supplement facts records takes us to that detroit sound, with their next release featuring sierra sam & marcus vector… the auteurs of industrial techno. the man made jobs e.p. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. the opener >gangsta pimp style< echoes technos birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. >things you do< moves things to a bit lighter frame, but dont let that description lull you into thinking it as throwaway. this tracks dominates with the ever-present high stringnote that made so many hits in the past. this classic sensibility and a vocal hook which you will be humming for days later…make this track memorable. taking us straight to the 90s, >flagboy< is the final track to round up this powerhouse of a release. featuring vocals from rockey wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. its all there - the piano stabs, the cowbells, the soulful vocal. all these elements mixing together to create a track so euphoric that you can finally delete your >pusher-man< contact from your blackberry because this is the newest legal high!

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

incl. rmxs by hercules & love affair , who made who and cfcf ... jori hulkkonen (turbo, modular, fcomm) has been hailed as >the most underrated producer in the world<, >living legend of electronic composition< and >musics best kept secret<. i am dead is a stunning pop inspired single with vocalist jerry valuri. drifting and cascading analog synths throughout give i am dead both uplifting and dark undertones. timeless and imaginative. one of jori hulkkonens most memorable works.

support by: christian smith, konrad black, joris voorn, timo maas, brothers vibe, josh wink, michael cleis, dominik eulberg, richie hawtin, rodriguez jr., wally lopez and many more, first up and delivering his take on the wonderful >chordy< is a young producer, cut from the same mold as babicz himself. a student on sonics, valencian, maetrik. staying true to the original, he adds a little grit and gives some teeth to already weighty bassline. spooky and expansive, but brilliant. taking the same track on groovy deep house ride is none other than 8bit head honcho and systematic regular, gorge. the mannheim producer, whos 2009 remix of chelonis r. jones >pompadour< is still a huge favourite, gives chordy a killer strut. matching the growling bassline and smooth as silk synths to fantastic effect. remixing >come closer< we are delighted to welcome the always in form, kollektiv turmstrasse, who turn in a remix that may surprise some. whilst keeping things deep as ever, kt take a more twisted, down tempo path

the ep is supported by laurent garnier, francesco farfa, veeurs, mauro alpha, amdjs, and many more. the pulsar ep has a track for every taste: the original mix produced by steve lorenz (elektrotribe berlin, fassade, open concept, klientele) is a dancefloor number founding his ispiration on the berlin side of techno, with industrial percussions and mechanical rhythms! for starting well we needed a strong remixer and we choosed axel bartsch (kompakt speicher, sportclub) which transphormed completely the track fusing the original sounds with techouse beats and airy melodic synths , this is a remix you need in your bag! completing the package there are two strong remixes from danjel esperanza (meleon, backdoor beauty) and bjoern scheurmann (fassade, paso music). danjels remix is a powerful techno track with a looped groove that will hypnotize the dancefloor for sure, while bjoerns version is a driving and intelligent techno bomb with more plastic sounds ... 4 different mixes for a massive start of keep on limited!!! the original mix produced by steve lorenz (elektrotribe berlin, fassade, open concept, klientele) remixer are: axel bartsch (kompakt speicher, sportclub), danjel esperanza (meleon, backdoor beauty) and bjoern scheurmann (fassade, paso music)

with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a true deep house anthem back then and stuttgarts most famous son, motor city drum ensemble steps up with two contrasting but equally excellent remixes. the >other thing dub< revisits the raw cuts sound that mcde is famous for - nelsons vocal expertly chopped up over organic piano grooves and a chugging beat. the second vocal mix stays truer to the tough beats and metallic synths of websters original, a real chicago feel provided by the ebullient hats and dubby bass line.

big with: soul clap, ewan pearson, mandy, okain, lee curtiss, alex celler, remo, kiki, deetron, technasia, oxia, samuel l session, osunlade, funk dvoid, anja schneider, brothersvibe,.. the saga of dj t.’s triumphant album the inner jukebox continues. embodying itself this time as a collection of reworks from two of dance music’s currently most exciting talents, and of course dj t. and his main man thomas schumacher. this diverse package of remixes is sure to keep the inner jukebox on peoples mind throughout the summer of 2010. kink has without a doubt put bulgaria on the map. increasing the number of great electronic musicians that have come from eastern europe in the past few years. he takes ‘dis’ into a dream state of classic detroit strings, synths and 909 claps

old school rave, brutal synths, and a dark mood for turbulent hit. three tracks, including proxys re work on rock to play, are continuing the invasion by mako records into the wild world of electronic music.

double standard second vinyl only delivery is the debut release from one half of no regular play, greg paulus, with a sumptuous selection of wholesome music. quickly building a reputation for well-made, somewhat obscure but always rewarding music, double standard introduces another member of the family in greg paulus. the five tracks on this vinyl only release are blended with a warm and natural touch, with gregs own vocals and live trumpet on each. aimed away from the dancefloor, this is music for relaxing, contemplating and inspiring. greg introduces his debut solo release with the rhythm and blues feel of title track >whats mine is yours<, before drifting through to the undulating tones of >part of me<, compete with a breakdown that cracks into dark rave synths before returning to its original blissful state.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

from franco cinellis main remix to his nyc bass line mix going through the hatapella tool, the man in charge takes all the glass original elements remodeling them to higher grounds. franco cinellis genius blend of dubby techno with original 90s nyc house synths and bass lines proves once again to be the perfect balance. this re-edition record follows up on two brilliant edits on aux-rec, baker man by soul clap and caught up by childhood 87. by aux-rec criterion, it will only come out on 12 inch vinyl. franco cinellis nyc bass line mix will be accessible as bonus to record-buyers only.

much hyped previously unreleased remix of blackpocket (steve spacek) track from producer #1 album.
d-bridge keep things in-house giving his brothers production a tough stripped down refix. simple yet effective with a brooding bassline, glistening pads and spiky synths combine with brutal drums to build a deep, ghostly backdrop for spaceks fragile vocals to glide over. a favourite in sets for the autonomic crew as well as a regular feature on their highly-lauded podcast series. limited to 500 copies!

inally, this club smasher from londons underground blog merchants venom and damage is due for release! having cut their teeth in londons gutter house bass movement with tracks like >love in the club<, >paradise slugs< and their >maximum carnage< mixtapes, venom and damage drop a new take on the uks house sound, in the form of >deeper<. its hard edged production, syncopated rhythms and anthem-like synths are recognisable from a mile off and are no doubt what has been causing such a stir in the clubs. if youve seen modeselektor any time in the past 12 months, chances are youve gone nuts to this track – so big, the guys included it as a focal point of their recent global live sets, and featured it on their resident advisor podcast. it has also and gained support from djs such as adam freeland, marcus nasty, martyn, brodinski, jackmaster, xxxy, julio bashmore and more. deeper becomes the first release on the ten thousand yen imprint, co-run by the uks rising star doc daneeka and its the man himself who delivers on remix duties, keeping the strong melodic feel, but giving it that more oppressive basement vibe.

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

mikkel metal aka mikkel meldgaard is back on echocord with a new powerfull ep. after the latest succesfull full length album with tikiman here comes the next ep on >passenger ep< mikkel metal tries explores new facets of his sound and take a detour from the dub-technom, thats his usual trademark. while obviously still retaining a metal-signature, theres an opening towards a more raw dirty detroit sound here, thats clearly new to his production. opening track >further< is slow tough track with a heavy kickdrum and simple theme. in its austerity it might actually remind one of very early metal productions like >eight< from echocord 01. remaing tracks >no stars today< and >i dream< both build on a dirty simple groove and layers synths and distorted themes on top.

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

trinity all-stars, aka hipp-e and solomonic sound (rob paine & zack eberz) with this cracking newie on worship. as with a bunch of the recent worship releases, >dem a come< is a dubby deep house number, opening with skipping beats and spacey effects before a wicked sub bass comes into play alongside stabbing synths for a sublime basic channel-esque groove. on the flip, the theme continues with >wind up your bass<, again leading in with hi-hats before a ragga rhythm establishes itself, joined swiftly by another superb dubbed out bassline and echoy beats on a track that puts even maurizio to shame! if you like your dubby gear, this release is essential!

after a two-year wait since tadd mullinixs last release as james t. cotton, the man storms back with on time, four tracks packed with more music than any ep has a right to. the titular first cut announces itself with tight jacks and bouncing bass before a male voice begins an endless >on time< mantra, twisting and churning furiously through more than eight minutes. the short n sweet >octopus< mines drexciya territory with granular synths and washes of static. >on time (rick wades grimetime remix)< is a decidedly sexy, nocturnal house reinvention of the original, pushing languorous keys to the fore. >jak your own stars< builds slowly with rubberband bass, cowbells, and an 8-bit melody till some nasty 808s toy with the funk.

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

mauro picotto returns with the first selection of tracks from his eagerly anticipated new album >2010<. on >delicious< we are treated to the melodic mauro. warm, sweeping synths, bright keys, breakdowns, gentle grooves and soft vocals are all present here. next one is >arrival<, a groovy track with a real landing airplane sound, recorded at ibiza airport. turning to the dark side, we have >cold blood< and >2010<. icy, precise and industrial sounds are paired with forceful beats and devastating snare rolls. a superb selection and one that wets, dare we say drowns, the appetite for the rest of the album!

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

a lot has happened to blm since his last solo ep back in 2008, fatherhood being the main factor for his absence. thankfully the nappy changing musical magician didnt stop tinkering with his synths in that time has come back with a string of forthcoming productions that mark a real step up in quality for him. so, first up blm releases on home soil on his own fof label. garage is back keeps things silky smooth – simplicity is the key here, the percussive elements building slowly before the evocative vocal of suz brings a hypnotic sexyness to the whole affair. step to this is the logical progression from his last fof release (believe in love) with its skippy beats and uplifting stabs being a sure winner for the coming summer. mulletover promoter / dj / all around sexual dynamo geddes provides a rather splendid dub remix of garage is back on the flip. cleverly using key elements of the original to keep the flava but dipping the tempo to give it more of a groove based feel. we think its a high watermark for the man.. check it

fresh from birmingham comes young talent src delivering the >goin out ep< for the rwina imprint. stuffing old school 8-bit sensibilities and new school grime attitude into a blender and hitting puree, src slings sizzling synths and punchy basslines with devastating effect. from the casual g-funk of >goin out< and >sort of a start< to the skank-u-like shuffle of >facepalm< and the danjah-esque >wheres the remote?<, this ep contains grime riddims that will fill every dancefloor with hypercolors, power-ups and neon-lights, like pacman duelling with mario in the dark. with all this in mind, src makes the case that he is one to watch for the future, and with a workrate to match the hype, you can expect a lot more where this came from!
dj support comes from the distinguished likes of starkey, swindle, elijah & skilliam, taz buckfaster, baobinga, terror danjah and many more...

the creative swing alliance consist of the 2 producers pablo valentino and steven-j. pablo is responsible for the faces records label & his recent subdivion called motor city drum ensemble. steven-j released records on compost records, soultronik & jazzmin and played double bass for the japanese jazz band >sleepwalker<. they both come from the city of strasbourg fr, shared turntables & droped parties for more than 10 years together. the concept for the csa project was very simple: they locked themselves for one week in pablos attic to work 7 days on 7 tracks all named after the days of the week. bonzzaj records selected for this 12inch their 3 favourite tracks: on >monday< pablo and steven-j created a heavy opener for their project. bumpy they riding their mpc with a deep diving bass and wonderful synths. simbad turned the original >monday< into a heavyweight soulful dancefloor filler mashed with good old west-london broken beats. an essential dj weapon! naturally within the week you can hear some different moods while other friends/artists where passing in the studio...for example on >thursday<, when kira neris joined the alliance to create a spaced-out and captivating disco journey with a wonderful soul sample. last but not least, >saturday<: dusty old jazz records and beat generation hip hop for the b-boys and b-girls! raw! strong stuff for fans of bullion, onra, the linkwood family, etc! limited edition... so you better watch out

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

propose, oppose, and dispose with this real rude hardcore smash by the wishmaster & promo! italian energy and dutch hardcore meeting each-other face to face in two tracks on the a-side that this duo created together. rudely coming to you with rigid skill, stacked synths and hall-devouring kicks. the b-side contains >time to rise up< by promo and >bottle< by the wishmaster, leaving nothing to the imagination when it comes to expressing ones aggressive attitude. a slice of hardcore mastery, heres the moment to revolt!

first on decks.de !!! fresh from the success of his recent release for uk label renaissance, solee readies himself to drop >legends<. a potential festival classic. its vast, expansive feel, matched with its cruise- liner horn riff and dreamy synths, create a true hands in the air, big top moment. on remix duty parquet have done us proud by drafting in palette recs. boss john tejada. the us legend reworks the original with his trademark tech-funk touch. the steroid abusing horn riff is more menacing than ever, and early in the mix works brilliantly alongside smooth, deep synth stabs. this is tejada at this best. monster-release! support by: joris voorn, motorcitysoul, james zabiela, fergie, paul ritch, nick warren, samuel l session, christian smith and many many more

claremont 56 goes back to its balearic roots with a 12 inch that fills you with wonderful summertime feelings. >mudd & pollard - vincent< is a lush rhodes driven groover with a bass that sounds like its been played bernard edwards of chic fame. on top of that is a multitude of analog synths that bathe this beauty in warmth & loveliness. mark e continues his rise to the king of all things midtempo with one of his best remixes to date. what a great way to kick off the summer...

night slugs are extremely proud to announce a new addition to their roster in the form of the one and only lil silva! the young mastermind behind potent uk funky anthems such as seasons, funky flex, different and the funky pulse, lil silvas house-meets-grime style has become iconic of the ukf scene. his tracks are cornerstones for djs like marcus nasty, who describes them as having the unique ability to consistently bun down raves. with that in mind lil silvas addition to the night slugs family makes perfect sense. his contribution to their limited vinyl-only white label series is a taster of what can be expected from his official ep for ns, dropping later this year. in the mean time feast yourself on the ultra-upfront a million, featuring carnival synths, glass breaks and snare destruction in the typical silva fashion. on the flip, silva pays tribute to house pioneer kenny dope in the form of the ultra-stripped down bassline-driven banger no hooks. bruckout time!

track 2! john daly continues his evolution as a producer and comes with some of the best works he ever did! rooted in chicago house traditions of larry heard he comes with track 2 on his own designer label for tracks he loves to play. this is an ultimate house track that very few djs can resist. classic groove, epic build up, intense synths, sexy bass lines! he navigates between classic deep house and his own desire to go into oceanic depths. larry heard would be proud of him!

andromeda – just like the galaxy with the same name - is brilliant! expansive and excursive, the suspenseful groove on its own is >big room< worthy, but its the sci-fi tune that haunts across the synths that takes this tune from x files to x factor. while on the flip you will discover the #1 remix duo - 2000 and one and dj madskillz - with a punchy, in-your-face stellar remix.

the a side starts with a haunting deep electro-ish intro track >hall of mirrors<, followed by >l.a. rocks electro<, a phat electro bomb with heavy vocoder action and 80s b-boy vibe on it. a3 >malos de la noche< is a monster electro-disco track in giorgio moroder kicking back style, spiced up with a deep bassline and sweeping synths. pura koka! >russian invasion< on the b side is melancholic but yet hard rocking electro track with catchy drum programming and massive synths – an absolute hit! the last track on the ep is >los medicos con coca<, a smooth electro-disco jam inspired by miami vice. just imagine sonny and rico in their black daytona spider cruising down the streets of miami on a sunny summer day in 1984.

we kick the package off we have a remix from the mighty radio slave, and he certainly doesnt disappoint. with live keys from tom gandey of cagedbaby fame, he creates an awesome deep house rework, beautiful keys, rising synths and deep piano chords all make it feel like summer is already here.  jesse rose returns turns in a deep and dirty jackin house version, with bumpin bass, heavy swung drums and pitched down vocals, this is sure to tear after hours floors apart.  the rebirth of rising has started, and we cant wait to show what we have coming for you next

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

claque musique proudly welcomes the fantastically talented marco giordano (aka the selph) to the family. first up from the young milanese is its just a ride a true club banger featuring 4 cuts of deep and infectious dance grooves overlaid with vocal fragments and smooth synths. all topped off with a stunning remix by gaetano parisio. welcome to the family, marco!

san francisco, cas surefire sound starts off the new decade with a bang and launches their brand new label with an energetic single by eprom. a fast rising west coast bass technician, dj and producer sander dennis a.k.a. eprom delivers funky, techy fourfour beats on “never.” eprom’s original mix opens with rattling hi-hats and a hushed female vocal accented by eproms patented twitchy synths. a hefty kick drops, braced by a thick, bouncy mid-range bass pattern. like recent tracks by untold or ramadanman, “never” blurs the divisions between dubstep, funky, techno and garage to form an irresistible new creation. hyped newcomer faltydl had a breakthrough year in 2009.

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!

after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

second part, incl jay haze rmx! after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

san proper stlyin like only he can... tip! good starts deserve likewise follow-ups. after a daring, but nonetheless vigorous start from the freshly formed dekmantel label thanks to israeli duo juju & jordash and their stunning and much praised self titled album, next up is amsterdams very own musical wolverine: mister san proper. you might have come across sans name recently. after coming, seeing and concurring the dutch lowlands san is on the eve of a definitive international breakthrough. with releases on world-wide acclaimed labels like rush hour and perlon his dazzling hand-jammed percussion, vintage synths and instruments- one - only - stubbles - upon - when - discovering - deserted - jungles now found their way to the dekmantel label – sans home bass.

ltd 2010 repress!!! groovy 4 track ep with swinging, crisping and shuffling beats supported trough fat basslines, jazzy keys, tribal vibes, stabbing chords and textured synths..with tony foster, d2 and delano smith...played by ricardo villalobos

new ep from russian producer anton zap on his own imprint ethereal sound recordings.
i get no kick from champagne: be sure to check out this party builder, this is pure rolling niceness to make you feel the groove and dance!
air: another ethereal cracker for more late night jams with some funky bassline and tight drums. perfect if you feel like to change direction of your party.
velo: ethereal crew would love to share privately this tune with you. absolutely stunning track with warm synths and 80s touch into it.

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions

italian musician, sound designer and dj based in venice, where he fights a reckless war against his winged neighbours: the infamous pigeons of st. marks square, who sometimes try to sabotage williams already unstable vintage synths. bottins sound is a blend of seventies disco, early eighties electro, italian giallo movies atmospheres and can be roughly defined as horror disco. among his collaborations: stevie kotey (chicken lips, bear funk), makossa & megablast, richard dorfmeister... bottin already released on bear funk, italians do it better, and after his contribution to the cosmic balearic beats vol. 1 compilation, this is his real 12 inch debut for eskimo.

following his singles the hots and remember for dissident earlier this year, little rock co-head the niallist returns with another vinyl cut designed to devastate dance floors. whilst the hots showcased a smooth electro-pop side, and remember updated classic disco sounds, a.c.i.d. trims away the excess, leaving only a jacking 303 beat, squelchy synths and crisp claps. four to the floor, full horsepower and in your face. can you jack

our latest release comes from the raising talent and fellow swede, axel boman. axel released ourvisions best selling track >arcimboldo< in 2008, which got hammered by many big djs around the world. after this release a package of >arcimboldo< will come with remixes of the track from some of our favourite producers. first out on the a side is >brass fanatic<, a simple, raw and groovy track with a catchy vocal and acid bass. starting with >sell your soul< on the b side, axel squeezes in a looped bass and phased guitars which brings a nice summer feling to the track. last on the ep is >welcome to bomtown<, a detroit house track with looped percussion, soul vocal samples and hypnotic synths.

inspired by the riz ortolani soundtrack for the girl in the yellow pyjamas hot ring bounces around like pamela andersons front end whilst running up and down malibu beach. sharp stabs and spooky synths lines put this straight in modern electronic disco box. things go even dirtier and deeper with bottins stripped down espresso dub version which feels precisely like a double caffeine punch that will kickstart any stagnating dancefloor. 2020 soundsystem and redux main man fernando then comes up with lovely remix where he adds his signature dubbed out punky sound to the ep.

back together once again, the production powerhouse that is lake & lys return to rising music for another piece of peak time, dancefloor madness. humanica picks up where la tromba left off, a huge track featuring a harmonica played by dirty vegas steve smith, backed up by driving synths, heavy percussive drums and the trademark sawtooth lake bass line. sloane, on the other hand, is a classic old skool groover, chords stabs reminiscent of classic house records push the track, while vintage drum machines are perfectly juxtaposed next to modern pad sounds, all combining to send the dancefloor in to old skool ecstasy.

mike maze returns for 2010! some of you might remember mike maze from one of his older projects together with martin gast as abysm. >future love< on marc romboys systematic label was one of the labels best sold releases ever. >the path< is a deep technotic track with an epic instrumentation. warm chords fly over the dark notched groove and the synths have an almost trancy touch which puts you into a great mood. including mixes by autodeep and micha mischer.