hard edged metallic beat techno, shawn o sullivan picks up right we he left off on his last -this coercion pt.i- ep earlier this year. again we get driving, sharp machine music not so far from the birmingham school of the 90s sound with this latest ep. o sullivan has a knack with eloquently pummeling the listener as demonstrated here, the track fully automated being the perfect example as it airs out midway through taking a break from the punishment. top stuff..

boora x mr. robberhood’s first collab on wax. 12 track instrumental project following boora’s debut album soundogolism. comes with full album download card.

stamp s back in business with two surefire disco edits from the mighty man power! after releasing some great original material on correspondent, hivern discs, throne of blood and voyeurhythm, the englishman-in-mexico shifts his focus to reinterpreting an early 80 s r&b hit and some hypnotising funk from the sultan of seduction. thnk u on the a side is all about building tension and teasing the crowd while ablett on the flip pushes up the tempo to create a break-heavy and hypnotic roller destined for peak time euphoria. unmistakable keys and excellent drum programming. keep em coming man powe

st. petersburg talent ivan latyshev drops a killer ep on the ever-dependable dessous recordings. ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as what’s in the box, street king and spaghetti monster - but this to my youth ep sees the young russian step up to another level. the title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. the sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. cant go away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. old ages also highlights ivan’s love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - its infectious stuff and suggests ivan latyshev is going to be name to watch in the next months and years.

ubx127, one of the break out newcomers in the swedish techno scene with his debut 12 inch released on len fakis classic label, figure. with support of djs, like dave clarke, laurent garnier and slam, his driving techno with soft stabbing structures works just as good on the dance floor as in your favorite armchair. on lamour remixes ubx127 takes on 3 of the labels tracks from the artist: motormännen, lehnberg & slim vic and turns them into modern instant techno classics.

representing the mannheim label salty nuts david nicolas delivers another hypnotic, minimalistic tool in his typical way of beat and sound design. teamed up with label head fabe who filled the b side with his break beat structured remix, this ep continuous the uniqueness of nowadays mannheim sound. vinyl only!

after a five year absence the illusive cottam label returns. since the original series paul has travelled the world djing, released on labels such as aus & versatile and started his own imprint ruff draft for his own original productions and tracks from other producers. currently taking a break from djing & concentrating on production it felt like the right time to reactivate the label that started it all with some new under-the-counter specials. first up we have ‘mixing tool’, a heavy beat and percussion setting the dark & foreboding tone, the unease increasing like something is creeping up behind you until the distant war cries reveal themselves - a deep track that is much more than the title suggests. next up, the long awaited vinyl release for the cottam re-wiring of a classic film title track, mixing the best elements of the originals synth score with a club ready beat and acid that adds to the original - this is one of the finest carpenter reworks you ll hear.

answer code request picks up where he left off with his album (code, ostgut ton, 2014) and 12“ (calm down, mdr, 2015): with the neume ep the berghain resident offers three new tracks, meandering between restrained club contexts and brittle break beats, machinery and futurist soulfulness. the eponymous track “neume” starts off on a with shuffling rhythms atop a heavy kick, soon caught up by first surging then predominant drone motifs, flashing bleeps and piercing strobe sounds. “meta” on b1 clocks in instantly without any build-up: its rhythm section sets the tone with broken beats while acr slowly carves out more musical detail and textures: subtle command vocals from the machine room, swelling synth pads and other chilling, athmospheric means are subsequently being added until the track’s break where the emphasis shifts towards the kick, pads and synth melodies until the track’s sustained, smooth outro. “vis” on b2 is the ep’s most protruding track: classic uk garage shuffle rhythms and amen breaks are contrasted by a funky kick and dreamful pads, intertwined with additional sparse percusion, layered with what in the first instance sounds like chirping birds but then like sparking wires. answer code request continues what he does best: combining the warm human touch with chilled alienated aesthetics.

2nd release from japanese label init . this compiles 3 tracks from 3 japanese artist, shinob satosi who previously release from work them, flugel and vinyl club and the label founder shintaro d and kensuke yasuhara. advance minimal house sounds with essence of break and electro. vinyl only.

released during the late 1970s disco era, milton wrights sophomore long player has always stood out as a singular, innovative example of the deepest, rarest grooves known to underground soul lovers all over the globe.

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

blue vinyl 12 inch + cassette + booklet + mp3 download card

nice price deal !!! bld makes a short break for the extended versions series and presents sour cream ep. 3 heavy duty analogue and nasty acid cuts that won t appear on cassette and will be only available on wax. white label hand-stamped vinyl only release that includes an a4 card board insert designed by planet luke aka luca lozano. limited copies!

the third release in this series opens up with fanon flowers remix of be good to me on the a-side, and has everything we love about fanons signature sound, an industrial rave-stomper that provides a heavy 909 beat topped with mercilessly propelling chicago-style claps. the b-side kicks off with henning baers remix of visco space saves the world a super trippy and minimal interpretation of the much more heavy original, which was a raw and gloomy industrial monster with a bold noize overload. its progression changes build up neatly but peak in an epic spiral break down that shatters the soul. b2 is a remastered version of herz aus stahl by the mastermind christian morgenstern himself, presenting an upfront, sinister electrofunk monster that attacks with waves of synth menace straight from its metallic robocop-heart.

andy hart returns after an almost two-year hiatus from the studio to release his first ep on the voyage imprint. following on from urulus greetings from namek, mistress in your mind is the sixth release and adds to a growing collection that already includes releases from harvey sutherland, m5k and ctepeo 57. mistress in your mind loosely stems from the intertwining influences of a love-induced delusion broken down over four tracks. hart draws sentiment from several aspects of his record collection, giving subtle nods to break beat, soul, acid and space-laden house.

kicking off the dkmntl ufo series is esoteric techno stalwart peter van hoesen. the berlin based belgian dj and producer has attracted a dedicated following for his signature sound of ebm-tinged productions, and will continue to do so thanks to his distinctive take on how to inaugurate our new platform. from dystopian kinetic techno (‘cartesian taiko’) to an anarchic and dub heavy break beat jam (‘duet dub’), and from the rolling and hypnotic peak-time intensifier (‘p2me’) to synth-heavy seductive high tech soul (‘qaudra’): van hoesen casually wallops you round the back of the head with gargantuan bass vibes. dekmantel is adding a new series to their label called ufo. following the same-titled stage on the annual summer festival in amsterdam, the ufo releases focus on the same sound spectrum. in the forthcoming months, starting in may, ufo will be inaugurated by marcel dettmann, randomer, dj stingray, peter van hoesen, and voiski.

shaw cuts is happy to present its third release, which includes 4 tracks produced by farron under the title ‘death duel’. the story of this chapter is simple: the third master is respected as the unrivalled and undefeated swordmaster of the day. his strength and skill saw many opponents who sought to slay him and win his title. all failed. there was only one rival who might sever his crown. it is only a matter of time until the ultimate duel… ‘we don’t make no sense’ rings in combat with a dirty break-beat drum pattern combined with deep, melancholic pads, circling the scene before one of the masters makes the first attack. warmer in tone, ‘tangency’ is the first intermission, a lull in bloodshed and impending annihilation. short-lived… the b-side brings back battle mode with ‘centro’, a rough and rolling thunder with churning synth action and distorted drums. the duel ends with ’par 2’, its sharp percussions, goliath bass drum and spheric pads reverberate victory. an open breast and sword glazed red. fatal hemorrhage…

chains ep, is a meltin pot of dub vibes, breaking leads, and melancholic vocals. an obscure path through secret prophecies, sewing new worlds, combining ash and bones. a born spell, takes you into uncharted lands, a journey up to a mirage of a desert lake. axel boman remix is fresh breath into e melancholic landscape, as a shaman hypnotizes you , and takes possession of your most magical vibration. beacon remix is a velvety story into a melody that cradles you in a soft dream without break away from a wild energy.

originally released in a limited edition of 500 copies in 1982 monoton’s second album ‘monotonprodukt 07’ is now a collector item and also one of the most important album of all-time. it has been voted one of the 100 best records by highly influential uk magazine the wire. monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. a pioneer in experimental electronic music, becker continued to break new ground in electronic media. monotonprodukt 07 has been reissued on vinyl by desire (and is still available as a double picture-discs limited to 500 copies. it’s the first time ever that tracks from the album are remixed and desire is proud to had such great artists/producers as us prositutes, svengalighost with fellow partner and l.i.e.s. boss and hospital productions artist ron morelli. the last remix is the work of great mancunian duo rainer veil (modern love). an incredible remix package that do justice to this classic album ! mastered by matt colton at alchemy.

london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

we were a little bit scared by the long break of the lgdzcrew, but i guess they were just waiting to come back with a big bang ... something for your heart!

it was only a matter of time before the detroit / sheffield music connection was made again, this time with annie hall taking a break from co-running detroit underground to make an appearance on like minded sheffield label central processing unit. annie dedicates this e.p. to women in science (marie curie, lise meitner, elizabeth arden and caroline herschel) when tenured positions for women working in the field were extremely rare. although the tracks appear to be straight from the science lab, don t let that fool you as each track is brimming with laid back computer funk with subtle melodies that keep you hooked. annie has deviated from her signature fractured beats and delivered an easy listening electro affair that s equally at home on the dancefloor as it is chilling in high fidelity. tenured positions is a limited edition (300 copies worldwide) 12- vinyl with printed sleeve, paper inner and shrinkwrapped.

detroit native mgun aka manuel gonzales returns from a two year break from releasing to unveil his debut lp for don t be afraid. marking the uk-based labels first artist album (dbalp001), gentium follows a string of highly acclaimed releases on labels also including the trilogy tapes, wild oats, third ear, bakk, berceuse heroique and fit.

with magnum vol. i, d.o.c. records has positioned it self as the home for both veteran and freshman artists, a well-needed break from the labels regular routine that was put to good use, resulting in one of the most defying releases to date. filled with exclusive brand new tracks from monolink, ant, l_cio, m.a.s., shadow movement, elekfantz, hnqo, come and hell, monotype this v.a. meets the high demands of the music scene, thanks to a particularly strong line-up showcasing both the best sellers and the personal favorites of the last two label years.

frankfurt based producer, dj and music lover martin heimann presents his debut single salto on carry on 008. remaining faithful to its name, the small label puts out another piece of limited wax every once in a long while. enrooted in the soundscapes of 80s proto house the original version of salto is a thriving piece of octave liberation. consistent changes between harmonics break up the repetitive structure, while fm pads and the 303 are performing a little duet. the release is ennobled by two proper remixes from moon b (peoples potential unlimited) and jex opolis (good timin). while moon b keeps it bubblin’ with some extra analogue funk bounce and subtle italo dance floor energy, the b-side is jexi-fied with some embellishment to the cords, change in the bassline and a nice 808 snap. on top mr. opolis adds some mysterious but cheesy vocals samples that match perfect with the moody 80s orchestral stabs.

apotek records takes a conversant and pliable approach to this dialectic ep. jerome sydenham opens the technological fray with the title track dialectic. deep swinging rhythms coupled with a deeply rooted dub vocal truly define its essential neoteric sensibilities. jerome sydenham s remix of macroisms drone is a prime example of take no prisoners berghain techno pure rumpus. the b-side introduces the sophomore single from hot new berlin talent non reversible. the track kuro is absolutely unapologetic in its discharge of nebulous dark thunder techno. powerful! on the last cut, jerome sydenham gets back behind the splicing desk, breaks out the razor blades and deftly edits the echoplex classic pitch break. the results is transcendent hypnotic techno bliss.

following eps for creme organization and w.t. records, art crime delivers a four tracker of meltingly good music on pinkman records. chords cascade, blending and reforming, in the warming wonder of still life , dead carnation is from a similar place. keys skipping down scales, dancing down them as percussion lends a touch of weight. distant is the mood changer. rain falls, smoke whirls and the night descends in this dark and intoxicating encounter. but those clouds part for the close. lush pads and soaring notes break through for calming currents of the less than aptly titled hectic . an artist rewriting stereotypes, an ep of true quality.

the next release on lag is from bay area to berlin transplant jamaica suk. the kontort ep (lag006) is another 3 cut record with all original music. the title track kontort is a composition with the big room in mind with thunderous kicks and bass with intricate panning and dub inflections. holographic is a another big room techno workout with a deliciously infectious piano line which allows the producers personality to shine through. depth between waves is a dub techno roller. this track shows restraint till the break then re-emerges with a synth sound that pushes the groove forward in a simple yet undeniable manner.

gorgon city have catapulted their way to fame since the duo formed in 2012. taking a break from their black butter home, damian lazarus welcomes them to his crosstown rebels label for the first time for ‘money’, an atomic bomb of an ep bleeding with big moments. david morales lends his legendary red zone stamp, created in the early 90’s for when the club was at it’s peak, his high energy version of ‘money’ creates a mind-bending state of mind. while riva starr, hot on the heels of his cajual album, strips it back to the elements where we feel the blood of its veins. gorgon city will kick off their ibiza residency on amnesia terrace this summer and in may they co-headline central park in nyc and shrine in la as part of a massive 5 date us tour. this ep is their calling card to the underground, leaving no doubt why nme named them the crème de la crème of new uk dance talent

genesis is the fifth studio album by american rapper and leader of the new school alumnus busta rhymes. released in 2001, the album debuted at number 7 on the billboard 200 and ultimately sold 1 million copies in the us and was certified platinum. the fourth single from the album, “pass the courvoisier part ii”, peaked at number 11 on the billboard hot 100.

this is the third record of the modern house quintet. this new one features one house/deep house track (a side) and a more “detroit-atmosphere” cut on the b-side. “belle-ile” opens with a filtered piano organ which responds to a massive bassline. the second part of the track introduces gradually a flute line, a trumpet sample and a layered pad.“fountain” starts with a pad which is progressively defiltered and quickly joined by a bassline. the break introduces an acid bassline, supported by a string chord. all these elements blend together to create a detroit atmospheric vibe.

the „continuum 1991-1998“ white label series brings back the euphoria of the early days and remind us what techno sounded like before dogmatic blueprints, taking us into claustrophobic basements where boundaries were broken up in blinding flashes of strobe light.
future9192 offer the hysteria of rave culture in it’s rawest form, taking us from violently distorted 303s and uplifting pads in „plutronick“, industrial soundscapes and pulsating synths in „house of snax“, to „rhythm of slime“’s raging ebm-chords and stomping kicks, only to close with the epic „murder someone“, a hypnotic, bell-driven monster utilizing a droning „amen“-break as percussion.

new vinyl series produced by dj steaw

in seiner glanzvollen karriere remixte er bereits lcd soundsystem, depeche mode, coldcut, the xx, moby und viele andere. mit seinem label turbo verhalf er neuen künstlern wie duke dumont, chromeo, gesaffelstein oder boyz noize zum durchbruch. außerdem arbeitete er regelmäßig mit koryphäen wie james murphy und pusha t zusammen. auf no fantasy required erhält er nun verstärkung von hudson mohawke und jake shears von den scissor sisters. mit no fantasy required hat tiga in zusammenarbeit mit erfolgsproduzent matthew dear und dem finnischen genie jori hulkkonen (der auch live mit ihm performt) eine platte geschaffen, auf der er sich ehrlicher, offener und verspielter fühlt, wie er sagt. es hat immer eine sehr fruchtbare kreative spannung im herzen von tigas musik gegeben: auf der einen seite ist er der underground techno don, auf der anderen seite wohnt ihm eine pop-sensibilität inne, die es ihm ermöglicht herausragende songs zu schreiben. es ist diese dualität, die ihn zu einem der fesselndsten charaktere der elektronischen musik macht.

a1 nubian mindz - deep in raves: well known for his versatile and rich production, colin delivers once more. with a quite suitable name - deep in raves is just that. a deep plunge into dark and rave-like atmosphere. after a short intro layered with an ominous voice, massive bassline takes over and drives the track through the darkest curves. enriched with short percussions and a synth stab this is quite a stomper best experienced on a good club soundsystem, preferably in the dark. a2 volster - nebula: almost obsessed with audio purity, volster manages to combine new and modern sounds with old-school genre roots. nebula is all about complexity. although it is based on an electro foundations, it s so much more. space filled with an oscillatory synth motion perplexed with smooth pads that gives the impression of an interstellar properties. no detail is left unengaged, from the 808 that keeps everything in motion to the subtle amount of panning. this is a beautifully crafted story by a producer who is slowly but steadily growing into one of the best croatian artists. b1 lucretio - dracula: the most famed beard of cadoneghe/italy has pulled another magic gem from his music source. widely known for his relentless tendency to push the analogue spectrum to it s extreme, lucretio surprises once more with his ability to blend simple pieces into an effective sub storm with almost comic like features. dracula is not your conventional tune and it s pretty obvious why as soon as you put the needle on. broke down rhythm is heavily fueled by polished but enormous sub background with sparse and ¥in your face¥ shots. seemingly random notes take a gloomy and powerful form during the break and soon the lurky atmosphere comes into picture. this is truly brilliance in it s full simplicity. if only bram stoker could hear this, he would probably be both stunned and amused! b2 james booth - jxst do it: one of our goals on vakum is to be on a lookout for a new and promising talents. berlin based james booth surely fits the bill. jxst do it is a seriously crafted track with rich rhythmic section wrapped in a steady build up. after the initial break-beat intro sliced in short chunks, subtle 303 bassline takes over and the rhythmic game begins. booth delivers a perfectly timed cuts accompanied by a diverse palette of percussions. this is a perfect piece for those build up moments in the club..

mellow new release for high elevation from montreal s adam feingold, following up last years nuff zang cassette on 1080p by slipping into the ex-terrestrial guise for a part chillbiant, part shake n break four-track 12inch. paraworld looks back to millennial downbeat realms and towards naturalist, ambient idm baked visions of sunlight passing through water and refracting many shades of blue echo the early 00s kind of instrumental peace recorded in the summer/early fall of 2015 using mainly the yamaha cs 1x and some juno 60.

22 tracks produced by your boy samiyam aka sam baker. instrumental hip-hop & rap tracks featuring earl sweatshirt, action bronson, jeremiah jae and oliver the 2nd. the vinyl release includes a download code.

herck is back on fa>le records with this sublime ep. fathoms steals the show, rolling percussive groove, crazy vocal and a a break that will make the hairs on your neck stand on end. on the flip are criteria and uniform. another 2 great cuts. the young romanian is on fire. expect to see a lot of him in 2016.

otake 007 is the debut from the born new polish project id ensemble. the release is called hollow ep and is authored by filip kaczmarek, self taught musician with technological attention to detail. it is one of few projects which filip runs in parallel although this one is heavily influenced by berlin sound exports. it was created as an expression of the need to break from the pattern, escape from the trademark. there are four tracks on the ep which are inspired by some detroit and berlin sounds, thus still having some special polish touch.

sticking to its mission on digging out fresh sounds from the romanian underground, metereze proposes limpid and his antagonistic 4-tracks house journey for its 6th release.
on the deeper side of this record you’ll find 2 pieces that complement each other to perfection: uncle sens, with its simple structure on the surface level that’s more like an invitation to discover the elaborate work done on the sample level, and copacul vietii, rooted into the deep house glory days yet connecting this fertile ground with the future dancefloors through dreamy loops reverbed around the phat bassline. flip the record to reveal the side that would most certainly drain the dancefloor energy: the chicago-esque piano to break the fast cavernous patterns in speologie versus zibi’s techno structure, softened just enough to keep us from sliding into the darkness.
tested already on the house music hungry crowds by raresh, the name behind metereze.

one copy per customer! the label was born to break the silence, howl fourth comes with a two tracker, housy grooves from the french producer varhat

post pop depression is a collaborative album written by iggy pop and joshua homme and features musicians iggy pop, joshua homme, dean fertita, and matt helders. album is produced by joshua homme.

hungary s fastest rising star, david temessi, returns on neuhain with his glorious gashouder ep remixed by the top players out there. neuhain s label chief daniel boon, germany s heavyweight champions torsten kanzler and sven wittekind, ukraine s superhero spartaque and italy s diamong marc troit created a package that will make every dancefloor look like the dancefloor of your dreams.

seegweed is back with three diabolical edits in three various directions but all with one thing in common...they all got soul! this time around you ll get an peak time aretha franklin rework, a latin-soul escapade with bill withers and a jazzy house jam from nancy wilson. gamm does what gamm does best make you dance !

as point g first compilation is comin out digitally they were no way the vinyl scene gets a real dose of exclusive treat .for this triple pack vinyl only release point g revamps some classics of the label , adds a new cut and get lazare hoche for a reshape of a 98 classic in other words : “braka” gets a serious new mix down with a frenzy pad , “indian “ some dope additional keys “ druker” becomes a soulish fun break beat oriented type of remix ( check also the druker dub )“melik” a new ruff cut “hands” this 98 classic get a reshape by lazare hoche , fat & fay

micronation is the frank agrarios new label. after some key releases on internasjonal, tom tom disco and maxi discs frank decided to start his own vinyl label. micronation is a declaration of independence, frank makes his own rules, passports and stamps, while music is the currency. 02. percussion, deep bases and franks trademark dubby dealys are all there. bottin provides a killer rmx ready to destroy any dancefloor. early support from soul clap, jimpster, munk, swayzak, mammarella and thomas von party.

first light is the first full-length album of original songs from easy star all-stars. the easy star all-stars have built a huge following around the world, having sold over 350.000 records and played shows in over 30 countries on 6 continents. the band - a collective from the nyc scene overseen by producer/guitarist michael goldwasser - has always played original music in its live set, some of which was released on until that day, an original ep in 2008. first light is an important step in the band’s story, demonstrating a wide range of approaches to reggae, from progressive to classic, roots to futurist, confirming the all-stars place as one of the most influential acts on the us reggae scene. the album includes 12 songs and one dub, with guest appearances by the meditations, cas haley, junior jazz, lady ann and tony tuff.
the vinyl release includes a download code.

fresh from their remix of jinx *car full of herbs*, bristol/london bass specialists vinyl junkie & sanxion return to asbo records alongside legendary reggae singer bushman with *talk too much*. things get busy from the start on the original dnb version, a tightly packed and weighty amen break welcomes in bushmans thoughtful melodic vocals with dubwise horns and instrumentation recreating that timeless reggae vibe at 170bpm with snatches of bleeps and pads that hint at vinyl junkie & sanxions oldskool hardcore/jungle history. dj westy on the remix fattens things up bringing the bass to the front for a real sound system smasher. the 140 remix retains the main elements of the original with added dirty bass and half time drops perfect for festival season, guaranteed to be a crowd pleaser for fans of breaks reggae and that early rave sound.

die beiden remixe transferieren moderats erste singleauskopplung auf ganz unterschiedliche dancefloors: paul woolford, einer der großen britischen djs und producer, der mit seinem aufsehen erregenden projekt special request die unerbittlich hämmernden breakbeats der frühen neunziger in die gegenwart holte, strukturiert das stück mit einer extrem harten, gebieterischen bassdrum entschieden neu. den gesang präsentiert er sehr dosiert, umso effektiver aber nach dem break. die breakbeat loops und präzis gesetzten klangsplitter vom original geben dem track einen elektrisierenden funk, der ihn für bass music- und house-djs gleichermaßen unverzichtbar macht. der berliner answer code request gehört dem künstlerstamm des berghain-labels ostgut ton an. er geht den entgegengesetzten weg und entwickelt seinen remix weniger aus dem groove, als der atmosphäre und emotionalität des tracks. fetzen von apparats stimme orchestriert er mit packenden hooklines und wunderschönen synthesizern, die das stück zu einer der stärksten technonummern der saison machen.