dub store records veröffentlichen -unreleased early recordings: shuffle & boogie 1960-, ein 7-track album von rico rodriguez & friends

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two youÆre a melodyÆ classics werent originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world.

as noted on another release (see ropin), cornell campbell has enjoyed one of the longest-running careers of any jamaican singer, and he is blessed with a readily identifiable style too. he began his career for clement ‘sir coxsone’ dodd in 1956, when rhythm and blues held sway in jamaica, and later cut some ska songs for king edwards. he then passed through the sensations in the rock steady phase and worked as a solo singer at treasure isle, before returning to studio one with the eternals, scoring huge hits such as ‘stars’ and ‘queen of the minstrel’ as the 60s gave way to the 70s. his greatest phase of popularity was them brokered by hit-making producer bunny lee, who kept him on top right through the 1970s and into the 80s. the 1975 album dance in a greenwich farm was first issued on the grounation label in the uk. along with a re-working of ‘stars’ re-titled ‘the sun,’ a re-working of ‘queen of the minstrel’ as ‘girl of my dreams’ and the sound system opus that is the title track, the album has the boastful ‘conquering gorgon’ and a number of keenly-observed cover tunes, including a cut of the gaylads’ ‘no good girl,’ a version of the heptones’ ‘why did you leave me’ and a killer cut of the uniques’ ‘watch this sound’ (based on ‘for what it’s worth’ by buffalo springfield).

10 jahre nach ihrem debüt „fliang“ zeigt sich claudia koreck in neuem gewand: zweisprachig, mit internationalem sound und einem staraufgebot an musikern, die an der entstehung von „holodeck“ mitwirkten.

nach 31 jahren auf konzertreisen erwachte der ewige live-drummer zwanie jonson eines morgens als recording artist um fortan nur noch seine eigenen songs in seinem eigenen studio aufzunehmen. eine glückliche fügung, eine hörbare befreiung!
die lp erscheint auf weißem 180 gramm vinyl, downloadcode inklusive.

nice price deal !!! double pack with 8 brand new tracks in the familar re:connected style produced by martinez. the first two releases got massive feedback from major players on todays dance music scene, such as ricardo villalobos, miss kittin, john digweed, dominik eulberg, richie hawtin and sven vaeth

nice price deal !!!

nice price deal !!!

nice price deal !!! after a year that saw a number of fast paced releases from new co-signings xilent, high maintenance and fourward, the mighty mainframe continued their relentless string of hits in 2012 with a reworking of body & soul and fourward’s classic >authority< and >carnage<. led by dnb veteran and label owner, disaszt, mainframe keeps things moving with yet another massive release, this time an explosive ep from rising star, high maintenance.

after some excellent digital releases on editorial and ism as well as a fantastic remix of kraak & smaak on jalapeno as one half of allovers we are very happy to release i gemin s debut vinyl ep on pressed for time entitled the let s move ep , it features two superb deep house numbers in the trademark i gemin style - chunky, hypnotic and soulful. we were big fans of both tracks here at pft hq so we got head honchos yse and goshawk on remix duties. yse reversions it s about trust in a tougher, trackier style with some mood ii swing-esque spoken word vocal on the flip goshawk gets his talons into let s move upping the tempo slightly and adding a bumping bassline whilst keeping the soulful vibe intact.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

after agoria and oxia, dino lenny is now entering the sapiens family. founder of frenetica and fine human records, dino lenny starts young as a dj in a small radio in cassino (italy) and after a while he moves to london where soon he starts enjoying successful releases on labels like ellum, innervisions, crosstown rebels, exploited, yoshitoshi, toolroom, suara and many others. dino also gaines notoriety remixing underworld, missy elliot, timbaland and collaborating with everyone from scissor sisters to wutang clan and madonna. in 2015 dino signes to ellum 3 eps in a row its saturday, living in a song & the anthem this is a love song. 2016 sees dino remixing in partnership with seth troxler the magic room out on seth’s label (play it say it) and contemporary on innervisions a certain distance with a great rework from label boss dixon himself. this year correspondant will take part in this exciting journey with a track that dino wrote with fiberroot called suddenly meanwhile his label fine human records continues building nicely with great support. the italian wizard just got remixed by agoria & maceo plex and his original mixes of shoot me to the sky/ this time we take it easy will be out soon on sapiens. exciting electronic days for lenny! tracklisting 1 shoot me to the sky (maceo plex remix) 2 this time we take it easy (vinyl edit) 3 shoot me to the sky (extended mix)

top-reissue der beiden legendären alben us-r&b/gospel-band the voices of east harlem: “the voices of east harlem” (1973), produziert von leroy hutson und curtis mayfield, und “can you feel it” (1974), produziert von leroy hutson. zwei definitive soul-klassiker auf zwei lps.

repress of this kerri chandler masterpiece!

the ep entitled vinkelvolten showcases bauri’s form of techno on a platform that, as promised, will diversify and show consistency. this ep takes us on a journey built around gorgeous sounds and crisp abstract beats to a place calmness and peace. originally part of bauri’s 2nd album that never got released due to the slow down in the idm scene, these tracks have matured like a fine wine for 12 years, and now are on a 12” released by b12.
finished in glorious green and grey marble vinyl with exclusive full colour artwork by the wonderful catherine prendergast aka cellar door.

the 3rd album from the exiters, originally released in 1969, now back on vinyl.

eat x changers comes back to you with our new release, introducing young and gifted canadian producer ferness. matthew joined the beat x crew following what has become a classical path to the producers of the labels. after joining the forum in 2015, he shared a collab with frakktale on speed luanda which got our attention with its deep, broken and melodic structure. today we can proudly introduce you to his first release - internet/dreams/deception – which will take you in a soft and beautiful daydream tinted with a 80 s grain. you ll be guided all along of this trip by a strong and powerful rhythmic, full of house, broken beats & bass influence. beat x changers at its best

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

my aim is high, close to the sky, i can not fly but ive got to try - d hardest, one of shadows most sought after tunes, reissued! . d hardest was recorded at k.h. studios in trinidad in 1980 and another version/mix was released on the wake up album. this song is everything, thanks to winston bailey aka shadow and all his team.

wiederver¸ffentlichung des zehnten vic chesnutt albums von 2005. 180g schwer plus download-code. erstmals auf vinyl erh§ltlich, inkl. drei bonustracks. -ghetto bells- wurde mit popul§ren g§sten eingespielt: van dyke parks und bill frisell sind mit von der partie und geben den arrangements einen besonderen schliff. vic chesnutt war seit seinem autounfall 1983 von der h?fte abw§rts gel§hmt, was in der folge zum missbrauch von schmerzmitteln und alkohol f?hrte. trotz dieser belastungen ver¸ffentlichte er in seiner karriere 17 alben/eps. am 25. dezember 2009 nahm sich vic chesnutt das leben. die aussicht mit der musik nicht genug zu verdienen um seine medizinische betreuung aufrecht zu erhalten, f?hrte zu dem tragischen schritt

1985, restored from a vintage vinyl copy (masters were lost long time ago in chicago...) copies sold for 0. on the youtube thread for the track a cousin of t. woodard says they pressed 2.500 copies of this - but that seems hard to believe unless they didnt sell and got recycled at trax and/or were simply thrown out, as this rarely show up anywhere. this is a very early and simple track which sums up the new and experimental sounds of early 1985 along with tracks such as jesse sanders on & on and funkin keith funkin with the drums. basic early house music that havent lost any of its relevance.

dj rocca & hard ton on the magic number 12. a homage to the get down. jack & boogie - you ve got the choice, to sweat and wet in new york - chicago - berlin - soho or wherever it is, you re with the spirit of fnm guiding you to shake the fl oor like it s hotmix 5. with two mains on the supersound 12- vinyl, the whole ep comes along with 4 more tracks and mixes to download. including -will you be mine- together with the enzo elia house classic remix. including 2 more bonus remixes by fnm and sabatini written and produced by luca roccatagliati, mauro copeta, massimo bastasi. mixed by luca roccatagliati at marslife studio, reggio emilia, italy hotmix 5 tribute dub by fnm (filippo naughty moscatello) mixed at blackhead studios, berlin. mastering and cut: by mike grinser, manmade mastering, berlin executive production marion & alberto sabatini & handle with care, berlin

!! coloured vinyl !! killekill sublabel
„umwelt’s 12inch “… city” from 1999 was one of the most impressive 12inches i had at that time and i played the shit out of it. it was dark and very emotional, it was abstract but also driving at the same time. this was 1999 though, before discogs and before facebook and all the other platforms people have now to do research on artists they like and follow their work. at that time it was the record shop – and that was it. nobody knew this guy though, and i didn’t get my hands on any of the following releases, so in my world there was no follow-up to this record ever and i thought it would remain a one-off gem in my record box. until by some coincident i recently discovered he was still around and had actually released numerous releases in the meantime. i was very excited and contacted him straight away and ended up booking him for krake festival in the same year. undoubtedly his set was one of the best of the whole festival! he took the roof off the place with his mix of raw electro, industrial and rave and everybody was talking about it afterwards, saying it was the highlight of the festival! talking to him i learnt, that most of the tracks he played were his own, mostly unreleased. he produces without computers, all his tracks are single takes, there is no editing, no mixing afterwards, he only has a stereo track recording which is what it is. he owns a cutting machine which he uses to cut dubplates from his tracks, which he then plays out during his sets. this whole information about this very unique artistic approach just killed it for me, and since working with him was so nice as well, i asked him for a demo for killekill and its labels and was hoping for tracks i could make a great 12&#8243,, of. i got 14 tracks and after weeks of trying to pick the best, i finally realized i held one of the best electro albums ever in my hand – banging beats and the balls to go big and epic, subtle melodies, drama, funk – this album has got it all, and what’s most important, the music on it is the exact opposite of so much other music nowadays: it is emotional, it tells a story, it is easily recognizable and it is not interchangeable. it’s just umwelt.“ nico deuster

quantize recordings is excited about the latest release from the incomparable susu bobien, help is on the way. produced and written by dewey cioffi and bj nelson, this creative tribute to jesus christ is second to nothing else. once you ve heard susu s vocals on this recording, you will be amazed. this package features the dynamic production skills of earl tutu and john khan. earl s beautifully laid keys are the perfect complement to john s driving drums. add the mixing talents of dj spen, and you ve got their original and inspiration information mixes that are simply irresistible! if that isn t enough, thommy davis lends his extraordinary talents to this project resulting in the gospel-driven rescue remixes. these mixes rock straight down the aisle and contain all the elements needed to make dance floors explode with energy!

nice price deal !!! the track has already been a surprising banger on many mental nights around europe during digitalism dj sets and live stes. wired got people wired and fingerlicking at miami winter music conference. jence is rooted amongst the youngsters of the >new generation< that is just about to take over clubland worldwide (boys noize, passions, guns n bombs …) entering the world of jence : an electric dark realm of ghettotronic hardware sounds, triple distorted, as rough as your moves after a bottle of vodka

vinyl only / limited to 300 copies! another round for oye edits. oye s delfonic met kent clark a couple of times and he got this feeling, that this dude is doing some really good stuff. here is the result! enjoy !

cementing his reputation as the star toaster with the small but popular el paso sound system, based in the waltham park area, dennis alcapone was one of the first deejays to rise to prominence following u roy’s breakthrough in the late 1960s. born dennis smith in the rural district of culloden, he became immersed in sound system culture after settling in western kingston. once el paso became big on the sound system circuit, dental technician-turned-producer keith hudson brought him into the studio for his debut recordings, which led to a debut album for studio one and hit material for duke reid, some cut in concert with his deejay sparring partner, lizzy. alcapones longstanding links with bunny lee yielded the excellent guns don’t argue album, first issued in 1972, on which the toaster raps with style over some of lees all-time greatest rhythms, including delroy wilsons better must come, john holts left with a broken heart and slim smiths rendition of the temptations soul classic ain’t too proud to beg.

one of jamaicas most highly-rated vocalists, alton ellis made an incredible contribution to the islands popular music. blessed with a particularly emotive voice that brings shivers to the spine whether singing original material or cover tunes, ellis was born and raised in trench town, the west kingston ghetto area that gave rise to bob marley and the wailers and countless other singers. ellis and singing partner eddie parkins hit big in 1961 with the ballad muriel for coxsone dodd, and after parkins moved to the usa, ellis teamed briefly with john holt, and then began fronting the flames harmony group. he excelled in the rock steady style, christening the genre with rock steady and i have got a date, bouncing between studio one and treasure isle for a number of years. from 1971, he spent increasing period in london, but continued to record hits in jamaica for various producers. the 1979 release love to share was arranged by the great studio one keyboardist, jackie mittoo, who co-produced the album with junior lincoln, founder of the london-based bamboo label, the disc straddles the line between lover’s rock and roots reggae, remaining a lesser-known classic

seafoam is back and will stay with us for a little while. after the revelation of his latest productions, -lost tape 98 project- presents some special tracks produced in the late 90s / early 2000s. when we got this original dat of -hybrid- release in order to re-edit it, what a big surprise to discover other original tracks that were never released. so we decided to sign our 3 favorite tracks on rue de plaisance s sub-label : « rue de plaisance re-issue ».

60th anniversary re-issue of frank sinatra’s 1957 album “a swingin’ affair”. pressing on 180 gram vinyl, download code included.

shadow play, the brand new label owned by parisian artist le loup and his partner pura, drops its second release courtesy of the bossman himself alongside chris carrier. the two men got together in the studio and cooked up some tasty goodness. the first of four tracks on this release is the intergalactic opus phoenix lights , which works off serene pads that transport you out into the cosmos, along with a warm, soothing bassline and electronic chirps and bleeps. research programm (outro) takes us into more obscure realms, as chris carrier and le loup sample a scientific vocal and create a mesmerising bed of sounds underneath it. on the flip we kick off with clouds reflection , another track which features a sample from an old instructional video. this track has minimal composition, with dreamy astral pads, shuffling beats and a grumbling low end. in the second half chris and le loup introduce more twinkling fx, to engage and hypnotise you... to bring the ep to a close we re presented with v-shape , which begins with a layer of clever drum programming aimed straight at the hips. once you re moving get ready for the juicy bassline, and a sultry top end that grips you and gripping progression. the perfect to end an utterly fresh ep..

nice price deal !!! dedicated to the 15th edition of ade, bla bla comes with the 2nd volume of their special ade ep with 4 massive tracks.

2017 repress due to high demand and crazy online prices!! santuri s embaire umeme ep got a worldwide premiere from gilles peterson on a never-ending quest to support and exposure far off musical cultures around the world, the next on the corner releases sees them look to uganda. teaming up with santuri (an east african electronic music innovation project) and soundthread (a creative development non-profit), they have worked alongside the mugwisa international xylophone group with modern recording techniques and further re-arrangement on two remixes. the first, by sam jones, was premiered last week by stamp the wax, and today ushers in the second by alejandro mosso. a thudding kick drum at the first beat aims this one straight towards the early evening dancefloor. working in unison with samples from the giant wooden xylophone and conversations between the musicians, serves to place the track back into its original context and is allowed to settle for a couple minutes, before what sounds like a kora or zither brings a far-eastern twist. with the slow-burning, steady elements of a balearic production and the beguiling hypnotism of steve reich s work this is a big worldwide favourite.

smile&stayhigh is label based in bologna and founded by dj cream.
pure house music for da blazers!

dimitri from paris and his brother in crime dj rocca come back to gomma with a new 3 track ep. dimitri is a legend! from his playboy mansion compilations to his own tracks, his always inspiring dj sets and most of all: his never disappointing edits (prince: i wanna be your lover!). let s put it like this: probably there is not one dj with taste on this planet that hasn t got his personal dimitri from paris favorite track in his bag. dimitri has been doing consistently good music over the last 20 years. since he first appeared with his very parisian album sacrebleu in 1996. he quickly became a worldwide respected european first league eclectic disco djs - along with dj harvey and ashley beedle. he officially remixed hundreds of artists. from björk and new order to michael jackson. he also produced los amigos invisibles -super pop venezuela- album which grabbed a nomination for a grammy award. some years ago he teamed up with italian producer, dj and man of many talents dj rocca. rocca might be known to many for his work as ajello and crimea x. he also produced music for cosmic dj hero baldelli. dimitri and rocca have a magic touch. together they have been doing 3 eps for gomma. this is the fourth ep. new school booty electronic disco. glamorous as ever. nasty as always.

the good doctor has been a cherished member of the jalapeno records family for the best part of ten years now with three albums and many more singles to his name. with evergreen support from the likes of bbc6music and especially craig charles his back catalogue never seemed to fall out of fashion and we consistently received requests to reissue classic tracks on vinyl for discerning djs and fans. well we re not the types to argue with anyone and frankly we thought that they might have a good point so we ve relented and are releasing a special 7- vinyl with two versions of his seminal track disco scene . of course the classic original mix is present and the frantically energetic breaks of wrath re-edit has got its backâ€,¦one vinyl, two banging mixes, many happy people â€,“, it s just simple maths really.    Â

celebrated & mysterious portuguese sonic weapons outlet outerzona13 return with three more deadly jams. continuing the theme of pursuing a varied menu of delights no.7 is a another v/a selection. a re-touched staple kicks things off, swiftly followed by some delightfully decadent late 80s buried chicago treasure while the b side carries an irresistible slab of minneapolis funk another outerzona hit!

for the fourth release of hello sailor recordings, boss lady renata do valle curated the sounds of fatnotronic and joutro mundo, two of brazil s major disco forces, to collaborate on the project, featuring edits from gretchen super sexy and tudao from banda black rio. the new versions deliver a longer and punchier bass line and a groove that got extended to satisfy our ears and resulting in a dance floor-minded record, faithful to its original brilliance.

favorite recordings proudly presents this new official reissue of arian: a rare and underrated disco album originally released in 1981 by pgp rtb label and fully recorded in new-york. arian kerliu was born in the small town of macedonia, dibra or debar. arian’s first recordings for a local radio stations were at the age of 14, appearing in almost every music festival in ex-yugoslavia. when he was 19, arian came to new york city, working different jobs and studying music. his first music engagements were in various clubs throughout the city, playing guitar and singing. he then met with james benjamin-fish, well known bass-guitar player, with whom he formed the band arian & funky family, mainly performing in the best clubs of nyc at that time. together, they came to an idea to record an album of their own. after travelling throughout the us, they got to know each other very well, and had connected with probably some of the best musicians you could find at that time. thus they had sinclair acey arranging three songs and hubert eaves, as a writer of -still together-, a beautiful ballad written in honor of his wife. by that time hubert had gained two grammy awards for stephanie mills’ albums. kornelius cambell also wrote and composed two songs of the album, which sinclair acey arranged. the album also contains a great cover of “can’t say goodbye” by bobby caldwell, a song that arian and james had interpreted almost every night when touring. and all of this completed with the background vocals of tawatha agee (mtume), shevill alexander and sybil thomas (raw silk). arian & funky family band was then invited in yugoslavia for a european tour, including james, kornelius and stacey, but also others great musicians such as william -spaceman- patterson, zane mark, steve kroon, trevor gale, alex foster, or reggie marks, not forgetting flame braithwaite and meli sa morgan on background vocals. having the material of the 4 songs ready and finalized, the pgp rtb label from belgrade offered them to release an album, with the idea to also adapt the songs with lyrics from the famous croatian musician and writer mario mihaljevic. today, favorite recordings is deeply honored to bring this brilliant lp back to life. in order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all djs and music collectors

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more

dispersion is an ep deep in style, talent and wonder. embellishing the underground kudos of berlin-based techno dj and producer avion, owner of the hotly tipped, and renowned imprint crossing, dispersion is an eclectic mix of cerebral, uncompromising and colorful techno. title track dispersion is a gleaming display of spacious dancefloor beats melancholic, yet industrial. real is clinical, functional techno, emulating some of the wizards influential magic. inverse blends together a contemporary approach to sonic aptitudes, while remaining a strictly dancefloor and body orientated, while enidan a colorful moment of ambient beauty, plays the ep out. it is the first release on marcel fengler s regarded, techno imprint imf in 2017. dispersion is an ambitious, and unique ep, from a true underground and mysterious talent. the eps style embodies the bright, hypnotic and pulsing music that has characterized his releases to date on crossing. talking about the release, fengler states, he got my attention after some pretty strong releases on his own imprint crossing. i felt that this was something i didnt have on my label, but still reflected the idea of imf.

baker’s dozen heads back to the east coast where veteran producer marco polo brings a welcomed boom bap flavor to the series. new york city is the birthplace of fat beats (and as many would say, hip-hop in general) and current nyc resident marco polo is true to form in representing our roots. as always, every volume of bdz features one artist and twelve tracks (with limited random copies including the baker’s dozen bonus track on a flexidisc) and comes equipped with a 5x7” postcard insert that features a photo of the artist’s workspace along with the equipment used in their music making process. a personal narrative of how they got into beat making in the first place is featured on the back of the jacket. visually cohesive and packaged with the utmost attention to detail, baker’s dozen is a series that speaks up for artists whose craft renders voices superfluous, and whose instrumentals alone suffice to make a statement.