after their butterfunk ep from last year, fouk are back again with their new offering mating call ep. as the name suggests, this three track ep is made for the hot & heavy moments while dancing away, during those infinite summer days. the title track mating call is a funky beast, driven by a very infectious bassline and live instrumentation, edging the line between disco and house, as has we have come to expect from the duo. the next track on the flip furthers the fact that this release is all about the groove. housey vibes with a classic hint, rhodes floating on a solid rolling funk bass. just feel good ? yup! finally we come to down below . you might wonder what s down below? well, there you can find a dreamy thumper, driven by the compact kick, repeating drone and deep bassline, while the synth pads in the middle tie it all together.

we present you the third release in our very successful collaboration series with roar groove and the revenge. straight after his new brilliant album when the thrill comes that was release in may this year graeme clark is back on dirt crew with four new gems. the opening, funky and twisting, times get tough is a deep rolling down tempo disco/ house stomper that builds into this ecstatic groove we got to love so much from his previous outings. pure good times and hands in the air action promised on this one! subconcious is that darker and meaner side of house track with a slammin chicago beat he delivers this old school jackin feel. big bass lines and soulful vocal samples tied together by on the fly drum patterns. the b-side of this new ep opens with an hypnotic jam that builds and builds till those sweet synths start soaring in. all carried by this ultra phat bass line, we can only imagine how this one will sound on a massive sound system! searchlight is def a highlight of this release. can we go even deeper and darker? oh yes! with come down we get a proper come down to close this ep. deep sub basses with floating tops and again that classic jack house beat. certainly a late night track made for those sweaty and long dj sets. summer is here and the revenge has the perfect soundtrack for hot and steamy nights, inside or on the open field!

after kindly stepping in on remix duties on our first miskotom release kito is back on pleasure unit with a nicley rounded ep that shows the full extent of his production skills. houstrack does what it says on the tin and pumps it up in true old skool house style, damp firecrackers sounds like it could come from a long lost italian library lp. on the flip never been to ibiza beaches in 1997 is a nice laid back balearic ode as you might expect, lastly jungle mantra is a dense tropical treat. check for kito s previous releases on diverse range of labels from bahnsteig 23, freerange,dirt crew,hell yeah and bordello a parigi

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

after previously releasing starship commander woooo woooos mastership lp, left ear records have continued excavating the archives of the artist more formally known as omer coleman jr. the result is two handpicked mid 80’s instrumentals salvaged from the original master tapes, as well as an extended vocal edit on the flip for good measure. after laying his alter ego to rest omer made a handful of electronic releases on his own kansas based remo label. of these releases left ear has selected their two favourite instrumentals: lovin babe sure is fun and so good. lovin babe sure is fun was originally released in 85 and was created to celebrate a time in america where the economy was good, people were happy and love was in the air, the essence of which omer captured using his roland 808 and 303 in what may best be described as acid-boogie. so good on the other hand is a sensual downtempo cut shaped with heavy-bass, telephone samples and guitar solos that conjures images of late night rendezvous and compromising scenarios.

after a wildly successful collaboration on thatmanmonkzs turn it out from the lp, columbus-ing, dave aju suggested they should continue their production streak for a new percussive tracks project. at the same time, aju had finally kept his word to legendary bay area club/underground mc and personality, foxxee aka foxxee brown aka lawrence petty, to work on a track together as well. petty being a core part of the infamous ya mamas house radio show on 106 kmel alongside pete avila and david harness that introduced legions of young bay area djs to real house music, includ-ing aju, in the early 90s.

there are west coast classics, and then there is music to driveby, the third lp from the group that birthed mc eiht: compton’s most wanted. although the group started in the late ‘80s with multiple mcs (including tha chill and boom bam), by 1992 eiht as pulling the group’s vocal weight – supported by dj mike t on turntables and production – and even producing and co-producing tracks. music to driveby might lack beats-per-minute variety, but to fans that’s not a bad thing. across the board, this is mid-tempo, super deep, funky hip-hop, made for cars creeping along boulevards across the west and south, and it’s about as good as it gets for such purposes. just about filler-free, the album struts intensely and with purpose, as eiht throws tales of cali street life at fans for an hour straight, almost without a break. this solo marathon is given a respite only once, with scarface’s guest spot on “n 2 deep,” an excellent hood roller supported by a soulful guitar lick sampled from lyn collins’ “do your thing.” elsewhere, eiht rolls alone and intensely, on cuts like the classic mash single “hood took me under”, the album’s second single and tim dog attack “who’s fu**ing who?”, the hometown big-up “compton 4 life”, and hustle tales like “jack mode” and “i gots to get over.” after this album, eiht released more classics under his own name, and with similar fan worship. it was the continuation of a legendary career and music to driveby still ranks high on anyone’s “west coast legends” playlist.

detroit legend alton miller joins again neroli after his first release from a couple of years back. the music institute resident teamed up with neroli to pick up a selection from his vast catalogue as well as new songs or never released versions. deep, soulful and beautiful...

the debut release of new artist in san francisco on endless flight.
after we received his debut 7inch release on lips&rhythm records, we contacted him immediately….
summer feeling barealic tropical tunes.

new year, new release for burnin music. after 2 strong eps in 2017 (ponty mython bm001 and leonidas +kay suzuki bm002) burnin music first release of 2018 features the first ep of an up-and-coming british artist called michael iwatsu also featuring a remix by german producer, soulphiction. fracture (original mix) is a 10 mins long journey. a beautiful odyssey between beats and harmony, between intuitive dance floor and subtle emotions. the main piano brings a perfect balance to the stomping house kick & drum. and as the journey continues, the trip develops leading to more sonic ventures. exciting, touching, pure, fracture (original mix) is a very balanced track. on the flip side, house music master soulphiction accomplishes the task to bring the track into a dark basement. his remix is a condensed version of everything that makes the original track an emotional one and also add a detroit twist: it becomes a raw, moody and very intuitive sonic object. a tool for the dancefloor.

we share with kaffe crème, a penchant for side roads, for mixing textures and visiting other territories. if house music is at the heart of our project and history, it is often just a medium to cross the path of genres and bringing into some of our other tastes like here jazz, broken beat or hip hop.after his remarkable debut ep in 2016 which was containing the staggering beauty kapo choc that still resonates every weekend in many clubs around the world, we are very happy to welcome, the lyon-based kaffe crème for our fourth release. you ll find there everything you loved about his debut ep, which means, a beautifully produced organic and dusty house music that make a leap into contemporary jazz (i <3 u) and dig into warm finely mpc-sliced syncopated beats. but you ll also find an astonishing broken beat song (umusa) that show all the former-percussionist s talent for making sophisticated and ambitious jazz-infused rhythm compositions.

after the successful release on enough! music 010, with daniel dreier, guido schneider is back and presents his new solo project - “micro vocal ep” on enough! music ltd. two very detailed and subtle tracks with the name “micro vocal” and “supernova” let us hear his musical passion, which has been his passion since the 90’s.

after recently playing host to established names such as fabe, nima gorji and michael james, pathway traxx returns to its roots by introducing a new artist, but long time friend wiremu. this pure club record, and vocal infused ep is set to light up a dance floor near you very soon. wiremu brings his unique chugging sound by the bucket load while label boss niko keeps it smooth on the b-side.

after releasing in labels such as offworldcolonies, undveld brings to order&devotion an obscure journey through far landscapes. the beginning of the trip starts with two cuts starred by hypnotic beats, tense pads and abstract synths. following this, on the b side you’ll find a strong remix by label’s honcho kwartz, adding heavy industrialized elements to the lithuanian artist work. the journey ends with an ambient excerpt.

for the 12th installment of jose cabrera’s self-titled imprint, mario castillo appears under his long running kastil moniker to deliver a four track ep of mechanical dance floor sounds. with anemic lust, the resident of vitoria-gasteiz, comes up with a worthy addition to his rapidly growing discography. after a period of diy work through his own label stale, castillo returns to the imprint where he last released his collaboration album with j.c. in 2017.

opilec music s eclectic remix series rolls on with another essential package, this time tackling a single from label boss i-robots s law of robotics album back in 2008. adding their own spin to things are red axes and hiroshi watanabe aka kaito after likes of kuniyuki takahashi, djembe monks, danny ocean, los hermanos, gary martin, alexander robotnick, daniele baldelli & marco dionigi have all stepped up previously. isreali duo red axes go first, a pair known for mixing up synths and guitars in exciting new ways on labels like hivern discs, i m a cliche and esp institute amongst others. their excellent version of the track re-works it as a deep and spine tingling house cut. moody chords lull you into a hypnotic and zoned out groove that is finished with some intoxicating spoken words. hiroshi watanabe aka kaito is next, an acclaimed kompakt and transmat artist who makes succulent techno with ambient atmospheres. his brilliant version here is just that, with cosmic chords and slippery rubber beats carrying you away into the night. warm and inviting, it elevates you to the next level over its long length, it is a classy bit of techno that also comes as a stripped back instrumental version.

after last year’s acclaimed bb boogie album “standing on the wall”, darren benjamin aka daz-i-kue returns with this incredible slice of latin jazz futurism. between 2012 and 2016 daz travelled to puerto rico to record with an array of talented musicians, laying down the framework percussion, bass and horns to be worked on when he returned to his studio in atlanta. “crash boat party” is his collaboration with ex fania all stars percussionist hector “tempo” alomar and features atlanta-based trumpeter dashill smith, (who’s worked with roy ayers, janell monet, and miguel atwood-fergurson to name but three), and accomplished bassist mamaniji azanyah. already licensed to feature in bobbito’s forthcoming documentary “rockrubber 45s”, this is timeless latin-jazz fire. the single is backed with “esto es candela con ritmo nene”, also from those sessions, taking things firmly into bruk-jazz territory.

after fifteen years, paul blackford’s 1991 ep is finally back in town! with tracks remastered and lacquers cut by the famous mb studio, this is a treat for the ears. dancefloors & sound systems are going to dig the tunes heavy. between the sounds of detroit techno, ghetto tech, rave chronicle, dark 90’s video game drum n bass, this ep builds a unique bridge between the detroit and uk vibes. plus -the bunker- a superb previously unreleased deep track, makes this reissue by deep & roll a must have.

(180gr) after a twenty-year search for the man behind the cult 70s jazz-funk group opa, far out are honoured to present barrio opa: a new work from fattoruso and his team of world-class musicians, including the sensational candombe drumming of the renowed silva brothers. recorded at sondor studios, montevideo, the album is the natural development of the original opa sound, fusing afro-uruguayan rhythms, jazz harmony and heavy funk attitude, under hugos unique musical vision. more recently fattorusos music has been sampled by the likes flying lotus and madlib.

only 100 hand stamped copies... mex is the emergent project of george apergis, owner of modular expansion based in athens & berlin. emex -zex- is the forth vinyl release on modular expansion records and comes after the release last january on credo records. the ep includes 2 unreleased emex tracks, -function mode- a hard kicker with minimal acid synth-lines, go beyond into a pumping futuristic version and -electrical highway- transpires from harder realms to acidic basslines and trippy arpeggios. the b-side is an emex version on george apergis smash hit from 2013 -ekhowax-, a perfect club tool edit with a unique us chicago style, an instant hit.

with flaneurecordings no. 5 comes a new -robin masters orchestra- ep. after the last remixes on fm music, sonar collective or society 3. 0 recordings, now follows the sixth ep of the -robin masters orchestra- and is also the first release from the upcoming album.

adding and connecting the bits, dots, hats and kicks once again, rtct.records invite two italians to join forces for a shared ep. it features three tracks per artist and it s got everything from ambient over lo-fi house, acid, techno and even garage. both of the artists have been making music under different names for a long time now but this release marks the launch of their new monikers: introducing dj chupacabra from the mountainous north of italy and crisco from mediterranean sicily. this is where the surf & turf theme of the ep comes into play. with this release rtct.records are taking a step forward and broaden their output after the well acclaimed deep house/disco tinged releases by leo woelfel, demuja and laroze. artwork by gus nobel.

no money, no honey goes the saying. so with that in mind, honey soundsystem returns to the aisles of your favorite (and least favorite) record stores with a money shot 12 inch, four tracks that bring all dance floors into states of full release. honey soundsystem has been on the road seemingly non-stop, visiting foreign cities and meeting delightful characters on the way. this ep is a tour diary of sorts, 4 tunes that we have been road tested to the 9th degree and now we want our friends, fans, and foes to have them too. a1 features a track by san franciscos sepehr - the most id requested track from our chapter 10 boiler room finally revealed. a2 is by stockholm&#700,,s henrik bergqvist, a tune jackie got his hands on after a crazy night of rolling and accidentally voguing on top of henrik&#700,,s computer bag. derrick carter approved the use of his voice as long as it said snatched from dc thanks derrick! b1 is by the twink-porn worthy bio-brothers from berlin: morven son - a horny moderne electro classic featuring a secret sample from one of the more fabulous 90s movies about a sex worker. b2 is a hidden gem demo from bogotas lunate. while visiting bogota to play a gig at the legendary video club, locals kept pointing fingers at one guy when referencing the man in town making the music we needed to hear. that guy was lunate and this one of those beautiful and simple tunes you can play at the beginning, middle, or end of any night. the best news about this release? everyone behind these tracks are genuine people with great hearts. the honestly comes through when listening and playing them out, youre gonna love the way you they sound, i guarantee it.

casey tucker is on a roll at the moment, and his infectious brand of uplifting, full-fat machine soul seems to have struck a chord in many places (not least via his reissues on for those that knoe). after appearing on love notes back in 2015, tuckers back on the label with another salvo of colourful, charming and utterly magnificent house jams shot through with the inventive programming of techno. alternative faction is many things a bubbly acid track, a swooning deep house cut and a sassy broken beat affair and yet feels utterly smooth in its execution. that time of year has plenty of motor city soul feeding into its composition, not least in the gorgeous synth strings, and new mission gets busy in the swing with all kinds of bouncing melodies and rhythms.

norwegian producer wasserfall makes his way to chicago/los angeles based hesperian sound after several releases for greta cottage workshop, offering a highly organic affair. the ep opens with stiv heks which evokes a lush natural landscape, both dreamlike and quirky. the remix from young chicago newcomer, daniel chavez, strips down the original for a simplified yet feverish dancefloor edit. the b side returns to wasserfall s signature laid-back jazzy deep house sound with twilight andgravlaks, which flex the producers knack for working in samples into his grooves. a consistent warm psychedelia flavors these four functional tracks with looseness and reverie.

paul is back after his hit memory last year. this time with 3 tracks called jouvence ep. no need to say more about paul because he consistently delivers timeless techno.

impenetrable and compelling beats from cassius select on the fake death ep, his first offering for hypercolour after stunning releases on herberts accidental and unknown to the unknown. an ep brimming with forward thinking vigor and razor sharp edges across six cuts of mutilated beats and dense auras.

an astronomical conjunction has cropped up. arpanet is back after a long interstellar hibernation and 30drop comes up with its particular vision of the abstract elektro for the very first time. “phases ep” takes the primal warp’s heritage blending hypnotic melodies with rhythmically complex patterns. arpanet, which keeps the exquisiteness of its previous works for rephlex, among other labels, gazes into the black profoundness of its own and unique universe. 30drop’s two cuts, ostensibly touched by the aphex twin spirit, are a spellbinding exercise of style. “phases ep” is experimental, atmospheric, rhythmic and, above all, flawless. this enthralling ep is presented in electric blue vinyl. a special shape for a very special alliance.

surface records has never pulled any punches as one of the uks toughest, strangest techno labels, and the 65d mavericks have embodied the same spirit with their charged, lyrically provocative approach. after a lengthy hiatus label and artist are back in action, and sounding as fierce as ever. false prophets is not for the faint hearted an avalanche of thunderous drums and expletive-laden diatribes. cosmic drift is marginally more meditative, but still positively unhinged in its execution. you lost your mind flails around a muddy, punky swamp of deviant sonic behaviour, and immovable (dub) throws one last curveball into the long grass, stripping out the bark without losing the bite of this proudly individual group of techno marauders.

after a brief time away from releasing music in 2017 to refresh his ears, essential house artist argy is back with a bang in 2018, as this debut ep on play it say it proves. greek dj and producer argy has been a prolific talent over the last decade plus, releasing a variety of sounds under a number of different aliases. his given name has always been reserved for house and techno, which is classically informed but always infused with the sound of the future. it’s come on key labels like bedrock, bpitch, ibadan, and most recently the martinez brothers’ cuttin’ headz imprint, and has spawned four fantastic full lengths. those releases, along with his storytelling dj sets, have made the these days label boss a much loved and ever-present part of the global underground scene. the excellent title track the way of kings opens up the ep with seven standout minutes of surging house. slick, powerful kicks drive it along as expertly crafted synths bring real drama and tension up top. it’s a tasteful bit of hi-tech soul for the peak of the night and is as essential as the title suggests. switching up the mood is the vibrant los animales, which has a busier, afro tinged groove and tribal percussive energy. lithe synths dart about to add dynamism and movement as vocal chants get you on your toes and the whole thing is sure to make a huge impact in the club. last of all, move like a panther featuring the new yorker in berlin, elbee bad, shows another side to argy. it’s a perfectly raw house cut with plenty of jacking chicago spirit. the drums hit hard, the synths are trippy and the snares force you to move. add in a dark bassline and spoken word mantras and you have a real piece of explosive club dynamite. these are three typically inventive and well-executed tracks from argy that are stuffed with original ideas.

the -old school- that merge with the new making a unique sound. the -italian stallion- dj soch, owner of black angus records keep on tapping into sounds from the past making them fresher and up to date creating tracks that can persist over time.after the success of -unknown- is the time of -planetary session- the original mix is a journey through an idyllic world made of pads, synths, vocals and raw beats.the -underground mix- is a deep and cyclical dub, a surrounding bass and a bitter vocal for an uncompromising underground dancefloor tune.for the remixes this time soch choose two young dj/producers from his home town:leonardo martelli, one of the star atists of antinote records, that create his own version with visionary atmospheres, dark and electro, stefano light version istead make us think of a sunset by the sea with percussive grooves and warmer and softer sounds.the release is 100% made in foligno, a small italian city home of one of the best club in europe, the serendipity club, son of dancity festival, where artists play confronting and sharing their passion for music. black angus rough is vinyl only limited edition.

after releasing eps on labels like clr, plus8, drumcode, dmt amongst others, pascual is now onboard with sino. 4 raw mental techno tracks like it should be. for nearly a decade, pascual has developed his talents as a producer, but also as a dj constantly evolving in the studio, his releases in labels like clr, plus 8 y drumcode ltd, speak for themselves.

beautiful 1 lp edition with 350g cardboard old stoughton tip-on sleeve, sticker, mkwaju ensembles highly sought-after album reissued on vinyl for the first time since 1981. also available on cd

two berlin underdogs and a detroit ravemaster. a driving force in the very early frankfurt electronics since the late 80s, to hardcore acid in brooklyn in the early 90s, producing legends as carlos peron among many others along his way, adsx aka andre fischer might sound new to many but has been an active part of the underground electronic movement for the last 30 years. benji df aka hanoben is no newbie to the scene either and might have soundtracked your night if you were to be found at clubs like tresor or snax in the late 90s. together they recorded an ode to aural sex, its acid counterpart, and a genius sketch of a club banger. when label honcho capablanca heard the latter had little doubts about commissioning an extended mix to motor city s special forces gen. sharif laffrey aka thee activator, who needs little introduction to the discerning raver ears as the man behind instant acid classics turn it up and always, among others. after countless studio days and nights and endless versions (we stopped counting at 56th) sharif delivers what is possibly his best work to date, an unstoppable 12 minute dancefloor annihilator. to wrap such special release we asked legend alan oldham aka ur s minister of information aka dj t-1000, (also responsible for label designs for transmat, djax, submerge, pure sonik and a long etcetera) to create one of his classic artworks. capablanca deconstructs his center pieces for the fully printed sleeve, and everybody s.c.r.e.a.m.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth. the underworld was also the resi-dence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people’s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points be-tween the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat.

three years after presenting an original idea of arranging his own music live by using a standard dj setup and a drum machine, strahil velchev alias kink is ready to premiere the very first ep-outing of his new project entitled kirilik. created with obscure studio equipment and backed by an array of sonics out of his extensive line-up of machinery, kirilik successfully transfers to the record that unique level of levity and immediacy that his live act has already become renowned for. loopy and thus infinite in nature, sometimes seemingly spiraling themselves out of control even, these tracks are as versatile as they are just fun to play around with! fittingly enough, infinity is not a number comes complete with an added bonus of four additional endless loops, edged into the final grooves of each side

love bite compiles the efforts of a cadre of talented djs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.

just in time for the summer sun, heynow001 features four exclusive liquid drum and bass bootlegs that will keep you and the whole dancefloor well hydrated. we’ve listened to your suggestions, and the vinyl release is backed with a first time press of two tracks that have been highly sought after as well. you can sit down, the wait is over. hey now is here!

&#8203,,,re-issue of hard-to-find 1971 jazz album, originally recorded and released in finland. fascinating fusion of modern jazz and elements of caribbean music, african roots and pan. quintet featuring rudy smith from trinidad & tobago, plus musicians from barbados, surinam, and ghana. tip! lars samuelson, a jazz trumpet player and producer in sweden who heard this quite unique quintet, was captivated by their concept and sound, and asked them to record an album. otinku, the resulting album, was recorded in stockholm in 1971, produced by samuelson, and originally released on the odeon label, a subsidiary of emi finland. with an afro-jazz/caribbean orientation, the selections are a rich mixture of jazz standards and original compositions, including recently re-discovered killer funk tunes otinku and sugar daddy, and a fine steel jazz version of bags groove. the album was their only release and is now a sought after item for steel pan/caribbean music fans and vinyl diggers.

p.e.a.r.l. returns home with this brand new ep, after some exquisite releases in his very own falling ethics label it’s time for a new adventure in our label. sergio’s sound has a distinctive raw and dry appeal, focusing in sound sculpture and direct grooves, always pushing the edge of his equipment, using just the necessary elements, away from saturation and trendiness.

4lp (full 3lp original classic version + 4th lp bonus) acid test reissues the highly sought after acid acid 3 lp from tin man, now titled acid acid acid and includes a 4th disc of unreleased material recorded from the period, and has been remastered by stefan betke

martyn releases new album voids, his first for ostgut ton over the past year, dutch-born, washington d.c.-based producer martyn has undergone a metamorphosis – one that began with a medical emergency and has dovetailed into personal musical transformation. having narrowly avoided death after suffering a heart attack, martyn reentered his studio and began a process of reassessing the elements that drive him to make music: sampling, unpredictability, melancholy, sci-fi, polyrhythms, texture, ecstatic moments, detroit, interlocking percussion and bass. however, the initial spark to start producing again came through his experience listening to max roach’s 1979 ensemble percussion album m’boom.

hiele martens is the duo of roman hiele and lieven martens moana. lips is a musical story about a lord of castle daydreaming about his favorite fetish and other things. it has compositions created in the worm studio (rotterdam, netherlands) on the putney, arp 2500, serge et al combined with our own midi, voice and other techniques. in eight short songs, we sing the lords favors, whishes and fears.

for its third release, here to hell welcomes melbourne (via adelaide) veteran, rambl, and his incredible groover “doss”. this third release on the label happened purely by surprise, and what a discovery! the track itself is no accident, but the signing took place after a chance encounter. richard campbell aka rambl, who is one of melbourne’s best and most consistent djs since the last two decades, had developed a small cult following of viewers via facebook, where he had been providing live video coverage of australia’s wild weather in a kind of comedy-weatherman format. once these updates caught our attention, the magical facebook algorithm placed all of his content at the top of our feed.

for the first release, antares label presents: “sunrise under the eyes ep”, produced by dubfound (moldova), known for its subtle and refined productions. with this new album, he offers his best vision from after-club. in side a we start with “sunrise under the eyes”, it carries a very delicate feeling, accompanied by a french voice. regarding side b, we find the remix by dani casarano, which takes you on a galactic journey, with soft sounds and analogical influences. dubfound in turn closes side b with “cruisin”, with an elastic groove, with subtle sounds, perfecting a very elegant and classy set.

emmanuel top has been releasing belter records ever since he first emerged in the early 90s. in recent times the paris based artist has done several heavy hitting singles with a number of respected labels. m10 is a special 2 track record that has two version of the sought after “festival suicide” record that popped up in many dj sets over the last year. while the closing night mix (a-side) is a gloomy, yet staggering work of low-down techno, the opening night mix (b-side) is a based on a soaring lead sound that serves as the back bone of this anticipated 12”.

del the funky homosapien and amp live have teamed for gate 13. the full-length collaborative album pairs the hieroglyphics veteran and grammy nominee with the zion i and unified highway co-founder. after working together during amp’s authorized radiohead remix project, these friends from their oakland days embark on 15 tracks that fuse hip-hop, funk, edm, and more, with guests including goapele and eligh. as they explore their overlapping chemistry and challenging music to a new place, this album may be another portal into something progressive, futuristic, and fun.

modd finally arrives on the label after swinging by on last years summer sampler. four beautiful compositions come together in harmony. beautiful music for sure but its the lead track that youll most likely be hearing across numerous continents this summertime. well leave it up to you to explore the eps nuances and blissful charm. if youre simply looking for a track to play in the clubs then be really lazy and just listen to salomeya.

after breaking out of our holding facility in early 2017, we tracked the humanoid alien lifeform known as darling to a deep bunker in amsterdam. while we were unable to gain entry tio the inner chamber, an operative successfully placed an eavesdropping device close by. while monitoring the lifeform s movements, we were able to record eight musical compositions of varying lengths that it had created using a range of analogue and digital electronic instruments. we have called this collection tulipa moves. you will notice that the tracks utilise a variety of rhythmic patterns, explore unearthly but attractiuve sounds and are capable of stirring strong emotions in human listeners. we direct your attention towards the lilting, softly spun melancholia of composition 03 (codename so did we) the fluid, beat-free bliss of composition 05 (codename the m song), and the up-tempo positivity of composition 07 (codename kiss the glass), whose chiming, intertwined melodies and snappy rhythmic energy reminded us of so-called intelligent dance music. we were astonished by the quality and intricacy of these alien creations and those we have not described in detail. it strengthens our belief that darling is a lifeform with higher intelligence and otherworldly musical ability