>o f f love ist ein tr�umerischer romantiker. ein digital native zwar, doch keiner, der sich �ber das digitale netzwerk selbst darstellt oder den spielregeln der inszenierung beugt. informationen �ber ihn sind rar und werden es erstmal auch bleiben. im dunklen dickicht leuchtet das licht manchmal doch am hellsten.< sebastian wei§

after don cherry, john betsch society, raphael, a new reissue selected in the vinyl collection of heavenly sweetness. once again, the label appears a forgotten album, which has passed the test of time so that it is rediscovered !a new pearl of european jazz to rediscover as was the case with placebo, cortex, michael garrick catalog, ian carr or mps catalog.

wayne goodlitt alias roska ver�ffentlicht mit rinse presents: roska 2 den nachfolger des 2010 erschienenen ersten teils. bekannt wurde der londoner dj und produzent seit 2008 durch eine reihe kultiger ver�ffentlichungen auf seinem eigenen label roska kicks & snares. fest verwurzelt im grime, ist roska ber�hmt f�r seine rauen funky-tracks!

feat. tracks by omar s, joris voorn, lco dice, jay haze, guti, iron curtis.. balance music presents balance 021 mixed by nic fanciulli. the saved records boss delivers a stunningly intricate mix that highlights his ethos as dj and label owner. cd1, entitled simply balance is a subtle and expertly crafted mix that balances a plethora of diverse tracks, often three at a time, to create an expansive but well focused journey. on cd2, nic showcases the sound and ethos of his own saved records with a collection of records exclusive to the imprint. whilst keeping the focus on quality house music, the mix highlights the diversity within the label with a discernable collection of tracks that straddle various styles, atmospheres and tempos Ð many of which will be available exclusively through balance 021.

clone classic cuts continues their re-issues series for one of the most influential techno acts ever: drexciya. the second selection of tracks includes favorites such as bang-bang, positron island,anti vapour waves and journey home complimented with some lesser or unknown tracks. raw, uncompromising music made with soul and creativity have always has been the trademark of drexciya (and also from their original label underground resistance) and this album is another showcase of their talents. btw there is not much further background info we can give. all that can be revealed is already out there.

what is this? we actually dont know but it is new and wonderful! as one of the most successful artists in contemporary techno music hendrik weber aka pantha du prince presents his new studio project together with workshops stephan abry: ursprung. after several studio sessions in the cold and charming winter of the swiss alps, abry and weber were driven deeper and deeper into some microcosm of sound to almost cut the edge to the myth. influenced by krautrock, the ambient music of harold budd and early brian eno, avantgarde, and the minimalistic guitar sound of durutti collumn the ursprung project cant resist to make the guitar a main source. coming together with highly futuristic sounds as we know from the researches of pantha du prince. a truly unconventional structure of slowly growing beats hold this universe which came from the cold mountains together. it is not the first time the protagonists behind ursprung worked together. they met some ten years ago in hamburg as the photographer and musician stephan abry worked on his workshop project together with the artist kai althoff. hendrik weber was involved in the band stella and both released on hamburgs legendary ladomat 2000 label. a frequent conversation, exchange of music and some sessions made them work on pantha du prince works. mostly recorded in that white out background of the alps it was clear from the beginning- a unique project will come one day. now ursprung is here and lets us forget time and memory. stephan abry and hendrik weber wonder what is this? we actually dont know at all but it is new and wonderful!

bong-ras new album monolith is a new step in pure hybrid electronics. seamlessly mixing all styles with ease. be it metal, drum and bass, hip hop and dubstep. a musical characteristic he has gained international praise for. monolith is divided up into two segments: alpha and omega. alpha are four hiphop-esque colossals featuring the american rapper sole, who has proven himself over the years with his crew and label anticon. omega is the dancefloor orientated part of the album where bong-ra continues with his trademark metalbreaks style which made him remix the likes of bolt thrower and even screamo legends therapy? since 1996 bong-ra has released 5 full length albums, and has released on labels such as djax. planet mu, ad noiseam, kid 606s tigerbeat 6, jason forrests cock rock disco to name a few. the biggest success came with the 2003 album bikini bandits, kill! kill! kill! managing a full rotation with the videoclip 666mph on mtv. bbcs radio 1 dj, john peel, was also a big fan, inviting bong-ra to do a famous john peel session in 2001, and was asked to be part of the peel tribute cd kats karavan containing peels 125 favourite session artists. this cd contained the likes of bob marley, boomtown rats, the jam, pj harvey and bong-ra amongst others. in the last decade bong-ra has played all the big festivals: glastonbury, lowlands, fusion, dour, eurosonic, etc and has toured europe, the us and japan. bong-ra is further known for being one of the pioneers of the breakcore genre. together with artists like venetian snares, shitmat and jason forrest they developed this unique and energetic crossbreed in the early 2000s. with monolith bong-ra continues to pave the way into heavy electronics, always re-inventing and evolving himself with every album. he recently won the dutch 3voor12 award (the largest dutch music platform) for best musician, for his bong-ra and the kilimanjaro darkjazz ensemble projects.

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, reeling skullways marks a subtle, but highly alluring development in the evolution of cumbers primary recording project.

addison groove (aka antony williams) bestritt als headhunter seit 2007 sieben releases auf dem einflussreichen label tempa und erwarb sich einen kultstatus innerhalb der dubstep-szene. 2010 kam dann die �berraschende wendung mit einem der fettesten bass-tracks der dekade (footcrab),und das unter dem neuen pseudonym: addison groove.das feedback zu footcrab seitens der dance-szene war ph�nomenal,von kritiker- wie von kommerzieller seite. nicht nur die dubstep-djs,sondern diesmal auch techno- & house dj-schwergewichte wie aphex twin, surgeon, ricardo villalobos und mr scruff spielten footcrab hoch und runter und machten addison groove einem breiteren publikum bekannt.addison grooves einfluss auf die uk-bass music-szene ist gewichtig und ungebrochen, und sein von chicago ghetto tek und der juke-szene inspirierter style f�hrte zu einem gro§en interesse an diesen neuen genres der bass music.die erwartungen sind hoch, doch wir sind �berzeugt,dass niemand entt�uscht sein wird.h�rt selbst!

ernstalbrecht stiebler is the first german composer that based his compositions on minimal techniques. this record is the first part of an edition of his works on the label m=minimal. stiebler, whose first reductionist work extension i was first performed in 1963 clearly showed an opposite position to the serial composers of that time. as a composer stiebler is unfortunately still very unknown, but he has a great reputation as a producer for the german radio

originally conceived as a guitar based project, nzca-lines has been transformed into a suave, synth-pop sensation that combines pop melodies with r&b beats and lush arrangements with multi layered harmonies. produced by fellow loaf/lo label-mate charlie alex march and mixed by ash workman (simian mobile disco club, metronomy etc), together with main man michael lovett theyÕve created one of the years most thrilling debut albums. from the opening bars its clear that theres a unique and beautiful talent at work.

der new yorker saenger und multi-instrumentalist allen hoist machte seine ersten buehnenerfahrungen an der seite von soul-, latin- und jazz-legenden wie tito puente, dizzy gillespie, millie jackson, solomon burke, sam & dave, ron carter oder mongo santamaria. eine tour brachte ihn schlie§lich nach europa und es begann eine tiefe verbindung zu paris und der dort ansaessigen musikszene. gemeinsam mit einigen der besten world musik-& jazz-musiker der franzoesischen hauptstadt nahm er im jahr 2000 das klassische jazz-album -just before spring- auf. in den darauf folgenden jahren entwickelte sich eine enge zusammenarbeit zum soulab label. fuer sein neues album -soul renaissance- arbeitete allen hoist mit renommierten produzenten wie 4 hero, kaidi tatham (bugz in the attic), greg gauthier oder franck roger zusammen. so entstand eine brillante kombination aus akustischen und elektronischen sounds und einfluessen aus soul, house, jazz, broken beat, doo wop, nu soul, afro beat, latin und funk.

electronic duo cage & aviary are set to release their debut album >migration< on prins thomass internasjonal imprint this coming january.part man,part machine,part cockatiel,cage & aviary take flights of fancy whenever they can.jamie paton is a dj,a one-finger keyboardist,and a pot-tickler.nigel of bermondsey is a musician,south londons finest oscillator,and a dedicated dabbler.together they are winners of the cosmic lottery.having put out releases to much acclaim on the ltd editions that are dissident distribution,cage & aviary have since spread their wings with releases on dfa, tiny sticks and astro lab.their own label,the walls have ears,is slowly carving out a reputation for quality dubbed-out dance music too - the cage & aviary remix series has met with great critical acclaim thus far,with the likes of andy blake,prins thomas,horse meat disco,mock n toof,bill brewster, tim sweeney, james murphy,tiga,erol alkan and other such luminaries counted amongst fans of their work!

the mortimer trap is an epic 77min variation of morton feldmans for bunita marcus constructed by german experimentalist and techno icon thomas brinkmann and australian sound artist oren ambarchi. pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing rhythmic pulse of gorgeous sonic density. since the 80s thomas brinkmann has experimented with sound, its textures and its construction methods. his custom built two-arm turntable on concept 1, the sampling of damaged records on klick and various experiments with carved-groove vinyl are just a handful of career highlights that mark brinkmann out as a true musical pioneer. oren ambarchi, primarily known for his solo guitar records for the touch label, has worked with a diverse array of artists such as keiji haino, fennesz, phill niblock, jim o rourke, voice crack, keith rowe and sunn 0))). ambarchi and brinkmann first worked together in in japan in january 2011 in a trio with mika vainio. the mortimer trap is their first collaborative work as a duo.

in kooperation mit skiinfo.de praesentiert das renommierte black hole-label die compilation -snow dance 002- mit einem stilsicheren und hochkaraetigen mix aus progressive, trance & electro auf cd1 (mit tiesto, deadmau5, ferry corsten, bt, ronski speed u.v.a.), sowie dubstep und drum & bass auf cd2 (mit noisia, drumsound & bassline smith, serial killaz, metrik, the crystal method, freestylers u.v.a.). die moderne art von apres-ski als 2cd!

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

folge 17 der vom label und internetradio rinse initiierten compilationreihe praesentiert einen mix von elijah & skilliam mit den besten grime-tracks aus dem englischen dance-underground 2011. die beiden djs, label-, club- und blogbetreiber (butterz) haben sich in ihrem mix vor allem auf instrumentale tracks konzentriert, darunter -take off- von faze miyake (dem wohl besten instrumentalen grime-track des jahres), wollten aber auf stimmen wie die von p money, blacks sowie trim and wiley nicht ganz verzichten. mit den 27 tracks schaffen die beiden einen reinen grime-mix, aehnlich wie in ihren shows auf rinse fm, mit den angesagtesten tracks aus der britischen grime-szene, darunter einige exklusive dubplates.

mad decent is proud to announce our very own -mad decent volume 1- compilation, featuring 18 tracks hand selected by our leader diplo from his favorite overlooked remixes of past releases plus a variety of new music from our next crop of artists. the compilation presents a selection of mad decent artist who ve helped shape the labels unique personality since inception. featuring huge new remixes of classics such as bosco delreys -wild one- (reset! remix) and malucas -el tigeraso- (sticky k remix) to unreleased gems like boy 8-bit -house on the hill- and dillon francis -beautician 2.0-, to in your face bangers like ruskos -everyday- (netsky remix). mad decent vol. 1 is as much a showcase of the labels biggest names and tracks as it is an illustration of its incessant efforts to bring new genres and cultures to light. the label has come a long way from the underground philly scene where it all started, collecting a diversified group of artists along the way. from blaqstarr, to rusko, to savage skulls and po po, the sound and influences come from all over the world, and somehow work together to form a unified front of weirdos that make music outside the lines.

in 2009 the flamingo records crew compilation captured the white isle s club-juice in ibiza and 12 months later set their sights on the big apple for a new york chapter. now, with the city s musical mercury at sky-high levels, they ve returned flamingo nights to their home streets for the amsterdam edition. this year flamingo honchos funkerman and fedde le grand have ceded the mix controls to label lieutenants nicky romero and deniz koyu - two of central europe s fastest on-the-rise spin-masters.

he is one of the hardcore scenes biggest icons for almost twenty years. after five albums, neophyte returned to his favorite chamber to produce his first album in more than five years. a unique album: for the first time in hardcore history, an album will be released in two different parts. on monday january 16th, neophyte will present the first chapter of rechtoe rechtaan s successor: mainiak . jeroen streundings formation dropped its first ep in 1993 on rotterdam records: they released tons of tracks on the legendary label. next to these activities, neophyte came up with several aliases like bodylotion, hard creation and masters of ceremony to produce on terror traxx and forze records. in 1999 neophyte founded his own label neophyte records, which is considered to be one of the leading labels in hardcore for more than twelve years. neophyte developed himself as one of the best producers of the hardcore scene and helped new artists like evil activities and tha playah to get to the top of the hardcore olympus as well. mainiak proves why neophyte is hailed as a true leader of the hardcore scene. the first chapter of the album is packed with an arsenal of brand new material: besides a lot of solo tracks, neophyte has also collaborated with a selection of other artists such as neophyte records colleagues tha playah & the viper. mainiak s tracks have been edited for the album to keep it flowing in the best way for the listeners pleasure. the dj s and his diehard fans won t have to mourn: the album s tracks will also be available for download in full length.

renegade hardware is proud to present ink: the last scroll. the first artist led album ever to be released on the label. tracklist lp: a. ink feat. btk Ð reptile, b. ink - hidden dreams, c. ink feat. btk - 5 elements, d. ink feat. perpetuum - world turns

mit der gleichnamigen single -soy como soy-, die im sommer bereits auf dj hells label gigolo erschien, landeten makossa + megablast bereits einen weltweit gefeierten club hit. die beiden wiener veroeffentlichten bisher alben auf stereo deluxe und g-stone, diverse remixe und singles auf great stuff und man recordings. auf dem album sind gaeste wie tony allen, hubert tubbs, cleydys villalon, og spiritual godess und sugar b vertreten! makossa & megablast verbinden spannungsgeladene analoge sounds, markante drums und percussions mit dynamischen basslines und schlie§en den kreis zwischen den urspruenglichen, primitiven rhythmen der talking drums und der aktuellen musikgeschichte mit den neuesten standards elektronischer musikproduktion. schoen, dass die jungs wieder da sind! fuer ihr 2007 auf g-stone recordings veroeffentlichtes debut -kunuaka- erntete das duo fuer seine praezisen und ausgetueftelten produktionen wohlverdiente credits von musikalischen wegbereitern wie gilles peterson, carl craig und laurent garnier. nach ausgedehnten reisen rund um die welt, wo sie vor bis zu 30.000 begeisterten party people aufgetreten sind, tun sich die beiden mit den besten und kreativsten musikern und saengern fuer dieses album zusammen.

das zweite album der schweizer produzentin kate wax - nach ihrem 2006er debuet -reflections of a dark heat- auf mental groove - wurde von james holden co-produziert und erscheint auf dessen label border community. kate bietet auf -dust collision- eine unkonventionelle, vocal-gelockerte, darke version von post-electro-pop, unterlegt von einer minimalen synth-aesthetik.

das us-label tri angle hat mit dem signing des aus san francisco stammenden duos water borders erneut ein glueckliches haendchen bewiesen. deren debuet -harbored mantras- klingt voellig unvergleichlich, so etwas hat man 2011 noch nicht gehoert! als einfluesse nennen water borders die 80er-jahre-industrial-legenden coil und den uk-underground-dance-sound, der auf den londoner piratensendern wie rinse fm gedroppt wird. daneben finden sich auf diesem hervorragenden album anklaenge anafrikanische rhythmen, scott walker, popul vuh oder jamaikanischen dub.

das label affine samt seinem aushaengeschild, dem microkorg-wunderkind dorian concept, ist eine der positivsten erscheinungen des vergangenen jahres in der oesterreichischen musiklandschaft. nicht nur kenner der heimischen szene, sondern auch groe§en wie gilles peterson lassen sich vor verzueckung zu wahren lobesreden hinrei§en, und das, obwohl die ep -twice upon two times- erst der zweite offizielle release des plattenlabels ist. bei jsbl trifft groovender jazz-rock mit progressiver verspieltheit auf knackige keyboard-synthie-lines, produktionstechnische sicherheit und viel liebe zum musikalischen detail.

musical evolution: the first chapter, arnejs newest compilation will be in stores online and in physical form on october 24th. this compilation will feature 15 exclusive and upfront new trance tracks and marks the first comprehensive release from arnej s new label, arnej music. musical evolution: the first chapter includes tracks from such artists as leon bolier, bobina, orjan nilsen, and arnej himself including -the music makers-, a future club classic collaboration between arnej and orjan nilsen. arnej is currently 2 ranked trance dj in the western hemisphere as indicated by djmag top 100. he has also been named armin van buuren s favourite producer and has received the idma best new artist award in miami.

demissions is the album every in-the-know electronica fan has been anxiously awaiting for the last ten years. phoenecia, the duo who put experimental electronic music on the map in the us with their soul oddity releases, their infamous schematic label, their early releases on warp and their brilliant albums brownout & echelon mall, are back with new album destined to be as ageless & influential as any of their previous contributions. what strikes the listener at first is how seamlessly the songs throughout the album integrate acoustic percussion with electronics, most notably on the twelve-minute epic first track two-part invention for bodhran & computer.

the cocoon label presents the cocoon morphs tokyo cd, previously released exclusively in japan. presenting exclusive work by artists of the highest cocoon-caliber, cocoon morphs tokyo also celebrates the aesthetic partnership between world-renowned german photographer and artist andreas gursky and cocoon-head sven vaeth. gursky has published a cycle of large-sized pictures with -cocoon- as the central theme: the -cocoon- pictures reference current club culture, with gursky using the big techno events cocoon stages as inspiration. the architectural frame of his work refers to the design of the cocoonclub in frankfurt. the spatial concept was developed by v�th, together with the design agency 3deluxe. in gurskys cover art, you can see the idealized approach to the original cocoon club in all its fervent glory. here, excellent electronic music meets the work of the most important contemporary german artist worldwide - again, cocoon explores new frontiers and combines art forms of the 21st century. artists include: gerber & kalbata, tiefschwarz, pig & dan, vaeth vs. rother, schneider & galluzzi, ricardo villalobos, david k, and patrick zigon.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj / produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.

das schweizer label mental groove hat sich mit dem dj duo jess & crabbe zusammengetan, um diese einzigartige compilation, die sich dem echten sound des kuduro ueber die laenge von zwei cds widmet, zu praesentieren. die musikrichtung kuduro entstand anfang der 80er in angola, als elektronische musik aus europa und amerika den afrikanischen kontinent erreichte. die musik ist schnell, energiegeladen und tanzbar und erreicht besonders in laendern wie portugal, cape verde, frankreich und brasilien zunehmend an popularitaet. das duo praesentiert auf 2 cds insgesamt 27 tracks, die den sound des kuduro umfangreich und authentisch portraetieren.

xhins debut album on stroboscopic artefacts,sword,showcases the breath of his vision. as the second full-length release on stroboscopic artefacts, sword stretches the remit of the label s identity ever further. produced and recorded in singapore, xhin plucks sounds from the outer edges of electronic music and fuses them together. xhins approach revels not only in a hybrid sound palette but its also an album desi- gned for multiple contexts. its a record typified by duality. sword harbours electronic music ranges from brutal club sounds to deep and delicate murmurs.

nikki beach mixed by atfc is the second in a series of album collaborations between the worlds leading independent house music label and one of the most exclusive and surprising clubs on the planet. compiled from breathtakingly up-front material, atfc pulls in brand new cuts and remixes from ben westbeech, noir, osunlade, green velvet and ame as well as dropping two of his own tracks yet to see the light of day.

zusammen mit francesco tristano und danton eeprom gehoerte cubenx zu den erste signings von agorias infine-label. cubenx hat nun sein album-debut am start, und das hat es fuer wahr in sich, denn es besinnt sich auf den guten alten post-punk, auf shoegaze und - in diesem zusammenhang ungewoehnlich - auch auf die gerade bassdrum und minimale elektronika. cubenx wird sein album live als support von apparat im dezember 2011 vorstellen.

only once in a while you would enter the real magic of house music. how rare are those club nights, festivals, releases or tracks you get totally mesmerised, you feel like something changed. you want to take home that one party, the sound or a special moment to keep it forever. with moomins > the story about you< we discover exactly this kind of experience. it is an album of uniqueness and transcendence, like a meteorite touching the ground of your own private garden. sebastian genz aka moomin never intended to reinvent house music as his productions come from the heart and are related to the lovely peoples dancefloor. thats what gorgeous parties and releases of the white label around oskar offermann and the smallville imprint taught him: real house music is only possible within a soulful surrounding

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj/produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

before he made his breakthrough with 69 love songs, stephin merritt was a little-known songwriter signed to merge records. the label reaches into its own archives for this rarities compilation, which features 14 songs recorded between 1994 and 1999. full description1999. some of the tracks were originally released as 7 inch vinyl singles by the magnetic fields, others are unreleased rarities, including three cuts from merritts unfinished science fiction musical and one outtake from the 69 love songs sessions.

hochinteressante doppel-cd-compilation auf c.sides, dem label des koelner produzenten glitterbug und der israelischen kuenstlerin ronni shendar. 10 neue und exklusive tracks von gold panda, khan, brandt brauer frick, glitterbug, mads brauer & casper clause von efterklang etc. waehrend mehr als zwei stunden spielzeit loten die beteiligten kuenstler die moeglichkeiten elektronischer musik jenseits der clubkonventionen aus - mit dem ziel, einen bescheidenen beitrag zu leisten, um aus der welt einen besseren ort zu machen.

the sound of garuda: chapter 2 is the brand new mix album from the uks no.1 dj: gareth emery. after the hugely successful first -sound of garuda- gareth emery returns with the second part to the garuda mix compilation story. the concept behind the compilation is to produce a mix from only new exclusive material from garuda, gareths own record label. the 12 tracks on the compilation is a cross selection of electronic styles ranging from uplifting slamming house music, engaging progressive and uplifting trance tracks with many of the tracks being made specifically for the album. it includes 2 brand new gareth emery tracks, which are collaborations with emerging artists. you dont want to miss out on this pearl from one of the grand masters of dance music!

it might sound like an empty phrase, but when oliver koletzki founded stil vor talent in 2005, he certainly didnt anticipate where his label would be today. now - six years and over sixty releases later - stil vor talent can look back at many magnificent moments in the labels history. originally started to give other musicians the chance to showcase their music, stil vor talent has preserved this very down-to-earth attitude until today and has helped foster the careers of producers such as channel x, niko schwind, juli holz or david august to name just a few. while there have never been any musical or stylistic limitations, an open philosophy dominated by quality and individualism prevails at olivers label, from delicately designed record sleeves to their own fashion line and to music that varies from house to pop to jacking dancefloor cuts. now it is time to congratulate everyone involved and the fans of stil vor talent with a special birthday present: a six-year anniversary compilation that celebrates past, present and future of the label on two cds

a really well done compilation Ð the first of what looks to be a great label from dakar! this well researched, fully annotated collection brings together rare work by idrissa diop Ð a great range of early 70s material done before his relocation to france, lots of it with a great blend of senegalese and cuban elements! the rhythms are wonderful Ð really spinning out in these hypnotic ways, and often encouraging a bit of descarga-like jamming from the musicians, especially on the longer tracks Ð and the full notes in the set really helps put the music in context. titles include -caridad-, -kaele-, -massani cisse-, -fonkale garape-, -gueth-, -yaye boye-, -cintorita-, and -dioubo-.

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsun� music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

the ever on point citrus recordings is stepping up for its 5th artist lp. after having released the debut albums of mindscape & jade wich all went on for critical acclaim its time for citrus to get ready for its 3rd artist album. this time its time for the debut album of fourward! hailing straight from lower austria the four men collective fourward started out producing music in early 2007. the boys knew each other for quite a while and shared the love and passion for drumandbass music. for them it was always a main issue not to stick to any particular tiny subgenre only, but to develop a sound of their own. all members have different musical backgrounds which fit together perfectly and provide a great studio vibe. days went by and the boys finished a couple of tunes properly and it wasnt long until austrian drumandbass producer duo body&soul showed interest in their works. also international artists like bbcs very own crissy criss began to support their music giving them airplay on his radio show. as a result of their effort fourward has released quality tunes on labels like subsonik sound, planet funk and fokuz. the year 2010 they experienced the so called breakthrough with releases on nasca recordings and fokuz followed by an epic 12inch for the legendary label virus recordings! the guys definitely didnt stop there and being on the road now broadened their horizon even further. resulting in a series of tunes perfectly fitting together in this cd. diversity and musicallity are keywords for this album. listen from low blow to you and me, quality drum n bass!!

dub police are proud to announce the release of their first artist album courtesy of birmingham-based producer emalkay, who is set to release his hotly anticipated debut lp eclipse this spring. first making a name for himself with early releases on his own morphic sounds imprint, emalkay has continued to push the boundaries of underground bass music ever since, delivering a slew of huge releases on the way. having been an integral part of the dub police stable ever since his >explicit / heroics< 12 inch for the label in 2009, emalkay has gone from strength to strength with a series of heavyweight tracks that includes the phenomenal >when i look at you< and recent smash >crusader<. comprised of 11 tracks, >eclipse< is a bold and powerful album encapsulating perfectly everything that makes emalkay such a prodigious talent, effortlessly showcasing the depth and diversity of his sound while always remaining true to his inimitable style. as addictive as it is hard-hitting, the album doesnt just provide a collection of dancefloor tracks, but a confident and coherent artistic statement.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

viele der antiken heldenfiguren waren zugleich halbg�tter oder zumindest gegenstand religi�ser verehrung. wie war das noch gleich: god is a dj? spa§ beiseite. die zw�lfte ibiza-season des cocoon-teams um sven v�th hat sich als motto >cocoon heroes< gesetzt. cocoon recordings sorgt deshalb mit der mittlerweile f�nften summer-mix-ausgabe f�r die offizielle einstimmung in diese mega-event-reihe. eines der absoluten highlights in dieser saison ist der auftritt von adam beyer am 25. juli. der stockholmer drumcode-labelboss geh�rt seit �ber f�nfzehn jahren zusammen mit richie hawtin, jeff mills und sven v�th zu den wichtigsten taktgebern der elektronischen tanzmusik. als produzent oft ein garant f�r stringenten und harten techno, beweist beyer seine vielschichtigkeit mit einem energetischen parforceritt zwischen hypnotisch perkussivem techhouse, dub und acid und �berrascht nicht zuletzt mit einer ausgepr�gten neigung zu sinn stiftenden vocal-samples. schon bei der opening party im amnesia dabei ist der frankfurter dorian paic, als mit-inhaber der plattenladeninstitution freebase und als label-chef von raum...musik. seit vielen jahren untrennbar mit der rhein-main-szene verbunden. wer dorian paic als dj bereits erleben durfte, wei§ um seine beispiellose begabung, mit geschmackssicher reduzierten und dennoch unverwechselbaren techhouse-juwelen eine ganz eigene geschichte zu erz�hlen.

a stunning surprise is awaiting: label director florian schirmacher developed something completely out of the box together with the living techno legend mijk van dijk: the chaenge after the preliminary release of the single >love devotion< on david carrettas french label space factory now follows the debut album by the chaenge! funk is back? Ð its never been gone. this is what florian schirmacher and mijk van dijk are presenting. mijk >the legendary< van dijk has set the bar in the techno scene since the early 90s. he was one of the first european artist in japan and still follows and promotes his philosophy of thinking and acting without borders. probably only a few people know that he was a bass player in a funk band before he started his career in techno. the funk strikes back! florian >the voice< schirmacher is producer and singer of wareika, federleicht, hatikvah, here today , and of course the chaenge