faster working dark old school electro styled up with some vocoder voices

dj slip classic.. ltd backstock.

limited 5 track vinyl sampler with some of the highlights of permanent vacations second mix cd compilation. the tracks have been handpicked by benji froehlich and tom bioly. feat. findlay brown, nick nicely, parker lewis, glass candy & bostro pesopeo.

feat disco queen and lady i will survive gloria gaynor on vocals. includes mixes by dj tito, sunloverz and burnett & cooper

feat disco queen and lady i will survive gloria gaynor on vocals. includes mixes by dj tito, sunloverz and burnett & cooper

the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

been impressed by his remix on wall of sound... i loved it. i also heard he won some remix competition. like a grammy, only not a grammy. the tracks he sent were amazing... but his hair, while being orange (no bonus) was not corn-rowed. while i argued vigorously that i had worked too long and hard building up turbo to see it go all >ginger<... von party defended the duke, saying it might show how open-minded we are. when i re-listened to the tracks i decided that it was well worth the risk. so.... what you now hold in your hand is the debut on turbo of duke dumont: the mysterious bad ass from the wrong-side of the tube, the hardboiled london underground pioneer who once had to eat a sampler to survive, the future of dance music, and the past of the future of dance music

"this ep combines different periods of time. oldschool and newschool elements is the key element of a modern production, no matter if its nasa or both legends acquaviva & lützenkirchen to deliver a masterpiece that is functional in every possible way. sirens and oldschool stabs on one side, combined with electronic fierceness and drumming madness. the b-side "hurt me" is more agressive, sawtooth sounds modulating through every spectrum of frequencies. at least one will get your ears bleeding or just the mind blowing if youre lucky enough to survive. cologne based producer pierce gives the >satellite< original a new face with his remix. long synth build ups, reduced drumming and massive compression focus on the basic needs and desires of a rocking dancefloor: to celebrate a break, a melody and to freak out when it starts at zero again"

hard.. harder.. cardiac!! clear, here it comes, another cardiac arrest you hopefully survive.., if you are strong enough that is !!

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

two systems (pro s) in one box. the pro s has a spherical dia-mond stylus which minimizes scratching and a solid cantilever which can survive hectic activity at the turntable. the sound quality is absolutely not to worry about. the pro s is a consistent performer and a fi ne all-rounder!

written and produced by maral salmassi fabian stall aka dolden days !! präziser & sägender wuchtbrummensound mit klarer ansage. techno ist nicht tot und riecht noch nicht einmal schlecht

>without you< comes with brand new house mixes. also the vocals have been re-recorded by ayak, well known for her performance on tracks like thomilla s >freaky girl< and milk & sugar s >shut up< the prime time mix comes from german remixer eddie thoneick, who arouse attention with his mixes for sebastian ingrosso (modehookers) and the soul avengers

nice price deal !!! hot next release from plush who have succesfully remixed gloria gaynor i will survive 2005

hier liegen 3 statements elektronischer klangkunst vor die folgendes können: träumen, staunen, euphorisieren in einer balance aus ruhe und bewegung

cool acidic and funked up breaks stomper from spain

floatig flächige tracks von experimental to electro pop

cool freestyled traxx ...electro electronica

pro system (schwarz) the pro s has a spherical dia-mond stylus which minimizes scratching and a solid cantilever which can survive hectic activity at the turntable. the sound quality is absolutely not to worry about. the pro s is a consistent performer and a fine all-rounder!

soul & rnb

trance / techno / house

soul jazz re-issues the winstonÕs 1969 album Òcolor me fatherÓ, the source of the most sampled drum break in music history - the amen break.

anthony nicholsons name has almost become synonymous with chicago deep & soulful house music.cd version containing two bonus cuts! gravity is his second album on swiss quality imprint deepartsounds. he once again sets his footprint firmly in the musical foundation, serving us 8 outstanding sweet soul tracks. the song gravitation is a mixture of wicked playful jazz and atmospheric ambient interludes. on the other side, anthony s cover version of john lennon imagine sounds already epic. he definitively never seems at a lack of musical ideas or emotions.

too slow to disco neo presents a sunny compilation of smooth sunset disco - 16 exclusive tracks on cd.

the dekmantel selectors compilation series is set to continue with a highly anticipated edition curated by joy orbison. first announced in 2015 when the selectors project was unveiled, the fourth compilation in the series finds the singular uk talent curating a sort of tribute to his home country and its rich musical history.

gatefold cd incl booklet. we believe music shouldn not be explained or overanalyzed. we would rather avoid too many useless words. just press play and listen to it.

gwz all the way ist das mit spannung erwartete albumdebŸt des future dancehall-duos ghost writerz. das album zeigt das herz und das feuer, den einzigartigen mix aus hip hop, jungle, reggae und dub dieses talentierten paares. als pioniere der ganz eigenen britischen sound system musik, erschaffen die gwz ihre ŸbernatŸrliche bass musik mit bewusster lyrik, melodischen hooks und virtuoser live-instrumentierung. zusŠtzlich zur magie der beiden ghost writerz verfŸgt gwz all the way Ÿber eine vielzahl von gŠsten, die unnachahmliche stimme von rodney p, der flow von serocee und vielen anderen features von rtkal, pete cannon, amy true, jago (onlyjoe), u.v.a.

frankie knuckles eft behind perhapst the greatest house music legacy that ever was or ever will be, having made dance music at a spiritual level for nearly four decades

2 cds - 40 tracks! incl. dl codefŸr unmixed tracks! die compilation zu dem erfolgreichen subsoul youtube channel, der die neuesten trends aus der londoner houseszene vorstellt und damit labels wie relentless, black butter records und ministry pusht, geht in die zweite runde: the ultimate document of where dance music is at in the summer of 2014 and beyond von gorgon citys sing-along smasher ready for you love Ÿber kelis rumble - breach remix bis hin zu new york transit authoritys 95

since first bursting onto the scene with the now classic album wide angle in 1999 hybrid have been known as one of the most forward thinking and technically skilled acts in electronic dance music. after four extremely well received albums, over twenty singles, countless remixes and a raft of movie & game soundtrack work it is time to reflect on some of the bands numerous highpoints. hybrid classics celebrates and relives some of the bands finest tracks from their breakthrough classic finished symphony to an exclusive cover of depeche modes enjoy the silence (as chosen by an ask-hybrid-to-cover-this fan poll in 2011).

hardcore is not a trend but a lifestyle. the genre that once has grown in the netherlands, has also proven to survive in the underground when the hype in the late 90s seemed to be over. the ultimate hardcore collection proves that in this music genre there is still enough development and that the majority of dutch artists are still leading. the ultimate hardcore collection volume 2 compiles the freshest and most important records at the moment on two cd mixes. to make a long story short: for those who find hard not hard enough, this is the cd that you really must have!

kanzleramt classic cd...

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people.now set to unleash his highly anticipated debut lp on climate recordings, rregula presents:the barramundi experiment. an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep.

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-