thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

part 2/3! deep house – uh killer?! dear gorge just like we know him. hardly anyone puts so much energy into a yet so low key appearing track and this is what we love him for. gorge was a history witness for our biggest light installation and the most oppulent feast, as is his right. certified ass-shaking tune with a joyous organ going hand in hand with a female vocal. there is no more to say about this track as it speaks for itself. reminiscing igors 10 minute intro in combat gear at the treibgut deluxe. some push did jonas put into this few minute collaboration track with mz sunday luv. it has to be loud, it has to run – it has to take its place on this compilation. homebased in frankfurt jonas was so fond of hannover at a time that he almost moved north. but we could not afford the hotel room for such a long time. deep house making you get rid of your jacket and shake your hips together. get yourself a drink at the bar and head for the dancefloor. nicely smooth this track is driving you into the night. the only night we actually had champagne and still could all make it to the train to hamburg in the morning.

berlin based daniel dexter is part of the new breed of producers showing us why theres still mileage in the good old house groove. his cultured, expressive productions have the mark of a true talent and mr. dexter has only just begun. the acid-revival lives on.storm is a heavy, late night tale of sax, e-piano and stomping synth basslines. growing from a filtered intro, its song like structure drives us into true reckless abandon - perfect for the darker moments of the night, but still oozy with funk and soul. the thick, percussive opening bars of there will be jazz lead to a focus on one of dexters chosen weapons - more jazzy saxophone samples and synthesized strings lift us into a musical crescendo of tension, yet theres a laid back, new york vibe to the track, which will no doubt get plenty of plays this summer. the mysterious murder is a darker affair, shrouded in rave-era stabs and a real pushing vibe. its clear that daniel is a dextrous (no pun intended) producer with plenty of tricks up his sleeve

once a distant message written in the stars, the wisdom of soul clap has been beamed down to earth in the form of efunk - everybodys freaky under natures kingdom - their debut album on wolf + lamb.

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

this time plus 8 turn to spanish talent alberto pascual for their next four track outing.

as the story goes ame & dixon heard osunlade play envision out in america, were completely bowled over by it, rushed the dj booth and immediately asked to remix and release it. they did and it turned out to be quite possibly the biggest record of 2011. to coincide with the release of the osunlade in the house compilation defected have re-released the record with brand new remixes ensuring that this summer will be once again dominated by the vocal sounds of envision. argys vocal and dub take things into classic mid 90s new york-esque territory, garage sounding bass line, looped vocal intro… if you didnt know any better youd be forgiven for thinking that was from the hand of a certain mark kinchen

quakers is a hip-hop collective boasting 35 members which orbits around a core of three producers: fuzzface (geoff barrow), 7-stu-7 and katalyst.

played by: hernan cattaneo, marco bailey, tassilo, dubfire, monika kruse, pig&dan, davide squillace, troy pierce and many more. now a key member of the sci+tec family, shdwplay aka shoddy lynn and skyler taugher return to the label with their third and possibly strongest release to date, the nerve noise ep.

thanks to those whove supported auntie flo and the first two sell out releases. ahead of his debut album, future rhythm machine, wed next like to introduce the hotly anticpated remixes forthcoming on vinyl from pearson sound and newcomer sophie. stripping back the original pearsons signature sound is all over oh my days and includes mix-friendly intro. his take has been a staple in every set from the hessle audio gang for months and recently featured in his essential mix on radio one.introducing the talented sophie in whose hands, highlife is morphed into a rapture of synth-laden goodness. one to watch over the coming months. early support and people with kind words to say include ben ufo, jackmaster, blawan, erol alkan, optimo and capracara amongst others.

this highly anticipated spiros kaloumenos release is a must have for every self respecting technolover. 2 pieces of sweet wax completaly filled with thumping techno beats and nice chords. this is an lp that is pure sweetness for big room techno fanatics and also able to fit in any dubtechno set.

the friendship with jason lanox and henk goes way back into the early days when we started holding parties on an old shipyard in amsterdam. from the first moment henk was captured by the productions of jason lanox. henk followed him closely and saw him grow as a person, producer and performer. the first album >burning every bridge that i cross to find some beautiful place to get lost< was the reason to finally realize the long kept ambition to start henk recordings.

after waiting patiently behind two singles, a dope video, and a neon-blue triangle shaped vinyl, union is ready to unleash the most musically challenging, painstakingly crafted, mc-packed album in the dawn of 2012 - analogtronics. featuring talib kweli, elzhi, mf doom, roc marciano, guilty simpson, and more, union produces space-aged bangers that mold perfectly around each guest, in addition to sprinkling in a few lush, eye-widening instrumentals. this is the full length we have all been waiting for, as bonus tracks provide over twenty songs hypnotic interstellar boop-bap.
comes on transparent vinyl, one blue the other pink coloured. code for mp3-download of this album included.

the second format b album is booked as a big success. as a consequence the big round of remixes has been called out to which the friends from the house of formatik have been invited to. sébastien léger attacks >atomizer< with a cumulative bang like a horde of sedulous ants which are anxious to nibble on the already major sound-board to the total peak-time inferno. big-time! the intro track not only is being picked up by andhim who made out of the chill-out peace a capital dance-floor floater, also super flu casted the spherical peace for their remix. but not only the melody of >desire< has found application in their >two for one price< remix, the vocals from >liquid< as well nuzzle into the complex produced remix arrangement of the two >hallenser< to endow the hole ep the pop-crown.

deviant behaviour ep lands gracefully into 2012, as remain records frontman, axel karakasis, brings you a bonafide vinyl edition of three solid bangers.on the main side, solstice opens up and unfolds a highly irresistible track with a playful intro that develops into full-blown insanity. dark nheavy basslines and powerful percussion with an awesome lick of ascending frequencies is the recipe for this super-textured gem. slamming blaster is another killer slice of techno with an immaculate script, full of evocative samples. from radio-like frequencies to the discreet bell backdrops, blaster is ultimately seductive!on the remain side, the title track impresses with its dubby beats and rolling groove. what makes, though, deviant behaviour stand out are the cheeky background samples and its spot-on build that amplify the relentless loopy character of the track throughout.

astounding new material beamed via shemales atomic allotment,concealed in an outermost shadowy recess of darkest hyperborea. the musical paintbrush creates a harsh, barren landscape for hell transformation screens as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style.there is an indescribable and mystifying tension which builds within the work of shemale, the opening cut, dead city photographs being a prime example. the soundbite here simply cannot pay justice to this tack as a whole,as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding,with deadly,steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of tomb. converted followers of the atmospherically articulate shemale will need no further persuasion,as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of atomic allotment. special limited edition pack includes matte postcard insert.

a split artist 10 inch on white vinyl, released by the diy label toztizok zoundz, who operate from occii, amsterdam and beyond. the record features peter quistgard from the toztizok zoundz endeavor on one side and on the other side the australian/french duo maxi bacon (featuring members of company fuck, botborg, the super users, sgure, chlorgeschlecht, gazormass) the record comes with stenciled and glossy photo artwork inserts by canadian visual artist jon vaughn, the french llcooljo and americandutch helena sanders.

following up the well received >relapse ep< on machining dreams, dj/producer steven tang presents >mmmmmusic< under his obsolete music technology moniker. the 4-track, 12 inch vinyl single focuses in on melody, which has become the signature sound and of his label, emphasis. upon first listen of the main title track, you will hear a driving tr-808 drum intro, then lush, emotive pads and strings comes in over the top to give the listener that emotional hook. setting off the track is the funky synth bass voice sounding , >mmmmmusic!< backing the title track is the stripped down >reprise version< and >chicago skyways pay toll mix<, where the synth bass voice is extracted and cut up into skyways frenetic drum programming style reminiscent of steve poindexters >work that motherfucker<. also includes the track, >distance.<

limited remastered reissue of robert cotters stunning 1980 album timeless on italian label derby. this ultra-rare lp isnt easy to define, straddling a number of genres - funk, jazz, space-rock, italo, and lashings of soul - all overlaid with roberts cool vocals and powerful backing singers. most sought-after tracks on this disco collectors dream are the opening rock me with your love, a nine minute epic mutating from a sweet soul intro into a quitar-lashed space-rock monster by the end, funk killer everything im living for and the futuristically jazzy timeless with its minimal grooving synths. also features the great slo-mo chugger love remains the same and beautiful ballad got to have you near. essential!

the connaisseur family welcomes its youngest member: ava myra flitsch. the daughter of hilary and alex flitsch was born november 15th, 2011 and both the parents and good friends of the label celebrate this miracle with this release. all participating artists were asked to produce a very personal piece of music. the style was left up to the artists, resulting in a beautifully mixed batch of great tracks. the intro track hello! by dop & masomenos features a little vocal snippet as a salutation by masomenos adriens son and it is an atmospheric, soundscapish and beatless tool.

max prosa, im letzten jahr mit clueso auf hallentour, wurde jüngst mit kraftklub auf spiegel.de als newcomerhoffnung des jahres angekündigt. in 2011 ist er ausgiebig durch die nation getourt und konnte sich eine solide fanbase erspielen. magazine und zeitungen wie die zeit, melodie & rhythmus, kulturnews, intro und viele mehr berichten durchweg positiv über den jungen berliner.
enthält doppel-vinyl und cd-version des albums.

the newbies s100 had a strong year in 2011 with their self-titled debut ep on stockholm ltd. an ep that generated a great deal of buzz before its release with support and plays coming from artists like dvs1, marcel dettmann, ben klock, james ruskin, inigo kennedy, shifted and peter van hoesen. s100s kalibrator and murphy tracks sit on the a-side, with a classic techno formula that includes both an intro and a main track. once again s100 leaves us with nothing else to wish for. staffan linzatti is a stockholm ltd veteran and has been one of the label owner par grindviks favourite artists for years. in 2011 staffan started his own imprint, searchlights, with the first release assembler heading straight to the hearts of the techno purists. searchlights is a label to keep an eye on and will be staffans primary focus for the future. staffans contribution to sthlm ltd 023 prophet of regret comes in three parts, one main track and two interludes which all are wrapped with emotions and strength.

london-based deep house label ornate music come through with another gem in the shape of the latest ep from dubbyman, filled with robust, beatdown grooves. the ep opens with >time & sensibility<, creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >kirigi is coming<, meanwhile, showcases dubbymans excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. finally >uuuuhhhh!!!!< closes the ep with its breathy intro and low slung filtered grooves combining with bubbling laser sound effect

including booklet with lyrics and photos.

2nd edition with 13 tracks instead of 14 (on the deleted first edition)

amon tobin continued his adventures with the breakbeat on out from out where, his fourth album. darker, more complex, even more rhythmically driving and intense than ever before, this huge record cemented tobins reputation as one of the most innovative and important names in dance music today.

a one-off release from james and karl here showcasing chunks of their killer live set from a recent london gig. the a-side is basically a brilliantly executed and bass heavy mashup of ruskins classic track work alongside the much loved blunted rhythms of kalons man is the superior animal.in contrast the b-side is a great intro/outro beatless tool.

onur engins latest ep of super fine cut finds us in a white 74 caddy cruising up harlem river drive, top down, diggin the nyc scene. the mizells epic production of bobbi humphrey is taken a notch up by onur engins clean and tasteful edition. can it be possible another notch up? emphatically yes - just that extra pump, wonderfully looped and extended intro and were cruising.dropping us down a gear on the flip, onur takes al johnson & jean carnes im back for more & gwen mccraes lets straighten it out and takes us in two equally appealing directions.in back for more,onur engin reconstructs a deep & stellar voyage.straighten it out hits the blue highway with mccraes unique vocals in full flight.another great installement of onur engins warm & natural edit series. dont miss!

after making his way on institubes, surkin completed his first album which comes out on marble,among theses sixteen tracks, vocals featuring from ann saunderson (detroit),kevin irving (chicago) and two collaborations with his teammate bobmo (both together known under the name of high powered boys).an album that explores all facets of dance music!

classic!

this ep features five tracks by baconhead who make sci-fi beats to confuse your brain and their newly released >astro sludge ep< perfectly describes this 12inch debut by the uk based duo. after their very well received >soap ep< (getting support from slugabed, si begg and kid 606) theyve teamed up with eclectic dutch label eat concrete for a series of releases showcasing their sonic agenda.

>call me< is a welcome dose of precisely what we all need right now: a brilliant ray of sunny electro disco to warm up our winter dancefloors. dj nibc, the berlin-based, gothenburg-born dj, producer and trunkfunk records label owner has joined forces with fellow swedish house cat patrick l for a collaborative effort that offers a fresh, playful and breezy take on deep disco grooves. the dj nibc mix rides a languid summer afternoon tempo, accompanied by shimmering light beams and sweet synth chords, rising to a peak of uplifting strings and soulful vocals that weave around the tracks core retro melody. the patrick l mix gives the full polyphonic treatment, shifting the filtered strings to the intro, intensifying the bass, and using subtle punchy cut-ups in contrast with patricks crystal-clear vocal treatment. fellow swede tiger stripes completes the trio of countrymen, with a tiger stripes remix that moulds the track into an urgent dancefloor cut, emphasising an irresistible bass melody, a thudding kick drum, and classic house stabs of synths and voice. londons newest simmering hot creations signee funnels even more sunshine into his rework, as the crea albas lost soul remix splays out the the tracks high hats and fills all available spaces with arcs of retro synths and cosmic reverb.

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

hailing from new zealand, truth and decoda have established themselves as true heavyweights of the dubstep scene. following releases on several high profile labels, and their hit album >puppets< truth lay it down for wheel & deal.
truth & decoda – the emperor: emperor is the heavy hitting, distorted reese tearout monster with a dramatic intro of horror film proportions. this follows the dark jump up vibe of wheel & deal, and will smash up any dance.
truth & dutty ranks – calling you back: this is a upbeat style track, reminiscent of the older dubstep sound. with a tribal skank and haunted garage style vocal, this is soulful but sub heavy in its own right.
these have had support from n-type, walsh, hatcha, and mistajam to name but a few.

limited backstock action !!!

having played host to the first two daphni edits 12 inches, resista return with the label debut of one tom croose.
one half of ny duo worst friends, toms previous discographic output was a limited & stamped 7 inch that featured a killer edit of the macs >never going back again<. for resista no. 3 he delves into territories brazilian, with >cho chua<, a faultless rework of a certain tropicalista, designed for discerning dancefloors, circa ad 2011. he loops up the swinging guitar intro, which combined with the vocal hook makes for a heady mix. its an uplifting, joyous ode to all things tropical!
on the flip the >dukes dub< is a subtler more restrained version that makes greater use of effects and surprisingly brings the songs percussive elements to the fore... not quite as direct as its sibling on the a-side but definitely as effective!

mute & mako have already proved how good an outfit they are with releases on makos very own label utopia music & their excellent astral transmissions on ingredients, not to mention rorschach on the recipe book lp. well they are back again with another killer release. >essential forms< has all the hallmarks of mid 90s d&b with its long intro, tight drum workout and sublime arrangement. the flip is just as strong, taking you back to an artist called shogun on renegade recordings around 1996, this wicked roller is a joy to mix. keep an eye on this trio!
dj support: doc scott, dj lee, dramatic & dbaudio, bryan gee, ltj bukem

the legendary first lfo album, a techno classic from 1991, now first time available on double vinyl including 2 tracks only available on cd! a must for the berghain generation!
remastered version, including code for free download.

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

welcome to the first love sick recordings release brought to you by the likes of riskotheque, marchmellow and screen age & mudie (aka southbound hangers). a side >all alone< provides an exhilarating journey through heartbreak, loss and isolation. in the intro, delayed piano chords hint at distant happy memories but soon make way for stark 808s and womb-like sub frequencies that bring the listener back to bitter reality. insistent vocal snippets serve only to galvanize the tracks emotional content. truly a song to cry to as much as dance. in contrast to this is aa >you dont understand<. positivity and hope pervade this little beauty, its glistening synth hooks and intricate drum programming conjuring thoughts of joy and new found affection. perhaps the perfect sound-track to a summer romance.

heralding the birth of the first leleka is a limited edition, hand stamped, two-tone vinyl release from the labels owner vakula from konotop, whos name is widespread due to the success of releases on firecracker, and recently shevchenko (white labels with prints of ukrainian literary celebrities such as gogol, lesya ukrainka & shevchenko himself). these are an ideally captured ukrainian landscape of change, struggle, nature and art slightly embellished by industrial design of the 50s. and this is what the leleka label is all about, its musical concept reflects vakulas love of folk and live music, where passions and melodies play leading roles. this debut release contains six vintage tracks from vakula, almost serving as a prologue to his recent epic output. the meeting of imported soul, exploitation movies and detroit techno, with ukrainian folk melodies and soviet electronics, offers a glimpse into vakulas way of working, and gives us a taste of things to come

kill the pain: epic is the only way to describe the extended intro of kill the pain, featuring acoustic guitar and an earnest male vocal. then, just before two minutes in, things quickly take a nasty turn as choppy breaks splinter into pieces and the bassline reboots the texas chainsaw massacre. an aggressive, genre bending, sure fire floor smasher.
letting go: teaming up with kryteria for the flip, a eurphoric, trancey intro leads into a chainsaw reece, setting the scene for the chaotic chiaroscuro to come: beyond the drop sweeping synths and ethereal vocal snippets somehow successfully coalesce with heavily edited breaks and sawing bass, creating a kind of beautiful violence. subsequently, side effects of letting go include spontaneous eruptions of feet on the floor and hands in the air.

another superb love record filles with trancey atmospheres and epic breaks. this is one that will go off in the club at peak time. the a side is the ultimate banging club record that is both a very uplifting track and also a straight forward steamer. the flipside hot n old is a rather hard katy perry bootleg with a very mysterious intro that will leave you dazzled once the drums kick in. also this side is very atmospheric and trancey again. perfect for the winter, the roaring bass on this is enormous.

its another monster from survival and one thats featured as an untitled track in numerous sets recently. here we are pleased to announce its title as >the year 2133<. the intro on this one takes you on a short journey into space and back & returns you to land with a massive bump the mini-second the bass kicks in. its a futuristic slate of d&b that we are sure would sit quite well in the year 2133 however we are happy to be releasing this in 2011! the flip sees fathom audios superb >clear the mist< featuring codebreaker & sense. the track features the excellent and hugely talented vocals of codebreaker & mc sense throughout and represents an excursion away from the norm for dispatch.
support from the likes of: btk, rockwell, vicious circle, ant tc1, ulterior motive, fd, dlr, skeptical, cern, dbr uk, nymfo, marky, ant tc1, mindscape, chris su, youngsta, doc scott (future beats podcast), skeptical, xtrah & dose.

finding the new matter is reekos new album, second in his career after submitted to involuntary treatment, published in 2004 by the british label inceptive.more than ten 12inches for the best techno labels around, led up to the release of this new and eagerly awaited album by the spanish producer. his mastery of digital tools and excellent sonic capabilities is made evident by this intricate work, which runs from environmental experiments, through deep and scientific techno, to sounds of an industrial and raw kind: his specialty for years.the album begins with the beginning , a small track that serves as an atmospheric intro in which the digital textures and pads are the main ingredients, starring in one of the few melodic moments on the album.movement starts with strange beings , repetitive synth strings, sine waves and rhythms that start to generate the tension needed in order to enjoy the album. an abstract track with a space flavour, in line with the best standards-bearers of scientific techno

mav s signature style is detected straight from the intro, crazy synth sounds floating through the air. a creepy atmosphere is created, the ones who saw the movie >melancholia< should feel where this can lead to. on top of that krone adds his signature basslines and we have a deep neuro drum n bass tune that will appeal to both old skool fokuz sound lovers and the neuro dnb fans. the flip makes us go back to even earlier sounds. reminiscence to the early releases on fokuz from the likes of gen, drum origins, j laze and even pete rann. let s go back!

local actions seventh vinyl release is the official follow-up to t. williams and terri walkers 2010 anthem >heartbeat<, and comprises three of t. williams heaviest instrumental tracks to date. >break broke< is the sound of williams getting darker, with synths that glow like an overcooked power grid and one of the most ruff-neck drops you will hear anywhere this year. >go in< is for the djs, a palette cleanser that is tailor-made to mix long and deep, but its >analog tour< that is arguably this records stand-out – opening with a two-and-a-half minute intro of acid ambience, electro claps and super-heavy 808 kicks, and climaxing as a full-on 303 hydra.