huge detroit deep house

lasst uns froh und dubby sein: basslastige riddims für die nacht der nächte. die limitierte vinyl-lp erscheint inklusive album-cd.

soul jazz records brings back the in-demand retospective of sugar minott’s work, originally released in 2005.

after the release of their playful debut album “worldstyle” the budapest duo are now returning with their 2nd album “brotherhood” and this time their message is more serious. the music often summons blues elements but also influenced by dub, funk and a little hip-hop while the lyrics are mainly about the social and personal problems of our time interpreted by talented guest vocalists from all over the world.

a new album from electro pioneer egyptian lover. essential release on double vinyl.

anders trentemollers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix harbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentemoller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentemoller remix) and slowdive to more obscure finds, as well as trentemollers own tracks and remixes, most notably a brand new trentemoller cover of neil youngs classic transformer man.the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together harbour boat trips 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with harbour boat trips - 02 arriving this november.

the best of scottish singer / songwriter amy macdonald from 2007 - 2018 on double vinyl, housed in a gatefold sleeve with download code included.

the latest release on arma comes from dutch legend and devoutly deviant underground operator ruud lekx, aka rude 66. with a legacy that reaches back to the early 90s and the rough and ready dutch electro sound of bunker records and the hague, hes maintained a distinctly non-conformist approach that touches on acid, italo, techno and more besides, all finished with the punky attitude that sets him and peers like unit moebius and i-f apart. the tracks gathered together on the witch trials ep come from throughout lekxs career. as the artist himself says, tracks from wildly different eras and sessions suddenly can combine to form one coherent ep. its almost like the a-side tracks were waiting for 20 years to be combined with the b-side tracks. the overriding theme that binds together these timeless machine excursions is that of medieval witch trials a global phenomenon that peaked in the 15-1600s. considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, lekx points to the parallels with the current age, of political polarization and fake news accusations flying all over. the ep title is also a tribute to two records close to his heart: the falls live at the witch trials, and the one-off witch trials project by members of the dead kennedys, adrian borland and christian lunch. werewolves & poisoners and the crusade against idolatry are both archive tracks from the 1994-5 period when lekx made his first albums for bunker records.

dj bobo’s greatest hits on double vinyl.

rawax prouldly welcomes siamak amidi to the family! we re more than happy about his very fresh and spacy trippin -craft 07- release for our ctx series on chiwax. more to come!

in the seventh ep to come out on his own imprint, labelhead dimi angelis serves up four tracks, each distinctively angls: bare and unassuming music. opening track “live chat events” leaves little space for actual conversation and immediately hits home with some thorough techno that reminisces of a bygone rave era which refuses to be forgotten. follow-up “index” continues that feel but switches things up by delving off the deep, ever so slightly distorted synth end. on the flipside angelis allows subtle percussion movements to do the talking in “lotus”. proper and powerful on its own, equally useful as a tool. “cosmodrome” closes down #007 and is the most introvert of the four with a unique, submerged sounding pattern that gradually builds and falls. an ep that will fit and improve any collection.

superprince returns on razor-n-tape with 4 heaters

gold coloured double vinyl, housed in a deluxe gatefold sleeve, printed with stunning gold spot ink on reverse card. the records come housed in beautiful double sided printed inners pictured above. this package has been designed by lakeshore art director john bergin.

180 gram black double vinyl, housed in a deluxe gatefold sleeve, printed with stunning gold spot ink on reverse card. the records come housed in beautiful double sided printed inners pictured above. this package has been designed by lakeshore art director john bergin.

third splitools come with costa harko & spangleman (tsukasa kato & ataru nishikazi)

the new album from nicki minaj on translucent orange double vinyl, housed in a gatefold sleeve.

pressing on white 10 inch vinyl.

11 rap & hip-hop classics on vinyl.

chicago house producer dj jes joins the turquoise blue roster this october with his four- track ‘rhythm method’ ep

2018 repress, limited to 200 copies!
relentless as any artist peven everett has the knack of putting out lots of beautiful unique songs. voted number one rnb artist in chicago, peven has a massive following of soul heads around the world. we at bombay have big fans from day one with his early work with roy davis jr. and the classic bombay release men from the nile “watch them come”. his career has seen him drop some classic records including the “studio confessions” project. his bombay releases are 2 dance floor cuts from his deep collection. “heat up”, a catchy vocal cut on a super funky groove with warm keys and a bumping bassline. along with “when we’re together”, a chicago style dance floor loop with layered with peven’s infectious harmonies. the additional heat up club edit courtesy of the awaaz kids adds a thump and snap to the song for people who like that.

this time in calypso, aristidez takes us on journey trough the streets of lima peru. the chaos and the spirituaity of this old country are noticable on all of this tracks. rumbling percussions and vocals, harmony and rythm, darkness and light all come togeter through the use of samples to show the quality of this young up and coming producer. -nada nada- it s the mantra that will help you go through the morning in a grey and cloudy city. -reyerta- represents the violence of many latin american cities having a hard time. evoca its the mix between the first two where peace and violence find them selves in a catarchic release of energy. symple symmetry brings the tempo up for their nada nada remix asking everyone -what happens after death

“breathe the machine” is the first installment of dojostudio and presents a musical world rich in harmonics, low frequency and melodic impact, yet with enough space in between to allow that perfect breathing room essential for powerful dance cuts. “breathe the machine” portrays a world that initially feels robotic, yet instills an organic fluidity known only to come from humanoid beings, breathing life into a system littered with code and coldness. billy dalessandro presents 3 original cuts, plus a rendition of the title track by mike shannon.

will returns to aus music with this strong 4 tracker

the accidental jnr label has just passed it s second birthday mark... so at 2 years and 15 releases in it only seems appropriate for the next 12- release to come from the artist that kicked the label off and has made it his home for the past 2 years... bambooman, with a remix from label boss matthew herbert himself on the b-side. the track can really speak for itself as this one is something special for the dancefloor, the only difficulty is choosing which version to play... dj support: gilles peterson, andrew thompson (huntley s & palmers), laurent garnier, simeon mobile disco, eclair fifi, bake, luke solomon, eliphino, severino panzetta, red axes, andrew weatherall, dixon...

90s influenced house tracks by wave digital voice

russian drum & bass producer black barrel is one of the most sought after producers to come through the ranks in recent months. after his discovery by ant tc1, a tastemaker who’s founded the careers of many similarly talented artists, he was brought into the fold of dispatch recordings and has since dropped a plethora of heavy-hitting releases which have solidified his place within the genre. with support from many of the underground scene’s pivotal heads, including break, radio 1’s rene lavice and dlr, his widening back catalogue is finding itself within major clubs globally.
turquoise & black mixed double vinyl in full colour sleeve.

last year japanese public broadcaster nhk aired the animated superhero series “the reflection”. the legendary english musician/producer trevor horn served as music producer for the anime. the story of “the reflection” is set in a world where a mysterious atmospheric phenomenon known as “the reflection” killed many people all around the world while causing the survivors to spontaneously develop superhuman abilities. some people become heroes, others become villains...
while achieving great success as a member of the buggles, yes, and art of noise, trevor horn also worked as producer for many popular musicians, such as paul mccartney, frankie goes to hollywood, tom jones, cher, grace jones, seal, tina turner, lisa stansfield, pet shop boys, simple minds, and mike oldfield.
the reflection release includes a 4 page booklet and is available for the first time on vinyl. the limited edition of 1.000 individually numbered copies is pressed on pink coloured 180 gram vinyl.

roel funcke come with a warm sounding elektro 5 tracker. james shinra steuerte auch schaon auf der tgr001 einen remix zu.

after more than 15 years the legendary dj producer returns with a full length album. eight tracks all about the future that is hiding right under our nose. luke mcmillan provides his familiar signature sounds in a futuristic collection of hardcore beats. he lived the future incognito, and is ready to show us what’s to come.

guapapasea! is the first album by gecko turner

this is the first of many bernadette trax vinyl only releases to come. named after my mother who got me started in all this, bernadette trax is my personal label, a vehicle for my music and a labour of love, specifically my love for deep underground house music of all kinds. the culmination of 30 years of influences, clubbing and too many late nights, this ep features my wonderfully talented friend and vocalist anna krestense gantelius glahn. hope you like it and play it

wolves bay returns with a new pack of tracks continuing his intriguing deep sound.

the 1976 debut album from the mighty maytones finally available again on 180 gram vinyl.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

das neue album von jazzgitarrist bobby broom auf 180 gramm vinyl.

new years deal - dresden s lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. here are four tracks that are unpretentious but elaborate, effective but not overambitious. -break the chains- sets the bars in terms of dark techno bliss for both basements and bigger dancefloors. on -message from the underdog- lockertmatik shows off his knack for acidic perfection while -jaku- gets the jazz treatment. finally, -313 - 0351- is all about building tension without losing one bit of impact on the dancefloor. the artwork comes courtesy of carl-johannes schulze.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

after a few years on hiatus, one electronica has gone all out in with a heavy debut 4 tracker from new member thought camera. the young belfast born producer who has been very busy in the studio putting together an arsenal of electronic weapons has also enjoyed an increase in popularity and profile in the local scene due to his hard work and commitment to the cause. with such a strong release about to drop in the next few weeks and with more unreleased material on its way this guy is worth keeping an eye on as a rising talent. without using too many bullshit analogies – this is release is simply dancefloor bliss and a djs dream that will be keep at the front of a record box for years to come and could be a favourite among various styles. the title track astral pilot comes in strong with spatial glitchy electronic chatter and tubular echoes that are pretty damn haunting. headspace comes in on a2 which is the antithesis of serenity and meditation that the name suggests. this acidic jack track is upbeat and laden with bass bleeding all over the place. flip it over and you have lifeforms on the b1 which is the most technical track on the release which ebbs and flows between solemn and sombre leaving you emotionally twisted yet intrigued this is one to look out for! obsession which aptly depicts this track a stalker in the night, haunting, imposing, friday 13th shit. not for the faint hearted.

a hiatus is always something needed to experience, silence is a process in which one can value and have a closer perspective within sound. an-archon come to brake that silence, hermes is on duties for it delivering two massive harsh noise weapons, samuel kerridge and caos + inmediatismo complete the ep on remixing labors. no one can escape from the an-archon.
pressing on 180g vinyl, housed in a printed sleeve.

this newest installment of the ongoin series presents four very different hardspace mixes, each one of which allowing a different shade of len fakis musical guise to shine through. on guidance a quick-paced bounce grooves on top of a three-note bassline, suspenseful strings and sensous vox giving the track an unsuspectedly burning itch. equally smacking, yet both tribal and technoid is his rework of f.e.x‘s never give up, which keeps breaking down in order for the slicing hats to come back in and do their magic. tackling a current uk-techno-favorite on the flip, randomer & cadans‘ anchor has got a grimey grind to it, which here gets churned into an even more wicked version of a twisted trip down the rabbit hole. closing the ep out on a bleeping note, ribé‘s outlines is a deep-spacious, echo-laden affair, oscillating in tune and zoning alongside skitting percussives. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

kawuku sound is the coming together of uk producers contours & cervo and ugandan percussion troupe fonkodelis arkestra. this is the culmination of a month-long creative process that was born out of the nyege nyege affiliated boutiq studio in kawuku, kampala - uganda. the music was written and recorded in this shared residency space, home to musicians and visual artists from all over east africa and beyond, and a hub for kampala s underground electronic music scene. boutiq studio s diy mentality provided the perfect environment for experimentation, allowing the fusion of these disparate sounds. kawuku sound is a reflection of this, merging the hypnotic and trance-inducing percussion of buganda drumming with elements of contemporary electronics and traditional instrumentation. this the first album release to come out on manchester imprint banana hill as they continue to push the boundaries of afro-electronic sounds.

public release maintains its coast-switching lifestyle with what is perhaps its most ambitious project—and inarguably its longest - yet, earth boys’ debut full-length, the eboys lp, the logical conclusion to a chain of collaborations that began, a little over a year ago, with the release of their trail mix ep. the two-disc, twelve-track album represents a new high for the pair comprised of michael sherburn and julian c. duron both creatively and technically, ideas they’ve been stewing and simmering since their splash of a debut in 2015 are now presented fully baked here.

shot at dawn is a scintillating return for a band who have been collectively quiet (but individually busy) for a few years, and (once again) sounds like the music of tomorrow. lyricist leon mayes wills the real revolution to come, morris’s uneasy keys and driving, bittersweet production embodies the uk s collective anxiety/apathy coupled with an impending sense of doom, as we all obediently troop off the cliff like lemmings, while vocalist michelle manetti s melancholy delivery is the perfect foil both, recalling tracey thorn at her best.

korpus 9 records kicks off with a brand new ep from dubspeeka, featuring four tracks of high impact and atmospheric techno. korpus 9 records is a brand new techno label from russia managed by kwazalski. the main aim of the label is to release fresh and innovative material, not only digitally, but also on vinyl. all the imagery and influences of the label come from an abandoned research station that is deep underwater, where unusual events are happening around it on a constant basis. charged with the first release is shadowy bristolian producer dubspeeka, who has put out his music on drumcode, senso sounds and get physical, runs skeleton recordings and has a fierce techno sound. the opener here is garrison, a driving number with heavy drums and a warm but edgy mood. garrison 2 is more spaced out, with celestial pads baring a feeling of suspense above the firmly rooted drums. garrison 3 then has lumpy drums that bob up and down, as acid lines, water sounds and metallic hits all add atmosphere to the cavernous groove. last of all, garrison 4 is an eerie dub techno track with real drive but also plenty of thoughtful emotions. it closes out a brilliant first ep on this exciting new label.

hijacked records detroit is feeling inspired after hearing new work from one of our favourite allies in techno, jules wells. we felt it was our duty to deliver this to the people, three new productions from jules with a guest remix from our own antwon faulkner. please enjoy - -silent orchestra.- the title track from jules really set the bar for this release. jules really understands story telling with music and this track transports you to a time in techno that was both hopeful and beautifully heart breaking. a persistent chord progression is wrapped in celestial synth harmonies filing up the space all around you and reaching in. that classic clap is underpinned with a touch of acid, creating an edge. at the 4:33 mark an enchanting and haunting sign wave tells a melodic tragedy. strings come in delicately but wash over you completely. this track is both stunning and devastating.

als in großbritannien entspannter roots reggae den harten rude boy/skinheadsound ablöste.