hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

*ltd white vinyl copies*
tube10 returns to the scene again with a release to blow your minds away. this time its the greek formation ekelon. their debut on planet mu with headhunter on mary anne hobbs evangeline had us in our grasp so much that we couldnt help ourselves then to hit them up and see what whould happen. tube10 005 is the result of this encounter and it shows ekelon flexing their crossover sound like no other. is it techno? is it dubstep? we dont know but we sure as hell love both tunes to bits!
the a side evidence - a steady tune in the ekelon sets and lots of others aswell. feel this tune filling up the speakers and rumbling up those subs we thought where lost.. a perfect blend between all that is experimental while keeping it dj friendly..flip it over for freeze land.. an chilled out tundra of techno, thats how we like to call it.. frozen subs combined with defrosted stepping vibes ensures this to be a solid first release for the ekelon boys.. and dont worry this wont be their last!

>we are electric< is the second single to be taken from the recently released >entertainment< album by fischerspooner. a soaring slice of scintillating electro with super fried guitars and anthemic lyrics that put me in mind of blade runner. possibly the standout track on an album full of super strong tunes, >we are electric< comes with 3 amazing remixes which couldnt be more different from each other. the lush radio friendly nu disco mix by kitsune favourites classixx reaveals the pop heart of the song and makes us think of the pet shop boys. next up is an absolutely storming mix by cursor miner, this is so hot its likely to burn the hair off your head if heard at full volume. its extreme treated vocals recall moments from the first fs album but the beats are pure miner madness. lastly but by no means least we have hot chip at their most club friendly, comparatively subtle compared to the previous mix, its deceptive simplicity reveals an insidious dancefloor killer when played in the right context. so there we have it then a knockout single from fischerspooner on the back of a great album that has received some fine press, a selection of which is printed below.

the new beast is here! the brazilian superstars on a move on this new gem. motormorfoses rip it up! 2 killers on the a-side full of hard bass kicks and with its off beat style feelin it drops like a beast from hell! on the flip we have the technopride boys also from brasil with their devastating hard techno style. one ep that will rock the clubs for the coming months!

when two good friends share a passion and have the opportunity to collaborate to realize a dream, the results can only be promising. the dj duo >jacuzzi boys< which was founded in the beginning of 2007 by marc phillipp and florian settele stands for minimal deep beats with unique mixing skills and an exceptional performance. since mid 2009 both guys are located in the rhine-main area. with their first vinyl release >ramba zamba< on komplex audio in january 2009 the jacuzzi boys showed a small preview of their impressive musical talent. their next vinyl >check that body< on below brings a memorable killer, together with their buddy jens peters from the dj-collective >primitive visions<. b1 with the fluent vocals gives the impression to taste >guindillas< picantes. b2 is pure spanish percussion art with a relaxed attitude

d.i.m. is back with this new party monster! after several profile remixes for depeche mode, chromeo, the presets, tiga or midfield general the mysterious producer from germany sat together with his friend tai to deliver the big time bassline tech-banger >lyposuct< - a track to be sure to destroy any dancefloor, hit! on the flip you get a fantastic groovy house-techno remix by youngstar noob who has recently remixed the likes of tiga, popof or dancearea and preparing his first release together with brodinski. his deeper house groove, bleeps and climaxes are perfect for upcoming ibiza season or any summer rave! big hit!! d.i.m. will play clubs and festivals in ibiza, uk, italy, brasil, spain and germany this summer

tensnake has been hamburgs best-kept secret. has been! past 12inchs for labels like radius, mirau (which he co-runs) or his gorgeous >keep believin< three-tracker for endless flight speak louder than words. on top he delivered all these nice remixes for the likes of junior boys ( fm÷ is theee one), sally shapiro or more recently toby tobias on rekids. firmly rooted in new yorks sweaty boogie dreams and with a soft spot for dazzling house music, >in the end< stays true to tensnakes juicy techniques and pleases our friends and colleagues (radio slave, robet dietz, prins thomas, gilbr, mark e) alike. we start off with a courageous house tune that has all the qualities of an a-side and concisely defines the dilemma of lovers: in the end someone always has to cry. but as long as it sounds like a cutty ranks rocket launcher, we want test it. the other side of the medal features >holding back my love< a slow-motion disco robot bomb with a crooning tensnake on the mic that makes everyone feel happy like they should. finally, >thethenunknown< somehow melts the moodiness of early factory records (think a certain ratio with a little finger exercise) with the atmosphere of kenneth dixon jr.s >misled< - one for the heart, soul and your headphones. at least, gerd feels and thinks like that. speaking of feelings. if downloads are your thing, you can get the digital bonus track >can you feel it< at all the usual spots. how is that for a change? this guy aint a blindschleiche

london s idjut boys (dan tyler & conrad mcconnell) and rune lindbaek of oslo are meanderthals. as longtime friends and fans of each other’s music they have discussed the idea of working together in a musical context for years and in 2008, they finally began to make those ideas a reality. throughout the year they traveled back and forth between oslo and london to create their debut album, desire lines. the album is due the 11th of may. but before that, this 12&#8243,,, taster of the andromeda (album track) as well as a idjut boys remix) a meanderthal is a theory by matthew tiessen about a human that is always in the way of others. whether it be the person on the wrong side of the escalator, the person walking slowly, the person bicycling on the pavement, it is essentially the person that stops the flow of urban daily life. on the contrary, lindbaek, tyler and mcconnell s definition does not see this person as a threat, but as a person that is completely in his own world – a slacker, musically on his own. this could also be a good description of lindbaek and the two idjut boys. meanderthals serves mellow balearic disco. a warm and dreamy blend of dub, folk, prog, kraut, psychedelia and 70s west-coast combined to invent an organic, slanted, and proggy feel. recorded live, the album features contributions from good friends, including pete z (dj harvey) on keyboards, des morgan (yamwho?) on drums and percussion, malcolm jospeh (grace jones) on bass, per martinsen (aka mental overdrive) on percussion and raj gupta (laj & quakerman) as sound engineer

nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

the enclave of both established artists and fresh undiscovered talent whose shared passion of deep underground detroit influenced house and disco are reflected in the quality output you will come to expect from the label. franc spangler, the revenge, zepp001, john daly, alpha child, 6th borough project, tuccifunk and pezzner are just some of the producers creating their work with tender loving care for delusions. dog01 will be setting the standard with the soul part ii from craig smith & the revenge. these boys are currently riding a wave of successful releases, mainly in the form of their disco and boogie edits under their 6th borough project guise on instruments of rapture. here we see them move into original production territory with a bass heavy slice of brooding and grooving floor friendly house but with their own unique twist. tempos are kept low, drums are kept live sounding and the subtle italo synth lines all ensure this track keeps true to their roots in disco. for their 6th borough project dub they dive head first into a slowly building, drum and percussion heavy workout which has a beautiful tension to it. this is music for small basements with big sound systems. finally we have john dalys beautiful interpretation where he opts for a blissed out, understated and hypnotic sound that wraps you up in layers of warm, echoing synths whilst the groove chugs along masterfully. a true mood setter or after hours classic

fresh from a recent round of absolute killer 12s & a bestselling mix cd on their revitalized noid label, the idjuts are further cementing their purple patch in production with the launch of a no doubt sporadic, though eminently collectible and club friendly imprint. droid exists as an outlet for the boys more electronic releases, something for a little later in the evening (or morning !), a selection of tracks which apply the duos patented dub ethic to the late night world of hypnotic dancefloor secret weapons. this huge second release sees the idjuts deliver a duo of heavy, dubbed out acid trax….a 21st century nod to the early & seminal chicago acid tracks which rattled the foundations of ron hardys musicbox club and changed electronic music forever.

played by laurent garnier, dylan rhymes, dubfire, carl cox, mr g., stacey pullen, kyle geiger, anderson noise, steve lawler, lützenkirchen, dario zenker + many more ... the abnormal boyz were born in naples, a town with a great history in all fields of modern art and design, their music is fresh, constantly mutating, based on funky sounds, minimal bass-lines and great grooves! the group is in the record market since 2007 with successful products and tracks on the belgian sammelplatz records, globox & loose reords from italy and the amazing frankie records imprint. at the moment, the guys remixed for two german labels: kaufe musik and microtonal. a big success is expected for the latest ep, out these days, on the newborn label splitsound in cooperation with their talented friend joseph capriati. other essential cooperations: an ep and two remixes on the digital labels minibus and suara and a remix for dj emerson recently out on micro.fon 013, which is already popular on all floors, from berlin to rio de janeiro! because of the huge succes of this particular remix emerson and holgi star decided to feature them on their style rockets imprint

this first volume sees original disco house production partnership black science orchestra getting reworked by the man himself ashley beedle. providing a fresh dancefloor twist on save us, whilst extending the beats and breaks on the classic new jersy deep to create a much more of a dj friendly edit. frankfurts friday night cocoon residents motorcitysoul flip the cript on save us, turning it from disco tinged deep house, to stipped down deep house. a perfect german remake of an english classic!

big with kevin gorman, heiko laux, richard bartz and laurent garnier,... !! romance is overrated, peters 4th 12 on kanzleramt, is symbolizing the simplicity of having some fun with friends. look up shows how vast the skies can be, leaning towards house at 123 bpm. the flipside is powered up with the energy peter is creating when playing his live-sets, tech on 127 bpm. meanwhile, peters debut album evolver recently was re-released by intergroove along with remixes by johannes heil & zander vt on 12. also the evergreen birth, peters 1st appearance on kanzleramt, has just been used by danny tenaglia on his latest mix-cd on tommy boy

mystery surrounds hot new electronic property burns. his myspace suggests a friend and fan base consisting of the likes of calvin harris, dj mehdi, mr. oizo and mark ronson and by the sound of this cheeky white label his future is very bright. we cant say too much about these two tracks but what we can tell you is that both are guaranteed to destroy the dancefloor! heavy french filtered house is the style and boy does burns do it well.

the 25 year-old montreal native became a dmc world champion in 1997 and has toured with the likes of q-bert and craze until he was hand-picked by kanye west to be his tour dj. a-trak might have been on the scene for 10 years already but somehow it feels like he s only just getting started. kitsune releases now his >say whoa< which features remixes from his friends boys noize and sinden

legendz records is the normal follow up of famous legendz parties which started in belgium three years ago . for their first release, they decided to invite two belgian producers from two different musical horizons and see how it goes . kolombo is famous for his electro house style with releases on king kong, turbo, systematic, karate, his own vice versa or loulou records. sierra sam is more into the minimal world with music on trapez ltd., einmaleins, his own toys for boys and soon contexterrior the two friends decided to mix their skills on three tracks: alive is based on a fat synth line and rolling bleepy percussions, articulated around a vocal sample. extra voices takes another vocal sample , but adds it a more acid synth line and some more percussive drum soundsscreaming lord is a more aggressive track with more noises and fast percussion lines..

third album young desire, again captures the fervour witnessed on lapkos live shows. taking in themes of vulnerability and anxiety beneath hardened exteriors, aching feelings, pressure and confusion, the album is a mental trip back to the schoolyard, where tough guy antics and leather armor cant hide the convulsions underneath. theres new depth and dynamic in the bands expression, fitting for a gang of seasoned rock musicians. these two art school dropouts and metal worker have come a long way from harjavalta (though they still gather there to rehearse and play) and have evolved as a band and as friends.

after the internationally successful album release in september 2007, >oi oi oi remixed< features a fine selection of re-works of boys noizes banging debut album tracks - by his friends and himself

radiuss 20th release comes with 3 boogie friendly cuts with deep new york disco influences, delivered by italian duo supersonic lovers. if you like to boogie on funky analogue basslines and gently house your body on deep intoxicating grooves, this may be the perfect radius cut for you. the supersonic lovers cooked a tasty dancefloor dish, tastefully blending deep house flavours and disco funk spices. fans of metro area, idjut boyz and mudd will surely like this! nero boogie could be described as an electric funk work out on a house trip and driving on broadway has a smooth ny disco flavour. summer sweat leans a bit more towards italo disco, but the sweet rhodes chords give it a laidback daydream disco feel. delightfully sweet boogie nights disco!!

do u love the sound of border community ? then u should buy this one.. great pieces of music for listening, dreaming and feeling... and a big playfull davis & may remix on the aside. this is future sound that must not be hidden behind the boys from the island... let us introduce davis & mays friend alt fenster

next d.i.m. killer track !! in 2007 d.i.m.s >airbus< & >sysiphos< on turbo records were one of the biggest tune in 2007. djs from sven vaeth to justice are playing his tracks. this time is strikes back on boysnoize records with his biggest tune so far. french youngstar brodinski delievers a fantastic alternative version of this heavy tune. already supportet by erol alkan, ed banger and friends..

yelle, the explosive rappin french girl, is covering an 80s electro-pop hit. when its mastered by her friend tepr, our friends punks jump up and riot in belgium : its a hit in the two hemispheres. parlez vous français ? yelle is young and pretty. also a very explosive character entering the more rigid french pop scene. this stage freak with a unique flow is fully driving the new non-aggressive girl power scene, focusing on delivering kick-ass lyrics. she also doesnt take herself seriously and is refreshingly laidback, especially when she proudly covers the song >a cause des garcons< (>what we do for boys<) a french 80s anthem, so thrilling and amusing, that it looks like a sure hit for the charts this summer. tepr has just released a single on wall of sound and hes back with his thrilling remix.

new signing on players paradise from hamburg city, two producers who are up and coming in the scene and ready to take over with this mental banger. first one is tensnake who runs his own label mirau musik out of his hometown and got a lot of attention recently by remixing >junior boys<. his partner is suite 9 aka d.i.m. who made some great records on tigas turbo label and had a big hit with >airbus baby< and his cool remix for chromeos last single >fancy footwork<. on the remix job this time our favourite man out of cologne, steve barnes aka cosmic sandwich. he transforms the original into a spaced out 90s house track with his typical driving groove that he developed over the last years in his great releases on traum and my best friend.

summer mega-ton-bomb – sure shot!! balearic is a word which few people really understand. it can mean whatever you want it to mean, but it has always been vaguely associated with ibiza, hippies, deep tropical dance music, and british football hooligans who grew hair, showered less, and became djs. but forget those 90s british for now, there that feels better! with this special release, which we have kept quarantined on its own tuning spork extra label, we are bringing you that balearic vibe with a deep and dubby 00s house music twist. and for us, this is the record of the summer. so prepare yourself for a massive collaboration project from the social beings. this is not some duo youve never heard of, in fact its label boss jay haze (fuckpony / bearback / krak street boyz) and his friend, modern day techno legend ricardo villalobos… one piece of information which is true, unlike those ones, is that haze and villalobos are now huge figures in the house and techno world. and they are indeed social beings

shadow dancer is paul farrier from manchester. for his first release on bnr he produced 4 quality tracks that show that there is an uk answer to mr. oizo vs. sebastian. but it s more then that! all of the 4 tracks are rather smart & banging, a dancefloor friendly version of electronica then obvious hits. you can hear that his biggest influences are warp & autechre and he just started to teach kids a new way of dancing. you should go and party to one of his live sets hes doing together with his brother. this ep will definitely surprise! for fans of: mr. oizo, warp, sebastian, jackson, boys noize already supported by: 2manydjs, ed bangers, boys noize

harder techno tunes by andre walter & chris hope, fiend & friend (one part of this duo ist boy constrictor) and amochi. for fans of stigmata & co

the squonk trip continues after the hilarious label debut by markus müller. cologne boy adam kroll is known from releasing on labels such as traum schallplatten, my best friend, players paradise and cocoon.!

new series of edits featuring some handy club tools a surprise rework of a sweet disco nugget with a cheeky snatch of west london running underneath, a supremely club friendly edit of the o jays and b boy style rip up of a nite liters percussive latin bomb on the b side

looking back to a great year, we find david k from the freak n chic posse being one of the most successful newcomers in 2006. freak n chic stands for a kicking mix of techno and acid sounds, which are blended with some house. dj friendly, very danceable but still demanding, with elements of deep house and minimal house…whereas >tender and sugar< seems straighter, darker and more minimal, and the fat but simple beat is the driving element, >mayann< comes along with strong reerences to >Âme< and its synth sounds remind of >rej< or productions of >pasta boys< from italy

ripperton released amazing records on famous labels like planet e, wagon repair. for our last release on connaisseur in 2006, he saved two outstanding tunes. >tainted words< is a killer club hymn combining two mesmerizing parts. >tainted words (plasmik rmx)< is deeper than the mariana trench. plasmik, our new boy wonders from berlin, grab the outstanding original, vivisect it and recompose it into a deep underwater journey. a must for lovers of deep detroitish cuts. >farra< is far more than a track. ripperton specially dedicated this one to his family and his closest circle of friends. a very personal and pleasant soundtrip, more a song than a track – a short emotional story teller

label boss parr grinvik present a brand-new talent with the 6th release on the respected stockholm limited label. with the last production which came from his very own hand the label is once again put back on the global map and the buzz around these swedish minimal grooves is stronger than ever. s. linzatti is one of those promising talents and starts off with a superb piece of craftsmanship. his amazing moving grooves are remixed by the dynamic duo from the states, tim xavier and tony rohr aka the afternoon coffee boys.

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

the father father remix takes you on a hypnotizing trip inside your bleeding soul. worgull isolates two single lines of oezlem cetins soulful sermon and creates a deep and dark dub version with many references to detroit and old school chicago. a future classic which shares the same vibes as henrik schwarz rework of walk a mile in my shoes. on the flipside is a nice reinterpretation of are we? by tony nwachukwu (attica blues), another friend of the karma boys, which features michelle amadors sweet vocals over a minimalistic detroit flavoured techno jazz excursion keeping the odd waltz time signature of the original and flipping the tune into an atmospheric future shuffle

nice price

ltd edition

pop

the first studio barnhus compilation, studio barnhus volym 1, is coming out at the end of august.
the 19-track release will feature music from the stockholm label s three foundersÑaxel boman, kornŽl kov‡cs, petter nordkvistÑplus various associates, ranging from local newcomers to superstar friends of the label like dj koze, john talabot and superpitcher.

incl. tracks von david guetta, alan walker, marshmello, dimitri vegas & like mike, robin schulz, bausa

dj-mixes often do little more but keeping up a certain mood. to establish a mood like this, masterful sven vŠth only needs a couple of moments. but this is it not enough for the inimitable dj from frankfurt am main. vŠth wants to introduce us to an entire world of electronic sounds. the music is an end to itself, yet at the same time, it is more: vaeth employs it to express his passion for the whole scene, to tell about the adventures he has experienced traveling, about his love for his friends, his children, his girlfriend and particularly to his fans all around the world.

trapical 2018 - the finest in trap. 3 cds, 69 tracks, exclusive sets! feat. dimitri from vegas, like mike, david guetta, gestoert aber geil, alan walker, atb, dash berlin, loast frequencies

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.