nice price deal !!! the flatmate ghost ep takes the classic tech house aesthetic on a laid back, rolling journey, while two distinctly dissimilar remixes open your eyes and ears further. title track flatmate ghost quickly lures you into a subtly relaxing beat but as soon as youre locked, dissonant synth bursts and ominous, pitched down vocal meanderings immediately disrupt the dance. while kellerkinds take on the original brings forth a shoulder swinging groove, soothing piano riffs and clever silences. andres zaccos version moves with relentless percussion, delving into the hollow depths of dark bass. quality time offers the more sensual side of soukie & windishs production. here, otherworldly harmony prevails while the characteristic jarring stabs take a backseat. soukie & windish manage to visit opposite ends of the spectrum without losing the unique creative resonance the pair found in this collaboration.

the sixth compilation of mutated machine music from contort yourself centres around british industrial pioneers nocturnal emissions. the group hack out two thick cuts of oil soaked savagery. gears crunch and chains clatter as drum machines are minced and mangled for demon circuits bloodbath before the reduced and removed bitterness of even the good times are bad. l.i.e.s. main man ron morelli under the guise of u-202 takes on the static of the 83 original, lonesome rhythms fired into a gaping hollow of echo and decay. there is brief respite, very brief, coming in the haunted strings of penelope s fiance. torrent grinds this short break into dust with exe 2 blueprint, a sludge stomper drowned in distortion and dripping with distress. innsyter (l.a. club resource), aka seixlack, calls time with the hazy house bottle smasher, think fog machines and bodies in the dark and youre getting close. off-kilter madness all-round!

unterton introduces an artist who’s already renowned for his work within informed circles but yet to be discovered by most: berlin-based new yorker phase fatale debuts on unterton after strong releases with respected labels jealous god and aufnahme + wiedergabe and six well-received club appearances at berghain.

fragrant harbour has invited general ludd s richard mcmaster (golden teacher) and tom marshallsay (dam mantle) to end the year long hiatus since the last fghb release. the first track what brings dark, african rhythms alongside meticulously structured techno elements, coming together to create an intense and maddening energy. later last night continues forward with interspersed percussion layered on top of inventive sub-frequencies bringing a constant pulse to the track. the fastest track of the record, making strange ends with more madness a hollow mid-low range drives unrelenting throughout, visited unexpectedly by frenzied percussive highs.

label debut from mysterious poland-based, always human tapes, recording artist. dark, atmospheric techno and heavy, gothic electro beats. stamped, white label release in custom screen printed jacket.

moody records is proud to present their second release by lucky charmz (lehult). seaside greetings is not a typical dance record - after the house banger on a1 lucky charmz is diving deep into disco, downtempo and soul chops until the dissolution into space.

orchestraler denn je: saddle-creek-urgestein mit seinem dritten soloalbum. pressung auf farbig-transluzentem vinyl.

rastlosigkeit und isolation: die schwedische postpunk-band widmet sich der großstadt. die vinyl-lp erscheint inklusive album-cd.

havantepe s t.a.o.s.a. ep is the first vinyl release on grounded in humanity s sublabel alienus. expect 4 deep techno tracks with his dubby high quality trademark sound we love him for. this is part 1.... expect some more.

3xlp in deluxe triple gatefold jacket with 32 page booklet

for nearly a decade, raíz and subversive have distributed their vision of dance music on various labels including historia y violencia, electric deluxe, construct reform, droid recordings and their own imprint vrv. three years into the vrv project, the label heads have decided it is time to expand the roster and showcase artists on a similar plane, producers they know can speak to the sound. the chosen interpreters on this release include drumcell & truncate as cell injection, and silent servant. silent servant remixes raíz’s cored 3 the former sandwell district and current jealous god co-conspirator steps up with a stark composition in which melodic arpeggiation builds over industrial drones and echoing drums. the mix of sound reaches a clear peak, then segues into a calm that’s expertly tooled for mixing. drumcell and truncate remix raíz’s cored 2 droid behavior’s best-known producers take up their cell injection collaboration to hollow out raíz’s “cored 2” for a driving roller with eerie pads and a darker sensibility. subversive remixes raíz’s cored 4 subversive breathes another level of funk into the original, with clanging percussion and a new melodic motif.

die “environment”-serie der kult-elektroniker future sound of london basiert auf den gleichnamigen ‘lost’ alben aus 1993, die erst 2008 komplettiert und veröffentlicht wurden. in der folge entstanden weitere arbeiten in anlehnung an die früh-1990’er electronica der fsol, die jetzt nach und nach erscheinen. der sechste teil erstreckt sich über zwei separate alben und umfasst 46 unveröffentlichte tracks auf 2 cds. die lps enthalten 17 bzw. 18 tracks, wobei der track “silent around them” auf lp vol. 6.5 vinyl-exklusiv erscheint.

nice price deal !!! his >sleepy hollow< on innervisions is regarded as the anthem of 2006, gaining respect from all over the place. this year stefan goldmann is back with his own label macro and the next level of post-minimal modernism: >aurora< and >beluga<. both already are a central part in the sets of richie hawtin, Âme, luciano, damian lazarus, loco dice, steve bug, peter kruder and the lucky few who already have it on cdr. stefan has released through high profile labels like innervisions, perlon, ovum and classic. he recently also became one of europe s most in demand remixers with highly acclaimed reworks for blackjoy, marc romboy, it and … coming up soon: dj gregory. so, macro is destined to be a premier platform for both, stefan s genre-bending outings and the utmost in quality by likeminded artists. what a start

nice price deal !!! 4/4 bass drive. the second release of the label bomjbar consists of two tracks. it excels the first one in its obsession, efficacy and energy. advanced daddy contains a part of percussion bass, which accompanies the whole composition. a hard skeleton and high-pitch cry run through your body, especially when there is a high sound. hoboken hollow is softer, but only at the first sight. the composition consists of some parts, which mutually complement each other and it is necessary to listen it overall in order to understand it.

the ep is a testament to the musical development of the space echo project and we re excited to hear what the future holds. dj support: franck roger, jacques renault, massimiliano pagliara, dj rocca, shmlss, phil darimont, pete herbert, snax, hard ton, sebastian voigt, dicky trisco, marvin & guy, pete herbert, alkalino, jarle brathen, rayko, fingerman

delle ist wieder da. eigentlich war er nie weg. denn wenn man einer der drei frontmänner von seeed ist, heißt das, irgendwo auf der welt auf der bühne zu stehen oder im studio zu arbeiten. sein debüt als solokünstler mit before i grow old war ein klassisches roots-album und dellés verneigung vor dem reggae. der nachfolger neo ist ein vielfältiges und vielschichtiges werk und zugleich momentaufnahme eines künstlers, der in den letzten jahren nicht nur musikalisch gewachsen ist. tic toc ist die erste single und zugleich erste zusammenarbeit zwischen dem seeed sänger dellé und der deutschen reggae ikone gentleman. volle ladung patwa von zweien, die es wirklich können.

droplets of synthesisers trickle down intermittently between tides of evenly paced kicks while a hollow bass-line plucks at the lower depths of house music.

10 years anniversary edition, b/w stripped down upfront drum & bass cut.

schwefelgelb is the electronic music project of sid & eddy. having carefully straddled the boundaries between techno, ebm and electro, the duo is entering 2016 with a 12” release on the new label incarnation of the berlin based fleisch collective. fleisch consists of a group of miscreants known for throwing some of the best curated dark underground dance parties in berlin, with a focus on sounds ranging from e.b.m., new beat, acid to techno. the metamorphosis of fleisch into a label could not demand a more fitting debut than schwefelgelb’s newest sonic discharge. tight programming, catchy analog synth-bass coupled with well utilized & frenetic shouted vocals echo the golden age of electronic body music. a refreshing progression of sounds moves the style forward without being afflicted with the formulaic and hollow tendencies befallen similar attempts by others acts over the years.

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

thomas mullarney iii and jacob gossett are unstoppable. the new york artists, collectively known as beacon, have been on a productive hot streak since 2012, and their efforts continue to pay off. here they are with their 2nd album “escapements”, once again released via ghostly international. the vinyl release includes a download code.

current wire magazine front cover artist hieroglyphic being’s debut album for soul jazz - the acid documents - is an album made up of tracks first released last year only ever available in a bespoke edition of 100 copies (yes 100) – in the form of a homemade cd-r – made exclusively for the sounds of the universe record store. this album is now released officially as a one-off edition of 1000 copies on transparent red double vinyl (download code included), fully remastered with artwork by japanese artist 2yang. pressing on translucent neon ornage double vinyl with download code included.

high mobility weapons unit sets off from an unknown location on earth, making its maiden voyage beyond our solar system and towards a distant galaxy. the transverse velocity ep is the debut release on the self-titled imprint, serving up four original tracks that are heavily influenced by mechanical cycles and deep space concepts. the a-side kicks off with the eps title track transverse velocity, where an array of eroded satellite bleeps and waves loop together as the analogue low-end pulsates rhythmically below. in wave 102 the bleeps are detuned and erratically timed, with a glitchy tape delay unit modulating them throughout the track. the saturated 808 kick drum and processed percussion are given a functional structure, allowing the bleeps to take centre stage. on the b-side, both cycle 01 and astronomy tool serve as stripped-back percussive dj tools. cycle 01 rolls along with its hollow, muted polyrhythmic stab line, whilst astronomy tool drives forward with an effective, crystalline synth hit. mastered by black monolith studios.

the black dog returns with a viral antidote: an album of de-programming material called nether/neither.

a n a k is the second full-length from los angeles-based underground, ambient beat producer chad valencia, aka yuk, a founding member of my hollow drum dj collective. valencia is also co-founder and head chef of rising filipino pop-up restaurant lasa. (see: new wave of gives filipino food a modern spin – la weekly.) after many years of keeping his passion for culinary arts separate from his personal musical output, a n a k represents a fusion of the two as cultural movements that share the same inspiration

a remix package which well represent the multifaceted approach of midgar to techno. edit-select opens with a long and groovy rework of lost in the instability , keeps the peculiar synth & basslines of the original cut, and goes further, carrying those elements to deeper dimensions. synthek delivers a stabbing remix of nibelheim , a killer techno cut where powerful broken beats continuously crash into the heaviest sonic waves. alba was originally an interlude solely composed of ambient sounds and ephemeral voices, which evolved with luigi tozzi s interpretation into a sweet and melancholic trip. wata igarashi to close the record, re-imagines pulse width as a mind-stressing experience held in a frame of hollow drones.

tresor is proud to welcome mønic to its catalogue.
head of osiris music, mønic is an accomplished producer based in the united kingdom. his style can be de&#64257,,ned as raw yet exceptionally re&#64257,,ned, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design. * parsons hill* opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks. alternatively, * morse* reveals another side of the artist with a more serene attitude. here, static passes through a magnetic &#64257,,eld with a constant palpitating bass. * hollow victory* opens with thunderous clangs and a &#64258,,urry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

180g, black double vinyl lp version of *run*

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

though i am old with wandering through hollow lands and hilly lands, i will find out where she has gone, and kiss her lips and take her hands and walk among long dappled grass, and pluck till time and times are done, the silver apples of the moon, the golden apples of the sun.

rndm (pronounced *random*) is a new musical group featuring pearl jam bassist jeff ament, singer-songwriter joseph arthur and drummer richard stuverud. in april of this year, joseph arthur joined jeff ament and drummer richard stuverud in montana for a jam session, which would give birth to rndm *acts*. within an hour on that first night in the studio, the trio had bashed into shape an ament song called *what you cant control*. and after four days with longtime pearl jam engineer brett eliason behind the boards, the group had nearly 20 finished tracks, which were eventually whittled down to to 12 for this album. the double vinyl comes in gatefold sleeve and contains a download code.

the third album from swedish folk duo first aid kit as vinyl lp in gatefold sleeve

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

the remains of the horsemans severed head are no where to be found so he has returned to sleepy hollow for vengeance. in >execution< you can hear his sword tear through the last human souls who were brave enough to step out side of their homes in the pitch black darkness. the headless horsemans >legend< has now been born in the neighboring villages but there was one survivor on his third attack. that was a gentleman named ancient methods, who showed his courage and strength so the horseman decided to let him live in return for his shield containing markings of times before his

there is music that is made from the outside looking in. the textures are vibrant and the beats bang, but there is a hollow radiance at the core. it is pantomime. then there is los angeles alfred darlington aka daedelus, who has released a dozen albums in a dozen years straddling countless sub-genres. they are united by his insistence on letting his emotions guide the blueprint. if you have listened to his music, you understand. there is a balance between the direct and the obtuse that cant be articulated in words. this is part of the subtext for drown out, daedelus most elegiac album. his debut for anticon is a heart-on-sleeve meditation devoted to loss, coded language, and the maddening failures of communication. and yet you can still bob your head to it.
the vinyl lp comes with code for download of the full album.

ltd. 250 copies worldwide. percussion, cello, guitars and analogue hardware lead to a sonic result situated at the crossroads of ritual drums, dubby reverberating echoes and disintegrating orchestras.

limited edition double 12 inch picture vinyl in transparent, red coloured plastic sleeve.

the headless horseman is coming after you with a freshly sharpened sword. he will take no prisoners. his true identity has never been revealed but his presence is felt through music. listen if you dare, but be aware that he will ride again, sooner than you know it.

minimal, techy with bounce, swing and a lethal hollow bass, this is how lil silva kicks off 2013. already receiving support from the scenes pace setters mickey pearce, t williams, dva, bok bok and shy fx, *the split / venture* is in the series of white labels silva is releasing himself on ls whites. limited to 500 copies on white vinyl, previous ls whites have sold out quickly. the *the split / venture* release is silvas parting shot to a year that will see him release a full ep in spring.

the official biophila remix album. includes remixes by omar souleyman, death grips, these new puritans, hudson mohawke and matthew herbert, all of which have been specially mastered for this release by grammy-nominee mandy parnell. an emphasis was placed on making the album a cohesive whole, and the remixes selected accordingly from a multitude of potential candidates.

son: a highly percussive track that builds up from a simple hollow kick to something special that those on the dance floor will appreciate. on top is a dollop of filtered chords that move back and forth.
gate 5: razor sharp chords combined with a compressed drum beat and percussion.

this record is made of free radicals. whereas maestro felix bernhardts original is a full throttle primetimer, climbing up the ledder of suspense to receive a thousand of italian kisses, the rework of wahrlich & carbon is condensing the tune into a very robust and clear-shaped construct of techno essence.

sneaker social is back in business after the still much-lauded 002 release from al tourettes, this time with a ravey three track ep from breakthrough lithuanian producer zoé zoe. the eagle-eyed spotters out there may recognise the name from maya jane coles recent and excellent dj kicks mix as her >church< track sat comfortably at the heart of it.

part 7 of the bjork remix series, this time delivered by 16 bit. includes code for free mp3 download of this release.

contains 3 fine thoughtless music eps. arthur oskan - fat mobile ep, dave vega - altars of magic ep, dietrich schoenemann / metalogic / bryan zentz - hollow strangers ep

recorded over the past three years, across the creative trinity of berlin, brooklyn and the sleepy hollow town of hamilton, near niagara falls in ontario, canada, new looks self-titled debut album is a feverishly anticipated affair. the canadian future pop duo and real life couple, sarah ruba and adam pavao have an undeniable creative synergy, combining the stunning, synth-playing chanteuse and former model, 25-year-old ruba (previously shot by the likes of cult fashion provocateur bruce weber) and multi-instrumentalist, 31-year-old producer pavao. there is a confidence and wit to their songwriting, coupled with cosmic tweaks and soft synths underpinning their future pop aesthetic. its controlled yet wistful pop perfectionism.
including code for free download of this album.

its only natural that martyn has risen above the cliches and pitfalls of the vacuous dj world. over his 15 years djing, 6 years producing, and 4 years a&ring his 3024 imprint, the holland-born / washington dc-based artist has forged his own path every step of the way. his multi-leveled career has kept balance with a focus on art, and his every sacrifice is preserved in an endless dedication to music. as a continual record buyer and beat seeker, martyn is a beacon of hope through leagues of passion-less djs and producers, the ghost people: plastic, hollow shells that focus only on the in-the-now grooves or keeping in line with trends.
double 12 inch white vinyl in gatefold cover, including code for free digital download of the full album.