after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

the new burek release, yako/leko, finds kink trying to step away from common club-oriented production and present himself in a totally different light. yako is a dance mutant somewhere between speed garage, house, rave and dubstep that rips the dancefloor apart with its bassline and sends the crowd into a dancing delirium!

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

following on from his last release on guinea pig, sfr steps up and delivers a game of two halves on his latest release. >dreaming in computers< is a progressive, techno influenced slice of real dubstep - definitely one for the head nodders, this one sucks you and doesnt let go. in contrast >alien idiot< is a dancefloor friendly bassline steppa, which twists and turns at every corner, keeping listeners on their toes!

*** fresh repress *** the second episode of artistika will be held by tom ellis, spoiling us with a unique type of sound, difficult to place in a specific category of music. two tracks lullaby and radical rethink. the first, in co-operation with suz, is characterised by a profound and melancholy sound, while the second come with a powerful and well built bassline. to complete the ep two new entry on artistika, tom ruijg and markus schatz with the uncommon jazz remix. artistika, take the art and put it..here!

the >inside out< ep is a solid package featuring quality tunes from start to finish. midnight runner is a heavy plunge into deepest underwater techno, which drives fearlessly forward through a storm of ride cymbals. on the inside hovers and builds on a single chord, until breaking deliciously into a slinky deep house groove with a plonky bassline leading the way. on the b-side, the revenge pass by to deliver the >memory warehouse< remix of >on the inside< - a simple and decisive slice of deep dark rave, with all the hot production values we love to hear from the revenge. moonrunners, finally, is an organic and musical collection of neatly packed rhodes keys, piano splashes, trumpets and intense bass notes, and wraps up the package in style. another great ep for dso - and a solid return for winding road records

for the second release on his own hardrive imprint, terror danjah is joined by joker and nottingham bassline don illmana. a-side >gully goon estate< happened via the power of the internet, td and joker had long spoken about working together, and danjah eventually initiated the collaboration when he sent the jkr the audio stems to his classic >zumpi hunter< riddim. joker reciprocated with the parts for >gully brook lane<, and after much back-and-forth between the two instrumental grime heavyweights, the >gully goon estate< was blueprinted.

miss kittins brand new ep for mobilee, >all you need<, brings her sultry yet punchy vocals back to the floor with a classic electro bassline. with a remix from lee van dowski its not for the fainthearted. enjoy!

once again, berlin based resopal label head mri sticks to his guns and brings you strangely funky tunes. weakend-polka titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced house / funk music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you will ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. this is electric intergalactic soul/funk/house/techno. its noir, its dirty, its dangerous and risqu. on vinyl, as we like our little record-shop around the corner.

groove charts pos 15. falko brocksieper is back on his recently relaunched sub static label with a 3-tracker called >beau rivage<. yet again all pieces on this ep are showing falkos love for slowly building, trippy techno arrangements, aiming at various states of the dancefloor. a catchy bassline paired with edgy electronic percussions and subtle harmonic overtones make the two latenight tracks >beau rivage< and >glow in the dark< a joy to play to a tenderized crowd. with the same signature organic feel falko weaves all the elements together on deeper track >mental hangover<, featuring vocals by benjamin fehr). this ep represents falkos tie to timeless electronic music, and his concern to keep classic themes alive & interesting.

after a long journey by night, andrewvelt returns with >micodom macadam ep< - quite old school, >ridiculus< is flirting with a bassline, fighter cries and an acide touch. >boonty< is electronics diy with rythmic percussions, >the cabine anglaise< is more a cinematic tech-house track.

nice price deal !!! second in the all-analogue cave paintings series where raw machine funk workouts are very much the order of the day. >2x< takes up where 1y left off and adds a sinister backwards-sweeping synth line to turn heads to jelly while the limbs carry on jacking to the syncopated percussion and insistent one-note bassline. >2y< is all but completely enveloped by a warm, deep, resonating bassline which is so wall-to-wall that it leaves plenty of room for the intricate, interlocking percussion to create a body-hypnotic groove. cave paintings - letting the machines decide.

following the critically acclaimed debut-release of bob bhamras west norwood cassette library alias teal recordings presents blonde on blonde as its seminal release. this one is surely ment for the dancefloor: an addictive bassline, and a stomping house beat executed as were it a hidden gem dug out in a new york pawnshop. the ubiquitous ramadanman hits the flipside under his pearson sound monkier, with a rehash of blonde on blonde, with subtle references to the original version david kennedy takes the remix to quite different, but equally interesting, places. lush early morning vibes! - a must have! support from, untold, 2562, ben ufo, shortstuff, mosca, pariah.

incl remixes by jimmy edgar & click click !! big with: mathias schaffhäuser, niko schwind, dirty doering, shir khan, m_ferri, noreuil, dj glen, sven jozwiak, sebastian wilck, microbodies, renato patriarca, jitzu, roberto perotti, berlin mite institut and many more…. this vinyl features a groovy 80s/ disco smasher from kassettes new discovery glocal from sao paulo (brazil). lennox and dani focus on a hooky bassline, with a whiff of acid and super catchy vocals. as a bonus detroits wunderkind jimmy edgar (warp/ items & things) and berlins click click (kassette) add two remixes to this mindblowing release. jimmy edgar delivers a really hypnotic deep house mix with a whiff of 90s flavour while label head click | click focuses on a funky minimal/ disco groove.

retrofit reaches release no. 4 with a solo endeavour from boss jay shepheard that truly encapsulates the labels mantra of referencing vintage house, disco and techno but laying it in a sheen of contemporary sonic dynamism. this is more than evident on the expertly paced >all over my nord< which is driven by a richly elastic analogue bassline riding the slick syncopation. a surfeit of melodic stabs imbues the track with real energy whilst the gradual rise to dominance of a pad wash drenched in detroit atmospherics adds the requisite emotion! this is complemented by the much more immediate >string theory< which opens the b side with a master class in future retro jacking house business whilst >kuderskis groove< bridges the gap between filtered disco aesthetics and deep house bpms with nonchalant ease. prime dj business once again from the retrofit camp.

it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.

a1: >rejoice< - very strong usa vibes with this one, old school brooklyn boogie feel! the riff is infectious, brought right up to date with the addition of a heavy kick. vocal adds to the feel good nature of this track! killer!
b1: >cant fake da flip< - disco with a large house element. dancefloor killer, oozes of 80s flavour! incredible bassline and heavy old school disco groove.
b2: >get over the edit< - intro builds to a little string break, then the track hits! aggressive, heavy beat! cant help but move to this one. big, big track! another one for the dancefloor.

ranieri is back with his vernacular imprint. three high energetic minimal techno releases for the dancing crowd. listen to the a1 track with the great synth stabs and moving bassline. nodd your head to the affectious beats on b1 and the ravey synth feel. this is vernacular, welcome back.

right in time for the start of winter federico molinari is back on >love letters from oslo< and presents us with >chucking express< a must-have ep. the same named remix is produced by rozzo from mountain people, an artist whose name speaks for itself. >chucking express< on the a side produced by federico molinari shows an unusual track, with a funky bass line and modern hip hop vocals, which the audience immediately smitten. also the remix of rozzo holds what it promises and presents itself as a classic rozzo track with harmonious chords, driving sounds and a groovy bassline. an experience in the cold winter days!

future times with two epic tracks by brooklyn, nyc-based slava. >dreaming tiger< blends spliced chants, dark drums, a rugged bassline, and feverish guitars into a vicious house cut. on the flip is >world of spirits<, a humanoid fusion freak-out with rigorous techno vibes and a mystical left turn at the end that will take a partys breath away

vibrations is a new label set up by christopher galloway and piers harrison of roots unit. the first release comes from the ever-dependable and very busy mark e, who drops two killer jams for the dancefloor. escape is a bassline driven banger that drops into a hefty loop half-way through – large. the flip, midnight fires, is a more introspective, techno influenced cut, with crazy jazzy drums and swirling synths. we are thinking about early morning dancefloors for this one. escape is also remixed by roots unit, who add chicago house elements within a reggae aesthetic.

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

the 12th release on uzuri sees contributions from turin, chicago , amsterdam & dublin. the opener sees morphine & kinda souls ksoul teaming up with new production partner muteoscillattor. >take 1< kicks things off in fine fashion, proper rough, raw and intense jacking house that is completed by the heavy heavy bassline. brilliant!
chicago skyway returns to uzuri with >resolution m<. nodding to the likes of larry heard, armando and virgo, the chitown resident puts his analog machines to work & delivers an elegant & funky number.
the bside kicks off with juju & jordashs >killing raul with acid<, an epic, tension laden full on acidic outing from the amsterdam duo, fresh from their ace tattoos island ep on philpot.
the ep is finished off with a track from dublins slowburn. they debut with >meteor<, a deep as you like slow burner. lovely kicks, languid keys. a promising start from ireland!

beatform records are proud to present the 3th one in their series! the labelowner got a lot of fresh demos and decided to make a various artist ep out of it called los embajadores ep. brand new funky techno tracks by the hottest artists in the scene. a1 - goncalo m with his brand new submissions ep hot on the shelfs comes with life is a crazy thing. a funky bassline driven dancefloor anthem. big big big.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

yeah, this release is born for the floors. marset played >get up / the body< and the crowd freaked out! techy, funky, groovy, vocals .... big bassline .... bomb!
massive support by edgar de ramon, hanne and lore, 2000 and one, bukaddor and fishbeck, patrick lindsey, wehbba, homebase, franco bianco, sebastian lutz, someone else, paco osuna, beroshima, leo leal, andre kronert and many more...

>dance to the music< recalls the vitalic spirit of yesteryear, laced with smoking disco loops, rubberband basslines and a cajoling vocal hook that sounds so bright you would swear it was crafted with pure sunshine. the dub reveals a sexy bassline and those signature soularis beats. on the flip the boys dish up a a slice of deep house pie with high noon, dedicated to that green, sticky substance. mellow chords and marijuana endorsing samples make this song the perfect way to start off your mix-tapes and live gigs. the chill-out mix is a beautiful 7 minute smokers delight, complete with spine-tingling strings and downtempo rhythms which will leave you more horizontal than a few perkies and some choice lager.

intense, deep,raw and dirty tracks by marco bernardi. his first release on clone records in a while and what a record! two tracks build around unpolished rhythms and open beginning that dont reveal immediately where its going. quiet unpredictable is the a-side that slowly opens up with a sultry string and then completely bursts open with a shiny melody that is in beautiful contrast with the raw percussion. broken silence is another deep track founded on a basic rhythm and metallic detroit bass line. topped with spoken words (by keith tucker from aux88) and bleepy melodies, underlaid with a deeper sexy bassline. a track rooted in the best traditions of techno... weve played this one over and over! machine music by men!

public lover (ninca leece & bruno pronsato) return with another single aimed at bringing you into their humid world of dance music. naked figures is a bassline-driven story drunk on percussion and beauty. a track built on abstraction and elegance. a track quiet literally naked from its humble beginning to its anti-climactic ending. it’s an unassuming journey of class. it’s ninca & bruno uttering scenes of nakedness and dim lights… but is it a love song? we think not. it’s not about a one night stand either. it’s simple. it’s funk. it’s house. it’s techno. more importantly, it’s about making you dance. on the b-side, one half of the duo, bruno pronsato, steps up for remix duties.

big with: reboot, dj t, robert dietz, audiofly, thomilla, dj w!ld, ray okpara, gel abril, gorge, mihai popoviciu, brothers vibe, toni rios, affkt, daria, mario aureo, luca doobie,... after delivering one of the hits of this summer >gonna be alright<, crom & dawson get back with their second full ep on off, presenting four diverse tracks between dancefloor demolition and delicious deepness. >about you< clearly belongs to the first kind. a full-on techhouse bassline, that ever-driving vocal loop and a killer break wont leave any floor untouched. >ballistics< is perfect for the later parts of the night, with a chordheavy techy theme, soulful oldschool vocals and a break of shifting delay madness.

be prepared to be wowed, as crosstown rebels deliver a serious slice of hot new music from new talent russ yallop aka rusty james. >i cant wait< and >rock me< are two infectious cuts with massive appeal. combining the magnetism of disco with the raw energy of contemporary house music, russ yallop produces a fresh take on a trusted formula. a side >i cant wait< is unforgettable for its contagious bassline, flirtatious vocal cries, cosmological synths and perpetual breakdowns. with just as much appeal and even more originality, b side >rock me< leans on funk laden stabs chopped into sonic grooves and humming vocals, drawing towards a beautiful, driving climax that rocks like a mutha

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

known as one third of the notorious wetyourself crew, throwing parties and djing every sunday night at fabric in london, jacob has been releasing music since 2005 on different labels and under various guises.as a dj he is known for his fast mixing style of stripped down house and bouncy techno, which has made him a favorite in london and on the international underground dance scene, playing gigs all over europe and the world on a regular basis. the end of oct 2010 sees his debut release on the newly-formed wys! recordings with a very limited run of vinyl... do what you want by jacob husley is an upbeat rolling feel good record that has become become a steady ingredient of the sunday night wys! mix. featuring vocals from husley himself, the track is timeless and positive. the rather huge, driving bass line perhaps shows what an effect his 8 years living in london has had on him and also maybe his not-so-secret past as a junglist? all-round danish house legend, mathias mesteno, has created a late night deep builder that drives and drives..the result is detailed and tough! keeping jacob s big bassline, he has created his own feeling around the groove with plenty of atmospheric percussion. barcelona man-of-the-moment garnica from galaktika recs, has created a fantastic peak time groovy dub edit that will have people losing themselves on the dancefloor. watch out for more releases from wys! coming soon, next up is cormac s cold remixed by miss kittin and chris liebing!

top notch ghostbusters bassline with catchy vocals!

die mächtigen deep house-sounds von paskal aus berlin waren bereits auf labels wie wildtrackin oder room with a view zu hören. gemeinsam mit urban absolutes aus essen, der gerade auf phoniques label ladies & gentlemen für furore gesorgt hat, heuert er nun bei farside an. das original von >need love< ist ein heruntergebremstes percussion-monster, während der henry l-remix das tempo anzieht und mit einer reese-bassline den boden erzittern lässt. außerdem dabei ist ein funkiger disco-dub von ingo sänger und henry l.

a long term promoter and dj in sweden, patrick siechs transition to production has been a sucessful one, following a few releases for the kant label, is now welcomed aboard adam beyers long-running techno mainstay. >crude<, due to the combination of incredibly detailed (and tripped-out) edits/sound evolution and a lolloping loose bassline, is a woozy peak time anthem which doesnt quit. b-side, >bad carnival<, is a heavily percussive, contemporary tribal techno cut which takes no prisoners.

sexy grooves labelboss cristiao teams up with adult labelboss prude polly! that can mean only one thing: sexy techno for adults only! hot grooves for all the djs out there, big big summervibes on a1 with the raul mezcolanza remixing it for the extra bassline flavour.. b1 brings a special collab with ivan devero!! check check

remain 010 - shot on purpose ep has arrived in time to mark the third anniversary of the label. boss axel karakasis, on top form, signs the three magnificent tracks included which have already been favoured by many djs worldwide, including the likes of umek, blah, blah, blah.. on the main side, blue ringed is one powerful track that delivers techno in its true brilliance. both axel and remain deserve big kudos for this track, as it cleverly combines full frontal samples, slamming workout and cuts filled with breakbeat-like motifs, opening up the doors to fresh, unconventional music. shot on purpose features a composition of killer bassline, hissing hats and electro-swept analogue sounds that is well functional and delivers even to the most demanding audiences. with broken on the remain side insane rolling techno and a haunting whistle melody make up a classic theme and a winner recipe for any headliner. an absolute must-have and a guaranteed favourite! early support by : umek, the advent, cristian varela, a paul and more

tornado wallace has had a great 12 months following his debut release paddlin on delusions put him firmly on the map of heavyweight young producers to watch. subsequent remixes for home taping is killing music, future classic and detroit label kolour have pushed him further to the forefront of deep and dubby slomo house scene. always twirling spins into action with driving 16th note hats, compressed pads and soaring strings. 808 snare fills rattle throughout and a warm, dubby bassline provides the speaker-troubling low end. twirl and the beanstalk goes for a more heads down, bare beats and bass approach resulting in an intense, floor friendly track that grooves extra hard. finally, we have whispering twirl, a sumptuous slice of midtempo deepness with a hint of boogie and a dash of soul

new yorks elon provides metroline with yet another very fine release. clap back is a real gem. the original mix has a beautiful spacious and airy mix that allows the echo-soaked toms and the swirling vox stabs to breathe, and they really draw you in. an insistent bass pulse provides a structure for the snappy post-garage percussion to build into a lurching, lunging rhythm. very original, and very infectious. ekkohaus remix is a focused, driving deep house groove, shaped around lush, rounded stabs and heavily-filtered synths. claps and snare emerge from the beautifully balanced mix to give the track a real disco kick. the third track on the ep zero gravity has a more back-to-basics feel. the bassline is dubby, but the percussion has a classic french touch feel that gives the track real movement. a rhodes-like synth line wraps itself round the track like a warm fuzzy blanket. maximum comfort for house heads.

first on decks.de !!!a fancy franco-german remix session full of thriving techno pleasure. oui oui!
a1: rejdowak (from karaoke to stardom remix) well known french fellow from karaoke to stardom digs in the depth of electronic mystery by designing complex rhythmic sound patterns carried by, well… a pretty dominant bassline! what else do we need?
a2: rejdowak (freak de philipe vs parasit remix) light-hearted pounding techno attitude with a humorous slightly ironic touch, this implements a wise smile on the faces of true electronic music enthusiasts.
b: fm melodie in e-moll (kettenkarussell notbremsen remix) kettenkarussell from weimar manage the impossible: completely transforming >melodie in e-moll< by neal white while at the same time keeping much of its spirit. they create an elegant and gentle groove which smoothly seem to transform into a hip-hop beat. well, thats not the end of the story! experimental and extraordinary.

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

nice price deal !!! support from: sinden, mary anne hobbs, 2562, martin kemp.... the one man hit-factory that is t. williams returns to deep teknologi records with another concise snapshot of the uk underground house scene with a barrage of intricate ammunition for the dancefloor. lead single >chop & screw< marches along with its broken beat-esque drum pattern and balearic sirens whilst >hard cash< is a foray into the deeper side of the s.a house scene with exquisite sublow bassline progression and raw percussive tribal drums that really take centre-stage. the e.p. finishes off with a firm favourite from the deep teknologi mix series in the shape of >in the deep<, an after hours roller with a devasting drop and stern low-end to boot

randalls mac 2 recordings showcases another banging release with the return of fast moving breakthrough artist soul intent. having all ready featured on the label on the 17th release back in 2008 and on the recent justice league ep soul intent returns once again to show us how rolling drum n bass should be done. the a side >rebel music< punches through with razor sharp breaks that bring the track to some seriously sub low basslines. haunting vocals lead through the track introducing some seriously deep fx and strings that make this track one stone cold killer. the flip >cybergroove< makes for a more upbeat affair but certainly shows soul intents versatility as an artist. percussion lead breaks and some haunting strings cut into a bassline that punches its way throughout the track before cutting into a fx lead breakdown. dj support from : randall, ai, klute, doc scott, survival, fabio, crissy criss and eveson radio ? bbc 1xtra and kool fm

part two in the private pressing series of bottin! again crazy limited and extremely good! two hot tracks covering each one side with upbeat italo tracks that takes no prisoners! the funk driven aextacy on the a-side with its sexy vocals leaves not one girl on the side! on the flip there is teak lover with is pure italo drive and bouncing bassline and bombastic synths. disco just don t get much hotter then this. recommended!

wow! can this label get ay better? after three absolutely rocking releases, jamie jones & lee fosss stupendous new label hot creations, unleashes another absolute corker of an ep! burnski (20:20, poker flat, morris /audio) & robert james (hot creations) deliver an irresistible slice of heavenly house pie. the title track >malibu< is something very special indeed, an effervescent, super-groovy, disco-tinged, house hybrid, with detroit inspired chords and a hooky-as-hell vocal too boot! the flip side features another choice cut from the same stable, >perception<. hot as hell, and again so, so catchy youll dance yer socks off! finally jamie jones delivers a fantabulous remix of >malibu<, adding a sweet guitar lick, a new vocal, and a monster of a breakdown and bassline! again another sure fire winner from the hot creation crew. burnski has recently released >coming home< on 20:20, whilst robert james and jamie jones have recently remixed last years >summertime< anthem by jamie for release on crosstown rebels in the very near future. these tracks have all been proving a hit with this summer wit the more discerning jocks. a fantastic release from a great talent, on a label that is proving to be one of the hottest around this year!