all aboard! spacepod, a low-key, late night funkadelic house anthem from magic mountain high. presented in the classic 12inch tradition, with an original mix as well as acapella, club dub, and (courtesy of move d) remix versions, this demented ode to mindflight exhales a bit of humor over the room, but also penetrates the dome with its lush, single-lightbulb groove and insane effected vocal manifesto. this is definitely one for the end of the night squad. join us in our spaaaaaaaaaaaceship! tip!

ltd 7 inch

gorgeous and tripping lp from this brussels based prince of modern psychedelic electronics.. ..... whole hearted tip!
rabih beaini (morphine records): -played lightning eyelids in the middle of a set, and the whole place came down!!-

nice price deal !!! the italian producer stirs from his recent installments as soulomon with robotic & dark dub disco meets leftfield chicago house & detroit techno focusing on 4 interpretations of the word low.
limited to 300 copies.
support from disco nihilist, thomas cox, santiago salazar, m50.

the next bomb by citizen kain, without no doubt one of the most talented artists from the french electronic music scene . the original mix of low blow contains a minimal tech sound with huge atmosphere . in the packge you find a deeper mix by third son and a very pumping one by metodi hirstov.

vox low come in hard, slow and dark on a new 3 tracker for correspondant. the pyschedlic parisian duo display various iterations of left field menace, ranging from glam rock on “the hunt”, electro disco on “some words of faith, and pitched down acid on “i am a strange machine sometimes”, but all with the signature analogue pulse which correspondant is famed for presenting

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

following the recent release of so low, a compilation of early ‘80s synth, industrial and cold wave classics and undiscovered gems curated by optimo’s jd twitch aka keith mcivor, the vinyl factory are set to release specially commissioned remixes of two tracks on the 16-track compilation by rising uk producer powell and hamburg’s helena hauff. powell’s pneumatic sound is perfectly suited to ‘49 second romance’ by german minimalists p1/e, which he deftly deconstructs, while hauff adds glistening synths to belgian electro-industrial group the klinik’s ‘moving hands’ for a driving, nocturnal version.

optimos prolific dj/producer/label boss jd twitch aka keith mcivor has curated a compilation of early 80s synth, industrial and cold wave classics and undiscovered gems in collaboration with the vinyl factory, following the cease & desist diy! (cult classics from the post-punk era 1978-82) compilation on his own optimo music label, and youth stand up!, a collaborative recording project featuring young musicians from glasgow, ghana and belize on his autonomous africa imprint.

hugo lx lands on the courtesy of balance recordings planet with an exquisite ipiece of house music on wax. inspired by his travels across japan, these tracks will cater for most djs and music lovers alike. from the powerful and dubby low altitude to the slow burner of kansai kick it, hugo lx showcases some of his musical ability and talent. hugo is the former production mastermind behind the funk league, and the frenchman s hip-hop roots take his music production take on house music back to its roots! hugo lx is the latest addition to the legacy of french underground house producers! nuff said. drop the needle on the record!

awaiting vox low ep finally out on astro lab recordings, 3 originals tracks came with a remix by ivan smagghe on the b side

nearly 1, 5 years after his last bouq release brooklyn s finest techno export and inmotion records boss kareem cali is back on amir s label. together with the duo proudly people from milan/italy he created 3 stripped down techno tools just perfect for the club floors.

to coincide with the full remix album’s unveiling on cd, the exquisite reworkings of all i think about is death and why you feel so low by techno heavyweights radio slave and function respectively, have been singled out for release on vinyl. the former bears all the hypnotic hallmarks of a radio slave classic: incrementally menacing percussive lines woven with the heart wrenching vocal chants of the original over an epic 12 minutes. at once understated and emphatic, the tenor is deepened in the extreme on an ambient atmos version. berghain resident, function, on the other hand treats claustrophobias flagship why you feel so low with a delicate touch: he retains the buoyant hook of the original, underlying it with a thunderous, reverberating bassline, handclaps for days, and a beat tailor-made for only the biggest and brightest sound systems.

after a blazing start, low budget family return ! the celebrated independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev deliver another stunner from simple symmetry mimino is another tropical house delight, all burly rhythms, punchy marimba, synth rises & anthemic chants before crescendoing into a whirling dervish of a top line the instrumental loses the synth-out and follows an altogether more atmospheric, but no less tremendous path simsim wraps things up in fine middle eastern fusion style, traditional instrumentation and melody underpinned by a snapping 808 drummachine jam zouk it and see !

the 2nd album from atcq, originally released in 1991, back on double 12 inch.

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

deep techs duky supplying the original for this vinyl only underground bomb. ( limited press.)
support from sonja moonear, tini & enzo

ltd to 200 copies, vinyl only release

next up on les disques de la mort, and we playing with all the preconceptions, once more. now we are slowing things down, and speeding them up. the word is elastic . we are back with our most psychedelic release to date and you are the first to be injected. rodion & mammarella are known for their strange hybrid of slow burning electronic disco but they have been on the mountain of truth. they saw the light. they flew off. on the remix duties toulouse low trax provides the dusseldorf angel dust to suspend you in time and space and flavien berger, the new wunder french kid, is on the opiate shuffle.

built around degraded tape static, distortion peddles, analogue gear and phantom sounds, alek s debut e.p on natural sciences is a kaleidoscopic journey through electronic music, touching base at pounding house cuts (ulterior motive) into tripped out techno excursions and warbled spectral movements

scott allen returns to fokuz with *love so true*, a collaboration between him & jrumhand, which will be his debut on fokuz. on the flip you will find the versatile kasper with a track called *the low road*. quality drum & bass once again from the fokuz hq!

here is the second in a series of collaboration eps which sees ce label head sync 24 team up with other artists. the low pass gateway ep is with the finish duo morphology. written over 3 trips to london in sync 24s studio and finished in finland, the guys serve up 4 tracks of dance floor aimed electro goodness.

cymasonic s offshoot vinyl-only label returns with the enigmatic argentinian artist fede zerdan contributing to cymawax s second outing. originally from tucumán, but currently living in barcelona, zerdan has established himself as a member of the discos paradiso crew. it s always the heads-down types that are the ones to watch out for and zerdan exemplifies letting the music do the talking. so what is he saying with the low boost ep? techno is unrivaled when it s at its most deep and immersive. a must have … this techno artifact was meant for wax.

this limited cassette is a special bonus / pre-release item for the forthcoming 2xlp high road forthcoming on red motorbike! low road contains unreleased music from eddie c which wont be appearing on the vinyl version, and also features cuts from kkoosh, dane & khotin and cem g. lightly mixed by eddie. 50 copies worldide

new label focusing on the deeper techy sounds of detroit. first release is produced by gari romalis.

well deserved re-issue of this deephouse classic from theo parrish, originally released in 2001.

vox low take their cues from krautrock, vintage psychedelia, minimal synth music, and new wave.

capsule labs music groups debut release is a 4 track house ep from label boss gil t (om, drop music, deeper shades). taking off with the lush sounds of flight 107, a smooth synth journey, nicely descends to get down low�. the afro cuban house beat sets a nice groove for the live jazzy vibraphone stabs of this classy track. the b side is a real bonus. the private driver really cruises and lastly, not so low is a chunky finisher remix of the title track, all done in house. locally farmed variety of true analog precision by gil tamazyan. each release has its own plastic drop card with a string being held in place with a limited pressing metal foil sticker individually numbered 1-500 on the back side of the jacket. heavyweight virgin vinyl.

the first single from scubas forthcoming album claustrophobia. atom tm provides a heavy, heavy remix of a further album track, television, on the flip.

critically acclaimed uk label livity sound announce their first 12 inch of 2015.

bereits auf ihrem selbstbetitelten debüt hatten the hundred in the hand ihre lieblingseinflüsse von electro bis wave-pop verarbeitet und dabei eine beeindruckende anzahl von hits zustande gebracht.

second release in low rooms vinyl only series comes from jerome.c with remixes by hector and fabrizio maurizi.

with bryan kessler s cologne is for brainfuckers, we unleashed the first full-length offering from both the label and the artist: it held 12 block- and balls-busting techno jams ready to shatter expectations as well as continents, all effed up with the most scattershot array of wicked samples this side of beatnik madness. now, we up the ante with the say hey 12inch album sampler, bringing bryan s mighty fine electronic swagger (and a hearty disrespect for genre norms) to vinyl.

der meistercompilierer hans e. platte hat den großen namen und seinen lieblingskünstlern die kleinen feinen stücke abgepresst: von adolf noise, die sterne, erobique, rocko schamoni, kid kopphausen, almut klotz & reverend dabeler, saal 2, heinz strunk, felix kubin, schorsch kamerun, jens rachut, lambert, tocotronic bis deichkind. unter anderem! und nur unveröffentlichtes!

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar…

this raunchy future disco gem firing laser beams and propagating dancefloor mayhem wherever it set foot.no filler, all killer!

cheating ep is the first record to be released by low budget family, an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation. cheating track is a heads down workout, a no nonsense, broad bottomed, synth riffing number with an irresistible old-school rave sensibility. on the flip cheating song strips things back, adds some space and a vox delivery and production style reminiscent of azari & iii. a bold and ballsy debut from this russian collective.

camp inc. are cologne-based djs, producers and acclaimed crazies roland kaiser wilhelm and sebastian ingenhoff, founders of infamous tape label camp magnetics

nice price deal !!! originally composed for a live performance commissioned by the quai branly museum in paris, french producer low jack was given access to the museum s vast music library and used it as a basis for this project.

genre-bending psychedelic disco-funk from forschungsgruppe grenzdynamik on 7 inch vinyl, limited to 500 copies.

first release on low life loves you comes from beans & company, backed up with remixes from craig bratley and misiu.

limited to 200 copies. epic, rapid-fire club bangers from dj ford foster on new label bad mums. napalm dance-floor heat that packs a solid punch. real tools for the floor, for the body and for those who like it rough!

the long overdue bio rhythm debut of chief metaphysics himself... three takes of rhythm box boogie straight from the westside...

miss jools & scott kemp join forces to bring lowroom this deep dubby action, while remixes come from fuse regular ittetsu and alexander kyosev. vinyl only release

volume 1 der auf zwei teile angelegten 10 ep-serie, die low leaf zusammen mit mpm realisiert. die philipinische sängerin und produzentin aus los angeles spielt harfe, keys und gitarre. sie singt, rappt und macht beats. mtv iggy nennt es interstellar music from a filipina-american harp goddess . alchemizing dawn umfasst sieben songs über liebe, licht und hoffnung. der sound ist hier im kern akkustisch und balanciert low leafs klassik-background mit aktuellem beatdesign aus. low leaf spielt auf den aufnahmen harfe, rhodes, akkustiv- und e-gitarre sowie piano. die produktion und das artwork stammen ebenfalls von ihr.

in paradisums 11th offering comes from low jack, who returns to the label after his collaboration with qoso. it is a heavy ep of dense, apocalyptic sounds from the fast rising french dj and producer that often churns along at a very predatory sub-100bpm.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.