his music may be fitting for the perfect massage or romantic candle-lit dinner, possibly even responsible for the creation of countless offspring around the world, but rocco raimundo is both unashamed and inspired by what his musical talents can often induce.

die doppel-lp beinhaltet neben den originaltracks noch sämtliche instrumentals sowie einen download-code für die mp3-version des albums.

ultraphat prime time bomb !!! already played by: david squillace , andré galluzzi, heiko mso, pascal feos, domenic d agnelli, marc miroir, guido schneider and many more

the third album by talk talk, originally released in 1986, back on vinyl. this lp also contains a high resolution audio transfer of the original album masters and original b-side >its getting late in the evening< on an audio-only dvd.

classic disco stuff !

nice price deal !!! the manifesto: to celebrate our 10th release we are proud to present the first in a series of upcoming special edition packages, a musical declaration, if you like, of what the label is all about and our intentions going forward. all packaged neatly as a limited edition double vinyl with 2 exclusive vinyl only remixes from 2 very special guests.

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

we proudly present sasch bbc & caspar two artists from the rhein-main-area of germany with their first release on mono recordings. bringing a disco funktastic 4 tracker. including a track sasch bbc did together with his homies bunte bummler never enough love definitely got what it takes to become a summer anthem.

the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

black vinyl repress, natch is the union of the body,mind and passion with drum machines and synthesizers. its what is natural,what we do the best. kidnapped in the 90s by the clubs of detroit, taken by the power of the bass, carried over through a sequencer and convinced that berlin is the new dance floor. natch is techno. it moves through the stimuli and does not stop, pushed by the need to discover new forms,to listen to the unheard,browse unlimited electronic influences. not only from dub to dark sound, but reaching an underground that is an expression of the sounds that each of us carry inside. aware of the history behind each clap, which leads to the highest level of sound, of his idea: techno-logic. natch is the way, natch is natural

the wait is over. the outside agency and ophidian unite on the 20th genosha release to collectively blow minds, expand vocabularies and sow the seeds of confusion. we could describe the tracks to you, but that would spoil all the fun and/or disappointment. if you have ever asked yourself what would happen if these three got together and made a whole ep, then the answer to your question is available for you to purchase right here. boom.

first new album from the echospace duo since the critically acclaimed >liumin< double album on manchesters beloved modern love imprint. the sonic structure of this album was the basis for what later became >liumin< released on modern love but this exploration is something all together different, left untreated and unprocessed from its original 1/2 inch tape to preserve the natural organic state of the recording.
released as a triple lp set with custom printed, matte finished over sized lp sleeves, black retro inserts all housed in a resealable poly sleeve. pressed on 160 gram, splattered mixed color vinyl. contains the audio cd housed in a gloss finished card stock sleeve. limited edition of 500 copies.

man make music’s julian neumann drops his debut for third ear and what a debut it is. four unique cuts of glinting, glistening techno, dark and bright and beautifully balanced. the groove in every track kicks and steps. this ep might be julian neumann’s first for third ear but it’s unlikley to be the last.

exclusive limited edition heavyweight 180g 12 inch white label vinyl.

zweites vinyl vom best buddies vol. 1 sampler.

now, a year after he celebrated the success of his lp good morning midnight, niko schwind ups the heat on stil vor talent with the versatile we are the future ep that showcases a specatacular sonic progression while remaining true to what niko does best: melodic house music. on all i want, niko lures you into a deep abyss aided by a straight groove and rapid vocal stutters until a swampy bassline, subtle piano melodies and a promiscuous female voice swallow you to the point of no return. beautifully melancholic, yet floorfriendly, this a1 is bound to leave its mark on international dance floors!

erstes vinyl vom best buddies vol. 1 sampler.

super split ep with full of excellent piano house , deep house cuts in 90s analog vain... 1st side made by alex agore (reminds me to the glorious ur - happy trax series.... boooom), flip by james jonston

calling on a roster of talent that includes the much vaunted luminaries tyree cooper, rick wade and his namesake wilhite, scott grooves, terrence parker and more you know that the vibes & pepper agency expanding operations to include a label means the standard of music will be high. number three in the fledgling wax initiative arrives with the man, the myth, the maverick that is norm talley at the helm for the three track bumper the westside project. talley fans will be all over this one for the chance to grab b side hugger >grove street shuffle< a track that originally featured on the producers uber rare 1997 release for city boy, and the two tracks that complement it find the beatdown brother in fine form. lead track >do what you like< deftly weaves in some expert voodoo ray sampleage amidst a permanently punchy groove whilst >greenfield groove< has talley in looser rhythmic mood, with busy percussion driving through a thick swamp of vocal pressure and ever twisting piano riffs

opening track >what i do< introduces the ep on a poignant note with its sombre keys and emotive vocal flourishes without forsaking any of the force at its fingertips, driven by the bubbling subs and electric midrange. >fall< then sweeps in on a lush bed of glistening keys, soft vocal flourishes and a skipping drum line before crashing back down to earth with waves of warping bass tones blasting through the low end of the track. counterpointed by the soaring synth notes that flicker above, mydas balances the light and dark elements brilliantly.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

der soul-jazz-sänger gregory porter aus detroit mit einer 12 inch auskopplung aus seinem für den grammy nominierten debutalbum water aus 2010. mit ausnahme einer limitierten mini-edition zum rsd 2012 erscheinen original und remix beide erstmals flächendeckend auf vinyl.

the boys are back ... back with another banger too. definitely the best little label doing the rounds around these parts of late. viennas luv shack records continue with the good groove venturing once again into suspenseful house and disco.
this time the turn of lesale to pull out the big thick juicy drums and chunky basslines for which luv shack is making a very respectful name for itself. guaranteed heavyweight thump when you flop the needle to the left side every time with the luv shack.

hypnotic groovin techno / techhouse

2x12 inch limited package! das label von lars wickinger kommt erfolgreich zur nummer 005 und es ist wirklich zeit dieses spezielle ereignis mit einer various artist zu feiern.

as i look to the sky from the surface of the water is the much awaited second album from grit, aka london producer gary brackley and it has found a perfect home on meanwhile. the label is well placed to be an outlet for grits explorations deep into the realm of deep techno, thanks to its standing within the techno community and this album stands tall alongside contributions from the likes of murmur, sven weismann, bvdub and conforce. opening with the expansive title track, grit sets the tone for what to expect with the ripple of syncopation shifting in and out of focus amidst the viscous layers of foggified luminescent ambient texture. across the subsequent five tracks this tone is retained throughout as brackley playfully explores the inventive sparks that arise when rhythm rubs with texture, with the smudged out subaqueous >safer retreat< a real highlight.

vinyl only! enjoy! with successful releases on various labels like highgrade records and diynamic music, markus homm s remixes ep on unike musik, follows up with 4 re-touches of his latest work for the label. new york s mexican leo leal & guadalajara s own adrian garza team up for an international collaboration on homm s key frame. the duo s dripping acid inspired remix reverberates dark bass sounds and pops in filtered doses of dreamy pads on top of glimmering effects. &#8232,,,,,next the french legend, chris carrier, takes over remix duties for homm s keyframe signal, a soaring infusion of polished analog sounds and spunky tech percussion. the greek producer, turned londoner, alex celler, supplies a stunning rendition of take off, as bumping bass and tonal toms ignite this widely deep mover and shaker. 8bit s carlos sanchez polishes off the release with his take on what do they want, attracting fans of tougher sounds from the days of vinyl and stomping underground. &#8232,,,,,homm s dedication and impact has inspired a multi faceted ep with remixes that continue this notorious producer s legacy through a wide array of deep energy. &#8232,,,,,

nynfus corporation is the name of a crew of rising starts in the nu funk/ghetto funk scene. top class ghetto funk productions with an ethnic twist are what the 3 boys from budapest, hungary are all about. after doing release on the bombastic jamand bigm label the crew turned to bbp to drop their dopest release to date. the a-side gives us funky peak time ghetto pumpin jams, whiles the b-side shows us a little a of that ethnic/europeanstyles the boys do all so well. all 4 tunes are tested with party rockin guarantee, and they will surely be doing some major damage on the dancefloors this summer.

carrying on from the success of their last release from artifact, deadplate records present hackman & blutos what matters. what matters is a bouncing house track with a weighty bass line, sure to waken up any dance floor and perfectly timed for the summer. marimba vibes keep this track bubbling along with an addictive and strong melody that has become unanimous with hackmans style. james fox creates a powerful 4/4 remix on the flip, stripping back the original and bringing a mid-90s uk garage flavour to the table. a real powerhouse on the dance floor, this is one of the strongest pieces of work from one of the uks most exciting house producers. supported by rob da bank, ma1, west norwood cassette library, guy andrews, midland, goldffinch, artifact, thefft

last year queen of jack heidi flashed the world with her jackathon compilation. now get physical present three killer remixes from the compilation at the hands of key game players deniz kurtel, richy ahmed and eats everything.

“kind of blue” is probably the best-selling jazz record of all time. we precede the familiar stereo version with the legendary “kind of blue” mono mix - legendary because columbia records claimed that the tapes had been discarded long ago. the avaxhome audiophile website approved of the new perspective mono offers on a time-honoured classic, saying: “if you’re only used to hearing it in stereo, this will be a different experience. it sounds kind of “forward”, particularly the saxes. overall it has a nice timbre, especially in the midrange.”
vinyl 1: mono version (cl 1355)
vinyl 2: stereo version (cs 8163)

so what is after the void ... we bang the bomb of course with a lady in a thong surrounded by snakes and hand grenades, obvious really! having been away for some time it appears that a light sounds dark spring is in the air. en route to their next destination (rumoured to be a dark subterranean world full of nasty mutants danger electrified tracks out this summer) with arms out the window and the mothership roof down, its full steam ahead and proper european dance music time. not really train spotting as before although a couple are a bit off piste like maltas very own ian dury by the name of iain richardson rapping about sitting on a green bus! much more like it however are classic italo covers of big in japan, gloria, a wonderful new wave version of falcos euro smash der kommissar and the thoughts massive german hit wait a long time sounding like some long lost talk talk record. light sounds dark do some minor tweaking (going for that natural look) to big beast anthems axodrys you and colme 111s you take me high (early euro take on chicago) and for lovers of something a bit more funky theres some groovy goings on from kraut funksters epsilon urging people to leave the city which might not be a bad idea if the water runs out.

transatlantik-koop zwischen den aus chicago stammenden mcs just jay & widom o.n.e. und produzent trishes (beattown, tlm records, melting pot) aus wien! the luv bug will bite you if you dont watch out ... watch out!
inklusive code für mp3-download des albums.

bodi bill - what remixes (apparat & thomalla) in 2011, there was no way to get around bodi bill - and it will continue in 2012. right on time for summer, the band releases two exciting remixes of their hit-single what on their own label krakatau. luminary apparat and young talent thomalla have chosen the smoothest and breeziest track of the album to rework it with verve and experimentiveness. the tracks differ considerably, and yet there are parallels between both artists: they share a vision, an affinity for progressiveness and audible enthusiasm in each track. apparat - who released his very successful album the devils walk in 2011 - breathes autumnal coolness and depth into this summery number.the result is thrilling, unexpected and spine-tingling. thomalla also rejects construction kit primetime-techno and shows his remarkable talent in two very unlike versions of what. with his overwhelming desire to experiment and discover, he created tracks to dance to, that move beyond the typical minimum radius. this record gathers pop and electronic avant-garde: the record-label and artists wanted to fathom the boundaries of rhythmics and harmony - and they clearly succeeded. here, two exceptional musicians show their vision of electronic dance music, enthralling, fascinating and exciting!

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

first on only via decks.de
one of these interesting fusions is the latest project of one of the currently hottest artists switzerland has, andri on the label sirion records. herewith andri debuts his artistic collaboration with is companion, valentino - an equally established artist of the local scene.

makam – what ya doing: the hague based producer makam definitely didnt see jack play, simply because hes waaaay to young to be bragging about the history of house music. nevertheless mister guy blanken delivers a stunning anthem in the best of warehouse and music box traditions. keep those 909 rim shots coming please, but make way for the irresistible breakdown. makam – what ya doing (funkineven) more 909 sweetness comes from london based steven julien aka eglo-related vintage fetishist funkineven. while treating the original with respect, he adds some analogue acid dirt to it. in an everything but subtle way, that is. peak time stuff!

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

smackdown recordings sets the pace for 2012! just only 1.5 month after the previous heavy hitter by cooh and counterstrike they present the i:gor:this is what i am ep. long and awaited tracks in the making makes this one is a guaranteed heavy hitter. the a-side features the hit:this is what i am which makes any dance floor burn down till the ground. the b-side contains the famous track: coretoon, a beloved track by the hardcore audience. other tracks on this ep are 4 fuck sakes and ofiomerfus. smackdown keeps setting the tone with original releases and the 4th release offers a great combination between hardcore and drum & bass. must buy release for every i:gor and smackdown fan!

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

limited edition !!

final part of abes mini series. hot wax. house or techno. we decide limited as usual. grab the rare colored wax final pressing pic upon release.

this release represent in a sense the spirit of what we are. we started to think about it around 3 years ago, and is good to say that everything is gone positive. all the artists involved are connect from the same empathy and love, and things happened in the most natural way. collecting all the infos about mrs. endresen and mr. wesseltoft and looking at ninca and bruno biography, and of course with andrea and hubble always is our minds, we can affirm one more time the power of this intense feeling that keep us close to each other.

the music is about mind opening vibrations. seeing no borders between genres. 180gr. vinyl

plays and support from: mandy, matthew dear, tobi neumann, shaun reeves, luciano, lee burridge, thugfucker, bill patrick, lee curtiss, subb-an, butch, dubfire, manik, huxley, droog,..

the fact that they are the hottest band in the buzzing spanish independent music scene in itself may not be enough to stop the presses, nor are all the comparisions to the black keys or the band citing motorhead as their main influence. its hard to break into the crowded new band scene, but let us give you a piece of advice before deciding who should stop the presses - just sit and listen to the album first.
a text like this usually tries to say how great the group is and how new and fresh their songs are. in this case, we are going to try to save time and space, and just talk about the right ons.