moon people present their mindbending new original material for resopal --- the only label where you can find these unidentified musical objects. three tracks of swinging, grooving melodic madness like only moon people can craft. early support by zip, ricardo villaobos amongst others.

5 tracks of electro gold. some names you have heard before (cygnus and convextion in erp mode for instance) and some newcomers who ve have been honing their craft for quite some time now.. t.r.u. - texas recordings underground. a label in the making for quite some time now. with the overwhelming amount of talent here in the lone star state, it became apparent a label with the purpose of solely showcasing dj s and producers from this state was in order. from the border of mexico all the way up to the panhandle, you will hear lps and eps spanning the musical gamut with no concern for seeking specific genres. if it s good, it s good and you ll hear it.

vactrol park, the collaborative endeavor between kyle martin (land of light) and guido zen (brain machine), returns to the esp institute with ii, rounding out the second half of their ep series. for this installment, a sojourn was made to stockholm to record at the computer music mecca, ems (elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary buchla 200 modular and serge modular, two of the rarest and most pornographic modular synthesizers in existence. while both instruments originate from california (buchla in berkeley as a commission from pioneer morton subotnik, and serge at the california institute of the arts), the music vactrol park draws from these machines is far from warm and sunny. akin to their predecessors on the 2015 debut i, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

no fancy business class air lounge mumbo jumbo this time, no.8 just got clearance for take off and this one is first and foremost for the pilots. the a side hits you loud and direct like a cessna centurion engine, accessible, reliable and just damn good in the air. now if b1 is some kind of an adventurous but gentle doppel-decker, manoeuvrable­ small craft, then low altitude b2 breaks the cloud cover to take you on that magic night-flight you might later be uncertain if it ever really happened. limited edition - vinyl only !

for the latest instalment in the apollonia story we look to argentina and the talented producer federico molinari. having been based in germany for the last couple of decades, federico has refined his sound, developing a strong signature through his dj sets and his studio productions, most of which he has released via his label oslo. federicos ability to craft effortless grooves and timeless rhythms is evident here on this killer new three-tracker. side a is the eight-minute long roller * congo toys*. the focus here is on a crisp 4x4 beat, which keeps things simple – under this lies a sturdy bassline. all the while, the low end is accompanied by a series of bleeps, which could almost be the chatter between two archaic computers, modulated and weaving in and out of the beats and bass. on the flip, we have two more dance floor-ready joints. like * congo toys*, * tres cuartos* is focused around a simple foundation, with layers of unusual effects – an overriding sense of playfulness comes through in molinaris production, perfect for the boogie down crew. last up, * joyfex* takes us further into leftfield, hypnotic, hazy atmospherics draw us into their web and we are tangled up in a mesh of vibrating whirrs and echoing, distorted voices. sublime business from an apollonia favorite…

the third release of the concept vinyl 03 is packed again with four mind-blowing and hot sounds of the season. here we go!

terence fixmer his known in the late 90s , early 2000s as the creator of the tbm, described as techno body music. a mixture of the ebm soundscape with the modernity of techno. his muscle machine album (including tracks lile electrostatic, body pressure) released in 2001 became a reference of the genre. in 2003, musician terence fixmer and legendary singer from cultissism band nitzer ebb, douglas j mccarthy embarked on a project that spearheaded the fusion of techno and ebm. they named it fixmer/mccarthy and they were the precursor to a new breed of techno artists that manage to traverse between an array of scene specific genres without being tied to any. since releasing their first album, >between the devil<, in 2003 terence and douglas have ridden the line between pure techno and the recognizable song structure of classic electronic music and ebm. now, with over 13 years working together for this project and playing around the world, they return to their signature raw sound and delivery. >so many lies< is quintessential and brooding techno, while the instinct mix epitomizes their ability to craft a catchy bubbling baseline whilst all the while dispatching cold steel aggression.

arts desire for the best, in this case we are pleased to welcome you one of the future iconic artist talking about functional effective techno, jeff rushin debut on the label is a perfect craft of what this artist knows best, functionality. 4 cuts that stands out from any bag out there, use carefully.

following the success of left-handed, daniel steinberg’s third full length album, the german producer and label owner has invited a stellar cast of electronic music visionaries to reimagine the lp’s nine original cuts. the much anticipated release, scheduled for march 18 on steinberg’s own arms & legs imprint will feature a wealth of talent including paul johnson, nick holder, 808 state & crazy p. making a mockery of the concept of ‘highlights’, this is a remix album of brimming with exceptional studio craft that glides across a slew of dance floor genres. from the the jacking techno madness of paul johnson’s ‘bones’ to the rock solid funk of crazy ps peace to the silky soulfulness of nick holders no one can change me and the raw avant-electronica of 808 states crucial, its safe to say that there is no filler on this impressively versatile collection. on bringing together some of the most respected names in electronic music steinberg states: its a huge honour, each of the 9 artists have been a big influence on my work over the years. i couldnt be happier with the result.

italian rudeboy ivan iacobucci brings his brand of lowdown funk-influenced tech house to apollonia with this sterling three-tracker. over two decades of hard work and dedication to his craft has culminated in ivan’s untainted reputation and widespread respect within the underground from true heads like zip and, of course, the apollonia boys. his love of jazz in evident throughout this ep which is full of subtlety and depth, pulsating b-lines and smooth chords are interlaced with razor-sharp percussion and delicate keys. the first track ‘old in on’ has a laid back, though driving, groove, pushing forward with a hefty bassline that is perfectly counterbalanced by the light twinkling keys and barely-there pads. ‘scris frumos’ encapsulates more of an ominous, tribal feeling with intricate effects trickling through every pore of its deep, dark exterior. its atmospherics keep you intrigued, voices echo in the background and a few moments of softened chimes really intensify the already mysterious vibe. ‘mini ass’ channels more of that electro-funk that forms the foundation of ivan’s love for music, haywire radio pulses prance around stuttered beats, giving it a slightly cosmic feel, while pipes add a more organic nuance to the track. absolutely masterful work from ivan, and another inspired addition to the apollonia catalogue.

limited to 500 lp+download card. chief and deheb join forces to bring you leaf, a full-length instrumental album showcasing the seamless result of two deft beatmakers merging their individual signatures into a unified craft. both artists each have a long history in beat-making, chief and deheb have worked alongside but never together, and to share a task thats usually tackled by one seemed like a challenge and a new thrill to the two. the use of samples taken from original brazilian music in the two producers collections was the starting point for the creation of leaf

watch your step and follow up closely: jascha hagen is ahead to take us back on the railroad tracks to a different time. from beam to beam and foot by foot this soundtrack of long gone adventures paints vivid memories in modern colors. jascha knows his craft and how to combine past and present like few others. the result is a lovely luettje two-track ep with a distinct atmosphere driven by lush beats.
since every treasure needs its chest they ship on a limited 7 inch with a special laser-carved sleeve. the sirens would be pleased.

the art of omission is a craft new jersey native joey anderson masters like few others. after releasing his acclaimed debut album after forever in 2014 and the 1974 ep earlier this year, anderson returns to the dekmantel label serving up the signature sound we love him for. invisible switch is the perfect example of what anderson can do with very little, catapulting him to one of the finest and most original techno and house producers to date.

french producer juliano delivers the next ep, entitled * this must be...*, on his own imprint * that place records*. fourth in line on the label, following on from releases from visitors for reworks, mzkbx (aka sacha mambo) and love comedy, the now berlin-based artist gifts his very first ep to the collection. as a dj, juliano has spent the last 13 years honing his craft - first cutting his teeth holding down a residency at l ambassade, and then going on to play all over france and throughout europe. over a decade of digging and spinning has led juliano to develop a refined palette and a knack for finding tunes that make the dance floor bounce. strongly influenced by us house, * panaugust* is a real dance floor killer with its never ending synth. the more emotional * anthem for a friend* is a real tribute, drawing inspiration from chicago and detroit such as the real mess with its special rhythm & blues vibe. finally, cupid mess brings a touch of japanese mood, evoking images of an early-morning rising sun thanks to the classic juno6 sound. julianos ethos is that music should stay fun - preferring to keep things simple, but always real. watch out for this one.

busted tape heads and lashings of noise, lento whips his limiter to bring dark heavy bespoke rhythms direct and raw from the source. sparse abstract drum work puncturing seductive ghostly vocal cuts and noir-jazz samples, with an evocative tension mark the a-side grooves. while the b-side track mantle of strength takes things closer to the club with an example of just how good his drum craft can be.

known for rocking clubs as far as tokyo, new york, sydney, auckland, moscow and beyond- outside of productions inkswel has gained a name of respect when it comes to rocking the dance floor. early bboy fundamentals have salted his finely tuned craft, with a broad back catalogue of productions on labels such as bbe, rush hour, lumberjacks in hell, superior elevation and wolf music. oye records now brings his first ever edits release- previously only heard on dancefloors, jams that inkswel reconstructed for that purpose only- -making people dance . serving as tools for the groove, but unmistakably with the inxxxwel trademark sound. super limited pressing, launching the official oye edits imprint- party jams for party people.

dead fader returns with his new album *glass underworld*. dead fader is the alter ego of john cohen - former brighton resident, now based in berlin - who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. *glass underworld* became a very personal exploration for john, developing further his emotionally tinged brand of techno which he established with the previous ep sun copter. furthermore, the film interstellar visually influenced the album, mapped as an image for cohens tracks to exist in. the vinyl release is limited to 300 copies and comes with download code included.

cromies quietly become one of las most vital house producers. following a killer debut for nyc-based label peach alongside fellow eastsider sage caswell (with a remix by none other than kyle mf hall), hes been patiently honing his craft. his unique, amped-up vision of house music comes into full view with his amadeus debut, at interfaces.

deeplabs is a detroit based record label run by luke hess. the focus for the label is to release detroit influenced techno for the dancefloor and to build a strong community of likeminded artists. the second installment of the warehouse sessions series highlights four artists: brian kage, liit, regen, and david hausdorf - all of which are masters at their craft. enjoy the music and play it loud. with love from detroit.

enough! musics 11th work is a especially release by our lovely marc miroir with a soulfood remix series from amam labelowner alessio mereu & dakpa and enough! music head danilo schneider. two wonderful tracks with the name skillz and skusy is the sound of our time. turn the volume button loud- here comes marc miroir. the hypnotic groove, passion and the right sounds in the arrangement are the full craft in this ep. both remixes of the track skillz from danilo schneider and alessio mereu & dakpa are so excellent, powerful and in the right direction in to your heart.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

a seminal, bold and instantly nostalgic lp, midnight wave showcases imres immense ability to craft vivid landscapes of ethereal sound, infused with layers and years of emotional content. here is a body of crackling, warm ambient and techno with a vast, cinematic scope. a sonic portrait of an alienated moment in london, told using industrial visceral tools and visualised through the cutting figure of a lonely individual boarding the 5am night bus home.

following last years meditative mirage ep and the stunning * beat 13* on lovers rock no. 6, earthen sea returns to lr with his debut lp ink. his heaviest and most ambitious work to date, ink is a work of hypnotic, monastic beauty. over the last ten years, earthen sea, aka jacob long, has been developing a sound world all his own, built on a foundation of vaporous grey-black drones and pulsing kick drums. an impressionistic dream-scape of american life, ink journeys between the eerily vacant “entrance” to the feverish “stateless” and the shimmering perfection of “all men know the truth.” swaths of violent, glacial noise collide with lost voices transmitted through the ether, framed between moments of transcendent clarity. following an extended three song suite, closing track * blues in black ink* rides a gently falling piano melody into a finale that is as infused with political rage as it is with private melancholy. with ink, earthen sea arrives fully formed, an artist in utter command of his craft.

moresounds has left the training camp and is now at the controls of his own craft. a dub fanatic, he stays true to the techniques of king tubby, and from behind his desk sends dancefloors crazy with pinches of hip-hop and jungle in his authentic and energetic live show. this approach caught the attention of om units cosmic bridge label in 2012 before his debut ep on astrophonica in 2013. since then his music has appeared on doc scotts 31 recordings and has added trademark cosmic dub seasoning to machinedrums vapor city project. an impressive start to his career, echoed in fact magazines inclusion of the producer as one to watch in 2015.

drew mcdowall’s back story reads like a primer of psychedelic fiction woven into statements of the unbelievable, superhuman and outright insane. somewhere in the chaotic madness, comes an artist such as mcdowall with total control and absolute calm within his songs and artistic method.
dais records approached drew to solidify his standing as a leading electronic musician with the recording of new material neatly wrapped up in his debut album entitled “collapse”. recorded in 2015 in brooklyn, ny, mcdowall’s synonymous modular synthesizer compositions are augmented by obtuse sampling cut-ups and contributions from nicky mao (hiro kone / effi briest) rounding out the lumbering sequential knot work that has become synonymous with mcdowall and craft.
the vinyl lp includes a downloadcode for the full album.

dead fader returns with new ep sun copter, which precedes a forthcoming full length album. *sun copter* introduces a new sound as dead fader s pallet gains new range and depths, using analogue technologies in conjunction with the digital techniques he is well known for. dead fader is the alter ego of john cohen, former brighton resident, now in berlin, who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinema-scope sound worlds. the vinyl release includes a downloadcode.

wavereform continues to shape out its identity as a guiding light for cutting edge techno coming from less explored corners of europe. after jüras lietus seismic starp 12inch, the berlin-based label returns with a powerful single from finnish newcomer laiva. hailing from the eastern town of kuhmo, laiva was inspired to start producing his own music after finlands leading alternative radio station mafia ceased broadcasting in 2003. after spending years refining his craft, wavereform proudly presents the first evidence of this thrilling new entity on the scandinavian electronic music scene.

shlomi abers new 12inch slides perfectly into the nonplus catalogue with two slabs of straight up no nonsense techno. with well over 15 years of production history and 20 years of djing across the globe he knows exactly what it takes to move a dance floor. israel born and raised but heavily influenced by the old detroit techno movement shlomi managed to balance his roots into the modern wave of the current techno peers. working from an aladdin s cave of analogue gear he crafts a raw and groove laden sound often attempted but rarely achieved by others. takeover and street works are two tracks demonstrating hes a producer whos mastered his craft and is at the top of his game right now.

over the last 12 years, kel mckeown, or kelpe, has carved himself a unique perch in the uk s electronic underground. across several full-lengths, eps and remix projects, his misfit electronica has managed to cohere a staggeringly deep spectrum of influence along the way. a natural son and heir to generation warp and the fathers of krautrock, his pioneering experiments in the early 00s also positioned him as one of many stylistic precursors to the arrival of la s now-sprawling beat scene. much like scene-savants prefuse 73 and dimlite, kelpe has remained an enormously respected stalwart of the fringes, always dabbling variously in sampleheavy beat-craft, oddball ambient, and more recently dancefloor-ready club grub.

chaka khan, born yvette marie stevens, is an american singer-songwriter whose career has spanned four decades, beginning in the 1970s as the frontwoman and focal point of the funk band rufus. often dubbed the queen of funk, khan has won ten grammys and has sold an estimated 70 million records worldwide.
*what cha gonna do for me* (1980) is arguably the best effort of the partnership with arif mardin. slowly but surely the two began to craft an even more successful and innovative sound. the album peaked at #3 in the r&b albums chart of 1981.
the cover of *we can work it out* gets a brash and funky stevie wonder –style arrangement, with gregory phillanganes doing great synth work. the best song here, *i know you, i live you*, displays brilliant bass and drum.
pressing on 180 gram audiophile vinyl.

following markus suckut debut on the label, its now the first time on be as one for eduardo de la calle, one of the most interesting and passionate producer weve had the pleasure to work with, a master in its own craft: deep, melodic and thoughtful techno. for this release weve picked up two very special cuts from eduardo, pushing eduardos limits to the next level.

yoruba records is proud to present this four-track ep from label newcomer myles bigelow. having honed his craft as a graduate of the berklee college of music, myles is known for releases on his own imprint deep culture music and we’re excited to have him bring his blend of latin, jazz, and tropical rhythms to the yoruba family. the opening track, afro banger, as the title suggests is a dance floor ready afro-inspired ballad. the captivating combination of percussion, rolling bass and clever synth stabs in this track demand peak hour airtime. house rocka is yet another floor-ready tune. with its fat, punching bass and smooth conga –laden beat this track will keep a floor moving at any hour. the b-side of this release opens with spiritual awakening. seemingly led by steel drums and gentle guitar arpeggios, the introduction of a warm bass line takes this groove in a hypnotic direction. finally the title track of this release, turning pages opens up with a smooth string bass line perfect for setting the mood a little deeper. the sensual vocals and subtle yet underlying funk-inspired guitar melody make this groove suitable for dance floors, cars, and home stereos alike.

washerman who is steadily proving his outstanding craft since many years, delivers yet another uncompromising oldskool house cut to shake the floors worldwide. slightly ravey with a bouncing acid bassline riding on a driving beat: a sure play. crowdpleasers remix refers to an end of 80s / beginning of 90s house music style by using retro drummachine sounds and a prominently mixed hypnotic synth melody, which both somehow remind us of old david cronenberg movies. crowdpleaser is an experienced cat and a long time contributor to genevas cultural dance music diversity. he has co-produced the critically acclaimed album *2006* with st plomb and has released many on-the-point tracks ever since. emerging from st plombs debut album country city country, these two remixes almost desperately have been waiting to see the light (on a 10 inch vinyl release!). we think: these two remixes make another swiss crop-of-the-house release!

the second installment of uzuri’s “the wilderness sessions” delivers 3 tracks geared towards the refined dancers and listeners of the world. the idea here is slow burning broken beat tracks infused with the soul of jazz and funk. the ep opens with fox ‘n hound, a slightly menacing and equally sexy jam which ebbs and flows with a delightfully funky bass line and enough melodic accents to keep full attention. the secret here is in the details which are craft-fully manipulated by this talented duo. futonjam continues the trend of beautifully unfolding composition with its shuffled percussion and gracefully evolving melodies. a perfect track for home listening and for those deep sultry moments on the dance floor. the crown jewel of this release is certainly the near 9 minute odyssey that is zukunft/ silber. a track which entertains and pushes towards a sophisticated style which is undeniably unique in approach. using broken patterns as a back drop for beautifully orchestrated strings, micro flutes and longing horns it transforms from a sweet and delicate sound to something more demanding of our bodies movement. this release will be sure to mark the beginning of what we can expect from these two producers who clearly aim to set themselves apart from the crowd.

the head of grounded theory berlin returns to sonic groove with his strongest outing on the label to date. henning baer brings forth a rough and tough diverse four cut ep of chunky rhythmatic techno. recording the songs during live jams and using a previously decided pool of hardware this ep has a nice old school vibe. the sound production however is very much in the modern day with its well crafted mix downs. this release has strong mass appeal for the purist techno connoisseur.

commander, welcome back from your deep sleep. we are sure your dreams were lucid and that you are ready for the next instalment. mission ram-x-04 - chasm of chills delta craft xx84 is now approaching wasteland

a storming debut e.p from the persian prince, kasra v. a 21 year old from tehran who hit the shores of london four years ago armed with a bag of his uncle s boogie & disco and a taste in music belying his years. a residency at love fever has seen him holding his own with the likes of young marco, jonny rock, dj nature, and a radio show on the prodigious nts has seen him showcasing his tasted amongst the most listened on the station. learning his craft over the last 3 years on his trusty mpc2000, battery of fm keyboards and midi synced drum machines, his debut ep comes with a synth infused sound and a nod to 80s sleazy late night b movies.

mindtrip is pleased to announce the release of the labels 10th ep with 3 strong, synth orientated dancefloor tracks from label boss pfirter and a remix by tensal. the frenetic procyon begins the ep, a dark, atmospheric and intense track. with its driving percussive flow, its guaranteed to send whoever hears it into a feverish delirium. up next is rige, a more subtle and deep track which works a relentless groove alongside colourful metallic textures. tensal - also known as hektor sandoval and one half of spanish techno titans exium - remixes procyon superbly for the third track of the ep and demonstrates his innate ability to craft interesting and fresh sounding techno. the ep closes with closer to the truth, a hypnotic, trippy outing where tension and energy builds relentlessly amid a backdrop of organic anologue hubbub, providing a perfect showcase of pfirters trademark sound. this is mindtrip!

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

hot on the heels of his inaugural release in january, braiden introduces slewis, a new producer on his emerging off out label. after years of honing his craft in the studio and playing in experimental bands, london born slewis makes his mark on his debut with two equally bold dancefloor cuts. group v opens with an extended twisting cacophony of synthesizers before breaking down into metallic driving machine funk. on the flip, despot delves deeper down the rabbit hole as ebm influenced sounds and syncopated claps dance around a bed of paranoia, leading to a tense breakdown populated by a flurry of spasmodic drums.

nowadays we live in an era of minimally processed products, an age where electronic music is no longer a meticulous and painstaking craft but instead becomes a dish of fast-food, an easy-to-digest and cheap product. luckily, there are still musicians who refuse to enter this business circle and continue exploring, investigating all angles of this clubbing culture. joton has been following this way since the beginning of his career. he has been learning, experimenting, looking for the roots sound, and shaping its complexity until reaching a techno style full of energy and depth.

in a time before cdj loop buttons and stone-cold arrangement techniques, bonus beats and beat records were a vital tool for aspiring, working and tone-deaf djs. the third release in an unofficial beat-tracks sublabel (se redshape and todd osborn for further reference) rhythm trainx vol 1 tries to breathe new life into that lost craft with an all-star cast: manuel tur, i:cube, blank spanner, disco nihilist, Âme and radio slave. all in different bpm, varying styles and (un)fortunately a bit more than simple kick-drum-hi-hat patterns. built to last.

alan fitzpatrick debuts on hotflush with an ep that reveals a new side to his craft, marking a departure from the uncompromising techno that has personified the celebrated artist’s storied career to date.

for the first time in too long, influential visionquest founder, dj and producer shaun reeves is back with a new ep. this one - the label’s 50th, no less - comes in collaboration with acclaimed italian house producer tuccillo, features two essential new tracks and comes with a fantastic remix by dorian paic. shaun has released on the likes of crosstown, wolf + lamb and catwash and has worked with art department and dj w!ld, but here it is well informed house man and 2020 vision and holic trax associate tuccillo that is his musical paring partner. together the pair really hit it off with some truly infectious club tracks.

berlin resident and general man-about-town, asa 808 has run parties supporting underground house and techno all over the city for years whilst simultaneously learning his craft as a producer and dj. ignorance, attachment and bad karma all beautifully capture the patience, melodic intricacy and raw functionality which characterises the finest dance music coming from this great city.

hessle audio are excited to announce the release of the self-titled debut album by pearson sound, aka label co-head david kennedy. characteristically minimalist in approach, its nine tracks use a handful of elements to craft mesmerising, self-contained worlds, alive with motion and near-subliminal detail: from vast and inky landscapes, to electrifying rhythm tracks, where layers of percussion and bass tumble over one another like rocks in a landslide.

the first release on the platform will be from the mighty welsh producer called harrison bdp. harrison bdp is set to share his magnificent craft with his appreciation for house music. the ep will feature a remix from the label founder -­&#8208,, myself aurhythm (last seen on crude wax). the focus of his ep is purely to provide an enjoyable experience for everyone who shares the love of this music. whether it be on the dance floor or in someone s bedroom. the goal of this wonderful ep is to make you move your body and feel good.

* vinyl only * for its seventh release, baud delves into deep techno territory, courtesy of munich-based producer lachriz. with previous releases on dario and marco zenkers illian tape and on woods‘n bass and outelectronic recordings, lachriz has been honing his craft, producing straightforward techno music with an edge, an often sublimated dub techno influence and an ambient feel.

mr anderson taking a fresh twist and releasing more excellence on dekmantel.
the art of omission is a craft new jersey native joey anderson masters like few others. after releasing an acclaimed debut album in 2014, anderson returns to the dekmantel label serving up the signature sound we love him for. with the 1974 ep, he continues his modern day techno odyssey investigating the outskirts of the genre, while focusing on details and unexpected twists. serving up dense melodic structures, intense chord progressions and unique but relentless drum programming and sounds, anderson shows that the future of techno is bright, original and full of energy.