taking proto sites back to the hypnotic hardware methods of earlier releases like lutto lento, s olbricht and sentry, suspension ep makes things kaleidoscopic, raw, repetitive and asynchronous. high gain perishing delays gradually cook your brain while flerbing sci-fi reverberations crawl across the atmosphere. this five-track cassette mantra has a furry analogue outer crust barely containing its computer controlled acid consciousness. each tune has its own density and unique stripped back bass structure which carries the whole thing along, absorbing strange hissy elements as it rocks downstream. breaking through the mantle, sawtooth voices murmur foreign incantations, swinging loopy phrases come and go jamming their way into repetitive bass squelches all pressure cooked to the extreme.

announcing their second release on their own label,the duo from barcelona is ready to deliver 4 obscure techno acid tracks

canadian label silent season continues its mission to marry modern electronic music processes with the ancient nature of the label s base on vancouver island, this time turning to mosam howieson to deliver a four track ep of ambient techno experimentation. the melbourne-based artist has a unique approach that should appeal to lovers of heavyweight bass pressure and subtle, moody cinematics, not least on opening track i. there s a submerged acid throb to ii, but only after time spent lingering in a beatless reverie. loaded with surprises at every turn, this record has a lot of depth that should it rewarding faithful listeners for a long time to come.

fresh off the dusty spools of the sony tc-186 @ discrete tapes hq, toronto, comes a blinding 8-track va for the label’s fourth release. ranging from deep, dubbed out meditations to raging techno trips this diverse v/a exposes the subterranean connections between our disparate sonic landscapes. tracks include a dub-technoid hip-hop monster from label head thought project, raging acidic electro from dj rare and deep sonic mirroring from montreal-based producer nitecc.

drum roll, people! sl009 is on its way. the recipe has not changed: limited quantity, hand numbered / stamped records and superior music. we take you on a unique house journey to explore the texture of sound and the color of feelings, from raw to deep all the way down to acid, carried on our va format spaceship. onboard, four artists, yusuke and jimini part of -serie limitée- crew and two new comers panthera krause and monster heart driver who are joining the family.

for ana004 we proudly present one of our favorite producers, dimi angelis. killer three track ep characterized by angelis distinctive & unique style, with the addition of heavy acid elements. a must have.

it’s time for the procurator! we’re happy to announce our first release from edinburgh born and bred producer proc fiskal - otherwise known as joe powers.
like a scottish relation to the recent faster grime productions lewisham mc novelist has coined ruff sound, proc fiskal ups the energy of the stark cubist rhythms of the early grime of wiley and ruff sqwad by accelerating and retooling them to fit the faster 160bpm grid, engineering a delirious hybrid that also subtly makes explicit the relationship between grime and jungle and happy hardcore.

ofo the rock company (originally known as ofo the back company) were nigeria’s first acid-rock band. blending hendrix and deep purple with shamanism and a pro-black philosophy, they cut their teeth at fela kuti’s afrika shrine, developing a fearsome live reputation that intimidated every other band in lagos. no one wanted to follow the guys from ofo, not even fela himself.

berlins ellen allien präsentiert ihr 7. solo-album, das brilliante -nost-. Über neun wegweisende tracks verteilt demonstriert ellen allien, warum sie weithin als eine der pioniere der berliner technoszene gilt. eine visionärin, die einen sound entwickelt hat, der sich weiterhin entwickelt und in neue bereiche vorstößt. der sich zwischen klassischen analogen acidgeräuschen und der anarchischen pracht hypnotisierender und himmlischer klanglandschaften bewegt. -nost- ist das werk einer frau, die sich selbst gefunden hat, aber sich trotzdem weiterhin pusht, um aus ihrer komfortzone herauszutreten, die immer noch neues erschafft, immer noch lernt und sich immer noch nach mehr sehnt. das ist ellen allien, das ist berlin und das ist nost .

various is a good word to describe this escales vol.2 from croisière musique crew, the second various e.p. from the label, which seems so diverse that it almost could seem inconsistent to someone not familiar with the label. at the same time this e.p. summarizes perfectly a collection of different styles and aspects of croisière musique, from some heavy dancefloor-friendly house and techno to more abstract acid grooves, going through breaky minimalism. a1 – the e.p. starts with battle of wits from sebastian eduardo which is a direct uncompromising floor-oriented piece of house, setting a filtered atmosphere, bouncy bassline and a filtered synth which reminds us of a dubby atmosphere. a thick and compact atmospheric part progressively takes on the middle of the track and suddenly fades to let the main dancing pattern return. a2 – lowlifequalitys is a spatious acid piece which contains elements that are close to the aesthetic of video games. all synths coming together give a sense of confusion yet ordered by the repetitiveness of the loop. the sensation of something nerd and muddle rise from this experience, a expression of weirdness by the member of les points.b1 – programming behavior sets a step back in the ep, evolving around an hypnothic vocal piece which is extracted from an old interview of george clinton, heavily chopped and processed. on top of the simple breaky drum pattern which recenters the experience, gets added an arpeggio and a modular synth sounding sequence which progressively dramatizes the track. rx delivers here a mysterious piece of minimalism, bitter yet swingy. b2 – the e.p. ends with catan, the first appearance from françois, who co-founded croisière musique with rx. starting with an ambiant and breaky atmosphere, catan quickly evolves to a drivy four step techno piece. on top of the leading synth comes different glitchy elements, aerial pads and a disturbing shamanistic glitch in the middle of the track that announces a break which confuses the listener. the track follows-up on this contradiction between the hypnotic grooves and the solid drivy techno.

receptive visions returns with it’s second release, the trademark sound of milos is apparent on both sides of this 12 inch. a tale of two cities with a distorted 909, acid lines and ravey stabs is pure peak time goodness. while shifting perspective revolves around quirky keys and military style drums.

the first release of blind allies is a four track musical journey from scientific electro by dvs nme and acidic trip by lectromagnetique on one side, explosive cut from gosub and mysterious experiment of cosmic force on the other side will take you away to the dark side of electro world.

here is the debut release from the new label losers with attitude, a four track compilation we have nothing left to lose-that demonstrates the range of sounds you can expect from us in coming releases. the label is the brain child of aleksey ageyev, a successful la based film and tv producer in who was born in moscow before moving to nyc at age of 16. he has teamed up with his old friend jason szostek of serotonin/schmer records to explore the electronic sounds that emanate from the dmz between house and techno. alexi delano needs no introduction as part of the swedish techno mafia that took over new york techno scene in the 90s delano has been pumping out tracks that have keep dancefloors moving world wide. delano brings his awesome sense of groove to the opening track a.l.n. mike bryant is a well known dj in the new york city underground since he came from the midwest in the mid 90s. he s the label head for intrinsic design. with his a new low moniker he sets out on a dark and soulful journey in sound. lwa labelhead and prototype 909 member jason bpmf szoste s starts side b with a sprawling chill soundscape sunrise on mars from his abide the glide series of digital releases. legendary russian electronic music pioneer anton kubikov is famous for his acid adventures in scsi 9, his label pro-tez records and randomart store in prague. here he has given us a moody acid groove named we have a bridge to close out the compilation.

for the labels ninth release, deep a & biris black crow records revisits one that helped establish the labels direction back in the imprints first year. bcr003, insular realms by fellow israeli producer hakimonu, was praised by many including resident advisor, who said the ep proved his off-kilter take on techno and house is as vibrant and inviting as ever. now in 2017, deepa & biri have invited mind against, luigi tozzi and echologist (aka dub techno veteran brendon moeller) to all rework the original version of insular realms for 2017. first up are life & death’s mind against, with one of the fognini brothers most direct techno productions yet, with a mid-track moment of calm before the intensity resumes. luigi tozzi, the rome-based producer who has had previous outings on dynamic reflection and dino sabatinis outis music, contributes the second remix. taking the lead from the originals more ethereal moments, his version is dreamy & almost wistful as it propels along its shaking rhythm. the b-side offers two takes from brendon moeller in his echologist guise, with a dub mix that twists the original into an acid-inflected track that slowly ratchets up the tension over its seven minutes, while the reshape breaks things down into a churning rhythm peppered with flashes f off kilter sonic details.

jean-louis huhta and joachim nordwall are high boys. together they share a deep interest in old school techno acid, aswell as electronic experimentalism and insane electro-acoustics. they want to make music that will mess with your mind, and make you move while your skull is melting. together they have served in the ritual rock group the skull defekts for over a decade but this is their first own project together. huhta also does is killer project dungeon acid amongst other important things, and nordwall runs his ideal label since 98 and makes electronic music alone and with other heads. high boys will not change the musical or political climate but they will make you feel... different.

kicking off the labels first release sebastian gummersbachs stay underground. stay raw. ep offers 4 rough house cuts ranging from banging disco house to moody acid excursions. heavily inspired by the golden age of house and maintaining a raw, no-nonsense vibe thoughout the whole record the ep is a true homage to underground house music.

growing up in south yorkshire, mella dee’s early musical influences originated from the sounds coming out of warehouses in and around his stomping ground. this soon developed into a love of the burgeoning scene and audio palette from warehouse parties worldwide, hardcore, house, bleeps, techno and everything in between. with a respectful nod to the impact this had on him, aitchison strives to create his own take on warehouse music with his new project.
the debut sees mella dee present three upfront club cuts, his most energetic release to date. ‘&#8203,,,music controls you&#8203,,,’ is relentlessly compelling and trippy, with a rave stab lead, whilst ‘&#8203,,,expansion&#8203,,,’ uses acid sounds and percussion to build an outright techno groove designed for the deepest, darkest club moments. ‘&#8203,,,movement&#8203,,,’ closes the ep with a driving take on bleep and techno.

coverti world can really be no other than danny wolfers aka legowelt of course. his first tape for new york haunted is a stone cold classic with heavy machinery, acidic lines and his typical haunting melodies. there is a melancholic, almost saw type feel on these tracks, which might be his best work to date. 8 cuts on a 40 minute tape by the master of wavvy techno!

best selling sophomore albums are one of the music industry’s rarest gems. one example of such a gem is jamiroquai’s second album “return of the space cowboy”. improving on their infectious blend of funky r&b and acid jazz, jamiroquai delivered “return of the space cowboy” in 1994, hitting the charts with a vengeance and amassing global recognition as the leading pop funk band.
incredibly groovy and tight, jamiroquai expanded their compositions into the realms of jazz and this was accompanied by a positive but critical message regarding human rights and environmental issues. the hits “space cowboy” and “light years” propelled “return of the space cowboy” into all-time favourite status among alternative pop lovers all over the world. now with enhanced and remastered audio, pressed on audiophile 180 gram vinyl.

with additional successes under such labels as taub, latence releases once again on play label records for his fresh superheated ep. collaborating ideas from his teen years in belgium through the 90’s, with more progressive inspirations, latence has materialized a unique style, which is a celebration of timeless dance music and it’s continued influences on forward-thinking artists. kicking things off with his title-track, pablo flaunts a subtle build of off beat chords injected around playful and erratic acid house influences. a busy and varied concoction of sounds topped with provocative whispers. deeper amplitude is the second of this four track ep, and as the name suggests, we are provided with ample bass, accompanied by snippets of melodic discord and a boisterous snare, fearless and rhythmic. metastable lays a minimalist percussive foundation, sporting a retro 70s synth that steals focus with its quirky pitch shifts, a classic example of latence’s immense talent for blending influences across eras. latence closes with acido basic, an eccentric finale to this eclectic ep. using exotic vocal sampling centered around chemical compounds, he simplifies his percussive layers to a clean texture, which form the bedrock for his experimentations.

after two years, boston 168 is back with the follow up to their breakthrough ep, >acid morning<. for this sophomore release on enemy, the returns with 3 tracks of their signature take on acid techno. carefully curated by dustin zahn, this moody and melancholic ep is a perfect fit for the twilight hours. this product was tested on humans. our research on mind control adheres to guidelines adopted by the council of representatives of the american psychological association on august 1, 2012. gf, v, df.

(mattia trani remix) limited edition of 150 copies. the french punks 90 process debut on pushmaster discs with an amazing real techno acid bangin ep: truly rave inspired cuts!

we at finale sessions are excited to have mor elians added to the finale sessions family . mor is one of the younger generation artists that we have been keeping our eye on for sometime now. hailing from tel aviv and now living in los angeles and berlin and now travelling the world bringing her style of forward thinking house and techno so lets get with the music and we start with the track the orionids one of my favorites of the ep with its bouncing drums and the industrial flexing pads and the filtering synth s that give it the deepness for days. then we move to the second track light pollution another proper deep rendering if i may add and those high hats that just move the track into the proper scenic vibe, very minimal but to the point with the pads just poking its head out to go forth with the flow of the vocal. last but not least we have echopark-this track closes out the ep with its very bouncy acid sounds and it s minimalistic drum patterns makes for a very melodic sound. we at finale sessions want to thank you from the bottoms of our hearts and we love you very much

asteria is the new overwhelming mechanical power ep by tarvisium electronique. the vinyl consists of four powerful acid techno tracks produced by steve lorenz. the rude analog sound has been processed by a powerful valve system joining acid and hypnotic patterns created by a 303 synthesizer. white abstract is the new alias that lorenz will use during live performances.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

nice price deal !!! a new label from lille, france, gaazol arrives with their first release from japan s yoshitaca, resident of the esteemed imprint fasten musique. title track -induced arousal- is a deep and funky acid tinged house workout that should prove versatile either later or earlier in the night. the a side is completed by ittetsu s bass heavy remix with tight percussion and just the right touch of drama. finally, the entire b side is devoted to the rolling bassline of yoshitaca s -gypsy queen- which never lets up. this fine package is exclusively presented on 180gr. vinyl.

floor fillers reminiscent of early prodigy-style breakbeat, accompanied by a neurotic acid gem and an ambient version of the title track. the r raves on! with whats going on, electronic emergencies turns back the clock to 1993. by then, dutch brothers the r had made a name for themselves with releases like rave the planet on legendary proto techno label esp, and the four previously unreleased tracks on whats going on were also created during the heyday of dutch pre-trance techno house

acclaimed russian producer, dj and live musician kito jempere is back with a stunning second album, this time on italian label hell yeah. entitled sea monster and due for release in early 2017, the nine track album is a fantastic fusion of live instrumentation and electronic production. kito jempere is a musical polymath. the russian artist, producer, multi-instrumentalist and band leader has been involved in many projects over the last ten years plus. these range from rock to acid jazz to electronic bands and often call upon a rotating cast of other members who are all equally talented. from playing in small bars to headlining big shows for thousands of people in saint petersburg, he has put out a number of albums and singles on labels like freerange, room with a view and hell yeah and djs around europe. jempere plays live as the kito jempere band, and here he calls upon his bandmates for their many skills to lend the album a richly musical feel.

matuss takes techno and turns it on its head. the cybernetic sound has been filled with human emotion, giving it a more organic feel than much of the music that would fall under the genre. she opens her absence seizure 007 ep in trademark style, with a dark jacking cut entitled pitchureque, in which a pulsating bass line throbs alongside ominous acid swells and disorientating panning effects. next up, tektango takes a different route honing in on a set of live tribal tinged percussion, which sway and dissipate with hypnotic effect driven further into the depths with a bubbling synth lead and filtering atmospherics. this live percussion gives the track that organic feel mentioned earlier. escapade kick starts the b-side with a robust rhythm, built from the ground up with resonant hi hat stabs, echoing claps and sturdy kicks which forms the framework for a deranged lead melody laced with wide open synths and emotive chords to carry the groove. closing the package is fonque, where flanger-tinged snare rolls work in unison with driving rhythms, delicate arpeggios and an intricate 303 bass line to create an infectious closing cut.

arttu presents the 2nd release on his own label cyblo. 4 prime time club cuts!

lost soul enterprises presents technology = garbage, an album by jl. recorded to tascam in 2015 on a variety of cheap and obsolete machines. for fans of swamp acid, cavernous drums, grainy synth washes, and reverb.

two floor-smashing highlights from the gnarliest corner of the spectral sound library get a welcome reissue on the first limited addendum 12” to the dope jams nyc volume 1: 2005-2012 compilation. first up is futuristic acid banger “poison dart” by 2 am/fm, the double-headed beast of ann arbor’s d’marc cantu and james t. cotton. beginning with an eerie synth coiling endlessly around a shuffling, anxious beat, the track unexpectedly blasts off with one of the nastiest acid basslines since “washing machine.” commanding, otherworldly, and freaky to the core. on the flip, cotton flies solo and tosses listeners headfirst into his chaotic and terrifying “bizarre carnival.” pounding kicks, blown-out bass and frenzied synths relentlessly collide with one another, creating an endless nightmare of a world on the verge of machine-induced annihilation.

originally released on the v.a. quintessentials 50 and making rather big waves, grooff machine from ponty mython gets the remix treatment for some more dope grooffs! chicago hotshot chrissy (the nite owl diner, classic, razor n tape) puts enough disco and acid in it and offers a great clubby alltime classic. ponty himself fuses lost of house, disco, funk and 808 busines so that you can grooff to the max. and our mexican buddy soul of hex (vicario ltd, freerange) keeps it dark and loopy before adding some splendid riffs. time for the grooff machine!

from the westcoast of sweden neunaugen gives you three funky-space-electro-acid tracks for the dancefloor. no chance to sit still when this is played. electro boogie!

powder is an up-and-coming producer from tokyo who had put out only a couple of releases on born free and esp institute when resident advisor featured her on the monthly series breaking through this past august. inspired by her first visit to cocktail d amore in 2015, she was so enthralled by the atmosphere, she started working on an ep for the label capturing her experiences from the party. the way powder interprets sound is extremely personal and unique. the opener hip has a driving sensual groove with hints of acid, seasoned with a good amount of loons and a mysterious foggy melody while heart sounds like an italo disco aural translation of a shojo manga script for a fun in the sun tinged story. on the flip side a slowmo industrial-meets-rainforest groove characterizes hole followed by hair in which she blends many layers of rhythm patterns together.

launch of their self-production label, the trio drmc formed by monkey coops & only slave nation, released this first opus produced on a complete rhythmic basis accompanied by acid atmospheres. remixed by reda dare, spearhead of this new french house scene, this 1st opus clearly sounds like a bomb of the dancefloors. rolling bass, prominent percussion and hypnotic atmosphere will perfectly sum up the 1st ep of the label def raw music concept.

classic acid techno, the first full ep on suf from one of the leaders of the nu school.

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

very limited repress! oldschool driven hardware gooves! trippy and spaced out acid techno by italian duo boston 168. outstanding coverprint, shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering.

crystal clear, acid appreciating techno blinder.

new edits on the invariants. on the a side an acid-not-acid techno trip, on the b side a 12 minute new age journey for the late hours.

new uk based imprint aiming to bring you atmospheric and emotional treats that toe the line between bass heavy, electro leaning, house & techno and everything in between. the label’s first outing comes from the duo thread. tabor kicks of the release and it’s a motorik workout that combines elements of minimal techno and acid, with a squelchy bassline and moody synth melodies all carried along by tight percussions. dalling is a straight up electro jam, a galloping start/stop percussive pattern, ever-present pads with more layers of squelch added for maximum effect. on the flip brackenbury picks up a couple of notches on the bpm counter - driving proceedings to 130+, a proper heads down techy number with elements of micro house, filled with quirky sounds and lush pads layered on top of syncopated percussive patterns. the final cut on the ep conningham does away with all pretences and hits you in the face with another dose of unrelenting space music. heavy bass line, crunchy electro percussions and sci-fi atmospheric pads rounding off the first release in style.

review geophone returns with a four track various artists ep curated by the label boss mike parker. the a side begins with new artist eastern renaissance, who delivers a melodic and acidic dreamscape in classic form. mike parker continues this science fictional atmosphere with his contribution, night of 21 hours with whirling analogue sequences that remind us of flying saucers and outer space. the b side moves in a harder direction with echologists buzzing and bleeping syncopations backed with heavy drum programming. the always surprising stanislav tolkachev concludes the ep with a track that pushes the boundaries, reflecting his unique interpretation of techno music

iuly.b returns to visionquest this march with the surreal experience ep accompanied by a remix from bass cultures djulz. romanias iuly.b is rapidly becoming a household name in the realms of stripped-back, immersive house music of late, a regular feature on hectors vatos locos imprint and at the labels events, as well as releasing material on bouq, claque musique and of course visionquest where he returns to here following his observatory ep in november of 2016. this time round iuly.b launches the surreal experience with a murky, dub-tinged composition entitled sci fry, laid out over eight minutes with snaking synth whirrs, sweeping dub echoes and tumbling sub bass tones before bass culture head-honcho djulz reworks the original into a more robust, groove-drive interpretation via swinging rhythms, stuttering sample chops and a thunderous low end drive. moonberry opens the flip side on a more reduced tip with bumpy organic percussion, rounded sub swells and an amalgamation of sonar blip melodies to create a dynamic and hypnotic workout, time traveller then closes the release via expansive atmospherics, subtly evolving acidic synth licks and loose shuffling drums

with its debut release, sure cuts limited, french house music label, offers a selection of 4 underground tracks, -d-track- quality chicago house with a touch of acid by lotche, -dona fonda- groovy disco track & pumpin vocal by julien guzz, -lost in okabore kingdom- raw material with disco loop, cut for the club by keedo and -smooth à souhait- deep, jazzy & raw at the same time, the subtle blend by hatelate.

this music sounds mysterious and moody. well constructed works of smudgy acid and intermittent distortion make these tracks equally as ready for a dance floor as they are a spliff. we defaced the labels to further cloak the craftsman.

90s acid legend woody mcbride

new artist gert p loads up his debut 12- for earwiggle ! earwiggle is the techno label from sunil sharpe a new artist on earwiggle, gert p loads up his debut 12-. harking back to the glory days of german/dutch hardcore techno - gert explores this sound in a modern context, recalibrating to a more regular tempo, and zoning in on some of the key ingredients. hoovers, barking dogs and raw acid are put through their paces over four tracks that move from dark ( takke ) to happy ( loopjongen ). for fans of the mover / pcp, dj gizmo, k.n.o.r. records and more. hakke!

after his debut ep hello 307 and critically acclaimed follow up lp dance with me we find microlith, aka rhys celeste, pushing his sound ever forward. celeste takes his sublime musical ability and electro funk influence to produce a compelling soundscape. a vast army of analogue synths can be heard on every track which will catch the ears of afx fans as he effortlessly manipulates them into beautiful, highly detailed compositions. this ep occupies a corner of electro seldom trod, and with it celeste galvanises his lofty position in the new wave of braindance. rip rhys, our deepest condolences go out to your family and friends