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His was pioneering work—done from a bohemian boat-slip home office—on some of the first commercially available synthesizers and, on stage, into the kaliedoscopic heart of psychedelic-era concert visuals. As life-affirming and attuned to spirit as Iasos’ soul portraits were, prestigious psychology departments heard in them the tones humans hear at the precipice between life and death. Before ambient and New Age were so named and codified, the “Paradise Music” of Iasos—represented here by 13 selections transmitted between 1975 and 1985—brought Earth-transcriptions of a vast and galactic soundhealing to a planet much in need.