wilson records is back with a branding spanking new, special printed-screen edition celebrating label head, fabio monesis first solo ep. the succession of the label and fabios sound has been ever so apparent. a manifestation into something much more darker and refined, something represented crystal clear in the riveting rhythms of the a side with *gotta blaser* & *djago*. on the flip, the b side is a declaration of love, if you will, to the mother of it all, chicagos house music.

the 10 labels steven porter, collaborator arrives on perc trax with his own ep, covers everything from martial 4/4, advancements to broken beat experiments!

pig & dans elevate label is going from strength to strength in 2014 with a series of stunning releases. if you are familiar with pig&dans work, then you know that they produce and play music that is far from linear. they are always looking to push the envelope with genre-bending music and a devotion to creating something special that gets right under your skin and elevates the spirit. pig&dans attention to detail is a mark of their creative excellence. having created a trio of dynamic techno grooves, they give each track its own distinctive identity. whether they do twitchy (sandstorm), full-scale onslaught (power), or transcendent beauty (there is no turning back), they always do it with unrivalled style and panache. it would be hard to find another duo whose creative juices flow so freely right now. what they have is a very special meeting of minds that is being cherished and developed to ever-greater heights as the years tick by, leaving the future of techno in very safe hands indeed.

the cover *theme* shimmers orange-brown and is one more reason to welcome the coming autumn. basels superkid benotmane wows us with a deep melodic track whose vocals have us quickly lost in a dream. whether we are floating, eyes-closed, across the dance-floor at an open-air or in a club, something becomes undeniable, serious goosebumps are happening. the two guys from kaiser souzai have presented us with two remixes that ultimately convince through their technoid and pulsing grooves. eskimo is the whittled-down original, reduced to its main components –revealing these with its very own flow.

second release on seth troxler and martinez brothers hotly tipped * tuskegee * imprint is courtesy of dutch house master william kouam djoko. his three tracker of off kilter acid-tinged floor-jams are a truly something to behold. bathe your ears in the majesty of sacred secrets and witness the floor go crazy!

javier & luis garayalde aka kyodai are back on local talk with their third release since the debut *breaking* back in 2012. as always we are thrilled to present new tracks from the duo whose been integral in establishing local talk. the pace is set with the first track *konbanwa*, showcasing the duos phenomenal skills in creating something both classic and modern by fusing a tight and driving groove, tension building chords and a bumpy bass hook to great effect. believe us when we say it has been an absolute highlight in our dj-sets thru out the summer. on *so special* the brothers go back to their roots and create a track that has got both the sound and feel of their previous tracks *breaking* and *the scene* - in other words, another big track from kyodai!

a fantastic vinyl version of craig richards outstanding get lost mixed album, featuring some gems from craigs record bag. each cut is a killer, from the classic deep house by black rascals and backroom productions, the stupendous humphries dub of 2 house and superb dutch house monster this side u. also featured are tougher cuts by kenny larkin, stl and steve bug as well, alexander robotnicks great remix of trans mania, ruf dugs ode to ron hardy, patrice scotts sublime remix of raiders of the lost arp, parallax corporations disco tined ‘anti social tendencies and craigs own ‘sleeping rough production from his own great imprint: the nothing special. a great compilation of some superb records!

londoners kiwi and ashworth return to sneaky for a follow-up to dawn ep, the warm, dusty and at times experimental release, championed by the likes of daniel avery, eric duncan and tiefschwarz. the past few months have been busy for both halves of the duo, with kiwi signing to duke dumont s blase boys club and remixing for house music super-labels bpitch control and get physical, whilst ashworth has signed music to tomoki tamura s holic trax and needwant. second ep takes a new format, with two original tracks alaska and na am on the a-side, backed up by a nicholas & marcoradi remix of cux3 and ranacat s remix of zubr. alaska could be described as an amalgamation of the inspirations that lead to the first sneaky release, combining the pumping house beats of cux3, the comforting wurlitzer of zubr and the ethereal movie-soundtrack dusk. na am is something totally different, existing mainly as a collage of recorded and found sounds, avoiding the usual structure of house music in favour of something reminiscent of the weirder side of the chemical brothers. strange though the track may be, the climax would undoubtedly move a room full of pilled up ravers to a state of frenzy. the b-side remixes both hint to dance floors of the 90s, with nicholas and marcoradi making you wait and wait before dropping an unforgettable piano hook, whilst sneaky s ranacat lifts zubr out of context and into peak time territory.

is it purposely ironic that guysfromneighbourhood are releasing on a label thats named after a part of east london thats as gentrified as it is dishevelled? speech less is whats been delivered and its a popping, deeply dubby and smooth production thats made for the dusk of a berlin afternoon thats becoming evening. argentine producer nacho bolognani beefs up the original with something more solidified (youll find yourself dancing to the bassline not the beats), while matt rich delivers more of a reduction than remix. a strong debut release.

across seven tracks of widescreen ambient music, 45 minutes of visuals shot over four years in multiple countries, seven photographs, and a multi-sensory, multiple channel live performance, willits has created something which might better be thought of as an experience than a simple album. opening features willits latest music since ancient future, his 2012 collaboration with japanese pianist ryuichi sakamoto, and his recent production and mastering work on tychos awake. the vibrant, enveloping sounds we have come to expect from him are on full display. the vinyl lp includes a download code.

steve frisco, of serie limitee fame, brings us the latest bundle of hot tracks to hit wax classic in 2014. as the title suggests, steve takes us on a journey through low fidelity sounds and production techniques. think dark, moody, yet crunchy basement house tracks with inspiration taken from all over the u.s and the rest of the house world. it’s a generous offering as well. six whole dusty tunes for those diggers who are looking for something with a bit more range than another record of generic piano laden, house-by-numbers pieces that still seem to be flooding the record store shelves in 2014. the moods do vary from track to track, but they remain very reflective and almost melancholic at points. the title track, ‘adventure in lo-fi’, is the deepest of the lot with filtered chords, echoing claps and a sporadic kick pattern that often clears way for the track’s bass hits. now, compare that to ‘da brooklyn beat’. whilst the former had a distinct sunrise/sunset kind of feel to it, the latter is definitely more of a club affair. skippy snare hits and a strong organ lead the track on, and at the risk of utilizing very overused buzzwords such as ‘raw’ and ‘ruff’, this track, and the rest of the a-side for that matter, certainly captures that essence. stalwart wax classic fans will no doubt be picking this one up to add to their collection. however, i strongly recommend this ep as a jumping in point to the label for any newcomers out there

ocoeurs latest album a parallel life finds franck zaragoza showcasing his adeptness at fusing thoughtfully crafted melodies with twitchingly syncopated techno. in a recent interview berlin music portal kultmucke introduced zaragoza something of an idm prodigy and while thats a fair summation due to his preference for malleable beatwork and his use of heavily processed field recordings there is more there than simple glitchery. zaragozas melodies, while often shrouded in hazes of static, affect the cinematic minimalism of modern composition. these such comparisons put him stylistically hovering somewhere between the likes of arovane and max richter which is no meager feat. a parallel life aches, breathes, pulsates and is forever churning. it has a subliminal soul that is all too often a casualty of electronic music of this style. the vinyl lp includes a download code.

subterranean techno cuts with a strong ancient underground texture. sawlin reveals himself to us with something totally unique, just like the spirit and the soul of arts elite, but there is one more thing, we give you james ruskin remix served on a silver platter. no more words needed here.

the third instalment for nightime drama returns with infinite loops presenting something special again with his non conformist sound. the title track dirt, a what could become a staple in the dub techno world. a mission in a sandstorm.. espionage in the desert.. moody, driven with gritty stabs and textures surrounded with experimental atmospheric elements. deep and dubby, a real masterpiece and a must have track! if you loved ntd001 then you will find persiflage takes it to the next level of what you would call the infinite loops hypnotic groove. beautiful,sparse,unpredictable chords that hide and jump out backed with driving beats! both tracks complimenting each other on this high quality release topped off with mastering by the brilliant stefan betke (aka pole).

airplay from steve barker (the wire) on bbc radio and support from tomas rubeck (eshu) among others. kicking off the new fifth interval label, san francisco based dub techno producer federsen heads up the premier release. the title track is a hazy dub techno trip filled with washes of tape delayed chords and crisp snares while the b1 track - 50hz is a far more broken affair, 140 bpm gear comparable to the likes of deadbeat and strategy. for the final track, isodyne (one half of forward strategy group) shakes up 50 hz, slowing it down to an incredibly weighty 115 bpm, finalising an excellent release with something for discerning djs of all tastes.

here s something to stir the loins of any discerning disco dj: a studio hook-up between veteran producer felix dickinson (fresh from his much-loved outing on futureboogie recordings), horse meat disco and one-time dfa man (and renowned multi-instrumentalist) marcus marr. there s an additional contributor, too: a mystery (presumably big-name) vocalist whose talk-box heavy delivery sits somewhere between prince, george clinton and pharrell. the track itself is something of a summer anthem in the making - an immaculately produced p-funk jam with the additional benefit of a shuffling, house-friendly groove. no details on how many copies have been pressed, either way, you d be well advised to snap up a copy while you still can.

after first performing together at sonar festival with what was essentially a live version of our respective b.o.a.t.s. and adamant albums, thomas and i decided to expand on these ideas for something more broad and improvisation-centric.

it has been two year s since 124 recordings first released joey kay s toy piano and we wanted to produce something special to celebrate our second birthday.so here is 124r 008-eight tracks over two 12- and a limited single sided remix on 7- that represent the many different shades of house music the label has pushed since its beginning s.from the deeper spectrum of mome,tom noir and desos to the heavier bass leanings of metta,leigh d oliver and peter lawrence,there is also the inclusion of a hammer jay shaw remix of the lead track that will be available in limited numbers with the doublepack,many thanks to everyone who has supported the label,we hope you enjoy this release.

finally, long awaited: summer - there we go. another magic pure release! so folks - enough words! every summer has a story and: every summer has its soundtrack. if something screams for upcoming sunny open airs and amazing summer nights - its this record.

paul ritch is back on drumcode with his astounding new single brainwash. perfectly capturing the energetic, driving techno sound that paul is capable of, brainwash delivers something that really engrains into the memory and leaves the dancefloor filled with vitality. on the flip side, inside me is a heavily percussive rolling track that uses interesting synth hooks and stabs to create a rocking groove that creates vigour and depth that pauls techno represents.

something tells me this ones gonna be big. uzuri 020 comes from jitterbug, and its great to have him back. followers of the label will be very familiar with this producers work, even if they know very little about the man himself. im not going to shatter the mystique.

after the first part of remixes on mtd tracks, now its time for the second one on tracy track. 3 version of something to believe in 2 made by the dublin duo lakker (stroboscopic artefect, blueprint, killekill) and one made by the mysterious annulled user.

grab the new s&c 005 record, a split 12inch by ender & stiletti-ana, put it on and lay down on your sofa. hear the opening groove from enders track p.l.i.h. and find your self getting up immediately to turn the stereo a little louder. adapt your self to the super tight, locked & futuristic and very original techno groove. watch especially out for the killer stab line in it as it is just something you will most likely find your self humming while shopping or taking your dog out. after the original mix of p.l.i.h. you will hear the stiletti-ana s stripped down version. he must have cut everything else out in his mix with his switch blade besides the ruthless stab line. dig the endless and ever growing stab jacking and remember that p.l.i.h side of the record is very serious and addictive for both club & home users. turn the record around and go back to your sofa. hear the twisted detroitian afro acid disco of stiletti-ana s track i got the master unit. filled with merciless synths and forcing rhythms i got the master unit leaves no questions of the keeper of that unit. the user of the unit seems to turn all things to the max and play midi tracks with tesla coil a like instruments. after the original it is ender s time to use the master unit and turn down the lights and ask the question: do you think that there will be something nice happening soon?

vinyl re-release des mr. scruff-klassikers *keep it unreal* aus dem jahr 1999 - kommt als 180 gramm 2x12 inch lp + mp3!

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adams stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demos that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcodes core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

after the success of the first a-sides compilation in 2012, adam beyer has decided its time to release another. with adam s stature steadily growing as one of the leading talents in the techno scene and the rise of drumcode, the standard of demo s that have been sent to adam have been top notch. adam has now decided to release two compilations with 10 tracks each, consisting of tracks that adam has tried and tested. there are also new artists that have been invited to release on drumcode for this compilation and others who are a staple in drumcode s core family. combining both old and new talents drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

mauser hails from chicago, illinois, but his production covers far more ground than chicagos no.1 import, house music. the block sees mauser diving into his many influences, including house, techno, hip hop, drum & bass, soul, and funk. combining tight, funky drum programming with a diggers ear for samples, this diverse ep has a little something for everyone!

for nearly two decades, ploink has promoted techno nights around norway, presenting local talent as well as some of the biggest acts from around the world. we just really like techno. our definition of the genre is fairly wide though, constantly evolving, which we have attempted to reflect in this our first release, compiling four very different tracks by local producers from our hometown of bergen. setting up a label branch has for years been a burried, old plan. to us, techno parties, no matter how unique and brilliantly planned, have such a short lifespan, and as such it feels good to finally start releasing something that can get a life of its own, perhaps grow into something entirely different.

ndatl continues with new tracks crafted by brett dancer known for his deep productions and being the creator of seminal label trackmode.

-never say never- ist die erste single-auskopplung und steht exemplarisch für deren entwicklung. das stück - halb song, halb club-tune überzeugt nicht nur diese kombination, sondern das stück funktioniert auch auf beiden ebenen gleichermaßen gut. dabei be

z records are back with vol 7 in the attd series: a1 yes, another killer cut on zr. zo!s gorgeous soul tune featuring eric roberson and phonte gets subtly housed up mix by dave lee. a record you will be hearing all summer at more musically inclined parties across the world. a2 jakattas house classic american dream gets a very cool bassline driven remix from andre crom & chi thanh… b1 new and unreleased…. b2 akabu feat. alex mills *everybody wants something* was an enormous tune for many in 2013 and is still getting played by big name djs in bustling nightclubs around the world. now we give you an off the chain/on point/un-believable remix from rhemi. we are not going to describe the nuances of the remix and highlight why the aforementioned big name djs like dropping the track in their sets at cool clubs/festivals/corporate events but its pretty bloody good…

do something that brings pleasure and joy, and you will always succeed in this. a shining example - a young and talented musician shyam, from moscow, well-reputed as a performer deep and tech-house style.shyam has already released tracks on several labels, including rawax , nimble music , serie limitee records and others.his music twine the space around the atmosphere of exciting and relaxing at the same time, remind, that it must not only listen, but also to feel.

new and exclusive tracks by superpitcher, juergen paape, thomas/mayer, voigt & voigt, saschienne, the modernist and weval

portlandia house bastion ecstasy termed temples 2012 debut mini-lp, i-vii, ambient jack, which captures something of the projects contradictory strengths: airy yet agile, sparse but plush, flights of intuition mapped onto morphing grids of percussion, crystalline electronics, and pastel skylines. avalon kalins latest collection of tech finery, earrings ii, dials back the atmospheric quotient somewhat, though theres still a rock garden spaciousness to his mixes, each element arranged with regard to some higher harmony, the poetry of negative space. recorded in his home studio while dancing, the four tracks here ebb between passages of pressure and release, euphoric but unstable, dusted with pyramid-chamber slap back and live dubbing acrobatics. their melting clock asymmetries more closely echo kalins hardware improvisations with scott goodwin as polonaise than the velvet vocal house of his other solo vessel, finesse, but temples is ultimately a holy place all its own. a sleekly compelling statement from one of the pacific northwests secret heroes. mastered by eric hanson. edition of 305

the 16th anniversary comes up with eight excl. tracks from the fat artists

ovums 20th birthday celebrations continues with the return of alexkid with 20-something years in the game, the former parisian turned berliner is lauded by peers and fans alike for his production technique, and infamous on the circuit for his extensive collection of - and near-obsessive relationship with - machines.

the trackworx series continues with arttu and welcomes hakim murphy from chicago. something beautiful doesnt beg for attention. thanks for purchasing a real copy!

peeps, this release is something special. catalogue number 004 will only be available on vinyl - limited to 200 copies. ante & michal met several years ago, and have since taken on the world hitting some ace parties and eventually joining forces in the studio. the result was 2 house music tracks par excellence, combined with a remix by the peruanian and get physical artist israel vich. just to show their love to the black gold, ante & michal printed all covers by themselves. they generated 200 unique copies, which are waiting to be dropped on the turntables. now get in everybody, as the doors are closing and we re getting ready for departure...

it is rare to hear a debut 12 inch single that really blows you away. that is hardly a controversial statement, in truth, most producers take time to find their feet, developing a distinct style over a period of years, rather than months. magnesii, then, is something special. currently based in amsterdam. the previously unheard of producer has delivered a stunning debut 12 inch for tom tragos voyage direct label. raw, fuzzy and in turns melancholic, spellbinding and intense, its three tracks bubble and hiss to the distinct sound of vintage analogue hardware.

as our true fans know, every now and then we leave our comfort zone to bring something else than techno. this season, we gave dib from italy the honor to be the unusual one. three tracks, three times basic, stripped down house that does well as a tool or a track in the early or deep hours of the night. or just for those people working hard at the office and wanting some deep house during their officework. all tracks have a very old skool vibe to it and breathe true deep house: not the filtered down vocal kind, but the breed that just lets a 909, 808 shine and some rhodes or warm analogue synths do the work. the first one is rather detroitish - with a nice acid stab and some strings setting the mood, the second one is more dance floor oriented and the third version is a bit of both. does it need to be said that dimitri andreas mastered it again? and that it is available on vinyl?

soulful, gospel-inspired deep house is what joaquin diazs rhythm&soul alias brings to jef ks kiss-inspired silver network - goin strong since 99. it is his debut for the french label and he s given the royal treatment thanks to remixes from john dimas and freak n chics djebali, which includes a bonus dub mix. dimas rework is energetic and free flowing, highlighting his unique style best heard on releases for bass culture and clapp. meanwhile djebalis contributions provide two alternatives, something light and cruisey, while the dub is reduced and a house djs ultimate tool ready for the working.

limited edition of 300 numbered copies on colored vinyl: 1st record white with black splatters, 2nd record transparent with black splatters.
ah the humble double pack, isnt there something so very satisfying about this format? sccucci manucci evidently thinks so as the nine bows ep is the labels second release in succession to embrace the double pack. it s another high profile cast that contribute to the eight tracks here, with montel, mikki funk, jackson ryland and aashton all featuring. it is the latter, brighton-based producer who opens proceedings with *i cant shake it*, a summer house anthem in the making that showcases his love of a classic rnb vocal. maverick follows with *wait for u* which is not only his sccucci debut but also the parisian s first production committed to wax - hard to believe! the mood swings through various shades of house from here with *lemme hold u* from montel a mid point highlight thanks to a killer vocal hook.

dj cle & mike vamp aka maertini broes do it again. once more they flash us with a new contemporarily refreshed up-to-date mix of their super classic hit - flash from 2001. charmings strings are added to the trendy original and creating a cineastic and epic sound. this release turns the 001 of the label fromwithin definitly into something special. the ep contains remixes of italoboyz, marc miroir and of the fromwithin labelowners mark deutsche & musoé.

hidden away on a dat tape since 1997, 8 raw cuts from house legend nail are now being released as a limited pressing, individually numbered double pack vinyl. shabby doll records co-founder matt swift, who managed nail throughout the nineties, and along with charles webster ran remote records, found the dat in a box of tapes at his house when looking for something entirely unrelated. result. only one of the trax, brothers & sisters had previously ever seen the light of day. an edited version was released in 1998 on matt and charles s remote record label. shb012 will hold the full unedited version of brothers & sisters, along with all 7 other trax from the dat, exactly as they were left in 97...

d3 recordings offshoot d3 elements is only three releases deep, but already their releases are reaching must-check status. following their recent release of a superb ep from us deep house veteran brian harden, the paris-based imprint offers up something a little different - an ep of gorgeously deep and melodic flavours that joins the dots between head-nodding instrumental hip-hop and floor-friendly 4/4 fare. there are plenty of surprises, too, including techno stalwart terrence parker delivering a flute-heavy downtempo head-nodder, some gorgeous beatdown from detroiter mike clark, and a thrillingly string-laden chunk of deep house bliss from the aforementioned harden.

as headman gears up to release his sixth album it appears he is having something of an identity crisis... is he headman? or is he, as his mother named him, robi insinna? either way, he is one of disco s most daring of producers and, monikers aside, anything he releases is well worth your attention. especially this first sampler from the album 6. a collaborative affair, each track sees him teaming up with kindred spirits and friends to forge new groove paths and re-position old references. -work- takes a kraftwerkian recipe and stretches it like a well made pizza dough, -barbarism- dusts off the cosmic guitars for an enlightened star-gazing session, -der- sits happily between black strobe and jeff wayne while -sleep red- cruises towards dfa city limits in a cowbell escalade. each one of them will have you hankering for the album. guaranteed.

the debut album by synthek & audiolouis can be seen like a precious gathering of different approaches to techno, made in order to create a meaningful and elaborate piece of work. the opening tracks miasma and intro:spection are just a glimpse into the atmospheres which costantly surround the whole album. strong rhythmics and overwhelming soundscapes never abandon the ears, modulating intensity and brightness along the journey through a sea full of dark acid waves. unwise is a bold sequence of powerful tracks devotedly written for the dancefloor, but still keeps a certain emotional aspect made of few melodic detroit-rooted cuts, standing as a tribute to the authors primary inspirations.

lee burton – busy days for fools lake people remixes when one of the most brilliant remixers gets his hands on four tracks from a unique and highly reviewed album, the result is lee burtons busy days for fools, lake people remixes and in one word: amazing. deepness in all its forms, hypnotic vocals, a surprise in every second, the lake people way. breath already been charted by a great number of legends out there. cant miss with something like this