following a busy and fruitful 2013 that saw the release of his exceptional second album half of where you live and shows worldwide, uk electronic artist gold panda next week re-issues one of his earliest releases, quitters raga. the two-track 7 inch, long since sold out, was originally pressed by make mine records in 2009, with the now-cult track still being a staple of the artists live set. newly issued on gold pandas own label notown recordings, the vinyl-only release is limited to 600 copies as a deluxe heavy pressing and features the original.

once again danse club records have unearthed a forgotten and sorely overlooked house track here, then they have enlisted a fine pair of contemporary producers -sqim and deepchild - to remix it and bring it right up to date. the original, whos dick is this is a 1994 kicking house bomb by the mysterious princess di, who released but three eps during the 90s on music station with this track being the pick of the bunch. german producer sqim is associated with labels like exploited and play it down and firstly offers up a ghetto mix of the track

>hi-tide lo-fi< can be read like a sonic map. but instead of a static picture its a growing and evolving concept of explored and lived in space. every space creates its own sound. not only because of the physical premises of a place do we experience sounds differently but also because of our perception and construction of space. and as each sound does have an individual meaning to us so does each space. our identity is directly linked to our access to sound and space. benjamin brunn is questioning these access possibilities and offers us a soundscape of fluxing indentity. within a timeless sound lies the opportunity of liberated being.

ep of new material on citinite, followed by an album on diagonal records. members:&#8232,,&#8232,,stuart argabright also in ike yard and black rain&#8232,,michael diekmann also in ike yard&#8232,,shinichi shimokawa also in black rain&#8232,,dj high priest aka nick taylor from gray (the band which included michael holman and jean-michel basquiat)

mark du mosch is a rotterdam based producer and dj who has earned the highest amount of respect in the dutch alternative music scene in the past couple of years. the reason is simple: he dares to go beyond the obvious, his raw yet emotional signature sound being distinctive, versatile and stunningly creative. expect perfectly executed analogue bliss from a craftsman who is slowly yet steadily making his way into the records bags of global house and techno connoisseurs.

after some sort of slumber, shabu recordings is proud to present its new series: sharmx. sharmx is pretty self-explanatory: these eps will be a retrospective that breathes new life into tracks from previous releases. these born-again tracks are then presented under a new form that is dictated by another party, not previously involved in any creative process of the affiliated release. the word shabu being japanese for splash, this leads us to our first installment in the series: splash splash vol.1

no introduction is really needed for the massive balearic anthem *jibaro*. elkin & nelsons scorching latin disco classic hit big throughout spain, south america and nycs underground club scene in 1979 when this now rare and hard-to-find disco 12 inch version originally dropped, but it gained its real cult status after being picked up and championed up by the likes of rampling, oakenfold et al who who fell in love it after hearing it played by the legendary dj afredo at ibizas amnesia club. instantly recognisable and supremely dancable, this is one of the true heavyweights of the balearic scene - and a must have for any serious record collection.

ricardo villalobos couldnt resist the siren like call of mari kvien brunvoll. the result, *everywhere you go* - celestial voice resurrection mix and amnesia rehabilitation dub - should give some proper information about some of the feelings involved here, such as does the music itself ... being nothing less than magic.

the greater lisbon area is separated by the tagus river, north and south. bnm (blacksea no maya) are from the south side and pddg (piquenos djs do guetto) from the north side. this ep is the expression of work being done for the past couple of years through a monthly club night that put these crews playing together in downtown lisbon.

opening up the release is *der groove günther*, a stripped back bit of rubbery, supple techno. the groove sure is infectious, but it’s the way its detailed with such curious sounds – metal twangs, squelchy chords, icy hi-hats – that makes it so engaging. on the remix, tinush reimagnes the track as an even weirder thing. it’s all about micro-evolving details, subtle and inherent funk and keen sound design that is part shiny and stiff at the same time as being elastic and bendy.
the first vinyl pressing is a limited golden seal edition!

almost two years after their austrian amadeus award nominated debut album *different believers*, allen alexis present their second lp *the other side* at the end of october, releasing it only on vinyl at first. the first extracted single *over the sea* is already in heavy rotation on the radio.
the name is the game, since this time a more different, club-oriented side of allen alexis was increasingly brought to the fore. musically, the album does not only live up to the musicians various orientations, but also to the multiple personality of the artistic character allen alexis, in which the de- and reconstruction of their tracks are being reflected.
presssing on heavyweight 180 gram vinyl, download code included.

the los angeles based steve huerta popped up on the sccucci manucci radar via his releases on the formidable amadeus records and dirt crew recordings, we tracked his progress and liked what we heard. a couple of months back we handed over the keys to mr. manuccis penthouse apartment and sl 230 pagoda to the young angeleno, and in-between being fitted for smoking jackets and hand made brogues he managed to get some productions complete with the results pressed up for the fifth release on manuccis mistress.

avotre goes from strength to strength with labelowner sante being busy in discovering great new releases and talents every few months. after roadtesting this tune from darlyn vlys (area remote, rawthentic) it was a must for him to give him a go on avotre. the infectious grooves and dark vibes of darlyns original are just made for his dj-sets. and definitely yours as well. on the remix you will fnd a avtr ( sante & sidney charles) which is more upfront and reminds on old warehouse raves.

deadbeats dub credentials are by this point are as solid as they come, and being asked to remix 2 of the genres heaviest hitters, not once, but twice is just about the greatest complement anyone in said position could ever hope to receive.

using rolling percussion and a thumping kick, primo really is unbeatable! luigi uses synth stabs that add character and finesse to this outstanding piece of music. hypnotizek rounds off the ep being more upfront about where its going. this cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

george morel. the man behind that name stands for warm and soulful house sounds for decades, not only for being one of the hottest djs around the world, but hes also a multiple gold and platinum receiving artist with the help of his excellent production skills. now hes back once more on alex flatners label circle music - with a new underground hit.

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

simian mobile disco are back with the second in a series of collaborations, following on from sacrifice, their joint effort with bicep. this time theyve joined forces with cosmin trg fresh from his highly acclaimed album gordian on 50 weapons. the fruits of this hard graft in the electronic kitchen of smds studio (to push the food metaphor to its limits) kick off with surstro¨mming. this northern swedish delicacy of tinned, fermented sour herring has the dubious claim to fame of being the most putrid smelling food substance in the world. the burbling, queasy synth tones reflect the effects of this scent on all but the true connoisseurs

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

first runners out from the free spirit society s newly moved berlin-establishment is johanna knutsson & hans berg. being the title-track of this 2-track 12inch, i buy pink sheet is just as funky and loveable as imaginable, a mechanical jacking housegroove surrounded with bits of melodic techno elements. rabbithole takes you down a more narrow and deeper path filled with expectations.

as the seasons change so does magic feets output, this release being somewhat darker and grittier, straddling the divide between new beat, house and techno. award winning composer antoni maiovvi creates hyper-cinematic, italo inspired electro.

after 2 years where the old stories were still being carried around and re-told over and over by the worlds discjockey the next mysterious deephouse raconteur finally adds a new tome to the old legend in his own distinctive, unmistakable style: while the narrative is effectively and assuredly driven on by a classical yet forceful 4/4 rhyme structure the vocabulary is more playful, experimental and abstract with melodic fragments evoking pictures of vast, futuristic landscapes and a mood of deep contemplaton and enlightened serenity. another satisfying pageturner

qbeck first made a splash on the international tech-house scene when seth troxler and crew released his track alice on a visionquest label compilation last year. now alessio mereu is pleased to scoop up the ukrainian producer for a full ep on amam, titled railway mood. eureka has an irresistible galloping groove, with an off-kilter tick-tock giving a countdown to eternity. soon, after the slightly unnerving melodic plucking sounds, you can hear breathy gasps punctuating the atmosphere as if a human being is trapped inside the track. and maybe youll get sucked in too!

when it comes to top class releases produced by artists who were already being brilliant when some of us werent even born, it doesnt get any more legendary than the great oliver lieb. renowned and gaining heavy respect for former projects like spicelab, the ambush, paragliders, l.s.g. and remixing the likes of moby, yello, human league, sydney label elektrax recordings is proud to present the electronic bigfoot to its label with a 4-track release, called *the prophet ep*.

with *imaginary beings*, his first release on chiwax, andy vaz, described by clone as being able to execute one of the best acid house tracks in recent years of hypnotic jacking acid just like armando and jack frost used to make once again comes through with the goods in full swing.

running back veteran mark e returns with a tribute to the uks black country and an ode to the industrial revolution. the images and histories of coal mines, steel mills and iron foundries north and west of birmingham and south and east of wolverhampton lay the foundation of the three track ep (including a work break siren). being a product of his environment, mark e delivers lots of sooty particle house music with a glimpse of sunshine. bostin!

egbert has been dazzling us with the speed at which he seems to have skyrocketed to being one of the worlds top players in the techno scene. within a short period of time he has managed to create a rapidly growing fan base who have all been avidly waiting for him to release an album for some time now.

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

ahead of the release of his debut full length, brazilian producer, club owner, businessman and dj renato ratier releases a first single from it featuring pillow talk and complete with a dubshape remix. as well as being a driving force at both warung and d edge in brazil, ratier has recently shown himself to be an adept producer with a great couple of tracks that were stylistically diverse. here the two originals continue in that good form

after being released digitally only and really great support throughout all floors, tengue rec. decided to bring this disco-influenced bass driven house floor tool to all vinyl lovers and djs as well. so decide it yourself, pick it up and try it out!

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80�s electro, house & techno influenced tracks & creations. the �new york transit authority� name was first adopted for a split 12�� release with conqueror (redlight) on redlight�fs lobster boy label last year. his side was a slinky, 808 house number entitled �*off the traxx�*, which deservedly found its way into fact�s 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & �ethe one�f for fact mag that finished in the top 20 best fact mixes of the year.

cambridge resident samuel emerson iliffe, aka ill life, is driven by a penchant for warping things. akin to warping his sonorous surname into the ill life moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. samuels sonics seemingly owe a considerable amount to recent innovations from the likes of blawan or perc trax alumni, however his only fault is taking part in the phenomenon of synchronous innovation. before karenn coalesced, before clouds newest offerings started being rinsed, ill life had long since moulded his sound. it is infinite machines infinite regret to have discovered him so belatedly. but there is no use crying over spilled trax.

limited edition deluxe vinyl of 300 numbered copies. 180g heavyweight vinyl, dvd of the film, 8 page booklet, download of the soundtrack plus an additional exclusive bonus download of the soundtrack being performed live at the saint-merry church in paris, april 2011. housed in a black paper inner sleeve and packed to reverse printed black and white outer sleeves. a very special limited edition release, from the founding members of farewell poetry.

reacquainted with his soul after the galactic battle with the gatekeeper of hades, edmx and his craft bulb into view from hyperdrive. emerging from an imperfect stasis, the pilot lay slumped over the controls of his ship. beneath the glaze of his vizor his eyes looked milky white, opaque cataracts had almost sealed them. the craft was being pulled slowly toward sigma orionis on invisible magnetic currents. flurries of dust danced around the pilots window like fireflies. in the far distance the horse head nebulae dwarfs the tiny craft with its mountainous cosmic majesty.

a label dedicated to the freedoms of expression, the delicacies held above genre stereotypes, and the overall pursuit of unorthodoxy. we are a collection of artists, neither here nor there, visionaries who believe in the subtle variations that are frequently overlooked in todays cluttered electronic spectrum. we are devoted to the imperfections of contemporary dance music, the 4/4 pulsations of a universal language, an unconventional mindset, and, of most significance, the nuanced bedroom producer secluded from contemporary disorde

inspired by the infinitely numbered harmonies transmitted by vista, a benevolent being from a distant dimension, iasos broke ground for a new age of electronic sound manipulation.

a brand new label split between stockholm and york, homes of the two artists on this first release. despite the label name, this is far from being the final chapter, simply the beginning of a new collaboration to push raw club tracks and machine tones inspired by chicago house and detroit techno. full force, full quality electronic music, plain and simple.

geddes first single is impressive with the title track remedy sure to be a pinnacle in many dj sets. remedy is laced with house rhythms and uses a melodic synth and stabs to create a tough house groove before the vocal gives the track the unique flavour and character geddes can produce. shout sleazily rolls along being joined by different instruments to create a funky club track that will turn dance floors upside down

flashback to chicago in 1985, when house music was just being born. a few kids - matt warren, miguel garcia and ralphi rosario, get together to join forces with the already established sunset mobile disco - owned by brothers alex and robert rojo - to create a new record label as an outlet for their productions. here still music presents the full story, written by jacob arnold - of one of chicagos house music best kept secret in a superb gatefold dlp compilation that includes remastered, rare and unreleased tracks from the sunset records inc. label along with lost pictures and artifacts spread in a gatefold dlp. check!

ontology is the beginning of reality. pulsing rhythms as categories of being are acting like entities in a dusty void. sparkles of light underlines the times of creation, where nothing existed before. since nothing really existed for the human being, silence was full of noises.pulsation as the archaic form of life.
the ontology remix is made by bruno sacco, perfectly in line with coals original. a vision in a techno rough structure, with more bpm. the remix doesnt alter the original but approach it from another point of view. a vision in perfect parisian techno style.

its only early july, but 2013 has already proven to be a landmark year for production/dj duo deepa & biri. with a couple of their tracks being released on transmat records and appearing on derrick mays mix compilations on the one hand, while on the other, getting signed to dj hells international dj gigolo records, where they released a single in april and have a full album forthcoming mid-september it seems that all corners of the techno diaspora are ready to catch up on their sound.

for those who know the story of the bridge wars, there is some irony found in the fact that scott la rock, representing the south bronx, was born in queens, though he did relocate to the south bronx at a very young age. after graduating high school la rock spent four years in vermont at castleton college where he earned varsity letters in basketball, but more importantly for the world of hip hop he became more and more enamored with music. on graduation he returned to new york and began working as a dj and as a social worker at the franklin armory mens shelter in the bronx. it was at the shelter that scott met kris parker and the duo formed boogie down productions. the rest, as they say, is history. roughly a year after the tragic shooting death of boogie down productions founder, dj and producer scott la rock b boy records and krs-one issued this special remix album, a man and his music (remixes from around the world). billed as a limited edition collectors classic the project was released in a limited run – briefly available in the 90s – and now after years of being unavailable reappears as a tribute to one of the genres early pioneers.

slamming nice price triple vinyl package

- vinyl only release
- the first release from wrong island communications is the eponymous moon ep moon is the artist name of 18 year old bostonian, stephen gilarde. his musical talent being so well defined at such a young age can possibly be explained

with every release being supported by the biggest djs all across the world and by reviews and interviews, itamar sagi is now a well respected name in techno, and one we love to have back on intacto.

first up sees the new methodology track in full on dance floor assault mode - serious break-fuelled techno with rolling drums, off beat funk elements and big stabbing chords moving in and out of fx laden atmospheres at a fairly furious pace. the b side introduces yet another incredibly talented producer from the iridite stable - mike singleton is a regular dj at glasgow s internationally famous monox club as well as being one of the chief tech-heads and all round music know-it-alls at rubadub records. his track here will appeal to anyone who likes to be genuinely shaken up by a track - it s got the lot - cutting edge production techniques, heartfelt melody, intricate and complicated programming, bassline turning and twisting almost inside out, fantastic fx, but most of all >the funk<! methodology round things up with another mutant house/techno hybrid track - all shuffly percussion, filtered samples and a mournful, string laden climax, layered with weird bleep-ing riffs and super-sub bass