy experimenting in his studio to come up with a very mature sound rooted in the musical output we ve seen lately on his 12- releases for concealed sounds as well as other labels. on -o-pen- the focus is not to make any concept around the tracks or the album itself, but just to have ten full compositions that each have their individuality and not necessarily is the same genre or style. you ll hear more melodies again and instruments, as well as analogue drum machines and modular synths that creates the soundscape of this album. a very organic album, including all sounds from the usual house & techno to more dub, ambient and even jazz influences. we are very excited to release this piece of work.
early support from: zip, ricardo villalobos, raresh, s.a.m., thomas melchior, sylphe, fumiya tanaka..

here comes the first ep by grad_u on echocord. after his remix of stl on echocord 063, he is now releasing a full lenght ep. this ep contains 3 powerfull dub-techno tracks perfect for the dancefloor. born and grew up in a countryside near vilnius, lithuania. started djing in early 97, at the age of 13. been focusing on wide spectrum of sounds: house, techno, drumnbass and jungle. in early 2005 the start of grad_u project took place, focusing on deep side of techno. during the years released tracks and remixes various labels and in 2012 launched two own imprints: redscale and greyscale.

title track is a beautiful and epic journey in techno soul quite rare to hear these days, reminding a bit of early nineties detroit/uk techno and even some of the early speedy j works, all with nowadays production skills. stunning contemporary techno the classic way. then from heaven to hell with 60606, an evil distorted acidic drum track guaranteed to damage kids brains worldwide. but no time to think long anyway cause theres we only have, an autistic out-of the-box jack track providing a sneaky tool for the more adventurous dj. this will separate the gurners from the dancers. top-notch showcase by the unstoppable man-machine that is marco bernardi!

the imprint has come a long way since its launch in early 2011 with four years under its belt and a catalogue featuring reputable names such as huxley, dj w!ld, julian perez and east end dubs. here we see the label push on with a collaborative release from swiss producer dan noel, most notably known for his work on memoria recordings and little helpers, and germany s bunte bummler of cécille records / 8bit fame.

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire’s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it’s apparent that mcguire’s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

silas moldenhawer and jonas kenton, both children of the early 80s, grew up alongside each other in the tiny big city of copenhagen. in their teenage years they discovered electronic music and this led them to start spinning records and producing tracks together. years later they met two other talented musicians and formed well-establish danish indie-electro outfit when saints go machine, but still kept on building kenton slash demon as a separate project.

the *foxy lady* contains three tracks each with the unique dramaturgy jichael mackson is well known for, while adding a new almost sexy/funky freshness to his signature sound. apart from sounding beautiful and being undeniably serious bombs for any dancefloor, these tracks are simply different. the foxy lady ep builds a bridge to jichael macksons early releases and one thing is for sure, this is a record that will stay in our bags for a long time. jichael macksons foxy lady ep on teledub. grab your copy.

featuring unsung heroes of acid house and distorted funk, past and present, stealth mission a new project focused on raw, warehouse music. the labels first release sees mark ambrose, andreas gehm, naked eye people and ben sims sought after edit of donnie keys which was featured on his fabric mix early 2014.

dance like nobody s watching is the name of luvdancin s 5th release and also the motto of the label. 4 strong house tracks from 4 different artists, each of them with their own sound, but with one main goal in common: keeping your feet moving until the early hours. vinyl only as usual!.

the second record of athens based equivalence records comes from the labels co-owner and overall man of the hour, kreon. following in the steps of the first release, which has already been played by ricardo villalobos in fabric, 002 features two stripped down stompers, emanating analog warmth and hiss, while holding the groove and mystery throughout. groovy, low key, sub dub - perfect for those low ceiling places in the late early hours. early support by the usual suspects.